SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Merchant of London"/1) | (@(roleclean,performerclean) "Merchant of London")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1176 matches on Performance Title, 954 matches on Event Comments, 478 matches on Performance Comments, 2 matches on Roles/Actors, and 0 matches on Author.
Event Comment: Mainpiece: Written by the late Mr Gay. London Daily Post and General Advertiser, 20 Nov.: We hear that Mr Giffard...last Night, upon the happy Occasion of her Royal Highness' s Birth-Day, entertained his Company with an elegant Supper and a Concert of Musick, where the Healths of their Majesties, the Prince and Princess of Wales, and the rest of the Royal Family were drank with universal Demonstrations of Joy

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Harlequin Shipwreck'd

Event Comment: For revisions of Giffard's proposals for a subscription, see London Daily Post and General Advertiser, 22 Nov

Performances

Mainpiece Title: King Henry The Fourth, Part I

Afterpiece Title: Harlequin Shipwreck'd

Dance: II: Harlequin-Delamayne

Event Comment: By a Company of Volunteers. Mainpiece: Written by Mr Otway. [The afterpiece, a pantomime, had been presented at various places in London during the previous year.] At Common Prices, viz. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d. 6 p.m

Performances

Mainpiece Title: The Soldier's Fortune

Afterpiece Title: A Hint to the Theatres

Event Comment: By Desire. Mainpiece: Written by Shakespear. Afterpiece: Not perform'd these Eight Years. [For a letter on theatrical affairs, see London Daily Post and General Advertiser, 4 Dec.

Performances

Mainpiece Title: King Henry The Fourth, Part Ii

Afterpiece Title: Poor Pierot Married; or, Harlequin Happy

Event Comment: [P$Prince and Princess of Wales present.] London Daily Post and General Advertiser, 1 Feb. A great Disturbance made on Saturday last at Covent Garden

Performances

Mainpiece Title: Parthenope

Event Comment: Benefit a Citizen of London under Misfortunes

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: Flora

Event Comment: DDaily Advertiser, 8 March: We hear that the Great Mogul has acceeded to the Treaty of the Hay-Market, which causes various Speculations. Our best Advices assure us, that the Town will be entertain'd there Tomorrow, by a Gentleman who never wrote for the Stage, with a new Performance call'd a Rehearsal of Kings: which will be immediately succeeded by a Dramatick Piece call'd The Historical Register, for the Year 1736, written by the Author of Pasquin. We hear this has given great Alarm to all the Pantomimical Houses in London, Southwark, Rag Fair, &c

Performances

Event Comment: By Command of their Royal Highnesses the Prince and Princess of Wales [who were present]. An Ode, written by Mr Dryden. The Pit will be floored over, and laid into the Boxes. London Daily Post and General Advertiser, 17 March: The Prince and Princess of Wales seem'd to be highly entertain'd, insomuch that his Royal Highness commanded Mr Handel's Concerto on the Organ to be repeated

Performances

Mainpiece Title: Alexander's Feast

Performances

Mainpiece Title: The Distrest Mother

Performance Comment: Hermione-Mrs Butler (in London Daily Post and General Advertiser, 14 April; issue for 15 April missing); with the Original Epilogue-.

Afterpiece Title: The Devil to Pay

Event Comment: Benefit a Family in Distress. London Daily Post and General Advertiser, 5 May: To be Sold: The Interest of the Theatre and Materials in Goodman's Fields. Inquire of Mr Giffard at his House in Grange-Court, in Cary-Street

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Honest Yorkshireman

Dance: I: Clown-Vallois; V: Two Pierrots-Vallois, Delagarde

Song: IV: Singing in Italian-Mrs Chambers

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Mock Lawyer

Performance Comment: As17370310(cast from London Daily Post and General Advertiser, 11 May).

Dance: I: Serious Dance, with Minuet-Misses Scott; II: Comic Dance-Nivelon, Mrs LeBrun; IV: Peasant-Lalauze, Desse, Dupre, Richardson, Baudouin, Mrs Moreau, Mrs Delorme, Miss Norman, Mrs Ogden; V: Nivelon, Misses Scott

Song: II: A Song originally Designed for the play by Sir Richard Steele, -Beard; III: Leveridge; V: Roberts

Event Comment: Benefit Penkethman. At the Desire of several Persons of Distinction. [This bill from London Daily Post and General Advertiser, 16 May.

