SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Miss Jaratt"/1) | (@(roleclean,performerclean) "Miss Jaratt")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 13748 matches on Performance Comments, 4402 matches on Performance Title, 1719 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Mrs Martyr. [In 1st piece the playbill retains Mrs Martyr as Dolly, but "Dolly was undertaken at a short notice, by Mrs Chapman, upon the sudden indisposition of Mrs Martyr" (Monthly Mirror, June 1800, p. 366). "In consequence of Mrs Martyr's accouchement...the part of Dolly was sustained by Miss Sims" (Dramatic Censor, II, 140).] 2nd piece [1st time; M. INT 1, author unknown. Not in Larpent MS; not published]: To conclude with a Representation of the Storming the City of Acrev by the French [17 Mar.-20 May 1799], and the Heroic Defence made by the Turkish Troops led on by the British Sailors [under the command of Sir Sidney Smith]. Morning Chronicle, 23 Apr.: Tickets to be had of Mrs Martyr, No. 16, Martlett-court, Bow-street, Covent Garden. Receipts: #333 4s. 6d. (118.3.6; 11.16.6; tickets: 203.4.6)

Performances

Mainpiece Title: The Woodman

Performance Comment: As18000415, but Dolly-Mrs Chapman [or Miss Sims?].or Miss Sims?].
Cast
Role: Miss Di Clackit Actor: Mrs Davenport
Role: Polly Actor: Miss Sims

Afterpiece Title: The Siege of Acre

Afterpiece Title: The Jew and the Doctor

Cast
Role: Emily Actor: Miss Chapman
Role: Betty Actor: Miss Leserve

Song: End I 1st piece: The Last Shilling (composed by Dibdin)-Incledon; (in the Course of the Evening) Old Towler-Incledon; In Scene I 2nd piece: by Permission of Dibdin, his following popular songs: The Sailor's Journal-Incledon; The Anchor Smiths-Townsend; All Hands to the Anchor-Fawcett; Jacky and the Cow-Munden; The Advantage of Toping-Townsend; A Comic Irish Song-Johnstone

Event Comment: Benefit for Miss DeCamp. Morning Chronicle, 10 May: Tickets to be had of Miss DeCamp, No. 14, Tottenham-court-road. Receipts: #431 9s. (143.8.6; 82.12.0; 2.5.0; tickets: 203.3.6) (charge: #217 8s. 2d.)

Performances

Mainpiece Title: The Haunted Tower

Performance Comment: As18000514, but added: Baron of Oakland-Hollingsworth; Lewis-Trueman; Robert-Dignum; Charles-Sedgwick; Baron de Courcy-Holland; Martin-Wathen; Cicely-Miss B. Menage.
Cast
Role: Cicely Actor: Miss B. Menage.
Role: Adela Actor: Miss DeCamp.

Afterpiece Title: The Sultan

Cast
Role: Ismene Actor: Miss Leak

Song: In afterpiece: The Blue Bell of Scotland, as18000512; accompanied on the Lute, as18000512; II: song-Master Suett

Event Comment: Account-Book: Tickets delivered by John Brandon, Dick, Denman, Hall (carpenter), Hay, Williamson will be admitted. [Miss Lascelles is identified in Morning Post, 4 June.] Receipts: #409 16s. (39.2.6; 6.9.0; tickets: 364.4.6)

Performances

Mainpiece Title: Every One Has His Fault

Performance Comment: As17991016, but Lady Eleanor Irwin-A Young Lady (1st appearance [Miss Lascelles]).Miss Lascelles]).
Cast
Role: Edward Actor: Miss Sims
Role: Miss Wobourn Actor: Miss Chapman
Role: Miss Spinster Actor: Mrs Davenport

Afterpiece Title: The Farmer

Event Comment: Benefit for Chippendale, Chatterley, Ryder, Fisher, Evans, Miss Tidswell, Miss Campbell, Mrs Butler [who are named in the Account-Book, but not on the playbill]. Receipts: #68 1s. (36.3; 29.15; 2.3; tickets: none listed) (charge: #212 16s. 1d.)

