SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "May"/1) | (@(roleclean,performerclean) "May")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1809 matches on Event Comments, 175 matches on Performance Comments, 72 matches on Performance Title, 59 matches on Roles/Actors, and 1 matches on Author.
Event Comment: By Command of the King (Cross). This day a new tragedy, entitiled Constantine the Great was read here to the actors for the first time. This piece is written by the reverend Mr Francis, from whose valuable translation of Horace it may be inferred that he is such a judge of all the graces of Language and every beautiful turn in writing, that it is not to be doubted but he will give the public a production abounding in elegancies. [See 23 Feb.

Performances

Mainpiece Title: Lo Studente A La Moda

Dance: As17540118

Event Comment: By Command. Prince of Wales, Princess Dowager Prince Ed: & another Girl with. (Cross). A person last Tuesday in the playhouse at Drury Lane, that had some difference with another (whom he don't know) about a seat in the Pit, would be glad of a private conference, to be convinced who was in the fault; the publisher hereof may be seen 'Change at the usual hours every day this week to appoint a place for said conference (Public Advertiser). Receipts: #200 (Cross)

Performances

Mainpiece Title: King John

Music: As17540123

Dance: Several Entertainments-Devisse, Mlle Auretti, Mlle Auguste

Event Comment: For one night only, being desired by several Persons of Quality. Benefit for Mr Arne. Done in the manner of an Oratorio. To begin at 6.30 p.m. Boxes half a guinea. Pit 5s. Gallery 3s. Upper Gallery 2s. Tickets to be had of Mr Arne near the Roe Buck in Bow St., Covent Garden, and of Mr Varney at the Stage Door where Places may be taken for the Boxes only. Published for 1s. this day Alfred the Great, a Drama for Music, as it is to be performed this evening at the Theatre Royal in Drury Lane. Printed for A. Miller in the Strand

Performances

Mainpiece Title: Alfred

Music: Will be introduceda Solemn Dirge-in honour of the Heroes who died in the service of their country; After I: a Violin Concerto-DeGiardino, who will lead the performance; II: Duetto on the Hautboys-the two Pla's

Event Comment: Benefit for Mrs Bland. Afterpiece: Not played for 12 years. [See 14 May 1742.] Tickets deliver'd for Tamerlane for 21 March will be taken

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Afterpiece Title: The Honest Yorkshireman

Dance: LLes Charboniers, as17540307

Event Comment: Benefit for Raftor, Mozeen and Wilder. That this Entertainment may be perform'd with the proper scenes and Decorations, there will be no building on the Stage. Receipts. #130 (Cross)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The London Prentice

Dance: The Pierrot's Dance, as17540504

Event Comment: [Not performed.] Last Night ththe new English Opera of Eliza was suppressed by an Order from superior Power, by which Means many Persons of Taste were deprived of a very elegant Entertainment, as it was universally acknowledg'd that this musical Performance was very extraordinary Merit, being a sensible Composition, calculated to convey the liveliest Ideas to the Fancy, and to awaken the Passions of very feeling Heart. It is said, that instigated by this Disappointment, Mr Arne will apply to P-t for a Bill to unnaturalize him, that he may then have the Privileges of an Englishman, as well as any Foreigner of them all (Gray's Inn Journal No 37, 8 June)

Performances

Mainpiece Title: Eliza

Event Comment: On Saturday next will be publish'd in The Westminster Journal, (over and above the Essay as usual) No 1 of The Theatrical Kalander. In which not only will be kept an accurate register of all the plays, farces, and Entertainments exhibited as both Theatres Royal, but the respective merits of the performances, as well as performers, will be critically and impartially considered. To be continued weekly during the season. Note This is the first thing of its kind attempted in England, and it is humbly presumed, that it will have something still more than Novelty to recommend it (Public Advertiser). [See numbers 4 May 1754 and 17 Oct. 1755 of this magazine.

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Devil to Pay

Event Comment: Afterpiece: Not acted these 8 years. [See 1 May 1747.] With New Cloaths, Scenes, and Decorations. No after money will be taken. None admitted behind scenes. [This note accompanies all performances of this pantomime this season.

