SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Master Charles Poitier"/1) | (@(roleclean,performerclean) "Master Charles Poitier")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2584 matches on Performance Comments, 2413 matches on Author, 1413 matches on Performance Title, 738 matches on Event Comments, and 1 matches on Roles/Actors.

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Lying Valet

Dance: As17780601

Song: Between Acts: Master Nelson; End IV: Solemn Dirge and the Funeral Procession of Juliet to the Monument of the Capulets. Vocal Parts-Master Nelson, Mrs Russell, Mrs Fowler

Performance Comment: Vocal Parts-Master Nelson, Mrs Russell, Mrs Fowler.
Event Comment: Benefit for Master Welsh. Morning Herald, 4 May: Tickets to be had of Master Welsh, No. 2, Parliament-street, Palace-yard. Receipts: #263 1s. (106.9.6; 27.0.0; 0.6.0; tickets: 129.5.6) (charge: #167 3s.)

Performances

Mainpiece Title: At King's The Pirates

Afterpiece Title: The Mariners

Cast
Role: Charles Actor: Bland

Dance: As17930408

Song: End II: a New Song composed by Percy-Master Welsh

Event Comment: Benefit for Master Welsh. Afterpiece [1st time; MF 2, by Samuel Birch]: The Music principally new, composed by Attwood, with a few selections from Mozart. Books of the Songs to be had hn the Theatre. Morning Chronicle, 21 May 1795: This Day is published The Adopted Child (1s.). Ibid., 21 Apr.: Tickets to be had of Master Welsh, No. 9, Margaret-street, Westminster. Receipts: #226 10s. (87.13.6; 43.3.6; 17.7.0; tickets: 78.6.0) (charge: free)

Performances

Mainpiece Title: The Jew

Cast
Role: Charles Ratcliffe Actor: Wroughton

Afterpiece Title: The Adopted Child

Performance Comment: Characters by Trueman, Sedgwick, Suett, Bannister Jun., Bland, Phillimore, Master Welsh, Miss Leak, Miss DeCamp, Miss Tidswell, Mrs Bland. Cast from text (C. Dilly, 1795): Sir Bertrand-Trueman; Le Sage-Sedgwick; Record-Suett; Michael-Bannister Jun.; Spruce-Bland; Flint-Phillimore; Boy-Master Welsh; Clara-Miss Leak; Lucy-Miss DeCamp; Jannette-Miss Tidswell; Nell-Mrs Bland.
Cast
Role: Boy Actor: Master Welsh

Song: End IV: a favourite song (unaccompanied)-Master Welsh

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Jew and the Doctor

Song: End II: Hope told a flattering tale-Mrs Ferguson; accompanied on the Pedal Harp-Weippert

Music: End I: Grand Sonata on the Piano Forte, as17990515; End IV: Lesson of Nicolai, as17990515

Entertainment: Monologues Before: [Collins' Ode on the Passions-Master Parker; End III: The Birth Day Ode [by Henry James Pye, 1st performed at St. James's Palace, 4 June, the birthday of George III]-Master Parker; End: Imitations-Mrs Sumbel (late $Mrs Wells)

Performance Comment: James's Palace, 4 June, the birthday of George III]-Master Parker; End: Imitations-Mrs Sumbel (late $Mrs Wells).
Event Comment: EEgmont, Diary, II, 364: I went to the new play called 'King Charles the First,' acted with approbation at [lif]. The Characters are as the historians represent them, the language good and the sentiments fine, but the players are bad, he who represented General Fairfax and Cromwell excepted

Performances

Mainpiece Title: King Charles The First; An Historical Play [charles I]

Event Comment: Benefit Mr Charles. 7 p.m. 5s

Performances

Mainpiece Title: Concert

Music: the best Hhe best Hands;With a Solo, several new Pieces on the French Horn, Clarinette, Sharlarno-Mr Charles; Also several Pieces on the French Horn-an English Gentlewoman, a Negro Boy of ten Years old, both Scholars of Mr Charles