Performances

Mainpiece Title: The Child Of Nature

Performance Comment: Duke Murcia-King; Marquis Almanza-Powell; Count Valentia-Palmer; Granada-Fisher; Seville-Evans; Peasant-Archer; Marchioness Merida (1st time)-Miss Campbell; Amanthis-Mrs Jordan.

Afterpiece Title: High Life below Stairs

Afterpiece Title: Rosina

Cast
Role: William Actor: Miss DeCamp
Role: Rosina Actor: Miss Stephens

Ballet: In 2nd piece: The Scotch Ghost. As17991202, but Glaude-Fisher

Event Comment: Rich's Company. The date of the first production is not known, but the fact that it was advertised in the London Gazette, No. 3122, 10-14 Oct. 1695, indicates that it was probably acted not later than September 1695. Three songs were published separately: O how you protest, possibly set by Henry Purcell and sung by Mrs Knight; 'Twas within a Furlong, the words by Thomas D'Urfey, set by Henry Purcell, and sung by the Girl [Miss Cross]; and Man is for the woman made, the words by Pierre Motteux and set by Henry Purcell, are in Deliciae Musicae, The Third Book, 1696. See also Purcell's Works, Purcell Society, XX (1916), xix-xx. Preface, Edition of 1696: Notwithstanding the many Accidents that concurr'd to the Ruin of this Play, it succeeded above my Expectations: And I must own my self infinitely oblig'd to the Town, in receiving so favourably, what I at first never design'd for the Stage. Gildon, English Dramatick Poets, p. 121: This particular Play met with pretty good Success, for the Season of the Year, considering it the first Essay by a Young Writer, unacquainted with the Town. A Comparison Between the Two Stages (1702), p. 18: Sullen: Mock-Marriage, a young Fellows of the Town, a Retainer, and kind of Pensioner to the Stage. Ramble: What was it's Fate? Sullen: Damn'd, Damn'd

Performances

Mainpiece Title: The Mock-marriage

Performance Comment: Edition of 1696: Prologue-Miss Cross; Epilogue-Mrs Knight; Lord Goodland-Disney; Fairly-Horden; Willmot-Powell; Belfont-Verbruggen; Sir Simon Barter-Johnson; Sir Arthur Stately-Lee; Lady Barter-Mrs Knight; Marina-Mrs Rogers; Clarinda-Mrs Verbrugen; Flavia-Mrs Finch; Betty-Mrs Newman; Alice-Mrs Clark; Landlady-Bullock; Quaker-Mrs Powell; Daughter-Mrs Urwin.
Cast
Role: Prologue Actor: Miss Cross
Event Comment: Rich's Company. The date of the premiere is not known, but the fact that the play was advertised in the London Gazette, No. 3130, 7-11 Nov. 1695, suggests that it was acted not later than October 1695, although the first production may have been earlier than that. Part of the music was composed by Henry Purcell: Celia has a thousand charms, sung by Young Bowen; Take not a woman's anger ill, sung by Leveridge; and How happy is she, sung by Miss Cross; all are in Deliciae Musicae, The Third Book, 1696. See also Purcell's Works, Purcell Society, XXI (1917), x-xi. Another song, To me you made a thousand vows, set by John Blow, is in Amphion Anglicus, 1700. Dedication, Edition of 1696: I...found so much interrutpion and discouragement from some prejudic'd Gentlemen, who ought to have us'd me better, or, at least, had no reason to use me ill, that I repented I had bestow'd any time upon it....In spite of 'em, my Lord, it was kindly receiv'd, and that too, at a time when the Town was never thinner of Nobility and Gentry

