SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "May"/1) | (@(roleclean,performerclean) "May")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1809 matches on Event Comments, 175 matches on Performance Comments, 72 matches on Performance Title, 59 matches on Roles/Actors, and 1 matches on Author.
Event Comment: [G$Genest, V, 119, suggests The Deuce is in Him for afterpiece with King as Prattle and Miss Reynolds as Bell. Treasurer's Book, however, states Queen Mab. Cunning Man-deferred. Mrs Arne Ill. Wonder reviv'd after two years. See 13 May 1765.] Receipts: #103 9s. (Treasurer's Book)

Performances

Mainpiece Title: The Wonder; Or, A Woman Keeps A Secret

Afterpiece Title: Queen Mab

Dance: II: The Vintage, as17661011

Event Comment: Ladies send servants by 3 o'clock. A Comic Opera, Never Perform'd [by Isaac Bickerstaffe]. The Scenes, Dresses and Dances entirely new (playbill). [The playbill does not assign parts. Assignment from Genest and Winston who both identify the Young Gentlewoman as Miss Brickler. The Music compiled from Favourite airs of the most celebrated composers." See note for 27 May relative to dances in this opera.] Receipts: #245 14s. (Account Book)

Performances

Mainpiece Title: Love In The City

Event Comment: AAsh Wednesday. Publish'd this day. Price only 1s. Letters which have passed between John Beard Esq Manager of Covent Garden Theatre, and John Shebbeare, M.D. Wherefore I thus entreat with due Submission, Between the Bard and me you'd make decision, The whole now on your Approbation waits. Prologue to the Perplexities, sung by Mr Beard. Printed for G. Kearsly N.B. This Pamphlet is entered at Stationers Hall, whoever pyrates any part of it will be prosecuted. [This pamphlet of 50 pages is given a four-column review in the Gentleman's Magazine for March (p. 124). The controversy was over a play which Shebbeare submitted to Beard and which the latter finally rejected after holding it two seasons. Beard's letters are quoted. The reviewer is severe upon Shebbeare: Upon the whole for anything that has hitherto appeared, the managers of both theatre have rather been to blame for receiving some pieces that they should have rejected, than for rejecting any they should have received. No piece has yet been printed, by the rejection of which the managers have betrayed their trust, or neglected their duty to the public. There may be such pieces in manuscript, but, if there are, the most effective way of avenging the author on the manager is to print them, for the voice of the public would instantly and effecturally do justice to the writter...by compelling the representation.' Shebbeare was Joseph Pittard?]

Performances

Mainpiece Title: None

Event Comment: DDido deferred on account of the indisposition of Mrs Yates. [See 14 May.] Paid 2 Printer's Bills #17 4s. Mr Mallet 1 suit of lac'd cloths #11 6d.; Paid Guidetti in full #33 5s.; Chorus 1 night #2 10s. 6d. (Treasurer's Book). Receipts: #189 6s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Event Comment: Benefit for Miles and Stede. Charges #65 10s. [Profit to each beneficiary: #5 17s. 9d. plus income from tickets: Stede #42 11s. (Box 34; Pit 131; Gallery 144); Miles #106 16s. (Box 176; Pit 328; Gallery 136).] Paid Wilford for 29 nights renter's money #290 to 1 May inclusive (Account Book). Receipts: #77 5s. 6d. (Account Book)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Harlequin Dr Faustus

Dance: II: A Hornpipe-Master Harris, 1st time (scholar to Miles); III: The Drunken Peasant-Miles (Peasant), Bennet (Clown)

Event Comment: Benefit for DuBellamy and Mrs Pitt. Tickets delivered for Theodosius will be taken. Afterpiece: Not acted in 4 years. [See 20 May 1763.] Charges #67 1s. [Profit to each beneficiary #27 11s. 9d. plus income from tickets: DuBellamy #61 6s. 5d. (Box 75; Pit 241; Gallery 64); Mrs Pitt #62 6s. (Box 53; Pit 223; Gallery 156).] (Account Book). Receipts: #122 4s. 6d. (Account Book). [Neville attended. Noted the great crowd as well as the excellence of the performance.