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 361: The King at ye Mistress. See also Nicoll, Restoration Drama, p. 351. There is no indication as to whether this performance was the premiere. As the play was licensed on 24 May 1687, the premiere may have been as late as 12 May, but possibly was earlier. Sir George Etherege to Will Richards, 19 May 1687: I have heard of the success of The Eunuch, and am very glad the town has so good a taste to give the same just applause to Sir Charles Sedley's writing, which his friends have always done to his conversation (Letterbook, ed. Rosenfeld, p. 212). Sir George Etherege to Middleton, 2O June 1687: I saw a play about ten years ago Called the Eunuch, so heavy a lump the players durst not charge themselves with the dead weight, but it seems Sir Charles Sedley has animated the mighty mass and now it treads the stage lightly (ibid., p. 227). [See also 26 March 1687 and season of 1676-77.] Thomas Shadwell, The Tenth Satyr of Juvenal (licensed, 25 May 1687.) Dedication to Sir Charles Sedley: Your late great obligation in giving me the advantage [presumably the third day's gain] of your comedy, call'd Bellamira, or the Mistress, has given me a fresh subject for my Thanks; and my Publishing this Translation affords me a new opportunity of owning to the world my grateful resentments to you. I am heartily glad that your Comedy (as I never doubted) found such success, that I never met with any Man of Sence but applauded it: And that there is abundance of Wit in it, your Enemies have been forced to confess....For the Judgment of some Ladies upon it that it is obscene, I must needs say they are Ladies of a very quick apprehension, and did not find their thoughts lye very much that way, they could not find more obscenity in that than there is in every other Comedy. A song, Thyrsis unjustly you complain, headed A Song in Bellamira, or, the Mistress. Set by Mr Tho. Shadwell, is in Vinculum Societatis, 1687 (licensed 8 June 1687)

Performances

Mainpiece Title: Bellamira; Or, The Mistress

Related Works
Related Work: Bellamira; or, The Mistress Author(s): Sir Charles Sedley

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Afterpiece Title: Miss in Her Teens

Song: End: Charles Gondorff, a Hungarian. He mimicks three Voices at one and the same time-Charles Gondorff ,to wit the natural sound of the Base, the Bassoon and Flagolet (the latter has the sound of a small organ) all which is performed without the least movement of the lips

Performance Comment: He mimicks three Voices at one and the same time-Charles Gondorff ,to wit the natural sound of the Base, the Bassoon and Flagolet (the latter has the sound of a small organ) all which is performed without the least movement of the lips.

Performances

Mainpiece Title: King Charles The First

Performance Comment: King Charles-Wroughton; Oliver Cromwell-Aickin; Bishop Juxon-Hull; Duke of Richmond-Davies; Ireton-Peile; Bradshaw-L'Estrange; Lindsay-Thompson; Tomlinson-J. Wilson; Fairfax-Lewis; Lady Fairfax-Mrs Lewis; Queen-Mrs Inchbald.
Cast
Role: King Charles Actor: Wroughton

Afterpiece Title: True Blue

Afterpiece Title: Midas

Dance: 2nd piece: a Dance of Sailors Sailor's Dance-Aldridge

Performances

Mainpiece Title: King Charles I

Performance Comment: King Charles-Connell; Fairfax-Diamond; Duke of York-Mrs Hudson; Duke of Gloucester-Miss Barnes; Bishop Juxon-Banyard; Ireton-Loader; Colonel Tomlinson-Ferguson; Duke of Richmond-Randall; Marquis of Lindsey-Wood; Servant-Cooper; Bradshaw-Thompson; Oliver Cromwell-Gray; Lady Fairfax-Miss Clarke; Princess Elizabeth-Miss Brooksbank; Queen-Miss Greenleaf. With an Occasional Prologue .
Cast
Role: King Charles Actor: Connell

Afterpiece Title: The Beggar's Opera (Last Act only)

