SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Master Leoni now called Master Lion"/1) | (@(roleclean,performerclean) "Master Leoni now called Master Lion")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1470 matches on Performance Title, 1439 matches on Performance Comments, 795 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Acis And Galatea 0; Grand Selection 0

Afterpiece Title: Acis and Galatea 1

Performance Comment: O the Pleasures of the Plain!=-Chorus; For us the Zephyr blows-Miss Hagley; Ye verdant plains, Hush ye pretty warbling Quire-Miss Davies; Where shall I seek-Spence; Stay Shepherd stay, Shepherd what art thou pursuing-Miss Broadhurst; Lo! here my Love, Love in her Eyes-Kelly; O didst thou know the Pains, As when the Dove-Mrs Crouch; Happy we-Miss Hagley, Dignum; Happy we [repeated]-Chorus.

Afterpiece Title: Acis and Galatea 2

Performance Comment: PART II. Wretched Lovers-Chorus; I rage I melt I burn, O Ruddier than the Cherry-Reinhold; Whither fairest-Bellamy; The Lion calls not-Miss Hagley; Cease to beauty to be suing-Bellamy; Would you gain the tender creature-Mrs Crouch; His hideous love, Love sounds the alarm-Kelly; Consider fond Shepherd-Miss Hagley; Cease O cease-Miss Davies; The Flocks shall leave the Mountains-Miss Davies, Dignum, Reinhold; Help Galatea-Spence; Mourn all ye Muses-Chorus; Must I my Acis-Mrs Crouch; Cease Galatea cease to weep-Chorus; 'Tis done thus I exert, Heart the seat-Miss Davies; Galatea dry thy tears-Chorus.

Afterpiece Title: PART III

Music: As17910323

Performances

Mainpiece Title: A Medley Concert

Performance Comment: Blind Man's Buff, les Bergeres, les Paisans, a Dutch Dance, And a grand Comic Ballet called The Marine Boys marching to Portsmouth-Froment, Settree, Lasci, Master Settree, Master Cawley, Master Hussey, Miss Derham, Miss Vivier, Miss Twiste, several Lilliputians.

Afterpiece Title: Harlequin's Frolic; or, A Voyage to Prussia

Performance Comment: Harlequin-Master Cawley; Blander-Settree; Clown-Master Hussey; Frenchman-Master Moore; Mother Demdike-Madam Chise; Colombine-Miss Matthews.
Cast
Role: Harlequin Actor: Master Cawley
Role: Clown Actor: Master Hussey
Role: Frenchman Actor: Master Moore

Song: The Songs-Sga Peralta, others

Event Comment: [Mainpiece in place of A BOLD STROKE FOR A WIFE, advertised on playbill of 23 Dec.] Afterpiece [1st time; P 1, author unknown. MS: Larpent 1001; not published]: Partly new and partly compiled. The Music by Dr Arnold. Books of the Songs [T. Cadell, 1793) to be had at the Theatre

Performances

Mainpiece Title: The Tempest

Afterpiece Title: HARLEQUIN PEASANT; or, A Pantomime Rehearsed

Performance Comment: Emigrant Marquis-Wewitzer; Dr Fingallin-Benson; Townly-Caulfield; Harlequin Peasant (with songs)-Dignum; Harlequin Mime-Waldron Jun.; Pantaloon-Maddocks; Lover-Bland; Lover's Servant-Evans; Stage-Coachman-Jones; Beadle-Freeman; Constable-Hawkins; Fury-Keyes; Watchmen-Aberdein, Potts; Lawyer-Lyons; Blacksmith-Knights; Ass-Driver Comerford; Passengers-Cooke, Stageldoir, Chippendale, &c.; Peasant-Children-Master Menage, Master Chatterley, Miss Menage; Pierrot-Delpini//Genius of Gratitude (with songs)-Mrs Stuart; Pantaloon's Wife-Mrs Heard; Maid-Mrs Haskey; Marquis's Maid-Miss Tidswell; Actress-Mrs Jones; Coach Passengers-Mrs Hale, Mrs Gaudry, &c.; Colombine (with songs)-Miss De Camp. [Larpent MS also lists the following characters: Old Norval, Young Norval, Call Boy, Waggoner, Genius//Peasant's Mother.] hathi.Larpent MS also lists the following characters: Old Norval, Young Norval, Call Boy, Waggoner, Genius//Peasant's Mother.] hathi.

