Event Comment: Benefit for Scrase, Courtney, Miss Reed. Tickets deliver'd by Mr Palmer and Mr W. Yates will be taken

Event Comment: The pieces deferred to this Day on account of Miss Elliott's indisposition

Event Comment: By Particular Desire. [Miss Street is here billed as apprentice to Gerhardi.

Event Comment: Mainpiece [altered by John Philip Kemble]: With new Scenes, Dresses, Decorations, and Machinery. In Act I, at the opening will be introduced, for the First Time a Battle between the Macedonians and the Persians. In Act IV, the Royal Banquet. [These were included in all subsequent performances.] The Scenes designed and painted by Marinari. The Dresses and Decorations by Johnston and Miss Rein. The Machinery by Cabanel. "[In the last scene] the expiring tone with which [Kemble] pronounces 'Cover me'; his shivering, when wrapt round in the imperial robes; his wan and wasted countenance; the manner of his labouriously drawing his legs together, and their aguish knocking when they meet, surpass all description" (Monthly Mirror, Jan. 1796, p. 180). Receipts: #375 2s. 6d. (306.14.6; 67.3.0; 1.5.0)

Event Comment: Benefit for Miss Sherry and Miss Wright. Tickets delivered by Daglish will be taken. Tickets sold at the Doors will not be admitted. Public Advertiser, 22 Apr.: Tickets to be had of Miss Sherry, No. 2, Little Russel Street, Covent Garden; of Miss Wright, No. 54, Drury-lane. Receipts: #257 15s. (48.9.0; 10.8.6; 0.11.6; tickets: 198.6.0) (charge: #89 5s. 6d.)

Event Comment: Benefit Ray, F. Shepard, Rogers, Green, Master Brooks, Miss Morrison. Tickets for the Misses Scott also taken

Event Comment: Tickets delivered for this Evening [Account-Book: by Brady, Dale, the D'Egvilles, Jones, Lyons, Powell, Sherratt, Smith, Whittow, Mrs Heard, Mrs Haskey, Mrs Mills, Miss Palmer, Mrs Shaw] will be admitted. [Miss Davies's 1st appearance, billed as "A Young Lady," was at the hay, 28 July 1786.] Receipts: #279 12s. 6d. (16.1.0; 10.8.6; 0.6.0; tickets: 252.17.0)

Event Comment: Benefit for Miss Hilliard. Tickets of Miss Hilliard at Mr Pervil's, Auctioneer, upper end of Bow St., Covent Garden; and of Sarjant at the Stage Door of the Theatre, where places for Boxes may be taken. Tickets sold at the Doors will not be admitted. Receipts: #24 2s. 6d. in cash. Charges #64 5s. Deficit to Miss Hilliard #40 0s. 6d., coverd by income from tickets #79 17s. (Boxes 101; Pit 278; Gallery 129). Paid for 7 doz. wax candles at 24s. per dozen #8 8s

Event Comment: Mainpiece: Not acted these 3 years. Tickets delivered by the young D'Egvilles, Jones, Newbold, Shaw, Dale, Purser Sen., Smith, Aberdein, Mills, Miss Tidswell, Mrs Heard, Miss Dancer, Miss Bradshaw, Mrs Haskey, will be admitted. Receipts: #241 8s. 6d. (23.4.0; 15.3.6; 0.15.0; tickets: 202.6.0)

Event Comment: Mainpiece: With new Scenery, Dresses and Decorations. [This was the version, altered probably by Joseph George Holman, in which he appeared in Dublin on 29 July 1794, on which occasion the playbill reads, "Dressed in the Habits of the Times, and with other Alterations, adopted in its Representations 19 [recte 11] Nights last Winter, at the Theatre Royal, Covent Garden." It further states that the part of Ophelia would be performed "without the Airs, and with a considerable Restoration of the Text." No record of what these alterations consisted of has come to light. In III.iv Hamlet's father was represented by a life-sized portrait that hung over the chimney, and the Queen wore a large miniature of Claudius on her arm as a bracelet (London Chronicle, 10 Oct.). The words of the Dirge are printed in European Magazine, Nov. 1793, p. 393; they are stanza X of Shakespeare's Passionate Pilgrim. Miss Poole had appeared as a singer at king's and at Vauxhall in 1787 and at the cg oratories in 1791.] Afterpiece: Not acted these 2 years [and in place of The Prisoner at Large, advertised on playbill of 8 Oct.]. Receipts: #332 4s. (330.3; 2.1)