SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "May"/1) | (@(roleclean,performerclean) "May")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1809 matches on Event Comments, 175 matches on Performance Comments, 72 matches on Performance Title, 59 matches on Roles/Actors, and 1 matches on Author.
Event Comment: Benefit for Holman. 1st piece [1st time; C 5, by Benjamin Hoadly, based partly on L'Ecole des Femmes, by Moliere. Larpent MS 1160; not published. Prologue by John Taylor; Epilogue by Edward Jerningham (European Magazine, May 1797, p. 342)]: Mr Holman having been favored by the Family of Doctor Hoadly, Author of the Suspicious Husband, with a Manuscript Comedy in Five Acts, the production of that celebrated Writer, he most respectfully informs the Public that it will be presented under the Title of The Tatlers. True Briton, 1 May: The Play was given to Holman by Dr Hoadly Ashe, Hoadly's nephew. Ibid, 10 Apr.: Tickets to be had of Holman, No. 14, John-street, Adelphi. Account-Book: Paid Insurance and Duty on #10,000 for one year from 16th Inst. at the Royal Exchange Fire Office #136 17s; ditto on #10,000 for one year from Lady Day at the Phoenix Fire Office #112 10s. Receipts: #290 11s. 6d. (143.16.0; 10.11.6; tickets: 136.4.0)

Performances

Mainpiece Title: The Tatlers

Performance Comment: Principal Characters-Quick, Holman, Pope, Munden, Murray, Middleton, Thompson, Miss Chapman, Miss Mansel, Mrs Davenport, Mrs Mattocks. Cast from European Magazine, May 1797, p. 341: Cobler-Quick; Shatter-Holman; Allworthy-Pope; Froward-Munden; Sir ThomasSevern-Murray; Woodville-Middleton; Jonathan-Thompson; Miss Severn-Miss Chapman; Fanny Allworthy-Miss Mansel; Madge Haggard-Mrs Davenport; Lady Nettleton-Mrs Mattocks; Prologue-Holman; Epilogue-Mrs Mattocks.

Afterpiece Title: Cross Purposes

Afterpiece Title: Netley Abbey

Event Comment: Benefit for Whitfield and Mrs Morton. Morning Chronicle, 2 May: Tickets to be had of Whitfield at his house, Crown-Court, Bow-street; of Mrs Morton, No. 15, Crown-Court, Covent Garden. Tickets sold at the Doors will not be admitted. Receipts: #186 7s. 6d. (87.3.6; tickets: 99.4.0) (charge: #105)

Performances

Mainpiece Title: The Funeral

Afterpiece Title: A Fete

Performance Comment: As17800501, but in Scene IX Attendant Genius-Miss Langrish; added to The May-Day Garland: Colombine-Miss Cranfield; from Scene I: Give round the word dismount-_.

Afterpiece Title: The Elders

Cast
Role: The May Actor: Day Garland
Event Comment: Benefit for Williames and Spencer. Gazetteer, 5 May: Tickets to be had of Williames, No. 32, St. Martin's-street, Leicester-fields [Spencer not listed]. 3rd piece: Not acted these 3 years. To conclude with a Waterfall, as it was originally performed. Receipts: #188 5s. 6d. (27/12/0; 12/6/6; 1/14/0; tickets: 146/13/0) (charge: #115 10s.)

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: Musical Miscellanies

Performance Comment: Scene 1. A Grove and water-piece. As Scene IV, 3 May. Scene II. As scene III, 26 Apr. Scene III. A Pastoral Piece. The Highland Laddie by Miss George. To conclude with The Sportsmen's Return, as17840311athi .

Afterpiece Title: The Elopement

Event Comment: Benefit for Mrs Wells. Afterpiece [1st time; F 2, by Edward Topham. Larpent MS 772; not published; synopsis of plot in Public Advertiser, 3 May. Prologue by George Monck Berkeley (European Magazine, June 1787, p. 411)]. Public Advertiser, 24 Apr.: Tickets to be had of Mrs Wells, No. 417, Strand. Receipts: #257 3s. 6d. (160.4.6; 5.7.0; tickets: 91.12.0)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Bonds without Judgement; or, The Loves of Bengal

Performance Comment: Principal Characters-Ryder, Wewitzer, Fearon, Macready, Quick, Mrs Pitt, Miss Wilkinson, Mrs Wells. Cast from European Magazine, May 1787, p. 300: Japan-Ryder; Congo-Wewitzer; Nankeen-Fearon; Captain Manly-Macready; Colonel Fury-Quick; Governess-Mrs Pitt; Charlotte-Miss Wilkinson; Sophia-Mrs Wells; Prologue-Holman.

