SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Master Russell"/1) | (@(roleclean,performerclean) "Master Russell")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1424 matches on Performance Comments, 1055 matches on Performance Title, 454 matches on Event Comments, 17 matches on Roles/Actors, and 0 matches on Author.

Performances

Mainpiece Title: The Earl Of Essex; Or, The Unhappy Favorite

Afterpiece Title: The Volcano; or, The Rival Harlequins

Performance Comment: Harlequin Whitesword-Bologna Jun.; Harlequin Blacksword-King; Clown-Bologna; Infernal Spirit-Delpini; Colombine's Father-Whitmore Jun.; Old Beau-Hawtin; Hermit-Lewiss; Colombine-Mrs Parker; The Other Pantomime Characters-Wilde, Blurton, Platt, Abbot, T. Cranfield, Powers, Vials, Howell, L. Bologna, Klanert, Atkins, Mills, Wilkins, Webb, Letteney, Griffiths, Mrs Watts, Mrs Follett, Mrs Bologna, Mrs D'Egville, Miss Cox, Miss Coombs; Vocal Characters Cratero (Daemon of the Mountain)-Denman; Ballad Singers-Emery, Simmons; Irish Ship@builder-Macartney; Principal Daemon-Linton; 2nd Daemon-Street; Chorus of Infernal Spirits-Gardner, Thomas, Oddwell, Smith, J. Linton, Kenrick, Sawyer, Tett; Floridel (Spirit of the Air)-Miss Wheatley; Attendants on Floridel-Ms Sims, Ms Iliff, Ms Gilbert, Ms Leserve, Ms Norton, Ms Masters, Ms Sydney, Ms Blurton, Mrs Castelle.

Performances

Mainpiece Title: Alexander's Feast 0; The Messiah; Grand Selection 0

Afterpiece Title: Alexander's Feast 3

Performance Comment: Part III. A Grand Miscellaneous Act. The Water Music-; O beauteous Queen-Dignum; My faith and truth-Miss Tennant, Master Elliot (Samson); Welcome welcome mighty King-Chorus (Saul); Pleasure my former ways-Incledon (Time and Truth); God preserve the Emperor-Chorus (Haydn); Mad Bess-Mrs Second (Purcell); Fixed in his everlasting seat-Grand Chorus (Samson).

Music: End II: a concertante for violin oboe tenor and violoncello-G. Ashley, W. Parke, R. Ashley, C. Ashley

Performances

Mainpiece Title: Grand Selection 0 Of Sacred Music, From The Works Of handel

Performance Comment: As18000228, but Principal Vocal Performers-Master _Elliot.

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End I: sonata on the Grand Piano Forte-Miss Reinagle (1st appearance in public); with accompaniment for flute and violoncello obligata-Woidner, C. Ashley; End II: concerto on violin-G. Ashley

Performances

Mainpiece Title: Acis And Galatea 0; Grand Selection 0

Afterpiece Title: Acis and Galatea 3

Performance Comment: Part III A Grand Miscellaneous Act-; Overture and Dead March- (Saul); My faith and truth-Miss Tennant, Master Elliot (Samson); Behold the Nations-Sale; O Baal-Chorus (Deborah); What tho' I trace-Mrs Dussek (Solomon); Come if you dare-Incledon, Chorus (Purcell); The Soldier tir'd-Mrs Second (Dr Arne); Rule Britannia (Purcell) and God save Great George our King-Chorus.

Music: End I: a Military Concerto on the new Patent Grand Piano Forte-Mrs Dussek built by Corri and Dussek; with tambourine-; triangle-; End II: concerto on the oboe-W. Parke

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: St

Performance Comment: David's Day. Principal Characters by Incledon, Munden, Fawcett, Townsend, Simmons, Miss Sims, Mrs Whitmore, Miss Leserve, Mrs Atkins. Cast from text (T. N. Longman and O. Rees, 1801): William Townly-Incledon; Old Townly-Munden; Peter Plimlimmon-Fawcett; Owen-Townsend; Dick-Simmons; Taffline-Miss Sims; Gwinneth-Mrs Whitmore; Welsh Girl-Miss Leserve; Ellen-Mrs Atkins; Welsh Men & Women-Gardner, Linton, Street, Denman, Abbot, Lee, Curties, Ms Trevor, Ms Castelle, Ms Iliff, Ms Norton, Ms Gilbert, Ms Sydney, Ms Burnett, Ms Masters, Ms Blurton, Ms Lloyd.

