SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Merchant of London"/1) | (@(roleclean,performerclean) "Merchant of London")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1176 matches on Performance Title, 954 matches on Event Comments, 478 matches on Performance Comments, 2 matches on Roles/Actors, and 0 matches on Author.

Performances

Mainpiece Title: Caius Marius

Performance Comment: Advertised in London Daily Post and General Advertiser, 14 Aug., not later .
Event Comment: At the noted Yeates, Warner, and Hind's Booth in the London-Spaw Fields. Begins at Noon. The Fair runs 23, 25, 26, 28 Aug

Performances

Mainpiece Title: The Author's Farce

Afterpiece Title: The Mistake; or, The Lover's Quarrel

Event Comment: Robert Morris saw this play, but does not state where. It was later given, on 29 Sept., at HAY. See Beverly McAnear, "An American in London, 1735-1736," Pennsylvania Magazine of History and Biography, LXIV (1940), 376

Performances

Mainpiece Title: Love In A Bottle

Event Comment: By Their Majesties' Command. [Their Majesties, Duke, Princesses Amelia, Caroline, Mary, Louisa present.] London Daily Post and General Advertiser, 20 Nov.: Mrs Porter perform'd the Part of Belvidera, without having either Stick or Cane to support her. Receipts: #168 12s. 6d

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Rape of Proserpine

Dance: I: A new Peasant by Tench and Miss Rogers. II: Dance of Sailors (in Opera o{ orestes) by Glover and others. III: Two Pierrots by Nivelon and Lalauze. 1v: Faithful Shepherd by Glover, Miss Rogers, &c

Performances

Mainpiece Title: The Alchymist

Performance Comment: Cast not known (London Daily Post and General Advertiser missing), but see17351118.

Afterpiece Title: The Intriguing Chambermaid

Performances

Mainpiece Title: King Arthur

Performance Comment: Cast not known (London Daily Post and General Advertiser missing), but see17351217.

Performances

Mainpiece Title: The Silent Woman

Performance Comment: Cast not known (London Daily Post and General Advertiser missing), but see17351120.

Afterpiece Title: The Devil to Pay

Event Comment: Benefit a Gentleman in Distress. [Advertised in London DaIly Post and General Advertiser, 22 Dec, not later: With other Entertainments, as will be express'd in the Day's Bills.]

Performances

Mainpiece Title: The Stratagem

Event Comment: Mainpiece: Never Acted before. An Historical Play. [Apparently not published. Possibly by Mrs Haywood.] Afterpiece: A Ballad Farce of one Act. [Author unknown. Apparently not published.] With New Habits and all proper Decorations. London Daily Post and General Advertiser, 21 Jan.: We hear there had like to have been a Disturbance at the Rehearsal of. . . The Contract. . . . Some Persons suppos'd to be sent by the Governor of a certain Baronet, endeavour'd first to intimidate the Actors from the Representation of it; and finding that ineffectual, have since attempted to spirit-away some of the principal Performers

Performances

Mainpiece Title: Arden Of Feversham

Afterpiece Title: The Contract; or, The Biter Bit

Performances

Mainpiece Title: The Twin Rivals

Afterpiece Title: Harlequin Restor'd

Performance Comment: Cast not known (London Daily Post and General Advertiser, missing), but see17360112.
Event Comment: By Command of His Royal Highness the Duke, and their Highnesses the Princesses Caroline, Mary, and Louisa [who were present]. London Daily Post and General Advertiser, 28 Feb.: The Author perceiving from the Behaviour of some Persons, a determin'd Resolution, notwithstanding the Presence of part of the Royal Family, to breed a Disturbance, to the Prejudice of the Play, occasion'd, as 'tis supposed, from an invidious Letter inserted in Thursday's Grubstreet Journal, has chose to withdraw his Play, rather than give them an Opportunity of gratifying their Malice, by a Repetition of such Disturbances as must necessarily prevent the Audience from hearing the Performance in Peace. Receipts: #112 14s

Performances

Mainpiece Title: The Double Deceit

Dance: Tambourine by Glover and Miss Rogers. Comic Ballet by Lalauze, Mlle d'Hervigni, &c. French Peasant by Tench and Miss Rogers. Scot's Dance by Glover, Miss Rogers, Desse, Mrs Ogden, Tench, Mlle Delorme

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Happy Lovers; or, The Beau Metamorphos'd

Music: V: Preamble on the Kettle-Drums by J. Woodbridge, and the celebrated Water Musick, composed by Mr Handel, accompanied with Trumpets and French Horns

Dance: Hornpipe by Ferguson. By Cox, a Pewterer of the City of London, who never appeared on any stage before, particularly a Harlequin and a Scaramouch. Two Pierrots by Smith and La Back. End Afterpiece: Drunken Man of Pritchard

Performance Comment: By Cox, a Pewterer of the City of London, who never appeared on any stage before, particularly a Harlequin and a Scaramouch. Two Pierrots by Smith and La Back. End Afterpiece: Drunken Man of Pritchard .