Dance: In afterpiece a Hornpipe by Middleton. IMITATIONS. End of mainpiece a variety of new Imitations by a Gentleman [probably Kean (see17850124)]. VAUDEVILLE. After the Imitations A Comic Sketch of the Times by Ryder, Greville, Mrs Hudson; and Bucks have at ye All by Cross

Event Comment: The Duke's Company. Pepys, Diary: My Lord Brouncker and I to the Duke of the York's playhouse, and there saw the latter part of The Master and the Man

Performances

Mainpiece Title: The Man's The Master

Event Comment: The Duke's Company. Pepys, Diary: I carried [Mercer and Mrs Turner] to the Duke of York's house, and there saw The Man's the Master, which proves, upon my seeing it again, a very good play

Performances

Mainpiece Title: The Man's The Master

Event Comment: The Duke's Company. There is no indication as to whether this is the premiere. This performance is on the L. C. lists at Harvard. See VanLennep, Plays on the English Stage, p. 19. Downes (Roscius Anglicanus, p. 32): The third new Play Acted there [dg] was the Gentleman Dancing-Master, Wrote by Mr Witcherly, it lasted but 6 Days, being like't but indifferently, it was laid by to make Room for other new ones. A song, with music by John Bannister, for this play is in Choice Songs and Ayres, The First Book, 1673

Performances

Mainpiece Title: The Gentleman Dancing Master

Event Comment: The Duke's Company. This play is on the L. C. list, 5@141, p. 216. See also Nicoll, Restoration Drama, p. 348. The date on the list seems to be "3," but as this is a Sunday, it is more likely "9." This performance may well be the one to which Downes (Roscius Anglicanus, p. 31) refers: Note, Mr Cademan in this Play [The Man's the Master], not long after our Company began in Dorset-Garden; his Part being to Fight with Mr Harris, was Unfortunately, with a sharp Foil pierc'd near the Eye, which so Maim'd both the Hand and his Speech, that he can make little use of either; for which Mischance, he has receiv'd a Pension ever since 1673, being 35 Years a goe. [For a discussion of this accident, see William VanLennep, Henry Harris, Actor, Friend of Pepys, Studies in English Theatre History (London, 1952), p. 16, and the entry under 20 Aug. 1673.

Performances

Mainpiece Title: The Man's The Master

Performances

Mainpiece Title: The Cautious Coxcomb

Music: Together with 3 several New Entertainments of Musick perform'd in Consort upon Hautboys Flutes and German Horns-7 young Men lately brought over by their Master the famous Godfrede Pepusch, Musician in Ordinary to his Majesty the King of Prussia. The Composition being made entirely new for that pupose by his Brother, that Eminent Master Mr John Christopher Pepusch

Performance Comment: The Composition being made entirely new for that pupose by his Brother, that Eminent Master Mr John Christopher Pepusch.
Event Comment: Benefit Morphy. Tickets 5s. N.B. Several of the best Masters of the Opera doing Mr Morphy the favour to perform in his Consort, it will begin exactly at five, and end in time for Persons of Quality to go there

Performances

Mainpiece Title: Concert

Music: The best Masters; in which several Entertainments on the Silver string'd Harp on which he has had the Honour to play before the present Emperor and the King of Portugal-Mr Morphy

Event Comment: Benefit T. Burny, Dancing-Master

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Harlequin Turn'd Dancing-Master

Music: Between the Acts: Select Pieces-

Song: Miss Thornowets; particularly See From the Silent Groves-Miss Thornowets

Dance: PPierrots, Flag Dance-Burny, Dukes, others

Event Comment: Benefit R. Williams. Mainpiece: Not Acted these Twenty Years. On this day the Lord Mayor and the Court of Aldermen of the City presented a petition to the King seeking the suppression of the theatre in Goodman's Fields. Thomas Odell, Master of the Theatre, also appeared before His Majesty and sought royal leave to continue acting.--See Grub St. Journal, 7 May, for a summary of the events, but see also Weekly Journal or British Gazetteer and London Journal, 2 May