Song: Masque as17931119, but Neptune-Caulfield. Vocal Parts omitted

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Hercules and Omphale

Performance Comment: Morning Chronicle, 19 Nov., notes that the Principal parts-Incledon, Quick, Munden, Fawcett, Mrs Martyr, Mrs Mountain; Part I. The Piece commences with a View of Omphale's Palace; Omphale, Queen of Lydia, seated on her Throne, surrounded by Virgins--The Princes of Dacia and Mycoene send Ambassadors, each demanding her hand in marriage--then follows the Magnificent Entry of the Two Princes; Dacians: Dacian Soldiers bearing Spears, Trophies of Armour, Egyptians bearing Presents, Musician, Dacian Officers with Trophies, The Prince of Dacia borne in a Triumphal Car drawn by War-Horses in compleat Armour. Mycoeneans: Mycoenean Officers with Swords and Shields, Armour Bearer, Women bearing Presents, Numidians with Presents, Martial Music, The Prince of Mycoene drawn in a Triumphal Car by Horses richly caparisoned. The Procession over, a Pyrrhic Dance takes place, when Thunder is heard--Jove's Eagle descends, bearing a Festoon with this inscription, "Hercules is doomed the Slave of Omphale"--Hercules enters cloathed in the hide of Nemean Lion, attended by Iolaus--he offers Presents to Omphale--she receives them with tenderness-The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber (a monster with three heads) who had desolated the adjacent country, hearing the sound of horns, lays in wait for his prey--the rival Princes are seen passing thro' the trees--Omphale and her train appear returning from the Chace--The Princes retire and plan to seize her-Cacus enters and forces her into the cave--the Princes with their Attendants attempt to seize Hercules, who for some time defends himself against their united force; nearly va quished he prays to Jupiter, when a Storm arises, thunder, lightning, hail, fire, and massey stones are seen to descend--Hercules gains the Mouth of the Cavern, and thus defends himself from the Storm and his Assailants--Screams are heard within the Cavern--the Prince of Dacia bearing off Omphale, the Prince of Mycoene forces her from him, and after slaying the Prince of Dacia, escapes with his conquest--the Tempest ceases--Hercules and Cacus come from the Cave, a Combat ensues, in which Hercules vanquishes the Robber--He then pursues the Prince of Mycoene, and is informed by Iolaus, that Omphale is shut up in the city of Mycoene--Catapultas, Battering Rams, are prepared, and the Scene changes to The Town and Fortifications of Mycoene. Hercules at the head of his Army summons it to surrender--the Prince brings Omphale on the Battlements bound in Chains-The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Cast
Role: The Prince of Dacia borne in a Triumphal Car drawn Actor: Horses in compleat Armour. Mycoeneans: Mycoenean Officers with Swords and Shields, Armour Bearer, Women bearing Presents, Numidians with Presents, Martial Music, The Prince of Mycoene drawn in a Triumphal Car by Horses richly caparisoned. The Procession over, a Pyrrhic Dance takes place, when Thunder is heard--Jove's Eagle descends, bearing a Festoon with this inscription, "Hercules is doomed the Slave of Omphale"--Hercules enters cloathed in the hide of Nemean Lion, attended by Iolaus--he offers Presents to Omphale--she receives them with tenderness-The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber
Role: the Prince brings Omphale on the Battlements bound Actor: The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Role: She implores him to inspire the breast of Hercules Actor: Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.

Performances

Mainpiece Title: Jack Of Newbury

Performance Comment: Characters by Palmer, Kelly, Dignum, Suett, R. Palmer, Bannister Jun., Master Welsh, Phillimore, Mrs Crouch, Sga Storace, Miss Leak, Mrs Bland. [Cast from Songs (C. Lowndes, 1795), and Larpent MS: Jack of Newbury-Palmer; Sir Murdock O'Connel-Kelly; Edgar-Dignum; Flaw-Suett; Crafts-R. Palmer; Knap-Bannister Jun.; Page-Master Welsh; Rowland-Phillimore; Dame Eleanor-Mrs Crouch; Emma-Sga Storace; Blanche-Miss Leak; Kathlane-Mrs Bland. [To conclude with an Emblematical Masque in Honour of the Royal Nuptials [see cg, 6 Apr.], called .To conclude with an Emblematical Masque in Honour of the Royal Nuptials [see cg, 6 Apr.], called .
Cast
Role: Page Actor: Master Welsh