Song: By E. Roberts

Event Comment: Advertised in London Daily Post and General Advertiser, 26 April, not later

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Mock Doctor

Event Comment: Benefit Miss Norsa. Tickets at her Lodgings, Nassau Street, near Gerrard Street. Receipts: money #12 14s. 6d.; tickets #101 9s. London Daily Post and General Advertiser, 29 April: We hear Mr Handel has compos'd a new Opera, on the Occasion of his Royal Highness's Marriage to the Prince[S] of Saxe Gotha, and as the Wedding was solemnized sooner than was expected, great Numbers of Artificers, as Carpenters, Painters, Engineers, &c. are employed to forward the same

Performances

Mainpiece Title: The Relapse

Afterpiece Title: Flora

Dance: Two Pierrots by Lalauze and Nivelon. The Peasants by Lalauze, Mlle D'Hervigni, &c. Sailors (from orestes) by Glover, Tench, Desse, Delagarde, Livier, Richardson

Event Comment: By Command of Their Royal Highnesses the Prince and Princess of Wales. Pit and Boxes put together. London Daily Post and General Advertiser, 6 May: There was an exceeding great Audience, and great Numbers of Quality both in the Boxes and Pit. Their Highnesses' Box was handsomely ornamented with white Damask, adorn'd with Silver Laces and Fringes; over the Canopy was the Figure of Hymen, with a Label on which was this Motto: Concordia Cordium. Daily Journal, 6 May: The House was so full about Five o'Clock, that several Gentlemen and Ladies, unable to go to their Seats, was obliged to depart

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: The Fall of Phaeton

Dance: I: Tambourine by Mlle Roland. II: Russian Sailor by Denoyer, &c. IV: French Peasants by Poitier, Mlle Roland, &c

Event Comment: A New Opera. [Librettist not known. Music by Handel.] London Daily Post and General Advertiser, 13 May: Last Night was perform'd ... Atalanta ...in which was a new Set of Scenes painted in Honour to this Happy Union, which took up the full length of the Stage: The Fore-part of the Scene represented an Avenue to the Temple of Hymen, adorn'd with Figures of several Heathen Deities. Next was a Triumphal Arch on the Top of which were the Arms of their Royal Highnesses, over which was placed a Princely Coronet. Under the Arch was the Figure of Fame, on a Cloud, sounding the Praises of this Happy Pair. The Names Fredericus and Augusta appear'd above in transparent Characters. Thro' the Arch was seen a Pediment supported by four Columns, on which stood two Cupids embracing, and supporting the Feathers, in a Princely Coronet, the Royal Ensign of the Prince of Wales. At the farther End was a View of Hymen's Temple, and the Wings were adorn'd with the Loves and Graces bearing Hymenael Torches, and putting Fire to Incense in Urns, to be ofter'd up upon this Joyful Union. The Opera concluded with a Grand Chorus, during which several beautiful Illuminations were display'd. . . . There were present their Majesties, the Duke, and the Four Princesses

Performances

Mainpiece Title: Atalanta: In Honour Of The Royal Nuptials Of Their Royal Highnesses The Prince And Princess Of Wales

Event Comment: Benefit Neale and Vaughan. Receipts: money #8 13s.; tickets #120 10s. London Daily Post and General Advertiser, 25 May: Yesterday Mr Smith [of CG], being disorder'd in his Senses, threw himself out of his Lodging Window up two pair of Stairs near Gray's Inn . . . and ... his Life is despaired of

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Cheats of Scapin

Dance: II: Comic Ballet, as17360417 In: Tambourine by Miss Rogers. V: Glover's Sailors Dance

Song: I: By Leveridge. IV: Mock Italian Song by E. Roberts

Event Comment: By the Company of Comedians from Goodman's Fields. Written by Mr Dryden. With new Scenes, Machines, and other Decorations, particularly an exact Representation of Merlin's Cave, as in the Royal Gardens, Richmond. Boxes 5s. Pit 3s, Middle Gallery 2s. Upper Gallery 1s. At 6 p.m.[The Prologue was printed in London Daily Post and General Advertiser, 1 Oct.