Performances

Mainpiece Title: The Twin Rivals

Afterpiece Title: Orpheus and Eurydice, Intermix'd with Metamorphoses of Harlequin

Event Comment: Benefit for Miss Haughton--masters share (Cross). Full Prices. That there may be no Obstruction in the Machinery, there will be no building on the stage. Tickets of Miss Haughton, in Chandois St., and at Stage Door. Receipts: #100 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Proteus

Event Comment: Benefit for Costollo, Bennet, Stevens. [Advance bill had listed Barnaby-R. Smith but he was omitted on 12 May bill.

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Cheats of Scapin

Song: II: Rule Britannia-Lowe

Dance: As17550430

Event Comment: [The Performance scheduled for 31 May deferred on account of Sga Mingotti's illness.] Being the last time of performing this season

Performances

Mainpiece Title: Ezio

Event Comment: This night the Riot was very Great, the Gentlemen came with Sticks, & tho' the play went on quiet 'till the last Act, we had there a great Stop, notwithstanding we ended it, & then the rout went on, ye Boxes drove many out of the Pit, & broken heads were plenty on both Sides; the dance began,--was Stop'd--& so again & again--while this was doing numbers were assembl'd in the Passages of the pit, broke down & were getting into the Cellar, but were repuls'd by our Scene men &c.--heavy blows on both sides--Justice Fielding--& Welch came with Constables & a Guard; but without effect, tho' the Justices stood upon ye Stage--I thought ye proclamation must have been read--after ye battle in the Passages numbers went & broke Garrick's Windows in Southhampton Street, --part of ye Guard went to protect it-Garrick was oblig'd to give up the Dancers-& ye Audience disperc'd (Cross). This day publish'd at 1s. The Country Coquet; or, Miss in her Breeches, a Ballad Opera, as it may be acted at Drury Lane. @Men, some to business, some to pleasure take@But every woman is at heart a Rake.@ Pope By a Young Lady. Printed for and sold for J. Major, in Three-Tun Court, leading from the Ship in Ivy Lane into Newgate Market. Receipts: #200 (Cross)

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: The Chinese Festival

Event Comment: In a Few Days will be publish'd at 1s. (as it is perform'd at Drury Lane) The Winter's Tale: A Dramatic Pastoral in three acts, from Shakespeare. With proper Music, Songs,Dances, and Decoration. Printed for J. and R. Tonson. This Day publish'd The Winter's Tale, a Play alter'd form Shakespeare, by C. Marsh: @Think'st thou, the Swan of Avon spreads her Wings,@Her brooding wings, for thee alone, to plume@And nestle there, O Garrick? Thou deserv'st@Indeed much cherishing; thy Melody@Charms every ear. But sure it ill beseems@One Cygnet thus to stretch its little pinions,@Ambitiously intent, to fill that nest,@Whose roomy limits well may shelter numbers.@ Printed for C. Marsh, at Cicero's Head, in Round Court in the Strand. Receipts: #160 (Cross)

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: Catherine and Petruchio

Event Comment: At the New Wells, Goodman's Fields. Mr Cibber will deliver two Dissertations on Theatrical Subjects: with a Prefatory Address to the Anti-Gallicans, for the Benefit of Mr Hallam. None to be admitted but by Tickets at 1s. 6d. each, which entitles each Person to a pint of Wine. Places in the boxes may be had of Mr Hallam at 2s. each, Wine, etc. To begin at 6:30 p.m. N.B. As I have been lame for some Time, I hope my friends will excuse my not waiting on them. W. Hallam

Performances

Mainpiece Title: Lecture

Event Comment: Benefit for Mrs Clive. Mainpiece: Written by Colley Cibber. [The Old Maid for 8 May 1756 reviewed this performance of Lethe, or possibly the one with the same cast on 30 April. The reviewer was 'particularly diverted with Mrs Clive's Italian Song, in which this truly humorous actress parodys the Air of the Opera, and takes off the action, of the present favorite female at the Hay-Market, with such exquisite ridicule, that the most zealous partisans of both, I think, must have applauded the comic genius of Mrs Clive, however they might be displeased with this application of it." The reviewer is lukewarm in praise of the "New Character"..."What is there new in a Lord's having Gout, loving a bottle, pretending to taste, or being follow'd by a flatterer?"] Receipts: #210 (Cross)

Performances

Mainpiece Title: The Lady's Last Stake; Or, The Wife's Resentment

Afterpiece Title: Lethe

Dance: IV: New Sailor's Dance, as17560217

Event Comment: Benefit for Bencraft and Mrs Lampe. Afterpiece: Perform'd but once these ten years [see 8 May 1755], a Burlesque Opera being a Sequel to the Dragon of Wantly, Music composed by the late Mr Lampe