Dance: As17870217

Event Comment: Benefit for Hull. Paid Macleish for Printing [playbills] to 28th Inst. #92 2s. 6d. Oracle, 14 May: Tickets to be had of Hull, No. 31, Bow-street, Covent-Garden. Receipts: #186 2s. 6d. (89.3.6; 4.10.0; tickets: 92.9.0)

Performances

Mainpiece Title: The Midnight Hour

Afterpiece Title: The Comedy of Errors

Dance: As17910507

Song: End: Black Eyed Susan-Incledon

Monologue: After Dancing: a Selection of Poetry and Music descriptive of a day. Part I: Morning. Tantivy the welkin resounds (composed by Hook)-Mrs Martyr; PART II: Noon. Thou soft flowing Avon (from Garrick's Ode to Shakespeare)-Incledon; PART III: Evening. Pastoral Duet-Williamson, Mrs Mountain; PART IV: Night. The Soldier's Festival, as 16 May How sleep the brave (composed by Dr Cooke)-Incledon, Williamson, Davies, a Young Gentleman; introductory Chorus-Hull; How stands the Glass around-Incledon; How merrily we live that Soldiers be-Bannister, Incledon, Johnstone; To arms! Britons strike home-Bannister, Incledon, Follett, Blurton, Lee, Letteney, Reeve, Rees

Performance Comment: Part I: Morning. Tantivy the welkin resounds (composed by Hook)-Mrs Martyr; PART II: Noon. Thou soft flowing Avon (from Garrick's Ode to Shakespeare)-Incledon; PART III: Evening. Pastoral Duet-Williamson, Mrs Mountain; PART IV: Night. The Soldier's Festival, as 16 May How sleep the brave (composed by Dr Cooke)-Incledon, Williamson, Davies, a Young Gentleman; introductory Chorus-Hull; How stands the Glass around-Incledon; How merrily we live that Soldiers be-Bannister, Incledon, Johnstone; To arms! Britons strike home-Bannister, Incledon, Follett, Blurton, Lee, Letteney, Reeve, Rees.
Event Comment: Afterpiece: The Ballet composed by Byrn. [For synopsis of scenes, see 16 May 1796.] Receipts: #267 7s. 6d. (264.2.6; 3.5.0)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Oscar and Malvina

Performance Comment: Principal Characters in the Ballet-Byrn, Follett, Farley, Cranfield, Blurton, Mlle St.Amand. Principal Musical Characters-Townsend, Linton, Street, Mrs Mountain, Miss Kirton, Mrs Martyr. Cast from playbill of 16 May 1796: Oscar (the Descendant of Fingal)-Byrn; Carrol (the Scottish Chieftain)-Follett; Morven and Draco (Attendants upon Carrol)-Farley, Cranfield; Fingal-Blurton; Scotch Pedlar-Townsend; Bards-Linton, Street, Miss Kirton; Scotch Lad-Mrs Martyr; Malvina (Daughter to Toscar)-Mlle St.Amand; Scotch Lassie-Mrs Mountain.

Dance: In I: As17950921

Song: As17950921

Music: In afterpiece: the Harp-Weippert [This was played, as here assigned, in all subsequent performances.

Event Comment: Benefit Mrs Cross, Mrs Bridges, Miss Young. The General Advertiser included the following Puff: Sir, As I am continually searching for latent Curiosities, out of a sincere regard for the Public Satisfaction, I think it my Duty (lest among the Multitude of Diversions now flourishing, some other might engross the attention of the Curious) to inform the world, that the Farce which will be perform'd this Evening at Drury Lane theatre, call'd May Day, or the Merry Milkmaids of Islington, was written by the particular desire of King Charles II who had it first performed at Newmarket; how agreeably that jovial Monarch was entertained, every person, who thinks it worth his while to see it, according to his abilities, will be a competent judge, Yours, &c A. Virtuoso. [Part of the Multitude of Diversions referred to included announcement in the same paper for a Rehearsal of the whole Band of Music at Ruckholt House, the following Monday; a paragraph Puff on the diversions at Sadler's Wells in consequence of the late happy Victory of the Duke of Cumberland over the Rebels, with special notice of a New Interlude of Music call'd Strephon's Return, or the British Hero, perform'd this night with many advantages of Dress and Decoration, and a new Ballet by Matthews; and further notice of the Representation of the Battle near Culloden House which had met with universal applause, and which would continue to be repeated at the New Wells in Goodman's Fields. The Farce at Drury Lane this evening was advertised as not having been played for 20 years. It was taken from Thomas Nabbes' Totenham Court Road, by the Compiler of the Muse of Newmarket, 1680. The MS Occasional Prologue praising Cumberland is in the Larpent Collection.