Performances

Mainpiece Title: The Wife's Relief

Afterpiece Title: The Lovers Opera

Song: II: A Purcell Dialogue-Masters Hamilton; III: The Early Horn Salutes the Morn-Miss Jones

Dance: V: Clown-Vallois

Event Comment: For discussion of the Licensing Act, see Craftsman, 4 June, and Common Sense, 4 June. London Evening Post, 4 June: We hear that by the Bill now in the House of Peers against Players of Interludes, &c. all Copies of Plays, Farces, or any Thing wrote in the Dramatick Way, are to lie fourteen Days before his Grace the Lord Chamberlain of his Majesty's Household for the Time being, for his Grace's Perusal and Approbation, before they shall be exhibited on the Stage

Performances

Event Comment: For discussions of the Licensing Act, see London Journal, 18 June, and Craftsman, 18 June

Performances

Event Comment: Mainpiece: Written by Dryden. Egerton 2320: Receipts: #80. [For a poem on Mrs Roberts' acting the Queen, see London Daily Post and General Advertiser, 26 Sept.

Performances

Mainpiece Title: The Spanish Fryar; Or, The Double Discovery

Afterpiece Title: The Contrivances

Dance: new Grand Ballet called% The Peasants- Muilment

Event Comment: A New Opera. [Text by Zeno. Music by Handel.] London Daily Post and General Advertiser, 4 Jan.: Last Night the new Opera of Faramondo was perform'd...to a splendid Audience, and met with general Applause. It being the first Time of Mr Handel's Appearance this Season, he was honour'd with extraordinary and repeated Signs of Approbation

Performances

Mainpiece Title: Faramondo

Event Comment: By Desire. Mainpiece: Written by the late J. Hughes, Esq. London Evening Post, 28 Jan.: It's remarkable that the new Comedy call'd The Nest of Plays...and the new Farce call'd The Coffee House...and which are the two first that have been perform'd since the Act of Parliament took Place, obliging all Plays, Farces, &c. to be licens'd before play'd, were both damn'd by the Town

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: Harlequin Grand Volgi

Music: Select Pieces-

Dance: I: Flanderkins, as17380120 II: Drunken Peasant-Philips; III: Grand Polish Dance-Haughton, Mrs Walter, Liviez, Pelling, Vallois, Rector, Mrs Thompson, Mrs Pelling, Mrs Woodward, Miss Brett

Event Comment: Mainpiece: Written by Shakespear. [See London Daily Post and General Advertiser, 10 Feb., for a Prologue Occasioned by the Encouragement several Ladies of Quality have lately given to the Revival of Shakespear's Plays at Covent Garden Theatre.

Performances

Mainpiece Title: King Richard The Second

Afterpiece Title: The Dragon of Wantley

Dance: CComic Dance-Nivelon, Mlle Roland

Event Comment: Mainpiece: Written by Shakespear. London Daily Post and General Advertiser, 15 Feb.: On Monday last Mr Lacy, who set up the Oratory in York Buildings, and was committed to Bridewell some time since, by two of his Majesty's Justices of the Peace on the lade Act of Parliament, was brought by Habeas Corpus to the King's Bench, in order to be bail'd, but after several Learned Arguments by his Council, which were answer'd by the Attorney and Solicitor-General, the Court remanded him back again

Performances

Mainpiece Title: Henry The Fourth, Part I

Afterpiece Title: The Royal Chace; or, Merlin's Cave

Event Comment: At the Desire of several Ladies of Quality. Mainpiece: As Written by Shakespear. London Daily Post and General Advertiser, 2 March: We hear that Mr Lacy, who was committed for holding an Oratory in Villars-Street, York-buildings, is got out of Custody

Performances

Mainpiece Title: King John

Afterpiece Title: The Dragon of Wantley

Dance: BBallet-Glover, Mlle Roland, Tench, Villeneuve, Desse, Mrs Moreau, Miss Norman, Miss Cantrel

Event Comment: Benefit Handel. Pit and Boxes half a guinea. Gallery 5s. London Evening Post, 30 March: Their Royal Highnesses the Prince and Princess of Wales were present; there was the greatest and most polite Audience ever seen there, and it's thought Mr Handel cou'd not get less that Night than 15001. Egmont, Diary, II, 474: In the evening I went to Hendel's Oratorio, where I counted near 1,300 persons besides the gallery and upper gallery. I suppose he got this night 1,000 1. [For further details, see Deutsch, Handel, p. 455.

Performances

Mainpiece Title: An Oratorio

Music: With a Concert on the Organ-

Event Comment: Towards raising a Fund for Erecting a Monument to the Memory of Shakespear. Mainpiece: Written by Shakespear. The Pit and Boxes to be put together. London Daily Post and General Advertiser, 5 June: The Season [at dl] being finish'd, and the Accounts of it settled, it is thought proper to acquaint the Publick, that the Master of that Theatre has receiv'd One Hundred and Seventy-odd Pounds, (besides some Accounts of Tickets, the Produce of which has not as yet been paid in, which is suppos'd will make near the Sum of Two Hundred Pounds,) towards erecting a Monument to Shakespear