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Lady Moore; or, The Dragoness

Dance: The Villagers, as17560315 Italian Peasants, as17551126

Event Comment: Mainpiece: A pantomime. Boxes 2s. 6d. Pit or Gallery 1s. 6d. Benefit for W. Hallam. As I am refused the use of my own House, I hope the Town will indulge me with their Company at this. Sadler's Wells, Islington. Those who chuse Wine of Shrub may have it at 2s. a bottle

Performances

Mainpiece Title: The Contrivances

Entertainment: Isabella Wilkinson, Sga Caterina, Franklin

Event Comment: RRomeo & Juliet oblig'd to be deferr'd till Wednesday, when the Ladies may be assured of their Places which they have taken this Day. Receipts: #120 (Cross)

Performances

Mainpiece Title: The Fair Quaker Of Deal

Afterpiece Title: The Genii

Dance: II: The Press Gang, as17561013

Event Comment: For the Benefit of the Wid. Kraus & her children whose Husband was murder'd by Robbers near Chelsea (Cross). Tickets to be had at White's Chocolate House, and the St James Coffee House, St James St.; at Allmack's Coffee House, Halfmoon St.; The Mount Coffee House, Grosvenor St.; Sam's Coffee House and The Jerusalem Coffee House, Exchange Alley; of Mrs Kraus, at her house in Halfmoon St., Picadilly, and of Mr Varney at the stage Door, where places may be taken. Receipts: #200 (Cross)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Englishman in Paris

Event Comment: Farce not played for six years. [Actually not for 8 years; see 4 May 1748.] Receipts: #140 (Cross)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Damon and Philida

Dance: TThe Colliers, as17561122

Event Comment: By Command. Afterpiece: Written by Mr Garrick. Acted by children. Prince of Wales & 4 more went off very well (Cross). New Scenes, Habits and Decorations. Full prices. Prologue-writ by Garrick, spoken by Woodward; Epilogue-Lady Flimnap. [The run of seventeen performances of the afterpieces seems to contradict the judgement of the author of the Theatrical Examiner (1757, p. 89): Lilliput is, I think, the most petit, trifling, indecent, immoral, stupid parcel of rubbish, I ever met with; and I can't help judging it a scandal to the public, to suffer such a thing to pass a second night, which at best was alone calculated to please boys and girls, and fools of fashion; it may gratify them; the manager to debauch the minds of infants, by putting sentiments and glances in their breasts and eyes, that should never be taught at any years, which are sufficiently bad when naturally imbibed. The question of Gulliver, in answer to the infant lady's gross adresses, is horrid, if we allow an audience a common share of delicacy, what should we do with her? and what the devil does it mean. Finally where is the instruction, or even tolerable language, to gild the dirt over. O tempora! O mores!"] Receipts: #210 (Cross)

Performances

Mainpiece Title: Merope

Afterpiece Title: a new farce call'dLa new farce call'dLilliput

Event Comment: Benefit for the British Lying-In Hospital for Married Women in Brownlow St. Tickets deliver'd out for The Country Lasses will be taken this night. Tickets and places to be had of Mr Crudge at the stage Door; Tickets may also be had at the Hospital in Brownlow St., Longacre

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Englishman Returned from Paris

Dance: Granier, Miss Hillyard

Event Comment: Both pieces by Command of his Royal Highness the Prince of Wales. Mainpiece: Not acted these 10 years [see 8 May 1753]. Written by Beaumont and Fletcher. Afterpiece: Taken from Dryden and Colley Cibber, Poets Laureate. [Lucy was played by Miss Sledge; see 4 Feb. 1757.

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: The Frenchified Lady never in Paris

Dance: Poitier, Granier, Lucas, Mlle Capdeville, Miss Hilliard

Event Comment: MMrs Vernon & Young. Tickets (Cross). Mainpiece: Not acted these 3 years. [See 15 May 1754.] Receipts: #130 (Cross)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Mercury Harlequin

Event Comment: Benefit for Blakes and Miss Haughton. Tickets of Blakes in Duke's Court, Bow Street, and of Varney at the Stage Door, where tickets and places for Miss Haughton may be had. Afterpiece: By Desire. Receipts: #140 (Cross)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Reprisal

Song: I: Beard

Dance: V: A Hornpipe-Mathews