Performances

Mainpiece Title: The Committee

Afterpiece Title: May Day; or, The Merry Milkmaids of Islington

Song: Miss Young

Dance: Mechel, Mlle Mechel

Event Comment: This Musical Farce of one Act was wrote by Mr G on purpose to introduce Miss Abrams (a Jew) about 17 Years old. She is very small, a Swarthy Complexion, has a very sweet Voice and a fine Shake, but not quite power enough yet-both the Piece and Young Lady were receiv'd with Great Applause (Hopkins Diary). Books of the Songs, Choruses etc. of Afterpiece to be had at the Theatre. The Conscious Lovers oblig'd to be deferred till Monday, with which will be performed the last new Grand Ballet, The Savage Hunters. [Advertisement to the published edition: "The author of this musical Farce, begs leave to inform the readers, if there should be any, that it was merely intended to introduce The Little Gipsy to the public, whose youth and total inexperience of the stage made it necessary to give as little dialogue to her character as possible, her success depending wholly upon her singing-This reason added to another, which is that the piece was produced at an early part of the season, when better writters are not willing to come forth, is the best apology the Author can make for its defects."] Paid 6 days salary list at #104 7s.-per diem, #626 2s.; Mr Lamash on note #5 5s. (Treasurer's Book). [The note on sale of books of the songs and choruses for the afterpiece occurs on all subsequent bills this season in which May Day is mentioned. The songs and chorusses and overture by Dr Arne. The afterpiece reviewed in Westminster Magazine for Nov.: The preparation is palatable, and the hand of the preparer is discoverable from the affinity between the scene of Roger and the Old Man, and that of whittle and Thomas in the Irish Widow....The Music of the overture and Finale were remarkably light and pretty: some of the airs also did Dr Arne credit. As to Miss Abrams, she has a sweet pipe, and a natural shake that charmed us;-If maturity does but strengthen her voice, at the same time that it gives her ease in deportment, she will prove an ornament to the stage."] Receipts: #205 3s. (Treasurer's Book)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: May Day; or, The Little Gipsy

Event Comment: Benefit for Mrs Mattocks. 1st piece [1st time; INT 1, by John Cartwright Cross. Larpent MS 1213; not published]. Genest, VII 365, states that the Epilogue Address "was in all probability the Epilogue to Alonzo [by David Garrick]." 3rd piece: conclude with a Rural Procession: Four Lads bearing Streamers-Plough decorated with Flowers-Four Countrymen bearing a May-day Garland-Four Lasses Bearing Implements of Husbandry-Country Girls leading a Lamb, decorated with Flowers-Four Lasses bearing a Garland-a Chorus and Finale. Tickets delivered for Every One has His Fault will be admitted. Times, 17 Apr.: Tickets to be had of Mrs Mattocks, No. 8, Great Russell-street, Covent-garden. Receipts: #259 16s. 6d. (124.7.0; 2.13.0; tickets: 132.16.6)

Performances

Mainpiece Title: They've Bit The Old One; Or, The Scheming Butler

Afterpiece Title: The Jealous Wife

Afterpiece Title: May-Day; or, The Little Gipsey

Entertainment: Monologue. End 2nd piece: an Epilogue Address portraying the Characteristic Jealousies of the Spaniard, the Italian, the Dutchman, the Frenchman, & the Englishman,-Mrs Mattocks

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Devil to Pay

Performance Comment: Sir John-Charles; Jobson-Quelch; Cook-Pinner; Coachman-Venables; Butler-Blakey; Conjurer-Metteer; Footman-Turner; Fidler-May; Lettice-Mrs Chetwood; Betty-Miss Davies; Lady Loverule-Mrs Quelch; Nell-Miss Cary [who acted Polly in the Beggar's Opera, her second on any stage but see17550821 and 25 Aug. and 28 Aug.].who acted Polly in the Beggar's Opera, her second on any stage but see17550821 and 25 Aug. and 28 Aug.].
Cast
Role: Fidler Actor: May

Dance: II: Hornpipe-Walker; III: Pierots Dance-; IV: Hornpipe-a small jolly Tar but seven years old, who never appeared on any Stage before; End: La Dance du Village-