Afterpiece Title: The Triumph of Hymen

Performance Comment: Hymen-Master DeCamp; Cupid-Master Welsh; Mercury-Fialon; Apollo-Aumer; Hercules-G. D'Egville; Castor-Fairbrother; Pollux-Boimaison; Psyche-Miss Granger; Diana-Miss Collins; Zephyrus-Mrs Fialon; Flora-Miss F. D'Egville; Britannia-Mrs Cuyler; Plenty-Mrs Butler; Commerce-Mrs Hedges; Loves, Graces, Chorus-Miss Menage, Miss Wheatley, Miss S. D'Egville, Mrs Beaufort, Mrs Brooker, Mrs Brigg, Miss Bourk, Mrs Bramwell, Miss Redhead, Miss Gawdry, Miss Stageldoir, Miss Chatterley, Cooke, Danby, Evans, Lyons, Maddocks, Welsh, Trueman.
Cast
Role: Hymen Actor: Master DeCamp
Role: Cupid Actor: Master Welsh

Afterpiece Title: Tit for Tat

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Joan of Arc; or, The Maid of Orleans

Performance Comment: Ballet Characters. English: Young Talbot-Bologna Jun.; General Talbot-Bologna; Herald-Helme; Officers-Blurton, Wilde, Abbot, L? Bologna; [French: Alenson-Farley; Charles (King of France)-Simpson [in Airs: Claremont (see17980214)]; Cardinal-Powel; Abbot-Thompson; Nobles and Officers-Dyke, Lee, Curties; Joan of Arc-Mrs Parker; [Infernals: Lucifer-Follett; Demons-Goostree, Parsloe, Letteney, Goodwin, Wilkins; [Vocal Characters. British Officer-Incledon; Edwin (the Page) [in Airs: Aerial Spirit, disguised as...(see17980226)]-Miss Sims; French and English Officers and Choristers-Linton, Street, Gray; Minstrel-Mrs Clendining; Female Choristers-Mrs Henley, Mrs Follett, Mrs Watts, Miss D'Evelyn, Mrs Gilbert, Mrs Norton, Mrs Masters, Mrs Castelle, Mrs Lloyd, Miss Walcup, Mrs Ward, Mrs Iliff, Mrs Bologna, Miss Leserve; Blanche-Mrs Mountain; Grand Historical Pageant-. [The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .

Performances

Mainpiece Title: The Duenna; Or, The Double Elopement

Performance Comment: The principal characters by: Mattocks, Quick, Wilson, DuBellamy, Mahon, Wewitzer, Fox, Baker, Leoni, Miss Brown, Mrs Green, Mrs Mattocks. Genest, V, 515: Ferdinand-Mattocks; Issac-Quick; Jerome-Wilson; Antonio-DuBellamy; Carlos-Leoni; Father Paul-Mahon; Lopez-Wewitzer; Duenna-Mrs Green; Louisa-Mrs Mattocks; Clara-Miss Brown; The Westminster Magazine adds Augustin-Baker; Francis-Fox; Porter-Besford.
Cast
Role: Carlos Actor: Leoni

Afterpiece Title: The Lying Valet

Performance Comment: Sharp-Lee Lewes, first time; Gayless-Davies; Guttle-Booth; Dick-Jones; Beau Trippet-Wewitzer; Melissa-Miss Ambrose; Mrs Gadabout-Mrs Poussin; Trippet-Mrs Masters; Kitty Pry-Mrs Pitt.
Cast
Role: Trippet Actor: Mrs Masters

Dance: II: A New Spanish Dance-Sg Zuchelli, Sga Zuchelli, Dagueville, Sga Vidini

Performances

Mainpiece Title: The Duenna; Or, The Double Elopement

Performance Comment: Principal Characters by Robson, Quick, Wilson, Reinhold, Mahon, Wewitzer, Fox, Baker, Leoni, Miss Brown, Mrs Green, Mrs Mattocks. Cast from playbill of 29 Oct. 1777 and Genest, V, 515: Ferdinand-Robson; Isaac-Quick; Don Jerome-Wilson; Antonio-Reinhold; Father Paul-Mahon; Lopez-Wewitzer; Friars-Fox, Baker; Carlos-Leoni; Clara-Miss Brown; The Duenna-Mrs Green; Louisa-Mrs Mattocks.
Cast
Role: Carlos Actor: Leoni