Performances

Mainpiece Title: Julius Caesar

Event Comment: For attacks upon the company of French comedians, see Daily Post, 7 Oct., and London Evening Post, 7 Oct

Performances

Event Comment: By Authority. By the French Company of Comedians. Boxes 5s. Pit 3s. Gallery 2s. Victor, History of the Theatres, I, 54-60: People went early to the Theatre, as a crouded House was certain. I was there, in the Centre of the Pit; where I soon perceived that we were visited by two Westminster Justices, Deveil and Manning. The Leaders, that had the Conduct of the Opposition, were known to be there; one of whom called aloud for the Song in Praise of English Roast Beef, which was accordingly sung in the Gallery by a Person prepared for that Purpose; and the whole House besides joining in the Chorus, saluted the Close with three Huzzas! This, Justice Deveil was pleased to say, was a Riot; upon which Disputes commenced directly, which were carried on with some Degree of Decency on both Sides. The Justice at first informed us, 'That he was come there as a Magistrate to maintain the King's Authority; that Colonel Pulteney, with a full Company of the Guards, were without, to support him in the Execution of his Office; that it was the King's Command the Play should be acted; and that the obstructing it was opposing the King's Authority; and if that was done, he must read the Proclamation; after which all Offenders would be secured directly by the Guards in waiting.' To all these most arbitrary Threatnings, this Abuse of his Majesty's Name, the Reply was to the following Effect:-'That the Audience had a legal Right to shew their Dislike to any Play or Actor; that the common Laws of the Land were nothing but common Custom, and the antient Usuage of the People; that the Judicature of the Pit had been acknowledged and acquiesced to, Time immemorial; and as the present Set of Actors were to take their Fate from the Public, they were free to receive them as they Pleased.' By this Time the Hour of Six drew near; and the French and Spanish Embassadors, with their Ladies; the late Lord and Lady Gage, and Sir T@R@, a Commissioner of the Excise, all appeared in the Stage Boxes together! At that Instant the Curtain drew up, and discovered the Actors standing between two Files of Grenadiers, with their Bayonets fixed, and resting on their Firelocks. There was a Sight! enough to animate the coldest Briton. At this the whole Pit rose, and unanimously turned to the Justices, who sat in the Middle of it, to demand the Reason of such arbitary Proceedings? The Justices either knew nothing of the Soldiers being placed there, or thought it safest to declare so. At that Declaratinn, they demanded of Justice Deveil (who had owned himself the commanding Officer in the Affair) to order them off the Stage. He did so immediately, and they disappeared. Then began the Serenade; not only Catcalls, but all the various portable Instruments, that could make a disagreeable Noise, were brought up on this Occasion, which were continually tuning in all Parts of the House; and as an Attempt to speaking was ridiculous, the Actors retired, and they opened with a grand Dance of twelve Men and twelve Woman; but even that was prepared for; and they were directly saluted with a Bushel or two of Peas, which made their Capering very unsafe. After this they attempted to open the Comedy; but had the Actor the voice of Thunder, it would have been lost in the confused Sounds from a thousand Various Instruments. Here, at the waving Deviel's Hand, all was silent, and (standing up on his Seat) he made a Proposal to the House to this Effect:-'That if they persisted in the Opposition, he must read the Proclamation; that if they would permit the Play to go on, and to be acted through that Night, he would promise, (on his Honour) to lay their Dislikes, and Resentment to the Actors, before the King, and he doubted not but a speedy End would be put to their acting.' The Answer to this Proposal was very short, and very expressive. 'No Treaties, No Treaties!' At this the Justice called for Candles to read the Proclamation, and ordered the Guards to be in Readiness; but a Gentleman seizing Mr Deveil's Hand, stretched out for the Candle, begged of him to consider what he was going to do, for his own Sake, for ours, for the King's! that he saw the unanimous Resolution of the House; and that the Appearance of Soldiers in the Pit would throw us all into a Tumult, which must end with the Lives of many. This earnest Remostrance made the Justice turn pale and passive. At this Pause the Actors made a second Attempt to go on, and the Uproar revived; which continuing some Time, the Embassadors and their Ladies left their Box, which occasioned a universal. Huzza from the whole House! and after calling out some Time for the Falling of the Curtain, down it fell. [For other accounts of this evening, see Daily Advertiser, 9 and 10 Oct.; London Evening Post, 12 Oct.; Gentleman's Magazine, VIII (1938), 545; Historical Register, XXIII, 278-87.

Performances

Mainpiece Title: Lembaras Des Richesses

Afterpiece Title: Arlequin Poli Par L'Amour

Dance: Paquorel, Mlle Chateauneuf, LeFevre, Madem LeFevre

Event Comment: See London Daily Post and General Advertiser, 7 Nov., for The Case of the French Comedians, a statement signed by Moylin Francisque and J. B. LeSage

Performances