SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Miss Burn"/1) | (@(roleclean,performerclean) "Miss Burn")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 13762 matches on Performance Comments, 4408 matches on Performance Title, 1743 matches on Event Comments, 3 matches on Roles/Actors, and 0 matches on Author.

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Virgin Unmask'd

Cast
Role: Miss Lucy Actor: Mrs Jordan

Song: As17851001, but Mrs Forster [i.e. formerly Miss Field]

Performance Comment: e. formerly Miss Field] .

Performances

Mainpiece Title: Redemption

Performance Comment: Vocal Parts and Violin as17860310elections as17860310but added: Pious orgies [by Miss George (Public Advertiser, 31 Mar.)]; March (Judas Maccabaeus) .

Music: End of Part II concerto, as17860308athi

Performances

Mainpiece Title: The Messiah

Performance Comment: Vocal Parts as17860308The trumpet shall sound was sung by Bellamy; I know that my redeemer liveth by Miss George (Morning Chronicle, 25 Mar.).] hathi.

Music: End of Part I concerto on the violin by Shaw

Performances

Mainpiece Title: Redemption

Performance Comment: Vocal Parts and Violin as17860310elections as17860322but Where is this stupendous stranger? [i. e. Verdi prati] by Master Pring; He masbrought as a lamb [i. e. Nel riposo] by Bellamy; Holy Lord God Almighty [i. e. Dove sei] by Miss George; added: When the earth was without form by Arrowsmith; Master Pring as soloist in In sweetest harmony .

Music: End of Part I concerto on the violoncello by Mason

Performances

Mainpiece Title: La Scuola De Gelosi

Dance: End of Act I L'Amour Jardinier, as17860406, but added: With an additional Pas Seul by Mlle Mozon; End of Opera an entirely new Ballet, composed by D'Egville, La Fife Marine, in which La Provencale by Mlle Mozon; also a Pas de Trois to the favourite tune of Bon Andre taken from the French Comic Opera L'Epreuve Villageoise, the music by Gretry, performed by Vestris, Duquesney Jun., Mlle Baccelli; and to conclude with the Pas de SLuatre, so much admired in Paris, in the Opera called Pamrge, and got up here under the direction of Vestris, and performed by Vestris, Mlle Baccelli, Fabiani, Mlle Mozon. [In a review Morning Herald, 1 May, adds: Sequedilla by Miss De Camp and Master D'Egville.]

Performance Comment: , Mlle Baccelli; and to conclude with the Pas de SLuatre, so much admired in Paris, in the Opera called Pamrge, and got up here under the direction of Vestris, and performed by Vestris, Mlle Baccelli, Fabiani, Mlle Mozon. [In a review Morning Herald, 1 May, adds: Sequedilla by Miss De Camp and Master D'Egville.] hathi.

Performances

Mainpiece Title: The Bird In A Cage

Cast
Role: Cassiana Actor: Miss Platt
Role: Katherina Actor: Miss Stuart
Role: Fidelia Actor: Miss Rowson

Afterpiece Title: Small Talk; or, The Westminster Boy

Performance Comment: Principal Parts by Quick, Booth, Palmer, Brown, Wewitzer, Fearon, Davies, Edwin; Mrs Webb, Miss Brangin, Mrs Wells. Cast not known. Prologue spoken by Holman .

Dance: In Act III of mainpiece a Grand Dance, as17860424; End of Act I of afterpiece Leap Year, as17860227

Event Comment: Benefit for Mrs Pinto (formerly Miss Brett). [And see 26 Apr. 1785.]

Performances

Mainpiece Title: The Beggar's Opera

Entertainment: Not specified

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Catherine and Petruchio

Performance Comment: Petruchio-Palmer; Grumio-Baddeley; Baptista-Wright; Biondello-R. Palmer; Taylor-Jones; Music@master-Fawcett; Pedro-Phillimore; Hortensio-Wilson; Bianca-Mrs A. Palmer [Public Advertiser: Miss Simson]; Curtis-Mrs Love; Catherine-Mrs Wrighten.