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: Lethe

Performance Comment: Aesop-Pinner; Mercury-Miss Davies; Charon-Carr; Gentleman-Parker; Tatoo-Turner; Drunken Man-Quelch; Old Man-Pittard; Frenchman-Blakey; Taylor-Paget; Servant-May; Mrs Tattoo-Miss Barton; Mrs Rist-Miss Carey; Lord MaYor, Cardinals, Judges, Players, Soldiers (Horse and Foot)-the rest of the Comedians.
Cast
Role: Servant Actor: May

Song: Tymms

Dance: PPierots Dance-Settree, Walker, Sga Fiorentina; Hornpipe-small jolly Tar (seven years old); La Dance de Village-Settree, Sga Fiorentina

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: Lethe

Performance Comment: Aesop-Pinner; Mercury-Miss Davies; Charon-Carr; Gentleman-Parker; Tatoo-Turner; Drunken Man-Quelch; Old Man-Pittard; Frenchman-Blakey; Taylor-Paget; Servant-May; Mrs Tattoo-Miss Barton; Mrs Rist-Miss Carey; Lord Mayor, Cardinals, Judges, Players, Soldiers (horse and foot)-the rest of the Comedians.
Cast
Role: Servant Actor: May

Dance: PPierrots Dance-Settree, Walker, Sga Fiorentina; Hornpipe-a small jolly Tar, seven years old; La Dance de Village-Settree, Sga Fiorentina

Performances

Mainpiece Title: Cure Of The Spleen; Or, Shuter's Warehouse

Performance Comment: ["For the certain cure of the Spleen; Essence of Comicality prepared by Dr Shuter. There is no question but laughing will cure the most inveterate dulness: the ancients affirmed it, and the Cures Dr Shuter has lately performed in Ireland experience this truth. For the benefit of his own countrymen he once more has opened his Warehouse in the George Inn Yard, West Smithfield, where his friends may find a safe, easy and pleasant operation. For, as splenetic persons are apt to have bad distempers, and be miserably low-spirited at times, he, at once removes all obstructions, restores the muscles of the face to their usual tone of risbility, and gradually clears the countenance. The afflicted may depend on these effects. It is to be had as above, with printed directions, at the following prices, viz.: 2s. 6d.; 2s.; 18d.; 1s.; and 6d." This may be an advance notice. It is repeated on W., Th., F., S., and M., 2, 3, 4, 5, 7 Sept. in the Public Advertiser. The format parodies the advertisement, appearing frequently before, For the certain Cure of the Scurvy, Essence of Water Dock, Prepared by the Directions of Dr Hill. There is no question but this plant will cure the most inveterate Scurvy. The ancients will affirm it...It not only cures the skin of eruptions, but mends the whole constitution...The Afflicted may depend on these effects."] . 2s.; 18d.; 1s.; and 6d." This may be an advance notice. It is repeated on W., Th., F., S., and M., 2, 3, 4, 5, 7 Sept. in the Public Advertiser. The format parodies the advertisement, appearing frequently before, For the certain Cure of the Scurvy, Essence of Water Dock, Prepared by the Directions of Dr Hill. There is no question but this plant will cure the most inveterate Scurvy. The ancients will affirm it...It not only cures the skin of eruptions, but mends the whole constitution...The Afflicted may depend on these effects."] .
Event Comment: Benefit for Whitfield. Public Advertiser, 2 May: Tickets to be had of Whitfield at his house in Leicester Court, Castle-street, Leicester-fields. Afterpiece: Taken from Beaumont [recte Massinger] and Fletcher's Play of the same Name. [F 2(?); Town and Country Magazine, May 1783, p. 23 5: synopsis of plot. And see DL, 19 Oct. 1749.] Receipts: #197 9s. 6d. (102/5/6; tickets: 95/4/0) (charge: #105)

Performances

Mainpiece Title: The Mysterious Husband

Afterpiece Title: The Spanish Curate

Dance: After the Monologue The Poney Races, as17830428, but added: Ratchford

Song: In Act II of mainpiece The Pigeon, as17830507

Monologue: 1783 05 10 As 9 May

Performances

Mainpiece Title: The Dramatist

Afterpiece Title: The Farmer

Cast
Role: Molly Maybush Actor: Mrs Martyr

Entertainment: Vocal Imitations, as17890515, but Mrs Wrighten (+World, 24 May); End: Imitation [of Mrs Siddons in the "ring" speech, Act II. ii (World, 23 May) from Isabella]-Mrs Wells

Performance Comment: ii (World, 23 May) from Isabella]-Mrs Wells.