Performances

Mainpiece Title: The Rival Sisters; Or, The Violence Of Love

Performance Comment: Edition of 1696: Prologue by Mr D'Urfey-Mr Horden; Epilogue by Mr D'Urfey-Mr Verbruggen who enters laughing; Vilarezo-Dizny; Sebastian-Verbruggen; Antonio-Powel Jr; Alonzo-Williams; Vilander-Horden; Gerardo-Johnson; Diego-Tho. Kent; Catalina-Mrs Knight; Berinthia-Mrs Rogers; Alphanta-Miss Cross; Ansilva-Mrs Verbruggen; Julia-Mrs Seagrove; Clara-Mrs Newman.
Cast
Role: Alphanta Actor: Miss Cross
Event Comment: Rich's Company. The date of the first performance is not known, but the fact that the play was advertised in the London Gazette, No. 3140, 12-16 Dec. 1695, to be published 17 Dec. 1695, suggests that its first appearance was not later than November 1695. According to the Edition of 1695, the music was set by the late Henry Purcell, Courteville, Samuel? Aykerod, and other composers. For Purcell's music, see Purcell's Works, Purcell Society, XVI (1906), xxix-xxxi. The songs were sung by Miss Cross and Mrs Verbruggen. Preface, Edition of 1696: I must inform the Reader, that this Third Part before it came upon the Stage was acknowledg'd and believ'd by all that saw it, and were concern'd (as well those that heard it read, as those that were Actors, who certainly, every one must own, are in their Affairs skilful enough to know the value of things of this Nature) to be much the best of all the Three Parts;...tho prepar'd by my indefatigable Diligence, Care, Pains, nay, the variety which I thought could not possibly miss the expected Success, yet by some Accidents happening in the Presentment, was disliked and explored; The Songish part which I used to succeed so well in, by the indifferent performance the first day, and the hurrying it on so soon, being streightned in time through ill management--(tho extreamly well set to Musick, and I'm sure the just Critick will say not ill Writ) yet being imperfectly performed, was consequently not pleasing; and the Dances too, for want of some good Performers, also disliked; all which, tho impossible for me to avoid, and not reasonably to be attributed any way to a fault in me, yet the noisy Party endeavour'd to use me as ill as if it were, till the generous Opposition of my Friends gave me as much reason to thank them for their Justice, as to despise the others Malice.... As to the Poppet Shew in the Fourth Act, the Accident of its being plac'd so far from the Audience, which hindred them from hearing what either they or the Prolocutor said, was the main and only reason of its diverting no better. A Comparison Between the Two Stages (1702) p. 17: Sullen: The third Part of Don Quixote. Ramble: Oh the ever-running Streams of Helicon! by all that's Poetical, my Friend Durfey; good lack! I thought I shou'd meet with him before we got half way: Well, in the name of Impudence, what luck? Sullen: Damn'd, Damn'd to all intents and purposes. Ramble: His first and second Part did well

Performances

Mainpiece Title: The Comical History Of Don Quixote, The Third Part; With The Marriage Of Mary The Buxome

Performance Comment: Edition of 1696: Prologue-[Enter Mr Horden, [After eight lines] Miss Cross [enters; Epilogue-Mary the Buxome; Don Quixote-Powell; Sancho-Newth; Basilius-Horden; Camacho-Bullock; Jaques-Pinkeman; Carrasco-Verbrugen; Gines de Passamonte-Lee; Puppets (design'd to be Acted by)-Children; Carter to the Lyon-Smeaton; Quitteria-Mrs Finch; Dulcinea del Toboso-Smeaton; Teresa-Mrs Powell; Mary the Buxome-Mrs Verbruggen; Altisidora-Mrs Cross.
Event Comment: Rich's Company. The date of the first performance is not known. A contract between Cibber and Rich was signed on 29 Oct. 1696 (L. C. 3@73, in Nicoll, Restoration Drama, pp. 381-82), with an agreement that it was not to be printed until a month after it was acted. Since the play was advertised in the Post Man, 20-23 March 1696@7, it may have been acted as early as January 1697, certainly not later than February 1697. Possibly Leveridge set the music for a song, Tell me, Belinda, prithee do, which is in A New Book of Songs by Mr Leveridge, advertised in the London Gazette, No. 3293, 3 June 1697. A Comparison Between the Two Stages (1702), p. 18: Lady in Fashion, by a Player, Damn'd. Preface, Edition of 1697: Not to miss the Advantage of Mr Doggett's Excellent Action; I prepar'd a low Character