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Dragon of Wantly

Song: I: At Totterdown Hill-, a favourite song; IV: The Cantata of Cymon and Iphegenia , by Particular Desire,-DuBellamy

Dance: End: Double Hornpipe, as17670427

Ballet: End: The Wapping Landlady. As17670427

Event Comment: Benefit for the Author of mainpiece. House Charges #76 19s. 6d. Mrs Yates' last appearance here until the 1774-75 season (Winston MS 9). Tickets deliver'd for the 9th of April and 7th of May will be taken. Paid Burney Jr 2 weeks' salary #2 10s., and Printer's Bill #9 6s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Dido

Afterpiece Title: The Register Office

Dance: End: The Lilliputian Camp, as17670227

Event Comment: Mainpiece: Not acted these 2 years. [See 22 May 1766.] [Neville was present at 4:15 in the pit. Liked the performance of all parts, save that King's figure not as suited to the part of Bobadill as Woodward's, "of whom I think I ceuld perceive an imitation."

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Virgin Unmasked

Event Comment: Mainpiece: By Desire. Music [to afterpiece] by Barthelemon. I often go to both theatres, have seen Garrick and Mrs Yates, who are the first in this theatrical sphere. The former has hitherto [i.e., this season] appeared only in comedy, --his manner, his humour, and his judgment are not to be equall'd. The adoration he meets with from the English is equal to his merit. His every motion they attend to, and every turn of his eye seems to transport them. Mrs Yates [at Covent Garden] has much tragic merit. Her low voice is very tuneful, her feeling great, her action peculiarly graceful and her figure uncommonly fine. She has more power than Mrs Dancer (at Drury Lane] and more variety than Mrs Fitz-Henry, tho' less strength and compass. On the whole she is superior to the former and inferior to the latter. Barry and Mrs Dancer are engag'd here (MS Letter from Henry Grattan to Cornet Broome giving his first impressions of living in London, 27 Oct. 1767, in Folger Library). Neville MS Diary: Went into the Pit to see As You Like It a second time. Reddish did Orlando for the 1st time. He is a pretty good player. End Act I, Hearts of Oak. The Entertainment was the new Farce called a Peep Behind the Curtain. Glib by King who is the author. The piece is not unentertaining, whatever other merit it may have. The Prologue and an Address to the Town by way of Epilogue, are spoken by Mr King, the music by Barthelemon

Performances

Mainpiece Title: As You Like It

Afterpiece Title: A Peep behind the Curtain

Dance: I: Hearts of Oak, as17671022

Event Comment: [Mainpiece: Garrick suddenly taken ill. Put off to Jealous Wife (Winston MS 10). Farce not acted in 5 years. [See 31 May. 1763.

Performances

Mainpiece Title: [the Provoked Wife

Afterpiece Title: [The Mock Doctor

Event Comment: Mainpiece: Not acted in 3 years. [See 18 May 1765.

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Harlequin's Invasion

Dance: II: The Gardners Holiday, as17671120

Event Comment: TThe Stratagem not acted for 3 years. Archer not acted by Garrick for 5 years. [See 20 May 1766, and 13 Oct. 1762.] I had not time to dine, Garrick being to play. Tho' I got into the Pit 15 minutes past 4, oblig'd to stand in the well....Scrub very well by Weston....The play was very well performed. The Doctor very well done by Love (Neville MS Diary)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Mock Doctor

Dance: IV: The Gardners Holiday, as17671120

Event Comment: Never Perform'd. Founded on Beaumont and Fletcher. Music by Thomas Linley. A Comic Opera the Music entirely new. [By Thomas Hull altered from The Royal Merchant; or the Beggar's Bush (Biographia Dramatica). See 19 Dec. 1767 for further note on Music.] Paid Mr Horne for 4 Tambourines #1 10s. (Account Book). Went into the Pit to see the opera founded on Beaumont and Fletcher, performed for the first time....The music may be good, but the piece is trifling and childish, barren of incident and character except that of Clause played by Bensley and the frightened peasant. The performers are in the Flemish dresses of the times, and do the piece much justice. At the beginning of the 2nd act some fellows in the 2s. Gallery began a disturbance, but were turn'd out and carried before Sir John Fielding, where they confessed that they were hired to disturb this performance by a publican, but refused to say whom....Stood in the well (Neville MS Diary). Receipts: #225 1s. (Account Book)

Performances

Mainpiece Title: The Royal Merchant

Dance: I: A New Comic Dance, as17671021; II: A Grand Ballet The Garland-Fishar, Mrs Bulkley. [See17651003.