Performances

Mainpiece Title: King Arthur; Or, Merlin The British Enchanter

Event Comment: Mainpiece: Written by the late Mr Congreve, London Daily Post and General Advertiser, 2 Oct.: Last Night in the Entertainment of Dr Faustus...when the Machine wherein were Harlequin, the Miller's Wife, the Miller and his the Miller's Man, was got up to the full Extent of its flying, one of the Wires which held up the hind part of the Car broke first, and then the other broke, and the Machine, and all the People in it fell down Upon the Stage; by which unhappy Accident the young Woman who personated the Miller's Wife had her Thigh broke, and her Kneepan shatter'd, and was otherways very much bruised, the Harlequin had his Head bruised, and his Wrist strained; the Miller broke his Arm; and the Miller's Man had his Scull so fractured that his Life in despaired of. Thomas Gray to Horace Walpole, 6 Oct.: Covent Garden has given me a sort of surfeit of Mr Rich and his cleverness, for I was at [cg] when the machine broke t'other night; the house was in amaze for above a minute, and I dare say a great many in the galleries thought it very desterously performed, and that they screamed as naturally as heart could wish, till they found it was no jest, by their calling for surgeons, of whom several luckily happened to be in the pit. I stayed to see the poor creatures brought out of the house, and pity poor Mrs Buchanan not a little, whom I saw put into a chair in such a fright that as she is big with child, I question whether it may not kill her.-Horace Walpole's Correspondence with Thomas Gray, I, 113-14

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Necromancer

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh. Daily Advertiser, 4 Oct.: Yesterday Morning Mr James Todd, who represented the Miller's Man on Friday Night...and fell in one of the flying Machines from the very top of the Stage by the breaking of the Wires, by which accident his Skull was fractur'd, died in a miserable manner. Susan Warwick, who represented the Miller's Wife, lies at the point of Death at the Infirmary at Hyde-Park Corner: The two other Persons who fell in the same Machine are like to recover, [In London Daily Post and General Advertiser, 2 Oct.: All these unhappy People were Servants belonging to the Theatre, and only Representatives in the different Characters of Mr Lun, Mr Nivelon, Mr Salway, and Mrs Moreau.

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Devil to Pay

Dance: CClown-Nivelon; Misses Scott; Scot's Dance-Glover, Desse, Mrs Ogden, Tench, Mrs Delorme

Event Comment: Mainpiece: Taken from the French of Mons Voltaire. London Daily Post and General Advertiser, 13 Oct.: We are assured Mr Giffard will very shortly open the Theatre in Goodman's-Fields, notwithstanding the many false and invidious Reports o his having intirely left that part of the Town

Performances

Mainpiece Title: Alzira

Afterpiece Title: The Worm Doctor

Event Comment: By Command of their Royal Highnesses the Prince and Princess of Wales [who were present]. Pit and Boxes put together at half a guinea each. First Gallery 5s. Upper Gallery 2s. 6d. London Daily Post and General Advertiser, 8 Nov.: The Box in which their Royal Highnesses sat, was of white Sattin, beautifully Ornamented With Festons of flowers, in their proper Colours, and in Front was a flaming Heart, between two Hymeneal Torches, whose different Flames terminated in one Point, and were surmounted with a Label, on which were wrote, in Letters of Gold, these Words, Mutuus Ardor

Performances

Mainpiece Title: Alcina

Event Comment: For essays on the rivalry of actors, see Daily Journal, 13 Nov., and London Daily Post and General Advertiser, 13 Nov

Performances

Mainpiece Title: The Unhappy Favourite; Or, The Earl Of Essex

Afterpiece Title: The Fall of Phaeton: With Harlequin a Captive

Event Comment: For Giffard's Proposals for carrying on at lif by Subscription, see London Daily Post and General Advertiser, 13 Nov

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Harlequin Shipwreck'd

Dance: II: Pierrots-Vallois, Delagarde

Event Comment: Mainpiece: Alter'd from Shakespear. [For a letter by Catherine Clive on th role of Polly in The Beggar's Opera, see London Daily Post and General Advertiser, 19 Nov.

Performances

Mainpiece Title: Timon Of Athens

Afterpiece Title: The Fall of Phaeton

Dance: In II: Muilment

Music: Select Pieces-