Dance: In I afterpiece: A Dance-King; In II: Dance-Blurton, Platt, L. Bologna, Wilde, Klanert, Whitmore, Lewiss, Mrs Follett, Mrs Bologna, Miss Cox, Miss Bologna, Mrs Dibdin, Mrs Watts. [These were danced, as here assigned, in all subsequent performances. For Harp see18000331

Performances

Mainpiece Title: The Messiah; Grand Selection 0

Performance Comment: As18000228, but Principal Vocal Performers-Master _Elliot, Mrs _Dussek.

Music: End II: concerto on the pedal harp-Mrs Dussek

Performances

Mainpiece Title: The Votary Of Wealth

Cast
Role: Master of the Hotel Actor: Thompson

Afterpiece Title: The Rendezvous

Afterpiece Title: Tom Thumb

Performance Comment: Tom Thumb (with The Little Farthing Rushlight)-Master Standen; Grizzle-Emery; Ghost-Street; Noodle-Townsend; Doodle-Simmons; Merlin-Thompson; Arthur-Munden; Huncamunca-Mrs Atkins; Glumdalca-Mrs Gilbert; Dollalolla-Mrs Martyr.
Cast
Role: Tom Thumb Actor: Master Standen

Performances

Mainpiece Title: Douglas

Afterpiece Title: Lovers' Quarrels

Afterpiece Title: The Deserter of Naples

Entertainment: Vaudeville In course Evening: an entire New Song, The Seaman's Lamentation for the Loss of the Royal Charlotte (The Words by G. S. Carey, and composed by Mazzinghi)-Incledon; Dancing-Mr and Master Michell (from the Theatre Royal, Edinburgh; 1st appearance)

Performance Comment: S. Carey=, and composed by Mazzinghi)-Incledon; Dancing-Mr and Master Michell (from the Theatre Royal, Edinburgh; 1st appearance). 1st appearance).

Performances

Mainpiece Title: The Rage

Afterpiece Title: The Critic; or, A Tragedy Rehears'd

Performance Comment: Dangle-Farley; Sir Fretful Plagiary-Munden; Puff-Knight; Sneer-Murray (Their 1st appearance in those characters); Signor Pasticcio-Delpini; Interpreter-Klanert; Italian Girls-Mrs Atkins, Miss Wheatley; Mrs Dangle-Mrs Chapman; Tragedians Lord Burleigh-Johnstone (1st appaarance in that character); Governor-Waddy; Earl of Leicester-Whitfield; Sir Walter Raleigh-Claremont; Master of the Horse-Atkins; Sir Christopher Hatton-Simmons; Beef@Eater-Rees; Don Ferolo Whiskerandos-Fawcett (1st appearance in that character); Confidante-Mrs Whitmore; Nieces-Mrs Watts, Miss Leserve; Tilburina-Mrs Mattocks (1st appearance in that character). Edition of 1807 (John Cawthorn) adds: Under Prompter-$Wilde.
Cast
Role: Master of the Horse Actor: Atkins

Song: End IV: Sally in our Alley-Incledon; End: Black Ey'd Susan-Incledon; Afterpiece conclude: Rule Britannia-Incledon, Townsend, Hill, Chorus

Performances

Mainpiece Title: Speculation

Afterpiece Title: Marian

Afterpiece Title: The Soldier's Festival

Song: End II 1st piece: a Musical Address Mark when beneath the western main (Dramatic Censor, II, 197), Written expressly for the occasion by T. Dutton, A. M., and composed by Mazzinghi-Miss Waters; End III: O Strike the Harp-Incledon, Linton, Miss Waters; accompanied on the Harp-Weippert; End IV: Happy were the Days-Miss Waters; End 1st piece: Sigh no more Ladies-Incledon, Townsend, Linton, Master Slape, Miss Waters

Performance Comment: Dutton=, A. M., and composed by Mazzinghi-Miss Waters; End III: O Strike the Harp-Incledon, Linton, Miss Waters; accompanied on the Harp-Weippert; End IV: Happy were the Days-Miss Waters; End 1st piece: Sigh no more Ladies-Incledon, Townsend, Linton, Master Slape, Miss Waters.

Performances

Mainpiece Title: 'tis All A Farce

Afterpiece Title: Fortune's Frolick

Afterpiece Title: Obi

Performance Comment: As18000702 but added: Jonkanoo (Master of the Ceremonies)-Hawtin.

