Event Comment: Benefit for Younger. Mainpiece: Not acted these 2 years. [See 18 May 1772.] Tickets delivered by Miss Helme will be taken. Charges: #66 17s. 6d. Profit to Younger #52 1s., plus #130 1s. from tickets (Box 201; Pit 344; Gallery 382) Receipts: #118 18s. 6d. (Account Book)

Event Comment: Benefit for Miss Younge. Miss Young Kitty first time very la! la! (Hopkins Diary). Receipts: #141 10s. Charges: #69 6s. 6d. Profits to Miss Younge: #72 3s. 6d. (Treasurer's Book)

Event Comment: Mainpiece: Not acted these 16 years [not acted since 27 Oct. 1758]. With Alterations [by Richard Brinsley Sheridan. Prologue by David Garrick]. The Characters new dressed. This Play is revived with Alterations (by R. B. Sheridan Esq) and a new occasional Prologue written by Mr Garrick? and spoken by Dodd, both well received. Miss Essex made her first Appearance upon this stage in Silvia, a small mean Figure and shocking Actress, so bad that she is to do the Part no more. Reddish was very imperfect in Vainlove from the Beginning, but was so very much so in the last Act, that the Audience hissed very much, and cryed out, 'Off, Reddish, Off!" He went forward, and addressed them as follows, 'Ladies and Gentlemen, I have been honoured with your Favour and Protection for these ten years past, and I am very sorry to give any cause for your Displeasure now; but having undertaken the Part at a very short Warning, in order to strengthen the Bill, and having had but two Rehearsals for it, puts it out of my Power to do Justice to the Part, or myself.' The Play then went on. So great a Lye was never delivered to an Audience by any Actor or Actress before. He had the Part at least six weeks in his Possession, and repeated Notice to be ready in it, and six Rehearsals was called for it,--indeed, he attended but three. Vernon undertook to study the Part at eleven o'clock to-night, and to perform it to-morrow (Hopkins Diary). [Miss Essex was from the hay.] Receipts: #209 6s

Event Comment: Mainpiece [1st time; CO 3, by Thomas Hull, altered from The School for Guardians by Arthur Murphy. Not in Larpent MS; synopsis of plot in Public Advertiser 19 Nov.]: With New Dresses, &c. The Music chiefly compiled; the rest composed by Dr Arne, Sacchini and Fisher. Books of the Songs to be had at the Theatre. Public Advertiser, 18 Nov. 1777: This Day is published the Airs in Love Finds the Way (6d.). [Miss Courtenay is identified in the Airs.] Receipts: #233 8s. 6d. (232.5.0; 1.3.6)

Event Comment: Benefit for Miss Younge. Mainpiece: With the grand Triumphal Entryv. [Public Advertiser, I Apr., identifies the Epilogue as an alteration by Garrick of his epilogue to Alfred.] Afterpiece [1st time; CO 2, by J Hough]: The Music composed by William? Bates. Tickets delivered for The Brothers will be taken. Books of the Performances to be had at the Theatre. Public Advertiser, 7 Mar.: Tickets to be had of Miss Younge at Thelwall's, Silk Mercer, King-street, Covent Garden. Receipts: #285 13s. 6d. (141.9.0; 11.15.0; 0.2.6; tickets: 132.7.0) (charge: #76 19s. 6d.)

Event Comment: Benefit for Miss Younge. Mainpiece: Not acted these 7 years [acted 23 Apr. 1773]. Public Advertiser, 13 Mar.: Tickets to be had of Miss Younge at Thelwall's, King-street, Covent Garden. Receipts: #217 16s. 6d. (83.16.0; 17.14.6; 9.1.0; tickets: 107.5.0) (charge: #64 15s.)

Event Comment: Benefit for Miss Pope. Afterpiece [1st time; F 2, by James Cobb, based on La Fausse Suivante; ou, Le Fourbe Puni, by Pierre Carlet de Chamblain de Marivaux. Prologue by the author (Knapp, 117). Larpent MS 476; not published. In 1780 this was acted at the hay as The Female Captain]. Part of the Pit will be laid into the Boxes. Public Advertiser, 15 Mar.: Tickets to be had of Miss Pope, Little Russel-street, Covent Garden. Receipts: #202 10s. (54.14; 17.6; 1.12; tickets: 128.18) (charge: #65 17s. 2d.)

Event Comment: Mainpiece [1st time; T 5, by Richard Cumberland]: taken from [the same, by] Massinger and [Mariamne, by] Fenton. [not in Larpent MS; not published.] With new Dresses. Henderson "might surely break himself of the aukward custom of clapping his hands together almost perpetually, and running on and off the stage with so ungraceful a levity" (Morning Chronicle, 11 Nov.). [Miss Younge was from dl.] Receipts: #127 10s. 6d. (124.14.0; 2.16.6)

Event Comment: Benefit for Mrs Colles, Miss Abrams & Miss Kirby. Public Advertiser, 4 May: Tickets to be had of Mrs Colles at Smith's No. 10, Bow-street, the corner of Martlet Court, Covent Garden; of Miss Abrams, Little Bridges Street, Covent Garden; of Miss Kirby at Andrews's, No. 70, Long Acre. Receipts: #203 7s. (28.1; 14.16; 1.11; tickets: 158.19) (charge: #90 2s. 6d.)