Afterpiece Title: The Upholsterer

Dance: End: The Irish Lilt-Aldridge, Miss Valois

Event Comment: Mainpiece: With a New Scene and New Dresses. Afterpiece [1st time; CO 2, by Charles Dibdin and Edward Thompson. Thompson's name does not appear on the title-page of the text; it has been added by J. P. Kemble on the half-title of his copy now in the Huntington Library]: The Music chiefly composed by Dibdin [Public Advertiser, 15 Nov.: Three of the airs and the finale were composed by Samuel Arnold; one air by John Abraham Fisher]. With New Scenes [ibid: by Dall, Richards, and Carver], Dresses and Decorations. Books of the Songs to be had at the Theatre. Account-Book, 7 Feb. 1777: Paid Dibdin in full for copyright of the Seraglio #20; ibid, 2 June 1777: Received of Cooper for Songs & Books sold of The Seraglio #19 10s. 9d. [Mrs Ward was from the Birmingham theatre]. Receipts: #221 11s. 6d. (219.7.0; 2.4.6)

Performances

Mainpiece Title: Ethelinda; Or, The Royal Convert

Afterpiece Title: The Seraglio

Performance Comment: Principal Characters by Mattocks, Reinhold, Quick, Dunstall, Leoni, Miss Dayes, Mrs Green, A Young Lady (who never appeared on any stage) (Miss Wewitzer), Miss Brown. Cast from text (T. Evans, 1776): Abdallah-Mattocks; Reef-Reinhold; Venture-Quick; Goodwill-Dunstall; Frederick-Leoni; Hassan-Baker; Gunnel-Bates; Williams-Thompson; Polly-Miss Dayes; Curtis-Mrs Green; Elmira-Miss Wewitzer; Lydia-Miss Brown.
Cast
Role: Frederick Actor: Leoni

Music: V: the Original Music for the Sacrifice by Purcell-

Event Comment: Benefit for Leoni. Public Advertiser, 31 Mar.: Tickets to be had of Leoni at Basire's No. 34, Great Queen-street, Lincoln's Inn Fields. Receipts: #231 6s. 6d. (118.8.6; tickets: 112.18.0) (charge: free)

Performances

Mainpiece Title: Caractacus

Afterpiece Title: Three Weeks after Marriage

Dance: As17761107

Performances

Mainpiece Title: Percy

Afterpiece Title: Poor Vulcan

Performance Comment: . Principal Characters by Quick, Mattocks, Mahon, Robson, Battishill, Leoni, Miss Dayes, Miss Brown. Cast from text (G. Kearsley, 1778): Vulcan, Crump-Quick; Jupiter, Stud-Mattocks; Mars, Pike-Mahon [in text: Reinhold (see17780421)]; Apollo, Wiseman-Robson; Bacchus, Guage-Battishill; Adonis, Joe-Leoni; Grace-Miss Dayes; Venus, Maudlin-Miss Brown [all the characters, except Grace, are alternateley Gods and mortals].all the characters, except Grace, are alternateley Gods and mortals].
Cast
Role: Joe Actor: Leoni

Performances

Mainpiece Title: King Lear

Afterpiece Title: Poor Vulcan

Performance Comment: . Characters by Quick, Mattocks, Reinhold, Robson, Leoni, Mrs Morton, Miss Brown. Cast from text (G. Kearsly, 1778): Vulcan, Crump-Quick; Jupiter, Stud-Mattocks; Mars, Pike-Reinhold; Apollo, Wiseman-Robson; Adonis, Joe-Leoni; Grace-Miss Dayes [i.e. later Mrs Morton]; Venus, Maudlin-Miss Brown [all the characters, except Grace, are alternately Gods and mortals].all the characters, except Grace, are alternately Gods and mortals].
Cast
Role: Joe Actor: Leoni

Performances

Mainpiece Title: A New Prelude And Prologue

Afterpiece Title: Calypso

Performance Comment: Principal Characters by Mrs Kennedy, Reinhold, Leoni, Miss Thornton, Miss Brown. Cast from text (T. Evans, 1779): Telemachus-Mrs Kennedy; Mentor-Reinhold; Proteus-Leoni; Antiope-Miss Thornton; Calypso-Miss Brown.
Cast
Role: Proteus Actor: Leoni