Performances

Mainpiece Title: The Midnight Hour

Afterpiece Title: The Poor Soldier

Afterpiece Title: Bonds without Judgement; or, The Loves of Bengal

Performance Comment: Principal Characters by Ryder, Wewitzer, Fearon, Macready, Quick, Mrs Pitt, Mrs Mountain, Mrs Wells. Cast from London Chronicle, 2 May 1787: Japan-Ryder; Congo-Wewitzer; Nankeen-Fearon; Manly-Macready; Colonel Fury-Quick; Governess-Mrs Pitt; Charlotte-Mrs Mountain (i.e. formerly Miss Wilkinson); Sophy-Mrs Wells.

Performances

Mainpiece Title: The Coronation Anthem, God Save The King

Afterpiece Title: The Messiah

Performance Comment: Principal Vocal Performers-Harrison, Pearson (Principal Alto at the Concert of Ancient Music), Griffiths, Champness, Sale (Principal Basses at the Concert of Ancient Music), Miss Cantelo, Sga Storace; Among the Instrumental Performers-Richards (Leader of the Band), Ashley, Ashley's Sons, Sperati, Patria, Sarjant, Gariboldi, Boyce, Knyvett (Organ).

Music: End Part I Oratorio: concerto on the violin [by Viotti (World, 28 Feb.)]-Mme Gautherot (from Paris; 2nd public performance in this Kingdom)

Performances

Mainpiece Title: As You Like It

Cast
Role: Phoebe Actor: Miss Stuart

Afterpiece Title: Harlequin's Chaplet

Performance Comment: Harlequin-Boyce; Clown-Follett; Pantaloon-Ratchford; Lover-Farley; Farmer (with Come Roger and Nell)-Cubitt; Shepherd, Shepherdess (with Cast, my Love, thine Eyes around)-Mrs Martyr, Mrs Mountain; Serjeant-W. Powel; Recruit-C. Powell; Bricklayers-Letteney, Thompson; Carpenter-Lee; Sportsmen-Cross, Evatt; Gardener-Ledger; Woodcutter-Rock; Lover's Servant-Master Simmons; Monkey-Rayner; Peacock-Sloper; Principal Witches-Davies, Reeve [Public Advertiser: Linton], Miss Williams, Mrs Mountain; Colombine-Mrs Watts.

Dance: As17901020

Performances

Mainpiece Title: The Haunted Tower

Performance Comment: As17900911, but Cicely-Mrs Bland [i.e. formerly Miss Romanzini]; Servant-_; Hubert-_.

Afterpiece Title: The Critic

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Harlequin's Chaplet

Performance Comment: Harlequin-Boyce; Clown-Follett; Pantaloon-Ratchford; Lover-Farley; Farmer (with Come Roger and Nell)-Cubitt; Shepherd, Shepherdess (with Cast, my Love, thine Eyes around)-Mrs Martyr, Mrs Mountain; Serjeant-W. Powel; Recruit-C. Powell; Bricklayers-Letteney, Thompson; Carpenter-Lee; Sportsmen-Cross, Evatt; Gardener-Ledger; Woodcutter-Rock; Lover's Servant-Master Simmons; Monkey-Rayner; Peacock-Sloper; Principal Witches-Davies, Reeve [Public Advertiser: Linton], Miss Williams, Mrs Mountain; Colombine-Mrs Watts.

Dance: As17931020

Performances

Mainpiece Title: The Haunted Tower

Performance Comment: As17930911, but Cicely-Mrs Bland [i.e. formerly Miss Romanzini]; Servant-_; Hubert-_.