Performances

Mainpiece Title: The Man's Bewitch'd; Or, The Devil To Do About Her

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Charles Coffey

Afterpiece Title: Harlequin Turn'd Dancing-Master

Dance: TThe White Joke (new)-Eaton

Performances

Mainpiece Title: The Silent Woman

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Charles Coffey

Music: As17331220

Dance: Grand Dance in Momus, as17331231

Song: II: Per le parte del Tormento by Miss Arne and Master Arne. IV: Consolati O Bella sung by Miss Arne, Master Arne, and Miss Jones

Performance Comment: IV: Consolati O Bella sung by Miss Arne, Master Arne, and Miss Jones .

Performances

Mainpiece Title: The Stratagem

Dance: I: Irish Trot by Master Oates. II: La Follette s'cest ravisee by Nivelon and Miss Mann. III: A new Comic Dance by Master Oates and Miss Oates Jr. IV: English Maggot by S. Lally and Mrs Walter. V: Revellers

Performance Comment: II: La Follette s'cest ravisee by Nivelon and Miss Mann. III: A new Comic Dance by Master Oates and Miss Oates Jr. IV: English Maggot by S. Lally and Mrs Walter. V: Revellers .

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The School Boy

Dance: Irish Trot by Master Oates. A comic Peasant Dance by Master Oates and Miss Oates Jr. Pierrot by Topham and Mrs Davenport. Scotch Dance by Mr and Mrs Davenport

Performance Comment: A comic Peasant Dance by Master Oates and Miss Oates Jr. Pierrot by Topham and Mrs Davenport. Scotch Dance by Mr and Mrs Davenport .

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Mock Doctor

Dance: II: Peasant by Master Oates and Miss Oates Jr. III: Dutchman and his Wife by Le Brun and Mrs Walter. IV: Irish Trot by Master Oates. V: Revellers, as17340910

Performance Comment: III: Dutchman and his Wife by Le Brun and Mrs Walter. IV: Irish Trot by Master Oates. V: Revellers, as17340910.
Event Comment: Benefit Oates. For the Entertainment of the Grand Master, and the rest of the Brethren belonging to the Ancient and Honourable Society of Free and Accepted Masons. Written by Shakespear

Performances

Mainpiece Title: The Merry Wives Of Windsor

Music: II: A Concerto of Vivaldi's called The Cuckow, attempted on the Violin by Master Oates

Dance: III: A new Peasant Dance by Master Oates and Miss Oates Jr. IV: English Maggot by Villeneuve and Mrs Walter. V: Amorous Swain, as17350327

Song: The Songs in Masonry as usual. I: Come let us prepare. III: on, on, my Dear Brethren. IV: Let Masonry be now my Theme

Performances

Mainpiece Title: The Twin Rivals

Afterpiece Title: The Honest Yorkshireman

Cast
Role: Slango Actor: Master Green

Music: A New Medley Overture, never yet performed, composed by Arne. A new Set of Act Tunes, never yet performed, composed by Arne

Song: Was ever Nymph like Rosamond, sung by Master Osborne, a Scholar of Carey. Se l'Arco, a French Horn Song out of the Opera of Admetus, sung by Master Osborne

Performance Comment: Se l'Arco, a French Horn Song out of the Opera of Admetus, sung by Master Osborne .
Event Comment: Benefit Master Oates. Written by Mr Farquhar. Boxes 5s. Pit 3s. Gallery 2s. 6 P.M

Performances

Mainpiece Title: Love And A Bottle

Music: By Desire, a Concerto of Vivaldi's The Cuckow, attempted on the Violin by Master Oates

Dance: II: Scottish Dance. rv: Irish Trot. V: French Peasant Dance. All by Master and Miss Oates

Performance Comment: rv: Irish Trot. V: French Peasant Dance. All by Master and Miss Oates .