Afterpiece Title: Cross Purposes

Dance: In: Incidental Dances-Dagueville, Miss Besford, Miss Valois

Performances

Mainpiece Title: The Islanders

Performance Comment: Principal Characters by Clarke, Mattocks, Leoni, Booth, J. Wilson, Fearon, Stevens, Reinhold, Wilson, Edwin, Quick, Miss Morris, Mrs Webb, Mrs Martyr, Miss Satchell, Mrs Poussin, Miss Platt, Miss Stewart, Mrs Kennedy. Cast from Songs (G. Kearsly, 1780): Governor-Clarke; Garcia-Mattocks; Felix-Leoni; Secretary-J. Wilson; Yanko-Reinhold; Fabio-Wilson; Gil Perez-Edwin; Domingo-Quick; Julina-Miss Morris; Elvira-Mrs Webb; Camilla-Mrs Martyr; Flametta-Miss Satchell; Orra-Mrs Kennedy; unassigned-Booth, Fearon, Stevens, Mrs Poussin, Miss Platt, Miss Stewart.
Cast
Role: Felix Actor: Leoni

Afterpiece Title: The Apprentice

Performances

Mainpiece Title: The Banditti; Or, Love's Labyrinth

Performance Comment: Principal Characters by Wroughton, Mattocks, Reinhold, Quick, Edwin, Wilson, Whitfield, Davies, L'Estrangc, Robson, Fearon, Leoni; Mrs Kennedy, Mrs Mattocks, Mrs Inchbald, Mrs Pitt, Miss Harper. [Cast from Songs (T. Cadell, 1781): Marquis de Quintano-Wroughton; Fernando-Mattocks; Ramirez-Reinhold; Spado-Quick; Pedrillo-Edwin; Francisco-Wilson; Ricardo-Whitfield; Sanguino-Davies; Calvette-L'Estrange; Rapino-Robson; Gambo-Fearon; Phillipo-Leoni; Pepina-Mrs Kennedy; Victoria-Mrs Mattocks; Marchioness de Quintano-Mrs Inchbald; Agnes-Mrs Pitt; Inesilla-Miss Harper.] hathi. hathi.
Cast
Role: Phillipo Actor: Leoni

Afterpiece Title: The Apprentice

Event Comment: "A new Tragedy, called Eloisa [and Richard Coeur de Lion, both announced on playbill of 16 Dec. were] to have been represented last night; but on account of the illness of Farren [were] obliged to be deferred, and Fontainbleau, with Hob in the Well were announced [in playbill of this present night], but on account of the sudden indisposition of Edwin...both pieces were obliged to be changed to Henry IV, with Barataria" (Public Advertiser, 19 Dec.). Receipts: #117 0s. 6d. (115.0.0; 2.0.6)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Performance Comment: See17861122, but Sir Richard Vernon-; Francis-Sir Richard Vernon and Francis not acted, respectively, by Farren, Edwin [their substitutes not known].their substitutes not known].

Afterpiece Title: Barataria

Performances

Mainpiece Title: A Grand Selection Of Music Chiefly From The Works Of Handel

Performance Comment: Principal Vocal Performers as17940319eader as17940312ART I. Overture (ESTHER). He smote all the first born by Chorus (ISRAEL IN EGYPT). Sin not O King! by Mrs Bland (SAUL). Call forth thy powers by Kelly (JUDAS MACCABAEUS). Fix'd in his everlasting seat by Chorus (SAMSON). What though I trace by Mrs Crouch (SOLOMON). Pleasure my by Harrison (TIME AND TRUTH). Fall'n is the foe by Chorus (JUDAS MACCABAEUS). Praise the Lord by Sga Storace (ESTHER). Lord in thee by Kelly and Chorus (TE DEUM). PART II. When the ear heard [singer not listed] (FUNERAL ANTHEMS). He deliver'd the poor by Chorus. Dead March (SAUL). The Soldier tir'd by Sga Storace. My faith and truth by Miss Leak and Master Welsh (SAMSON). The praise of Bacchus by Dignum; Bacchus ever fair by Meredith and Chorus (ALEXANDER'S FEAST). Like a bright Cherub by Sga Storace, Mrs Bland, Harrison (GIDEON). Prophetic visions by Master Welsh (OCCASIONAL ORATORIO). Let their celestial concerts all unite by Chorus (SAMSON). PART III. Awake the trumpet by Chorus (SAMSON). Tears such as tender Fathers by Meredith (DEBORAH). Donald by Sga Storace (Scotch Air). The many rend the skies by Chorus (ALEXANDER'S FEAST). The Mansion of Peace by Harrison. From mighty Kings by Mrs Crouch; Sound an alarm by Kelly and Chorus (JUDAS MACCABAEUS). Queen Mary's Lamentation by Miss Leak. May balmy peace by Master Welsh. From the censer by Chorus (SOLOMON) .