Afterpiece Title: The Critic

Event Comment: Directors of the Oratorios: Linley and Storace. Among the Principal Instrumental Performers are Ashe, W. Parke, Parkinson, Mason, Flack, Ashbridge, &c. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. No Money to be returned. Books of the performance to be had at the Theatre. [This was the 1st performance held in the new DL theatre]. Under the Management of Mr Kemble. The Box Office, for the present, is in Little Russell-Street, opposite to the Theatre, where Boxes and Places are to be taken of Fosbrook. The Box Doors are in Little Russell Street and Woburn Street. The whole of the Avenues [into the theatre], and the New Street ["which is intended to be called Woburn-street" (Carlton House Magazine, Apr. 1794, p. 136); see next paragraph] not being yet complete, Ladies and Gentlemen are particularly requested to direct their Coachmen to set down in Little Russell Street (where alone the Carriage Box Doors are at present) with the Horses heads toward Covent Garden, which is the only line in which Carriages can be permitted to pass. Carriages wanting to draw up after the performance should be headed to range in Drury Lane, toward Long Acre and Great Queen Street. The Chair Doors and Footway are in the Court in Woburn Street, where for the accomodation of those who may wish to have their Carriages wait out of the Croud, Chairs belonging to the Theatre and under proper regulations will attend. In order to keep the Colonnades quite clear no Servants can be permitted to wait there, but those belonging to the Carriages actually drawn up before the Pillars, and no Servants whatever can be permitted to pass the Doors of the Lower Saloon. Pit Door. The Temporary Pit Passage is in the center of the Theatre, in Bridges Street, which leads to a Spacious Saloon, which will be opened One Hour before the opening of the Pit Doors. All Carriages for the Pit Door are to wait in Catherine Street, or York-Street, to take up with the Horses heads towards Little Russel Street, and to pass through Great Russel-Street. Gallery Doors. The Gallery Doors, for Admittance, are in Little Russell-Street, and Woburn-Street, but, after the commencement of the Performance, the Gallery Doors, for the present can be only in Woburn Street. Every proper precaution is taken to prevent Croud and Inconvenience at the several Passages. The Doors to be opened at 5:15. To begin at 6:30 [same throughout oratorio season]. "The Orchestra represented the inside of a Gothic Cathedral [designed by Capon], and the Chorus Singers paid that attention to their attire that rendered the stage respectable. The house is so constructed that every note was distinctly heard at the remotest part of the theatre . . . The audience are so near the performers that the movement of every muscle is seen; a matter essentially necessary, particularly to the exhibition of an English Drama." [This opinion is greatly at variance with that of other commentators on the construction, the acoustics, &c. of the new theatre.] (European Magazine, Mar. 1794, p. 236). "The stage for the oratorios resembles a Gothic Cathedral, with illuminated stained glass windows, &c. The flies . . . [are] carved like the fretted roof of an antique pile, and the wings to the side scenes are removed for a complete screen, like those in use at the foreign theatres." (Thespian Magazine, Mar. 1794, p. 127). Account-Book, 12 Mar.: Paid Cabanel building Stage, on Acct. #130; Capon, painter, on Acct. #61 12s. Receipts: #358 6s. (281/2; 243 tickets sold by Fosbrook: 72/18; 4/6)

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers-Harrison, Meredith (from Liverpool; 1st appearance in London), Master Welsh, Dignum, Miller, Kelly//Sga Storace, Miss Leak, Mrs Crouch. Leader of the Band-Shaw. PART I. Zadock the Priest (CORONATION ANTHEMS). He layeth the beams. Fall'n is the Foe (JUDAS MACCABAEUS). Let the bright Seraphim (SAMSON). For unto us (THE MESSIAH). O magnify the Lord. Deeper and deeper; Waft her Angels (JEPHTHA). Sing ye to the Lord; The Horse and his Rider (ISRAEL IN EGYPT). PART II. Introduction and Chorus. Ye sons of Irrael (JOSHUA). What tho' I trace (SOLOMON). Gird on thy sword (SAUL). O come let us worship (CHANDOS ANTHEMS). Concerto on the violin by Giornovichi. Let me wander (L'ALLEGRO). Tears such as (DEBORAH). He gave them hailstones (ISRAEL IN EGYPT). PART III. Second Hautboy Concerto. Lord remember David. Welcome! Welcome! (SAUL). The Trumpet's loud clangor (DRYDEN'S ODE). Sweet Bird, accompanied on the Flute by Ashe (L'ALLEGRO). See the conquering Hero (JUDAS MACCABAEUS). Angels ever bright and fair (THEODORA). Hallelujah for the Lord (THE MESSIAH) . Waft her Angels (JEPHTHA). Sing ye to the Lord; The Horse and his Rider (ISRAEL IN EGYPT). PART II. Introduction and Chorus. Ye sons of Irrael (JOSHUA). What tho' I trace (SOLOMON). Gird on thy sword (SAUL). O come let us worship (CHANDOS ANTHEMS). Concerto on the violin by Giornovichi. Let me wander (L'ALLEGRO). Tears such as (DEBORAH). He gave them hailstones (ISRAEL IN EGYPT). PART III. Second Hautboy Concerto. Lord remember David. Welcome! Welcome! (SAUL). The Trumpet's loud clangor (DRYDEN'S ODE). Sweet Bird, accompanied on the Flute by Ashe (L'ALLEGRO). See the conquering Hero (JUDAS MACCABAEUS). Angels ever bright and fair (THEODORA). Hallelujah for the Lord (THE MESSIAH) .