Performances

Mainpiece Title: The Point Of Honour

Afterpiece Title: Obi

Performance Comment: As18000702 but Chorus of Negro Men-_Fisher, Sawyer, +Thomas; added: Jonkanoo (Master of the Ceremonies)-Hawtin; Chorus of Negresses-Mrs _Castelle.
Cast
Role: Tuckey Actor: Master Menage

Performances

Mainpiece Title: The Iron Chest

Performance Comment: Sir Edward Mortimer-Barrymore; Fitzharding (1st time)-Davenport; Wilford-C. Kemble; Adam Winterton-Fawcett; Rawbold (1st time)-Emery; Samson Rawbold-Suett; David Rawbold-Master Suett; Armstrong-Trueman; Orson-Palmer; Servants-Abbot, Chippendale, Atkins; Robbers-Caulfield, Bannister, Klanert; Helen (1st time)-Miss Chapman; Blanch-Mrs Gibbs; Barbara-Mrs Mountain; Judith (1st time)-Miss DeCamp.
Cast
Role: David Rawbold Actor: Master Suett

Afterpiece Title: The Village Lawyer

Performances

Mainpiece Title: What A Blunder

Performance Comment: Characters by Fawcett, Johnstone, Holman (1st appearance here this season), Suett, Farley, Emery, Caulfield, J. Palmer, Atkins, Abbot, Chippendale, Miss DeCamp, Mrs Mountain, Miss Wheatley (1st appearance on this stage), Miss Menage. Cast from text (W. Miller, 1800): Dashington-Fawcett; Sir Sturdy O'Tremor-Johnstone; Count Alphonso d'Esparza-Holman; Don Miguel de Lara-Suett; Lopez-Farley; Juan-Emery; Robbers-Caulfield, J. Palmer; Diego-Atkins; Friar-Abbot; Patrick-Chippendale; Captain of the Banditti-Sawyer; Angelina-Miss DeCamp; Leonora-Mrs Mountain; Jaquelina-Miss Wheatley; Viletta-Miss Menage; Chorusses-Willoughby, Aylmer, Dibble, Little, Kenrick, Caulfield Jun., Fisher, Sawyer, Mrs Castelle, Mrs Hale, Mrs Gaudry, Mrs Butler, Miss Leserve, Mrs Norton, Mrs Masters, Mrs Coates, Mrs Lloyd.

Afterpiece Title: The Deaf Lover

Performances

Mainpiece Title: Cambro-britons

Performance Comment: Llewellyn-Barrymore; Shenkin-Emery; Cadwall-Palmer; Gwyn-Suett; O'Turloch-Johnstone; Bard-J. Palmer; King Edward-Caulfield; Prince David-A Gentleman (1st appearance [Forster]); Dynevor-Trueman; Mortimer-Klanert; Herefore-Davenport; Edwin-Abbot; Elinor-Miss DeCamp; Lady Griffith's Shade-Mrs Gibbs; Winifred-Mrs Bland; Chorus of Bards and Peasants-Sawyer, Little, Kenrick, Caulfield Jun., Dibble, Aylmer, Willoughby, Thomas, Ms Hale, Ms Masters, Ms Gaudry, Ms Butler, Ms Leserve, Ms Norton.

Afterpiece Title: The Agreeable Surprise

Song: End: Paddy's Description of Pizarro; or, Mr Paddy O'Doody and his Cousin Shaun Shaugnessy's Treat to the One Shilling Gallery-Johnstone

Event Comment: Evelyn, Diary: I saw in Southwark at St Margarites faire...we saw also Monkyes & Apes daunce, & do other feates of activity on the high-rope, to admiration: They were galantly clad alamode, went upright, saluted the Company, bowing & pulling-off their hatts: They saluted one another with as good grace as if instructed by a Dauncing Master. They turned heales over head, with a bucket of Eggs in it, without breaking any: also with Candles (lighted) their their hands, & on their head, without extinguishing them, & with vessells of water, without spilling a drop; I also saw an Italian Wench daunce to admiration, & performe all the Tricks of agility on the high rope, all the Court went to see her: (likewise here was her Father) who tooke up a piece of Yron Canon of above 400 pounds weight, with the haires of his head onely

Performances

Mainpiece Title: Entertainments

Event Comment: Pepys, Diary: And then out to the red bull (where I had not been since plays come up again)...where I was led by a seaman that knew me, but is here as a servant, up to the tireing-room, where strange the confusion and disorder that there is among them in fitting themselves, especially here, where the clothes are very poor, and the actors but common fellows. At last into the pitt, where I think there was not above ten more than myself, and not one hundred in the whole house. And the play, which is called All's lost by Lust, poorly done; and with so much disorder, among others, that in the musique-room the boy that was to sing a song, not singing it right, his master fell about his ears and beat him so, that it put the whole house in an uprore. Nicoll (Restoration Drama, p. 309) argues that George Jolly probably occupied the red bull in St John's Street, Clerkenwell. When Richard Walden saw the red bull players at Oxford in July 1661, Anne Gibbs acted Dionysia in All's Lost by Lust. It is possible that she played that role on this day. See Walden's Io Ruminans, 1662