Performances

Mainpiece Title: Woman's Wit; Or, The Lady In Fashion

Performance Comment: Edition of 1697: Prologue-; Epilogue-Miss Cross; Lord Lovemore-Harland; Longville-Cibber; Major Rakish-Penkethman; Jack Rakish-Powel; Mas. Johnny-Dogget; Father Benedic-Smeaton; Lady Manlove-Mrs Powel; Leonora-Mrs Knight; Emilia-Mrs Rogers; Olivia-Mrs Cibber; Lettice-Mrs Kent.
Cast
Role: Epilogue Actor: Miss Cross
Event Comment: Benefit Miss Rogers. At the particular Desire of several Ladies of Quality. Receipts: money #26 18s. 6d. and tickets #32

Performances

Mainpiece Title: Love Makes A Man

Performance Comment: See17150929; With a New Epilogue-Miss Rogers.

Song: A New Dialogue-Leveridge, Mrs Fitzgerald accompanied with Violins and Hautboys, after the Italian Manner

Dance: As17151029

Event Comment: Benefit Wright and Miss Seale

Performances

Mainpiece Title: Love For Love

Performance Comment: As17220306 but Prue-Miss Seale.
Cast
Role: Prue Actor: Miss Seale.

Afterpiece Title: The Stage Coach

Dance: Myrtillo-; Scotch Dance-Mrs Bullock

Event Comment: At the particular Desire of several Persons of Quality. Being positively the last Time of the Company's performing this season. Receipts: #98 17s. 6d. Probable attendance: boxes, 112 paid and 28 orders; stage, 21 paid; pit, 253 paid and 11 orders; slips, 12 paid and 12 orders; first gallery, 191 paid and 11 orders; second gallery, 140 paid and 4 orders. Craftsman, 22 June: To the great Surprize of the Audience, the Part of Polly Peachum was performed by Miss Warren, who was very much applauded; the first Performer being retired, as it is reported, from the Stage

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: See17280129, but Polly-Miss Warren.
Cast
Role: Polly Actor: Miss Warren.
Event Comment: Benefit Turner and Miss Careless

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: See17281223, but Macheath-Turner; Polly-Miss Careless.
Cast
Role: Polly Actor: Miss Careless.
Event Comment: Benefit Miss Ward, Wilson

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: See17290131, but Rose-Miss Ward; Sylvia-Mrs Thomas.
Cast
Role: Rose Actor: Miss Ward

Afterpiece Title: The Humours of Harlequin

Cast
Role: Venus Actor: Miss Hill
Role: Miller's Wife Actor: Miss Mann
Role: Ceres Actor: Miss Hill
Event Comment: Benefit Mrs Vincent and Miss Warren. Receipts: money #47 9s.; tickets #99 3s

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: See17290324 but Polly-Miss Warren.
Event Comment: Benefit Miss Petre

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: As17290305 but Polly-Miss Petre.
Cast
Role: Polly Actor: Miss Petre.

Afterpiece Title: The Humours of Harlequin

Event Comment: Benefit Miss Arne,

Performances

Mainpiece Title: Amelia

Performance Comment: See17320313 but Amelia-Miss Arne.
Event Comment: Benefit of Prompter (Steed). Receipts: money #20 19s. 16d.; ticekts #62. Tickets for Lacy and Miss Horsington taken

Performances

Mainpiece Title: The Fond Husband

Cast
Role: Cordelia Actor: Miss Holliday

Afterpiece Title: The Tragedy of Tragedies

Performance Comment: King Arthur-Hulett; Tom Thumb-Miss S. Rogers, the Lilliputian Lucy; Grizzle-Lacy; Merlin-Hallam; Ghost of Gaffer Thumb-Salway; Noodle-Houghton; Doole-Aston; Foodle-Hale; Dollalolla-Mrs Martin; Huncamunca-Mrs Egleton; Glumdalca-Hall.