Music: In Part II concerto on the violin by Giornovichi

Event Comment: London Gazette, No 742, 26-30 Dec. 1672: These are to give Notice, that at Mr John Banister's House, now called the Musick School, over against the George Tavern in White Fryers this present Monday, will be Musick performed by Excellent Masters, beginning precisely at four of the Clock in the afternoon, and every afternoon for the future, precisely at the same hour. Roger North on Music: But how and by what stepps Musick shot up in to such request, as to croud out from the stage even comedy itself, and to sit downe in her place and become of such mighty value and price as wee now know it to be, is worth inquiring after. The first attempt was low: a project of old Banister, who was a good violin, and a theatricall composer. He opened an obscure room in a publik house in White fryars; filled it with tables and seats, and made a side box with curtaines for the musick. 1s. a peice, call for what you please, pay the reckoning, and Welcome gentlemen. Here came most of the shack [vagabond] performers to towne, and much company to hear; and divers musicall curiositys were presented, as, for instance, Banister himself, upon a flageolett in consort, which was never heard before nor since, unless imitated by the high manner upon the violin. But this lasted not long, nor another meeting of like kind neer Paul's (headed by one Ben. Wallington) for voices to an organ, where who would, that was gifted, might performe, and no payment, but the reckoning (ed. John Wilson [London, 1959], pp. 302-3)

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Performance Comment: Sir Fopling Flutter-Cibber Jun; Dorimant-Mills; Young Bellair-Blakes; Mrs Loveit-Mrs Woffington; Belinda-Mrs Elmy; Pert-Mrs Macklin; Medley-Bridges; Old Bellair-Taswell; Shoemaker-Neale; Handy-Usher; Smirk-Simpson; Page-Master Wilks; Harriet-Mrs Mills; Emilia-Mrs Ridout; Lady Townly-Mrs Bennet; Lady Woodly-Mrs Cross; Busy-Miss Minors; Orange Woman-Mrs Bridges; New Epilogue-Mrs Woffington in Man's Cloaths, and address'd to the Young Gentlemen who call themselves the Town.
Cast
Role: Page Actor: Master Wilks

Afterpiece Title: The Double Disappointment

Song: I: Mrs Mozeen; III: Lowe

Dance: II: The Mechels; IV: Muilment; V: Salomon, Sga Padouana, Salomon's son

Event Comment: Notice is hereby given, that the Annual Feast of the Shakespeare Society will be held on Wed. 2nd of March next, at the Shakespeare's Head Tavern in Covent Garden; and that tickets are left with the Master of that House to be disposed of to the Gentlemen who subscribed for Tickets for the last Feast, and who are to call for them at any time within thirty days from the date thereof. Such tickets as are not in that time called for will be delivered to the Stewards to be otherwise disposed of. The person's name to whom a Ticket is deliver'd will be endors'd thereon, and no other person can be admitted thereby. E. B. Secretary (Public Advertiser)

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: Harlequin Sorcerer

Performances

Mainpiece Title: A Medley Concert; Or, An Impromptu Of Whim And Novelty

Performance Comment: With a new Introduction-Mrs Trampwell, her Troop, In which Miss Midnight will give some specimens of Oratory a la mode de Theatre; An Address-Mr Cibber; A Concerto Hooley and Fairley, a Scotch Song-Mr Lauder; Blind Man's Buff, a dance-Lilliputians; A Concerto for French Horns-; The Comic Lectures (in two parts) varied-Mr Cibber; end of First Lecture a piece of Music-; End of 2nd, a new pantomime dance call'd The Taylors-Master Settree, Miss Twist; The music and dresses new. When all the Attic Fire was fled, in Eliza-Miss Gaudry; An auction of Choice curiosities of extraordinary value-Mr Cibber (auctioneer); a new Italian Air-Signora Mimicotti; accompanied on the bassoon-Mynheer Von Poop@Poop Broomstickado; The Italian Peasants-Joly, Madam Dulisse; Also a Grand Comic Ballet called the Marine Boys Marching to Portsmouth-; , in which will be introduced a Hornpipe-Mossis, Miss Durham; Mr Handel's Water Music, with a Preamble on the Kettle Drums-Mother Midnight; Also a Comic Epilogue-Miss Midnight (riding on an Ass).