Event Comment: Afterpiece: Not acted these 2 years. [See 3 May 1766.

Performances

Mainpiece Title: Zenobia

Afterpiece Title: Catharine and Petruchio

Event Comment: Benefit for King. Mainpiece: Not acted for 8 years. [See 17 May 1760.] Afterpiece: By Desire. Part of Pit laid into Boxes

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Absent Man

Dance: III: The Wake, as17680220

Entertainment: End: By Desire, the Favourite Interlude of Linco's Travels, with his remarks on London-King

Event Comment: Benefit for Mahoon. [The Young Gentlewoman who played Polly would seem to have been Miss Groce. See 25 May.] Charges 1!2 #32 2s. 6d. Mahoon to accept 1!2 Receipts. A balance due him of #25 7s. plus #39 7s. from Tickets (Box 111; Pit 42; Gallery 53) (Account Book). [Mrs Dyer seems to have shared this night, who in lieu of paying half the charges accepted only half the value of the tickets she disposed of. She received #18 17s. as one-half value of 43 Box tickets; 101 Pit; 118 Gallery.] Paid Danl Gyles [or Dancer Gyles?] in consideration of his assigning over Miss Parfett's Indentures...#78 15s. Receipts: #114 19s. (Account Book)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Lethe

Dance: II: The Irish Lilt, as17670921

Event Comment: Cancelled. Theatre and all the Gardens [closed] on account of the Death of Louisa Anne [sister of His Majesty]--until 23 May. [This was to have been the Benefit night for Mortimer, Tomlinson, and Lings.] Tickets deliver'd by Miss Berkley, Mas. Cape, and for The Committee were to have been taken

Performances

Mainpiece Title: None

Afterpiece Title: None

Dance: [I: Double Hornpipe-Mas. Cape, Miss Taylor.

Event Comment: Benefit for Several, Lings, Mortimer, Tomlinson. [Tickets etc. see 13 May.

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: Catharine and Petruchio

Dance: II: Double Hornpipe-Mas. Cape, Miss Taylor; End: The Medley, as17680416

Event Comment: Benefit for T. Smith, Parsons, Arnauld, Miss Madden, Miss Cockayne, and others. Tickets deliver'd by Wild, Mrs Hitchcock, Francis, Widow Trott, Mrs Paddick, and for the fourteenth will be taken. [The Mourning Bride and Orpheus had been planned for the 14th. See foot of playbill 13 May.] @Tickets Pit Box Gallery Value 1!2 Value@T. Smith 67 61 #16 3s. #8 1s. 6d.@ Maddan 10 30 49 #11 18s. #5 19s.@19 183 58 38 19@Cockayne 7 23 48 #10 5@Wilde 2 27 33 #7 17s. #3 18s. 6d.@Francis 4 25 31 #7 17s. #3 18s. 6d.@Arnd Fishar 14 8 #2 18s. #1 9s.@Hitchcock 31 41 14 #15 6s. #7 3s.@ Trott 16 8 4 #5 12s. #2 16s.@Paddick 16 7 #3 2s. #1 11s.@Total #118 13s. #59 6s. 6d. (Account Book).@ [No charges were listed. The house took, instead one-half value of the tickets, leaving the other half as profit to the ten beneficiaries. House also took the cash receipts.] Receipts: #27 19s. (Account Book)

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: The Royal Chace

Song: II: A Song-Parsons

Dance: III: A Minuet-Hussey, Miss Madden; IV: Comic Dance-Arnauld, Miss Capon, as17680416

