Event Comment: The Maid of the Oaks [announced on playbill of 18 Feb.] is obliged to be deferred on account of the Indisposition of a principal Performer. Receipts: #101 3s. 6d. (69/12/0; 31/10/6; 0/1/0)

Event Comment: Mainpiece: Not acted these 4 years. [In mainpiece the playbill does not list the Child; for the assignment see Morning Post, 10 Oct., and edition of 1787 (Rachael Randall).] "[Mrs Siddons's] merit in the character was infinite, and the applause she received unbounded. In various of her scenes the plaudits were repeated . . . During the fourth and fifth acts there was almost an incessant clapping, and when Isabella expired her death was rendered glorious by the theatre's resounding with thundering applause for more than a minute" (Morning Chronicle, 11 Oct.). "L'actrice la plus noble dans ses manieres, madame Siddons, ne perd rien de sa dignite quand elle se prosterne contre terre . . . Enfin, il arriva ce moment terrible ou Isabelle, s'etant echappee des mains des femmes qui veulent l'empechcr de se tuer, rit, en se donnant un coup de poignard, de l'inutilite de leurs efforts. Ce rire du desespoir est l'effet le plus difficile et le plus remarquable que le jeu dramatique puisse produire; il emeut bien plus que les larmes: cette amere ironie du malheur est son expression la plus dechirante. Qu'elle est terrible la souffrance du coeur, quand elle inspire une si barbare joie, quand elle donne, a l'aspect de son propre sang, le contentement feroce d'un sauvage ennemi qui se serait venge!" (Mme de Stael: Corinne, livre XVII, chapitre iv). Receipts: #181 11s. (147/0; 34/6; 0/5)

Event Comment: Benefit for Harris, ballet-master and Principal Dancer, and Trew. Mainpiece: With the Triumphal Entry of Alexander into Babylon. Receipts: #286 18s. 6d. (97/15/6; tickets: 189/3/0) (charge: #105)

Event Comment: Benefit for Brandon, box-book and house-keeper. Receipts: #319 17s. (80/4; tickets: 239/13) (charge: #105)

Event Comment: Afterpiece to include a Grand View of the Cumberland Fleet sailing for the Cup, and a song and chorus in honour of the Institution. To conclude with a Pageant, Rural and Pantomimical. Paid Danby for Chorus to 9th Inclusive #8 151. The Doors will be opened at 5:15. To begin at 6:15 [see 22 Apr. 1784]. Receipts: #187 (169/14/0; 16/15/6; 0/10/6)

Event Comment: Benefit for Booth. Mr Booth respectfully hopes his close Attention to the several Departments he occupies in the Theatre will be a sufficient Excuse for his not personally waiting on his Friends. [Public Advertiser, 22 Mar., notes that since Wild's accident [see 11 May] Booth had been acting as prompter.] Public Advertiser, 14 Apr.: Tickets to be had of Booth at his house in Great Queen-street, Lincoln's-inn-fields. 2nd piece [1st time; M. INT I, compiler unknown]: The Music compiled from the most eminent Masters

Event Comment: Paid Butler for carpenters #15 4s. 7d. Receipts: #280 5s. 6d. (248/6/0; 30/10/6; 1/9/0)

Event Comment: [Mrs Jordan's 1st recorded appearance as Imogen was at Leeds, 25 July 1785.] Afterpiece Never performed there. Books of the Songs to be had at the Theatre. Receipts: #174 6s. (136/6/0; 37/17/6; 0/2/6)

Event Comment: Benefit for Mme Mara. Tickets to be had of Mme Mara, No. 24, Henrietta-street, Cavendish-square. Opera: With the last Scene new

Event Comment: Afterpiece: To conclude with the favourite scenes of the Bird Catcher, Mine, and Grand Saloon from Here and There and Every Where. [These were included in all subsequent performances.]

Event Comment: Paid Bligh, tallow chandler, in full for last season #354 14s. Receipts: #200 17s. 6d. (197.14.6; 3.3.0)