Performances

Mainpiece Title: A Grand Selection From The Works Of handel 0

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Atalanta)-; Sin not O King against the youth-Miss Romanzini [Saul]; Bless the true Church and save the King-Gore, Chorus Athalia]; [Funeral Scene from Samson: Glorious Hero may thy Grave-Reinhold; The virgins too-Sga Storace; Bring the laurels bring the bays-Chorus of Virgins; May every Hero fall like thee-Sga Storace; Bring the laurels bring the bays-Full Chorus; Dead March (Saul)-; My faith and truth-Mrs Crouch [Samson]; Mad Bess-Sga Storace (composed by Purcell; 1st time and for that night only); Gird on thy sword-Chorus [Saul].Saul].

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Event Comment: Benefit for Miss Chapman. Tickets delivered for The Toy will be admitted. 3rd piece [1st time; D 1, author unknown. Larpent MS 950; not published. Songs by John Collins and Charles Dibdin (MacMillan, Larpent Catalogue, 157-58)]. Morning Herald, 14 May: Tickets to be had of Miss Chapman, No. 16, Henrietta-street, Covent-Garden. Receipts: #244 18s. (122.10; 13.5; tickets: 109.3) (charge: #105)

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: Catherine and Petruchio

Afterpiece Title: A Cure for a Coxcomb; or, The Beau Bedevil'd

Song: In 3rd piece: will be introduced the following Favorite songs: When virtue forms-Mrs Davis; The Bottle-Davies; The Pleasures of the Chace-Incledon; Farewell each Tonish Life-Munden; Bucket of Water, 'Tis a mighty fine thing-Johnstone; Kitty Grogan, Tho' I'm no dancing master-Johnstone; Anna's Love-Incledon; The Pig, You all must have heard-Fawcett; To-morrow, In the downhill of life-Darley; You are aw nodding-Mrs Harlowe; Coach box, You may feast your ears-Cubitt

Event Comment: Benefit for Wild, prompter. Morning Herald, 23 May: Tickets to be had of Wild, No. 46, Drury-lane. Receipts: #305 18s. 6d. (131.4.6; 13.10.0; tickets: 161.4.0)

Performances

Mainpiece Title: How To Grow Rich

Afterpiece Title: British Fortitude and Hibernian Friendship; or, An Escape from France

Afterpiece Title: Harlequin and Faustus

Song: End I 1st piece: The Storm-Incledon; End II: The Description of the Battle of La Hogue, Thursday in the Morn the Nineteenth of May-Incledon (1st time); In course: Four and Twenty Fidlers-Munden; In 2nd piece: I was called knowing Joey-Munden; At dawn of Life our Vows were plighted-Mrs Mountain; The turban'd Turk who scorns the world-Johnstone; When foaming waves contrary beat-Incledon; To be sure I don't love in my heart-Johnstone; Our simple tale thus ended-Incledon, Johnstone, Munden, Mrs Mountain

Performances

Mainpiece Title: Love In A Maze

Performance Comment: [The Changes] Thump-Lacy. See also 17 May 1662.

Performances

Mainpiece Title: The Humorous Lieutenant

Performance Comment: Caelia-Mrs Gwyn. see also 7 May 1663.

Performances

Mainpiece Title: The Changes; Or, Love In A Maze

Performance Comment: Thump?-Lacy; Sir Gervase Simple?-Wintersell. See also 1 May 1667.

Performances

Mainpiece Title: Hamlet

Performance Comment: [Adapted, probably by Sir William Davenant.] Hamlet?-Betterton. See also 28 May 1663.

Performances

Mainpiece Title: The Confederacy

Performance Comment: See17100111; An Epilogue-Pack as on 23 May.

Dance: Four Scaramouches-; Italian Night Scene-

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Petticoat Plotter

Performance Comment: Principal parts-Bullock, Norris, Pack, Leigh but edition of 1720 may represent cast for this performance: Sir Simon Scrapeall-Norris; +Thrifty-Bullock; +Truelove-$Elrington; Plotwell-Pack; +Nincompoop-Leigh; +Ananias-$Spiller; Cabbage-$Burkhead; Isabella-$Miss Sherburn; Mopsa-$Miss Willis; Epilogue-Elrington.

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: A Fete

Performance Comment: As17800410, but in Scene III Venus-Mrs Morton; added are: Scenes V, VI, VII. The May-Day Garland; or, Harlequin's Trip to Lisson-Green. Harlequin (with the jump through the tub)-W. Bates; Scene VIII originally Scene VI; Scene IX originally Scene VII. Scene VIII originally Scene VI; Scene IX originally Scene VII.
Cast
Role: The May Actor: Day Garland

Afterpiece Title: The Elders

Song: In: To thee O gentle sleep-Leoni