Performances

Mainpiece Title: All's Lost By Lust

Event Comment: At Oxford in the morning A Mad World My Masters was played; in the afternoon, The Merry Milkmaids of Islington. According to Richard Walden (Io Ruminans, 1662) Anne Gibbs played Harebrain's Wife in the former, A Lady in the latter

Performances

Mainpiece Title: The Siege Of Rhodes, Part I

Event Comment: The King's Company. It is difficult to determine the run of the play, as all the known performances fall on Mondays, Wednesdays, and Fridays, but, except for 30 January, a Fast Day, it may well have been performed daily. L. C. 5@138, f. 15: A Warrant to the Master of the Great Wardrobe to prouide and deliuer to Thomas Killigrew Esq. to the value of forty pounds in silkes for to cloath the Musick for the play called the Indian Queen to be acted before their Maties Jan. 25th 1663 (Nicoll, Restoration Drama, p. 354)

Performances

Mainpiece Title: The Indian Queen

Event Comment: For performances in Sept. 1667 preceding this date, see the season of Pepys, Diary: I fell in talk with Tom Killigrew about musick, and he tells me that he will bring me to the best musick in England (of which, indeed, he is master), and that is two Italians and Mrs Yates, who, he says, is come to sing the Italian manner as well as ever as he heard any: says that Knepp won't take pains enough, but that she understands her part so well upon the stage, that no man or woman in the House do the like!

Performances

Event Comment: Pepys, Diary: To White Hall, and there in the Boarded-gallery did hear the musick with which the King is presented this night by Monsieur Grebus [Grabut], the master of his musick; both instrumentall--I think twenty-four violins--and vocall; an English song upon Peace. But, God forgive me! I never was so little pleased with a concert of musick in my life. The manner of setting of words and repeating them out of order, and that with a number of voices, makes me sick, the whole design of vocall musick being lost by it. Here was a great press of people; but I did not see many pleased with it, only the instrumental musick he had brought by pratice to play very just

Performances

Mainpiece Title: Concert

Event Comment: The King's Company. Pepys, Diary: To the King's house, and there did see Love in a Maze, wherein very good mirth of Lacy, the clown, and Wintersell, the country-knight, his master

Performances

Mainpiece Title: The Changes; Or, Love In A Maze

Event Comment: Pepys, Diary: I with Lord Brouncker (who was this day in an unusual manner merry, I believe with drink), J. Minnes, and W. Pen to Bartholomew-Fair; and there saw the dancing mare again, which, to-day, I find to act much worse than the other day, she forgetting many things, which her master beat her for, and was mightily vexed; and then the dancing of the ropes, and also the little stage-play, which is very ridiculous

Performances

Mainpiece Title: Entertainments

Event Comment: See 27 Feb. and 4 March. Pepys, Diary: [Sir W. Coventry] told me the matter of the play [The Rehearsal] that was intended for his abuse, wherein they foolishly and sillily bring in two tables like that which he hath made, with a round hole in the middle, in his closet, to turn himself in; and he is to be in one of them as master, and Sir J. Duncomb in the other, as his man or imitator: and their discourse in those tables, about the disposing of their books and papers, very foolish. But that, that he is offended with, is his being made so contemptible, so that any should dare to make a gentleman a subject for the mirth of the world; and that therefore he had told Tom Killigrew that he should tell his actors, whoever they were, that did offer any thing like representing him, that he would not complain to my Lord Chamberlain, which was too weak, nor get him beaten, as Sir Charles Sidly is said to do, but that he would cause his nose to be cut

Performances

Event Comment: The Duke's Company. Although this performance is not certainly the premiere, it is the earliest known acting of the play. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 14. John Boyle, Fifth Earl of Orrery: Master Anthony too the sequel of Guzman was after Lord Orrery's Death brought upon the Stage, but being disrelish'd by the Audience appear'd only one Night. It is probable The Author had not supervis'd and corrected It sufficiently before he died (The Dramatic Works of Roger Boyle, ed. W. S. Clark II, II, 950). If these private notes, written some fifty years after the premiere, are correct, this performance may have been the premiere and the only day of acting it

Performances

Mainpiece Title: Mr Anthony