Afterpiece Title: With a Lilliputian Pantomime call'dHarlequin's Frolic; or, A Voyage to Prussia

Performance Comment: Concluding with a Ballet called The Prussians March to Bohemia-; a new Grotesque Dance callled Colin and his Rival Ladies-.

Performances

Mainpiece Title: Miss Midnight's Medley Concert

Performance Comment: As17571031, but an Address-Miss Midnight; Eight Hand Bells-Franklyn; Les Tailleurs-Master Settree, Miss Twistas17571003; A Droll called Je ne Scay Quoy-Phillips; Performance on Wire-Miss Wilkinson.

Afterpiece Title: The Farmer Trick'd

Performances

Mainpiece Title: Wild Oats; Or, The Strolling Gentlemen

Performance Comment: Rover-Lewis; Sir George Thunder-Quick; Harry-Holman; Sim-Blanchard; John Dory-Wilson; Ephraim Smooth-Munden; Banks-Hull; Gammon-Cubitt; Muz [in all playbills beginning 1 Dec. called Midge]-Macready; Men [in text: Sailors]-Milburne, Thompson, Farley; Landlord-Powel; Twitch-Rock; Trap-Evatt; Zachariah-Rees; Lamp-C. Powell; Sheriff's Officer-Cross; Coachman-Ledger; Waiter-Master Simmons; Jane-Mrs Wells; Amelia-Miss Chapman; Lady Amaranth-Mrs Pope.
Cast
Role: called Midge] Actor: Macready
Role: Waiter Actor: Master Simmons

Afterpiece Title: Robin Hood

Event Comment: Benefit for Mrs Pritchard (Cross). Mainpiece: Not acted these 30 years. This day publish'd. Price 1s. Reflections upon Theatrical Expression in Tragedy. [By Roger Pickering. This is a defense of the theatrical profession, "which in all countries is considered low and contemptible." Author's thesis: "A master of theatrical expression in all its extensive significancy must be possess'd of such accomplishments, as to set the profession above all contempt." Garrick is mentioned as best example. True tragic expression "requires Genius, Education, Reading, Experience...and a solidity of thought which never accompanies abject morals" (p. 11). Includes an interesting treatise on acting-sections on figure, voice, ear, memory, management of feet and legs. Comments on costume: "Taste in dress demands that an actor be conversant in the mode of dress ancient and modern, in other countries as well as in our own...Alexander and Cato were not masters of the snuff box, nor Greek women of French heels." The appendix asks why all our plays are not dressed in character in point of time and place, and why they do not contain at least one "scene" proper to the country. The author (p. 61) sees need for variety in acting same role, especially when a play has a continuous run of several nights. He calls (p. 77) for creation of appropriate mood for the play by selection of proper music between the acts. Wants a softening of the prompter's bell. Concludes by damning contemporary audience manners, especially those of the stage loungers (pp. 79-81).] Receipts: #314 (Cross)

Performances

Mainpiece Title: The Mistake

Afterpiece Title: The Englishman in Paris

Song: II: The Cantata of Cimon and Iphigenia-Beard

Event Comment: Notice is hereby Given that the Annual Feast of the Shakespeare Society will be held on Wednesday the 10th of March next, at the Shakespeare's Head Tavern, Covent Garden, and that tickets are left with the Master of that House to be disposed of to the Gentlemen who subscrib'd for tickets for the last Feast, and who are to call for them on or before the 7th of February. Such Tickets as are not call'd for by that day will be delivered to the Steward to be otherwise disposed of; The person's name to whom a ticket is deliver'd, will be indorsed thereon, and no other person admitted thereby. E.B. Secreatary (Public Advertiser). Receitps: #170 (Cross)

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: Catherine and Petruchio

Cast
Role: Music Master Actor: Jefferson