SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Middleton"/1) | (@(roleclean,performerclean) "Middleton")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 577 matches on Roles/Actors, 130 matches on Performance Comments, 19 matches on Author, 15 matches on Event Comments, and 9 matches on Performance Title.

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Slip

Related Works
Related Work: The Slip Author(s): Thomas Middleton

Song: Lawrence, the New Boy

Dance: duPre, Moreau, Bovil, Miss Russell

Performances

Mainpiece Title: George Barnwell

Cast
Role: Millwood Actor: Mrs Middleton

Afterpiece Title: The Chymical Counterfeits

Performances

Mainpiece Title: Othello, Moor Of Venice

Cast
Role: Emilia Actor: Mrs Middleton.

Afterpiece Title: The Chymical Counterfeits

Dance: As17401113

Performances

Afterpiece Title: A LOYAL EFFUSION

Afterpiece Title: THE HIGHLAND REEL

Dance: In 2nd piece Hornpipe by Bayzand

Song: 2nd piece: To conclude with a Song and Chorus [Come ye who from your souls (BUC, 281)], in Honor of His Majesty's Birth-Day

Performances

Afterpiece Title: THE FARMER

Dance: As17931022

Performances

Mainpiece Title: The Secret

Performances

Mainpiece Title: The Secret

Performances

Mainpiece Title: The Secret

Performances

Mainpiece Title: The Secret

Performances

Mainpiece Title: The Secret

Performances

Mainpiece Title: Douglas

Performances

Mainpiece Title: The Secret

Performances

Mainpiece Title: Isabella

Song: In III: Epithalamium. Vocal Parts-Miss Leak, Miss Menage

Performances

Mainpiece Title: The Secret

Performances

Mainpiece Title: The Secret

Performances

Mainpiece Title: The Secret

Performances

Mainpiece Title: Measure For Measure

Performances

Mainpiece Title: The Funeral; Or, Grief A-la-mode

Event Comment: The King's Company. Downes (Roscius Anglicanus, p. 16) refers to Hart's acting Don John. Wilson (All the King's Ladies, p. 170) lists Rebecca Marshall as possibly play1ng First Constantia. The Works of Beaumont and Fletcher (1711), p. ix: Mr Hart played the Part of Don John to the highest Satisfaction of the Audience, the Play had a great run, and ever since has been follow'd as one of the best Entertainments of the Stage. Pepys, Diary: And took them [Mrs Pepys and Betty Michell] against my vowes, but I will make good my forfeit, to the King's house, to show them a play, The Chances. A good play I find it, and the actors most good in it; and pretty to hear Knipp sing in the play very properly, All night I weepe; and sung it admirably. The whole play pleases me well; and most of all, the sight of many fine ladies--among others, my Lady Castlemayne and Mrs Middleton

Performances

Mainpiece Title: The Chances

Event Comment: The United Company. This performance ison the L. C. list, 5@147, p. 68: Sr Phoplyn. See also Nicoll, Restoration Drama, p. 350. The Earl of Middleton to Sir George Etherege, 7 Dec. 1685: Every week there are plays at court. The last time Sir Fopling appeared with the usual applause, and the King was pleased to tell me that he expected you should put on your socks (Letterbook of Sir George Etherege, ed. Rosenfeld, p. 345)