Event Comment: Benefit for Rose, Sherrard and others. Tickets deliver'd by Robson, Dixon, Wooley, Roberts, Fransdorf, Doe, Reed, Ellis and Pilfold will be taken. @Tickets Box Pit Gallery Value 1!2 Value@Rose 20 31 25 #12 3s. #6 1s. 6d.@Sharratt 6 6 11 #3 10s. #1 15s.@Robson 1 49 52 #12 16s. #6 8s.@Dixon 4 39 33 #10 3s. #5 1s. 6d.@Wooley 3 38 64 #12 17s. #6 8s. 6d.@Roberts 13 53 42 #15 8s. #7 14s.@Fransdorf 33 33 #8 5s. #4 2s. 6d.@Doe 1 13 49 #7 2s. #3 11s.@Reed 10 13 37 #8 3s. #4 1s. 6d.@Ellis 6 33 #4 4s. #2 2s@Pilfold 25 128 17 #27 3s. #13 11s. 6d.@Total #121 14s. #60 17s. (Account Book).@ [See note to 27 May.]@ Rec'd of Gardner for his deficiency 6th inst. #13 3s. 6d.@ Rec'd of Miss Besford her deficiency 25th inst. #7 2s. 10 1!2d.@ Rec'd of Holtom for his deficiency 25th inst. #7 2s. 10 1!2d.@ Rec'd of Mrs Trott her 1!2 value of tickets 27th #2 16s.@ Rec'd of Miss Maddan her 1!2 value of tickets 27th #5 19s.@ Rec'd of Arnd Fishar his 1!2 value of tickets 27th #1 9s.@ Rec'd of Parsons his 1!2 value of tickets 27th #19.@ Rec'd of Morris his deficiency the 3rd inst. #2 10s. 9d. (Account Book).@ Receipts: #35 3s. 6d. (Account Book)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Harlequin Dr Faustus

Dance: II: Comic Dance, as17680527

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Absent Man

Performance Comment: As17680413 but Frank-J. Palmer; Robin-Fox (MacMillan); Prologue-_. [Public Advertiser retains Palmer by mistake. He died 23 May.]Public Advertiser retains Palmer by mistake. He died 23 May.]

Entertainment: IV: Bucks Have at Ye All-J.? Palmer

Event Comment: Last Time of Performing this Season. Benefit for Theatrical Fund. Pit and Boxes thrown together. Doors open half an hour before. Play begins promptly at half after 6.[This was Palmer's last appearance on the stage in Absent Man (Winston MS 10), but see 29 April. MacMillan notes that Palmer died 23 May.

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Absent Man

Dance: End: The Medley, as17680416

Event Comment: Benefit for Greene and Ansell (box-keepers). Tickets deliver'd for 25 May will be taken. Charges #81 10s. Deficit to Greene and Ansell #56 6s. 6d. covered by #129 14s. to Green from tickets (Box 414; Pit 148; Gallery 40) and #98 15s. to Ansell from his tickets (Box 281; Pit 174; Gallery 24). Total House of #253 12s. 6d. that night. Rec'd of Sarjant for his deficiency 30 May...#24 11s. 6d. Rec'd of Ellis for his 1!2 value of tickets 28 May...#2 2s. Receipts: #25 3s. 6d. (Account Book)

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Thomasand Sally

Dance: End: The Merry Sailors, as17671009

Event Comment: MMaster Brown's Night. A comic Interlude of Two Acts; Music by Dr Arne. N.B. A light shower or two will not put off the Performance; but if heavy Rain should fall, it must necessarily be deferr'd till further Notice, on account of the Fireworks. Books containing both performances may be had of the Booksellers and at the Gardens at 6d. each

Performances

Mainpiece Title: Capochio And Dorinna

Entertainment: last Aast Act: a Burlesque Ode-by the late Bonnel Thornton, in banter of the Odes written on St Cecilias Day, set to music by an eminent master; The whole to conclude with: Grand Fireworks-

Event Comment: Two glass branches added to the Stage Boxes, and look well (Hopkins MS Notes). Places may be had of Mr Johnston at the Stage Door. Doors open half past 4 o'clock. Play to begin exactly at 6 o'clock. Vivat Rex et Regina. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Flora; or, Hob in the Well