Performances

Mainpiece Title: Alexander's Feast

Performance Comment: Principal Vocal Performers, Leader, Organ as17940307ART I. Overture. 'Twas at the royal. Happy pair. Timotheus plac'd. The song began. The list'ning croud. With ravish'd ears. The praise of Bacchus. Bacchus ever fair. Bacchus' blessings. Sooth'd with the sound. He chose a mournful. He sung Darius. With downcast looks. Behold Darius. The mighty master. Softly sweet, accompanied on the violoncello by C. Ashley. War, be sung. The many rend. The prince unable. PART II. Now strikes the golden. Break his bands. Hark, hark! Revenge, revenge. Behold a ghastly band. Give the vengeance. Thais led the way. The Princes applaud. Thus long ago. At last divine Cecilia. Your voices tune. Let's imitate her notes. Let old Timotheus. PART III. A GRAND MISCELLANEOUS ACT. Overture and March (SCIPIO). He measureth the waters and He layeth the beams by Bartleman (REDEMPTION). O let eternal Honors and From mighty Kings by Miss Parke (JUDAS MACCABAEUS). Softly rise O southern breeze by Incledon; Ye Southern breezes by Chorus (SOLOMON, by Boyce). Bravura Song by Mme Mara. The Lord shall reign by Chorus; And Miriam and Sing ye to the Lord by Mme Mara; The horse and his Rider by Double Chorus (ISRAEL IN EGYPT). To conclude with God save Great George our King and Rule Britannia .

Music: End of Part I Giardini's Sixth Concerto on the Violin by G. Ashley

Performances

Mainpiece Title: Redemption: A Sacred Oratorio Selected From The Great And Favourite Works Of Handel

Performance Comment: Principal Vocal Performers as17940319but added: Fisher. Leader as17940312ART I. Overture (OCCASIONAL ORATORIO). When the Earth by Dignum. O! First created beam by Chorus. He measur'd the waters and He layeth the beams by Meredith. When his loud voice by Chorus. Now heaven in all and Lord what is Man! by Mrs Crouch. How excellent thy name by Chorus. These are thy glorious works and Speak ye who best can tel1 by Kelly. Abraham believed in God and Abraham, enough by Mrs Bland. Now when Joseph was sold and Jehovah is my shield and glory by Miss Leak. When Joseph by Dignum. Blest be the man by Chorus. When Joseph was dead and Pious orgies by Sga Storace. Then sent he Moses by Dignum. He gave them hailstones by Double Chorus. The Lord is a man of war by Fisher and Meredith. Moses and the children of Israel by Sga Storace and Double Chorus. PART II. Now after the death by Dignum. Ye sons of Israel by Chorus. Oh Joshua! and Oh had I Jubal's lyre! by Mrs Bland. When Joshua by Dignum. Now Deborah and Angels ever bright and fair by Master Welsh. Jehovah crown'd by Meredith and Chorus. Now the elders by Dignum. Welcome, welcome mighty King by Chorus. Again the Philistines and In Sweetest harmony by Sga Storace and Chorus. Their bodies are buried in peace by Chorus. Dead March (SAUL). And the men of Judah and Lord remember David by Kelly. Gird on thy Sword by Chorus. Blest be the Lord and The Sword that's drawn by Meredith. When King David by Dignum. Coronation Anthem by Chorus: God save the King. PART III. Now when the fullness of time and Where is this stupendous stranger by Mrs Crouch. In the days of Herod and There beneath a lovely shade by Dignum. And Jesus went about and He was eyes unto the blind by Kelly. When the time drew near by Mrs Bland. Hosannah to the son of David by Chorus. The people of Jerusalem and He was brought as a lamb by Meredith. Behold it is Christ by Dignum. He sitteth at the right hand by Chorus. Holy, holy by Sga Storace. For as much as Christ by Meredith. Glory be to the Father by Chorus .