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 361: The King at ye Mistress. See also Nicoll, Restoration Drama, p. 351. There is no indication as to whether this performance was the premiere. As the play was licensed on 24 May 1687, the premiere may have been as late as 12 May, but possibly was earlier. Sir George Etherege to Will Richards, 19 May 1687: I have heard of the success of The Eunuch, and am very glad the town has so good a taste to give the same just applause to Sir Charles Sedley's writing, which his friends have always done to his conversation (Letterbook, ed. Rosenfeld, p. 212). Sir George Etherege to Middleton, 2O June 1687: I saw a play about ten years ago Called the Eunuch, so heavy a lump the players durst not charge themselves with the dead weight, but it seems Sir Charles Sedley has animated the mighty mass and now it treads the stage lightly (ibid., p. 227). [See also 26 March 1687 and season of 1676-77.] Thomas Shadwell, The Tenth Satyr of Juvenal (licensed, 25 May 1687.) Dedication to Sir Charles Sedley: Your late great obligation in giving me the advantage [presumably the third day's gain] of your comedy, call'd Bellamira, or the Mistress, has given me a fresh subject for my Thanks; and my Publishing this Translation affords me a new opportunity of owning to the world my grateful resentments to you. I am heartily glad that your Comedy (as I never doubted) found such success, that I never met with any Man of Sence but applauded it: And that there is abundance of Wit in it, your Enemies have been forced to confess....For the Judgment of some Ladies upon it that it is obscene, I must needs say they are Ladies of a very quick apprehension, and did not find their thoughts lye very much that way, they could not find more obscenity in that than there is in every other Comedy. A song, Thyrsis unjustly you complain, headed A Song in Bellamira, or, the Mistress. Set by Mr Tho. Shadwell, is in Vinculum Societatis, 1687 (licensed 8 June 1687)

Performances

Mainpiece Title: Bellamira; Or, The Mistress

Event Comment: Mr G. never play'd Kitely better (Hopkins Diary). Paid Mr Hatsell (mercer) #59 16s.; Cropley (linen draper) #92 2s.; Cole (turner) #56 11s.; Hopkins & Co. (ironmongers) #49 8s.; Stacy (colourman) #10 8s. Middleton (colorman) #11 8s.; Scott (copper laceman) #41 7s. 6d.; Ireland (upholsterer) #30 1s.; Carter (scowerer) #11 6s. 6d.; Cubitt (tinman) #15 8s. Receipts: #251 4s. (Treasurer's Book)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Devil to Pay

Dance: V: The Sailors Revels, as17740920

Performances

Mainpiece Title: Othello

Afterpiece Title: The Experiment

Performance Comment: Characters-Wroughton, Lee Lewes, Robson, Fearon, Wewitzer, Booth, Mrs Whitefield, Mrs Lessingham; [Larpent MS 429 lists the parts: Mr Warren, Sir James Middleton, The Hon. Capt. Turner, Mr Green, Robert, Thomas, Miss Warren, Miss Louisa Warren.] Address to the Public-Mrs Lessingham.

Dance: End: Hunting Dance, as17770218; End I afterpiece: The Villagers, as17770122

Performances

Mainpiece Title: Cheapside; Or, All In The City

Afterpiece Title: The Sailor's Sheet Anchor

Afterpiece Title: A New Way to Keep a Wife at Home

Performance Comment: Principal Characters by Swords, Kenrick, Johnson, Sparrow, Middleton, Reinholds, Bailey; Miss Dudley, Miss Dancer, Miss Smyth. Cast not known .

Dance: In 2nd piece The Merry Sailors and The Wapping Landlady (perfomers not listed for either dance)

Monologue: 1783 09 17 End of Act III of 1st piece The Farmer's Blunder by Kenrick

Event Comment: Benefit for Mrs Bannister. Afterpiece [1st time; MF 2, by Leonard Macnally, based on A Mad World, My Masters, by Thomas Middleton. MS: Larpent 729; not published. Introduction by the author (Town and Country Magazine, June 1786, p. 328]. Books of the Songs to be had at the Theatre [composer unknown]. Morning Herald, 11 Mar.: Tickets to be had of Mrs Bannister, No. 29, Bow-street, Covent Garden. Receipts: #273 4s. 6d. (180/6/0; 7/9/6; tickets: 85/9/0) (charge: #105)

Performances

Mainpiece Title: The Follies Of A Day

Afterpiece Title: The April Fool; or, The Follies of a Night

Song: In the course of the evening Sweet Echo (from Comus) by Mrs Bannister