Dance: TTwo Pierrots-Poitier, Pelling; Hornpipe-Jones, Mrs Ogden

Event Comment: Benefit Mrs Christian, formerly Miss Vaughan. At the Desire of several Persons of Quality. Mainpiece: Written by Sir Richard Steele. [Tickets at Christian's House, No. 23, Prescott Street.

Performances

Mainpiece Title: The Tender Husband

Performance Comment: As17330404 but Tipkin-Norris; Jenny-Miss Wherrit; Mrs Clerimont-Mrs Christian.
Cast
Role: Jenny Actor: Miss Wherrit

Afterpiece Title: The Lovers Opera

Performance Comment: See17330120, but Clara-Mrs Nelson, formerly Miss M. Vaughan; A New Prologue-Mrs Christian.

Dance: LLe Minuet-D'Vallois, Mrs Nelson; Pierrot and Pierraite-D'Vallois, J. Delagarde; La Provansalle-D'Vallois; V: French Wooden Shoe Dance-D'Vallois

Event Comment: At the particular Desire of several Ladies of Quality. Benefit Mrs Clive, formerly Miss Raftor. Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Confederacy

Performance Comment: Clarissa-Mrs Horton; Flippanta-Mrs Clive; Corinna-Miss Holliday; Dick-Stoppelaer; Brass-Macklin; Gripe-Mullart; Moneytrap-Norris; Clip-Topham; Araminta-Mrs Elmy; Mrs Cloggit-Mrs Herle; Mrs Amlet-Mrs Willis, who performed it originally .
Cast
Role: Corinna Actor: Miss Holliday

Afterpiece Title: The Lottery

Music: V: Handel's Water Musick, in which Poitier will beat the Kettle Drum

Dance: I: A new Dutch Dance by Le Brun and Mrs Walter. II: Two Pierrots by Poitier and Davenport. III: English Maggot by Lally Jr and Mrs Walter. IV: La Badine by Lally, Mlle Grognet, Lally Jr, Mrs Walter

Event Comment: Benefit Miss Arne

Performances

Mainpiece Title: The Constant Couple

Performance Comment: As at HAY, 27 Oct. 1733, but Lady Darling-Mrs Shireburn; Angelica-Miss Holliday .
Cast
Role: Angelica Actor: Miss Holliday

Afterpiece Title: Love and Glory

Cast
Role: Venus Actor: Miss Arne
Role: Pallas Actor: Miss Jones
Role: Graces Actor: Miss Mason, Miss Young, Miss Oates

Dance: I: Drunken Peasant by Le Bran. II: Pierrots by Poitier and Nivelon. III: Polonese, as17340325 IV: English Maggot by Lally Jr and Mrs Walter. V: Grand Dance in Momus, as17340316

Event Comment: Benefit A. Hallam. At the Desire of several Persons of Quality. Tickets for Miss Baston also taken

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Lottery

Performance Comment: Lovemore-Stoppelaer; Jack-Chapman; Stocks-Morgan; Chloe-Miss Norsa, but see17341205 .
Cast
Role: Chloe Actor: Miss Norsa, but see17341205

Dance: La Coquette Francoise by Lally, S. Lally, Mlle Salle. The Buxom Lass (new) by Miss Baston. Tambourine by Glover and Miss Rogers

Performance Comment: Lally, Mlle Salle. The Buxom Lass (new) by Miss Baston. Tambourine by Glover and Miss Rogers .
Event Comment: By Bardin, Havard, Ray, Miss Norman