Music: As17940409

Event Comment: Powell: Gamester rehearsed at 11; Lodoiska at 12 (Bannister, Miss Redhead ill; Boyce, Denman, Fisher, Horsfall, Bardeauleau, Annereau, Cooke, Walker absent; Sedgwick, Webb, Fairbrother, Boimaison, Dorion Jun. one chorus). Receipts: #388 18s. (314/10/0; 68/7/6; 5/8/6; tickets not come in: 0/12/0)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: MY GRANDMOTHER

Event Comment: [In mainpiece the playbill retains Aickin as Jarvis, but "Packer Jarvis, Aickin ill" (Powell). This is inaccurate: "Aickin's part was played by Benson" (Thespian Magazine, July 1794, p. 275; and see 5 June).] Powell: Natural Son rehearsed at 10 (Suett ill; Miss Pope one scene; Burton not called till 12); Lodoiska at 12. Receipts: #267 18s. 6d. (199/8/0; 60/9/6; 8/1/0)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: THE PRIZE

Performances

Mainpiece Title: The Messiah

Performance Comment: Principal Vocal Performers-Master Elliot, Kelly, Nield, Burdon (from Salisbury), Gray, Bartleman, Miss Parke, Mrs Hindmarsh. For partial list of individual selections, and singers thereof, see17950327 .

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Afterpiece Title: The Prize; or, 2

Song: In III: an Epithalamium-. Vocal Parts Miss Leak, Master Welsh

Performance Comment: Vocal Parts Miss Leak, Master Welsh.
Event Comment: [Account-Book: Tickets delivered by Claremont, Blurton, Ledger, Mrs Egan, Miss Leserve will be admitted.] Receipts: #255 3s. 6d. (101.10.6; 7.0.6; tickets: 146.12.6)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Harlequin's Treasure 0

Afterpiece Title: Harlequin's Treasure 1

Afterpiece Title: Harlequin's Treasure 2

Performances

Mainpiece Title: The Rivals

Cast
Role: Mrs Malaprop Actor: Miss Pope
Role: Lucy Actor: Miss Heard

Afterpiece Title: Blue-Beard

Cast
Role: Irene Actor: Miss DeCamp

Dance: Two Pas Seulsincidental to the Ballet-Mlle Favre Guiardele (for that night only); In afterpiece: a new Pas Seul-Mlle Parisot

Ballet: End II: a New Ballet (for that night only), Kitty and Jemmy. Jemmy-Mlle Parisot; Kitty-Sga Bossi DelCaro; the Other Characters-Fialon (for that night only), Master Menage, Miss Menage, Roffey, Whitmell, Wells, Male, Garman, W. Banks, Ms Brooker, Ms Daniels, Ms Brigg, Ms Haskey, Ms Illingham, Ms Byrne, Ms Willis, Ms Vining

Performance Comment: Jemmy-Mlle Parisot; Kitty-Sga Bossi DelCaro; the Other Characters-Fialon (for that night only), Master Menage, Miss Menage, Roffey, Whitmell, Wells, Male, Garman, W. Banks, Ms Brooker, Ms Daniels, Ms Brigg, Ms Haskey, Ms Illingham, Ms Byrne, Ms Willis, Ms Vining.

Performances

Mainpiece Title: Elfrida

Dance: End I: Hylas et Temire, as17990418; End Opera: Tarare et Irza-D'Egville, Didelot, Laborie, St.Pierre, Fialon, Mrs Rose Didelot, Mrs Hilligsberg, Mrs Laborie, Mrs D'Egville, Miss J. Hilligsberg

Performance Comment: Pierre, Fialon, Mrs Rose Didelot, Mrs Hilligsberg, Mrs Laborie, Mrs D'Egville, Miss J. Hilligsberg.

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: An Egeirophadron

Afterpiece Title: Harlequin's Chaplet

Performance Comment: Harlequin-Bologna Jun.; Lover-Simmons; Pantaloon-Hawtin; Farmer (with a song in character)-Street; Shepherd and Shepherdess (with duet, Cast my Love thine eyes around)-Mrs Martyr, Mrs Atkins; Bricklayers-Thompson, Jones; Carpenter-Lee; Sportsmen-Klanert, Claremont; Gardner-Wilkins; Serjeant-Whitmore; Recruits-Abbot, Findlay; Woodcutter-Dyke; Mandarine-Wilde; Lover's Servant-Rees; Monkey-Rayner; Clown-Farley; Principal Witches-Linton, Street [i.e. doubled Farmer]; Miss Mitchell, Mrs Chapman; Columbine-Mrs Wybrow.

Dance: II: Negro Dance-Bologna Jun., Platt, King

Song: End I: Black Ey'd Susan-Incledon