Event Comment: London Evening Post, 17 Nov.: Yesterday the Court of King's Bench granted a Habeas Corpus, directing the Keeper of Tothill-Fields Bridewell, to bring up the Body of John Harper, one of the Haymarket Comedians; and he is accordingly to be brought up on Monday next . . . that he may be admitted to Bail

Event Comment: Benefit Rochetti. At the Desire of several Persons of Quality. N.B. The breaking his Leg having render'd him incapable of attending his Friends and Benefactors as he ought to do, he hopes, the so justly celebrated English Good Nature will regard him at this time. [This performance may have been dismissed.]

Event Comment: Daily Advertiser, 29 April: [See 22 April] They are this Evening to Act the Fatal Extravagance, and the Devil to Pay, as may be seen by their Bills, which I observe they have printed on blue Paper, on purpose to be more conspicuous. I am well assur'd if the curious Part of the Town were once to see them perform, they would need no other Invitation to frequent their House, but to be advertis'd of the Plays, and Days, on which they were to Act

Event Comment: Daily Advertiser, 24 May: Last Friday Night, at the intended Benefit of Mr Hewson and Mr Warwell, a Disturbance . . . entirely hinder'd the Performance of the Play

Event Comment: Daily Advertiser, 20 May: A mad Company of Comedians having lately taken the Hay-market Theatre, propose to convert it into a Mad-house, and humbly hope the Town will be as mad as themselves, and come frequently to see their mad Performances. which will be madly exhibited, two or three Times a Week, during the Summer Season

Event Comment: Daily Journal, 21 May: We hear that the Mad Company at the Haymarket design to keep up that Character, by performing the Beggar's Opera in Roman Dresses, and exhibiting Hurlothrumbo, in which Mrs Charke attempts the Character of Lord Flame

Event Comment: At the Playhouse in Hampstead. Benefit Miss Jones Sr and Jr. N.B. That the Play may be no Hindrance to the Diversion at the Long Room, we shall begin exactly at 6 o'clock, and end about 8

Event Comment: Benefit Francisque. By Their Majesties' Command. N.B. Places may be taken next the Boxes built on the Stage for their Royal Highness the Princess Amelia and Princess Caroline. [King, Queen, and rest of the Royal Family present.]

Event Comment: Benefit Wood. [For a further discussion of licensing the stage, see Prompter, 2 May.]

Event Comment: Benefit Ford and Mrs Forrester. [For a discussion of the production of plays, see Prompter, 6 May.]

Event Comment: Benefit the Author of the Farce. [R. Fabian.] By Their Majesties Command. Afterpiece: a Farce of Two Acts. Intermix'd with Songs. London Daily Post and General Advertiser, 13 May: On Saturday Night last, during the Play time, one Mr Mechlin (alias Macloughlin) who lately belong'd to [DL], having had a Dispute with Mr Hallam, of the same Theatre, about a particular Wig, which the latter had from the Wardrobe, to wear in his Part that Night, in the Farce, and which he resign'd to Mr Mechlin; but reproved him for his Behaviour, and ill Language. Some time after Mr Mechlin, thrust a Crabtree Stick that was in his Hand, at the Face of Mr Hallam, which enter'd at his Left Eye, and penetrated into his brain, of which Wound he languish'd till Sunday Night 6 o'clock, when he died

Event Comment: London Daily Post and General Advertiser, 16 May: We hear that Mr Mechlin has sent a Letter to a principal Persons belonging to Drury-Lane Theatre, signifying his great Sorrow, and his Intention to surrender himself next Sessions at the Old Bailey

Event Comment: Daily Advertiser, 22 May: We hear that Mons Poitier and Mademoiselle Roland made their Submission last Night on the Stage, and ask'd Pardon of the Town, and afterwards danc'd with universal Applause

Event Comment: Benefit Bond. At the Desire of several Persons of Quality who have universally applauded the same. N.B. Many of the greatest Persons being engaged at the Opera last Saturday desir'd therefore this Delay, in order to crown this Gentleman's Benefit, with their Presence, that after so great an Expence, Reward may not be wanting to the Merit of the Piece

Event Comment: Mainpiece: Newly Revis'd and AlterM N.B. The Reviser begs leave to observe, that tho' he thinks the Chief Characters in this Play, are drawn with a great deal of Life and Spirit; Yet that even in this very sprightly Play there are several very obvious Faults. That as the Character of the French Count, and that of the Irish Priest, are in no sort conducive to the Plot of the Play; they may therefore be look'd upon as superfluous: That the Parting of Sullen and his Wife, is extreamly unnatural; and that the Ending of the Play (with respect to Archer) is abrupt to a Degree, &c. &c. In order therefore to amend these Errors [he has revised the play]

Event Comment: London Daily Post and General Advertiser, 6 May: Last Night the Opera of Ariodante was performed [at CG], in which Signior Gieacchino Conti Ghizziello made his first Appearance, and met with an uncommon Reception

Event Comment: A New Opera. [Librettist not known. Music by Handel.] London Daily Post and General Advertiser, 13 May: Last Night was perform'd ... Atalanta ...in which was a new Set of Scenes painted in Honour to this Happy Union, which took up the full length of the Stage: The Fore-part of the Scene represented an Avenue to the Temple of Hymen, adorn'd with Figures of several Heathen Deities. Next was a Triumphal Arch on the Top of which were the Arms of their Royal Highnesses, over which was placed a Princely Coronet. Under the Arch was the Figure of Fame, on a Cloud, sounding the Praises of this Happy Pair. The Names Fredericus and Augusta appear'd above in transparent Characters. Thro' the Arch was seen a Pediment supported by four Columns, on which stood two Cupids embracing, and supporting the Feathers, in a Princely Coronet, the Royal Ensign of the Prince of Wales. At the farther End was a View of Hymen's Temple, and the Wings were adorn'd with the Loves and Graces bearing Hymenael Torches, and putting Fire to Incense in Urns, to be ofter'd up upon this Joyful Union. The Opera concluded with a Grand Chorus, during which several beautiful Illuminations were display'd. . . . There were present their Majesties, the Duke, and the Four Princesses

Event Comment: See a letter by Benjamin Victor to Matthew Debourg, in Victor, original Letters . . . (1776), I, I4ff which Deutsch, Handel, p. 409, thinks should be dated ca. 15 May 1736. Ricb's Register: Duke and Princesses present

Event Comment: According to the newspapers, the Prince and Princess were present, but Deutsch, Handel, p. 408, thinks that they may have been at CG instead

Event Comment: Benefit Paget and Jarvis, Housekeeper. Receipts: money #12 19s. 6d.; tickets #138 17s. [In an advance bill in The Craftsman, 15 May, Paget states that he has been so dim-sighted that he does not distinguish individuals on the street or at the table and begs their indulgence.]

Event Comment: A New Comedy. [By Mrs E. Cooper. Apparently not printed. The characters named in the bill are: Lord Belamour, Sir Roger Wrangle, Sir Charles Cumberland, Froward, Wary, Young Wrangle, Peinter, Snare, Lady Cumberland, Felicia, Ready. See also a puff by Mrs Cooper in Daily Advertiser, 17 May.]

Event Comment: Benefit Neale and Vaughan. Receipts: money #8 13s.; tickets #120 10s. London Daily Post and General Advertiser, 25 May: Yesterday Mr Smith [of CG], being disorder'd in his Senses, threw himself out of his Lodging Window up two pair of Stairs near Gray's Inn . . . and ... his Life is despaired of