Performances

Mainpiece Title: Oroonoko

Performance Comment: As17350415 but Aboan-Bardin; Lucy-Miss Norman .
Cast
Role: Lucy Actor: Miss Norman

Afterpiece Title: The Toy Shop

Dance: I: Dutch Skippers by Vallois and Mrs Bullock. III: La Follette c'est Ravizee by Tench and Mrs Woodward. V: Scotch Dance by Haughton, Mrs Bullock, Vallois, Mrs Woodward, Tench, Miss Norman

Performance Comment: III: La Follette c'est Ravizee by Tench and Mrs Woodward. V: Scotch Dance by Haughton, Mrs Bullock, Vallois, Mrs Woodward, Tench, Miss Norman .

Song: As17350429

Event Comment: Benefit Miss Holliday

Performances

Mainpiece Title: The Careless Husband

Performance Comment: Foppington-Cibber; Morelove-Mills; Sir Charles-W. Mills; Lady Betty-Miss Holliday; Lady Easy-Mrs Butler; Lady Graveairs-Mrs Thurmond; Edging-Mrs Clive .
Cast
Role: Lady Betty Actor: Miss Holliday

Afterpiece Title: The Virgin Unmask'd

Dance: II: English Maggot by Villeneuve and Mrs Walter. III: Grand Ballet by Essex, Mrs Walter, &c. IV: Dutchman and His Frow by Phillips and Miss Mann. v: Rover, as17360412

Performance Comment: III: Grand Ballet by Essex, Mrs Walter, &c. IV: Dutchman and His Frow by Phillips and Miss Mann. v: Rover, as17360412.
Event Comment: Benefit Miss Norsa. Tickets at her Lodgings, Nassau Street, near Gerrard Street. Receipts: money #12 14s. 6d.; tickets #101 9s. London Daily Post and General Advertiser, 29 April: We hear Mr Handel has compos'd a new Opera, on the Occasion of his Royal Highness's Marriage to the Prince[S] of Saxe Gotha, and as the Wedding was solemnized sooner than was expected, great Numbers of Artificers, as Carpenters, Painters, Engineers, &c. are employed to forward the same

Performances

Mainpiece Title: The Relapse

Performance Comment: Hoyden-Miss Norsa; Foppington-A. Hallam; Loveless-Ryan; Worthy-Delane; Berinthia-Mrs Horton; Amanda-Mrs Hallam; Sir Tunbelly-Mullart; Young Fashion-Walker; Coupler-Hippisley; Surgeon-James; Lory-Chapman; Nurse-Mrs Mullart .
Cast
Role: Hoyden Actor: Miss Norsa

Afterpiece Title: Flora

Performance Comment: As17360427 but Flora-Miss Norsa .
Cast
Role: Flora Actor: Miss Norsa

Dance: Two Pierrots by Lalauze and Nivelon. The Peasants by Lalauze, Mlle D'Hervigni, &c. Sailors (from orestes) by Glover, Tench, Desse, Delagarde, Livier, Richardson

Event Comment: Benefit Marshall and Miss Bincks. Receipts: money #13 16s. 6d.; tickets #43 7s

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: As17351128, but Daniel-James; Lucinda-Miss Norsa .
Cast
Role: Lucinda Actor: Miss Norsa
Role: Luanda Actor: Miss Norsa
Role: Phillis Actor: Miss Binks

Afterpiece Title: The School Boy

Performance Comment: School Boy-Miss Bincks; Major Rakish-Hippisley; Young Rakish-Walker .
Cast
Role: School Boy Actor: Miss Bincks

Dance: I: Two Pierrots by Nivelon and Lalauze. III: Harlequine by Mlle De L'Isle. IV: Tambourine by Miss Rogers. End Afterpiece: Sailors (from Orestes) by Glover, &c

Performance Comment: III: Harlequine by Mlle De L'Isle. IV: Tambourine by Miss Rogers. End Afterpiece: Sailors (from Orestes) by Glover, &c .

Song: II: Mock Italian Song by E. Roberts