Event Comment: Benefit for Thompson, Nix, Mrs Booth & Miss Field. Public Advertiser, 5 May: Tickets to be had of Thompson, No. 7, Great Marlborough-street; of Nix, Mrs Booth and Miss Field, No. 8, Broad-court, Longacre. The Doors to be opened at 5:30. To begin at 6:30 [same for rest of season]. Receipts: #180 3s. 6d. (29.15.0; 21.4.6; 0.1.0; tickets: 129.3.0) (charge: none listed)

Event Comment: By Command of Their Majesties. [Public Advertiser, 18 Feb., refers to the Overture to Rodelinda, which opened the performance, and to Street Bird, sung by Miss Linley, accompanied on the organ by Stanley; Oft on a plat of rising ground by Miss Prudom; Hide me from day's garish eye by Miss Linley; Horn and Morn by Reinhold.] 2nd piece: Set to Music by Handel. Tickets to be had and Places for the Boxes to be taken of Fosbrook at the Stage Door of the Theatre, at half a guinea each. Pit 5s. 1st Gallery 3s. 6d. 2ndGallery 2s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]

Event Comment: Mainpiece: Being the Sequel to The Beggar's Opera, written by Gay. Books of the Opera to be had at the Theatre. [Miss Hooke is identified on playbill of 18 June.] Afterpiece: Not acted these 2 years

Event Comment: Benefit for Dodd. Mainpiece: Not acted these 12 years [acted 6 Apr. 1772. In mainpiece the playbill assigns Fainlove to Miss Collett, but on the Kemble playbill her name is deleted; the substitute name has been cut by the binder. In afterpiece Miss Collett is retained as Patie, but her name is again deleted, and a MS annotation substitutes Miss M. Stageldoir's]. Receipts: #220 7s.(67/10; 26/1; 0/2; tickets: 126/14) (charge: #107 9s. 5d.)

Event Comment: Benefit for Miss Pope. Public Advertiser, 24 Mar.: Tickets to be had of Miss Pope, Great Queen-street, Lincoln's-inn-fields. Receipts: #268 19s. 6d. (94/9/0; 28/3/0; 0/14/6; tickets: 145/13/0) (charge: #107 1s. 6d.)

Event Comment: [On this night Edwin, Miss Morris and Mrs Bannister appeared both at CG and the HAY.]

Event Comment: Mainpiece: Never acted here. [The playbill lists R. Palmer as Rodolpho in mainpiece, and as Young Clackit in afterpiece, but he "was prevented appearing either in the tragedy or entertainment, having had the misfortune to break his arm" Chondon Magazine, July 1784, p. 75). For Egan and Riley as his substitutes see 14 July. Miss Woollery is identified on playbill of 24 July. Prologue by George Colman, the elder (Colman, Prose, III, 254). Miss Kemble was from DL.]

Event Comment: Mainpiece: Not acted these 10 years [acted 10 Nov. 1779]. [Miss Brunton was from the Bath theatre. Prologue by Arthur Murphy (Works, 1786, VII, 60).] Receipts: #337 18s. (335/7/6; 2/10/6)

Event Comment: Benefit for Stevens and Miss Besford. Tickets delivered for The Brothers will be admitted. Morning Chronicle, 13 May: Tickets to be had of Stevens, No. 54, Drury-Lane; of Miss Besford, No. 5, Bow-street, Covent Garden. Receipts: #167 15s. (75/16; 6/17; tickets: 85/2) (charge: #105)

Event Comment: Benefit for Miss Farren. Mainpiece: Never acted here

Event Comment: [As mainpiece the playbill announces The Heiress, but "on the sudden indisposition of Kemble, the play was changed to The Wonder, where Miss Farren, King and Miss Pope had much applause" (World, 26 Jan.).] Receipts: #130 17s. (109.6; 20.17; 0.14)

Event Comment: Mainpiece [1st time; CO 3, by John O'Keeffe. Beginning with 8 Dec. reduced to an afterpiece of 3 short acts. Prologue by the author (World, 7 Nov.)]: With new Scenes, Dresses, &c. The Music by Handel, Rizzio, J. C.? Bach, Gretry, Corri, and Shield [who compiled the music of the other composers]. Books of the Songs to be had at the Theatre. Afterpiece: In I act. [Miss Fontenelle is identified on playbill of 22 Nov.] Account-Book, 17 Mar. 1789: Paid O'Keeffe in full for Highland Reel #67 10s. Receipts: #263 11s. 6d. (257.1.6; 6.10.0)

Event Comment: Benefit for Miss Wallis. Public Advertiser, 27 Jan.: Tickets to be had of Miss Wallis, at Alden's, No. 15, Caroline-street, Bedford-square. Receipts: #297 10s. (160.6; 6.9; tickets: 130.15)

Event Comment: Mainpiece [1st time in London; T 5, by Hannah Brand, 1st acted at Norwich, 7 Apr. 1791. Again acted at king's on 2 Feb. as Agmunda; text 1st published in Miss Brand's@Plays@and@Poems (Norwich: Beatniffe and Payne, 1798) as Huniades; or, The Siege of Belgrade. Prologue and Epilogue by the author (London Chronicle, 19 Jan. 1792)]: The Dresses, Decorations, &c. entirely new. Receipts: #367 1s. 6d. (314.2.6; 51.8.0; 1.11.0)

Event Comment: Benefit for Miss Pope. 1st piece: Not acted these 8 years [acted 8 Nov. 1788]. 3rd piece: To conclude as 3 Oct. 1791. Morning Herald, 24 Mar.: Tickets to be had of Miss Pope, No.62, Great Queen-street, Lincoln's Inn-fields. Receipts: #336 19s. (95.15.6; 35.7.0; 2.15.0; tickets: 203.1.6) (charge: #168 4s.)