SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Master "/1) | (@(roleclean,performerclean) "Master ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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Event Comment: Benefit Oates. For the Entertainment of the Grand Master and the rest of the Brethren belonging to the...Masons. [Tickets at Oates', King's Arms Tavern, Great Wild Street.

Performances

Mainpiece Title: The Way Of The World

Song: nd the added Songs in Masonry as usual,% I: Come let us prepare-Mr Oates; III: On on my dear Brethren-Mr Oates; IV: Let Masonry be now my Theme-Mr Oates; V: Ye Brethren of the Ancient Craft-Mr Oates

Dance: I: Serious Dance-Villeneuve, Miss Oates; III: Peasant Dance-Master and Miss Oates; IV: Je ne scai quoi-Tench, Villeneuve, Miss Oates; V: Grecian Sailors-Glover

Music: II: Solo on the Violin-Master Oates

Event Comment: Benefit Cooke, Dancing-Master. At the particular Desire of several Ladies of Quality

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The What D'ye Call It

Dance: Glover, Richardson, Villeneuve, Dupre, DelaGarde, Miss Oates,also by Master Cooke, who never performed on any Stage before

Event Comment: Benefit Ridout, Raftor, Miss Bennet. By Particular Desire. [Tickets for Reed and Master Ferg taken also.

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Intriguing Chambermaid

Dance: I: Two Pierots-Lalauze, Liviez; II: Muilment; III: La Provencale-Mlle Chateauneuf; IV: Drunken Peasant-Master Ferg

Song: V: The Life of a Belle (taken from Lethe)-Mrs Clive (by particular Desire)

Music: End Afterpiece: Preamble on the Kettle Drums-Master Ferg; accompanied by Trumpets-

Event Comment: Benefit Master Cooke. At the Desire of several Persons of Quality. Part of the Stage will be formed into Side-Boxes. [Tickets at Cooke's House, Blue Flower-pot in Devonshire Street, near Red-Lyon Square. Tickets for Tully also taken.

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Devil to Pay

Dance: I: Two Pierots-Lalauze, Liviez; II: Maggot-Cooke, Mrs Walter; III: Le Tambourine-Mlle Chateauneuf; IV: Muilment; V: The Louvre, with a Minuet-Master Cook, Mrs Walter

Event Comment: Benefit Stoppelaer, Mines, Master Ferg, Miss Morrison. Receipts: #110 (Rylands MS.)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Damon and Phillida

Dance: II: Drunken Peasant-Master Ferg; III: Muzette-Miss Morrison; IV: Matelotes-Mechell, Mlle Mechell

Music: V: Preamble on the Kettle Drums-Master Ferg

Song: End Afterpiece: Arra my Judy (by Desire)-Stoppelaer

Event Comment: Benefit Beckham, the Prompter. Tickets at Beckham's Toy Shop, in Cornhill; George's Coffeehouse, Temple Bar, Tom's Coffeehouse, Russel St., Covent Garden; Dodsley's Bookseller, at Tulley's Head; and at Gloucester Tavern, Pall Mall. Tickets deliver'd out by Mrs Steel, Mrs E. Hippisley, the two Masters Granier, and Mr Ravenscroft, will be taken...Servants will be allow'd to keep Places upon the Stage, which (for the better Accommodation of the Ladies) will be enclos'd, and form'd into an Amphitheatre

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The School Boy

Song: Concert Air from Alexander's Feast: War he sung is Toil and Trouble-Mrs Bishop; III: Can Love be controul'd by Advice-Miss Medina

Music: V: Preamble on the Kettle Drums-Jo. Woodbridge; who never perform'd on that Stage before ending with Handel's celebrated Water Musick-; And to conclude: the Concert, the Coronation Anthem Long Live the King (never perform'd there before) by Mr Handel-an Additional Band

Dance: I: David apShenkin; II: Welsh Buffoon, as17420406 IV: Two Millers and Courtezan, as17420315 End I Afterpiece: New Scots Dance-Master and Miss Granier

Event Comment: Benefit for J. Philips and Master Tariot. By particular Desire of several Persons of Distinction

Performances

Mainpiece Title: A Concert

Afterpiece Title: Harlequin Hussar

Dance: Several new dances-Master Tariot, Miss Polly Capitaniboth from the Opera House, Tariot, Balthazar, Petre, Hussey, Mrs Garman, Mrs Tariot, the Misses Twist

Entertainment: By particular desire (this night only) Saunders will exhibit a great variety of new equilibres on the wire in full swing-Saunders never attempted before. The last time of his performing in the metropolis

Event Comment: Benefit for several: Master Cape, C. Roberts, West, Tomlinson, Mortimer. Tickets deliver'd for This Night will be taken. [Tomlinson's Epilogue in Larpent MS 213.] The mute speaks again, and mimics tragedians and comedians [See 20 May.

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The King and the Miller

Dance: II: Hornpipe-Master Cape (Scholar to Walker); IV: Hearts of Oak, as17620421

Song: III: If o'er the Cruel Tyrant Love, as17620513

Entertainment: New Sketch of his own picture drawn from the life by way of Epilogue-Mr Tomlinson, his second time of attempting to speak on the Stage

Event Comment: The worst House I ever saw.--This morning Mr Packer's mother died, and we were oblig'd to get Mr Parsons to do Vizard, and Mr Baddeley Smuggler.--No apology was made, and I believe nobody took any notice of the change.--Miss Street and Master Clinton, Dancers, first time, greatly applauded (Hopkins Diary--MacMillan). Receipts: #63 3s. 6d. (MacMillan)

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Genii

Dance: II: A Comic Dance, call'd The Provancalle-Master Clinton, Miss Street , being their first appearance on this stage

Event Comment: Benefit of Miss Mozart of eleven, and Master Mozart of seven Years of Age, Prodigies of Nature. At the Great Room, Spring Garden, St James's Park. Tickets at half a guinea each. By Permission of the Lord Chamberlain. [For Wolfgang Amadeus Mozart and his sister. Their father had brought them to visit London in May. See hay 21 Feb. 1765. They remained through July 1765. See also Grove's Dictionary of Music and Musicians, III, p. 539 (3rd edn. New York, 1947).

Performances

Mainpiece Title: A Concert Of Vocal And Instrumental Musick

Music: FFirst Violin solo-Barthelemon; Violincello Concerto-Ciri; Harpsichord and Organ-Miss Mozart, Master Mozart

Event Comment: Benefit for Fishar, Ballet Master and Sga Manesiere. Entertainments by Children for that night only. Charges #64 5s. [Profit to each #21 11s. 9d. plus income from tickets: Fishar #38 14s. (Box 57; Pit 107; Gallery 84); Sga Manesiere, #29 13s. (Box 60; Pit 55; Gallery 64).] Paid Barratt (wax chandler) #201 5s.; Paid Buxtons and Co., (oyl men) #135 16s. (Account Book). Receipts: #107 8s. 6d. (Account Book)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Chaplet

Dance: I: A New Tambourine Dance-Master Blurton (apprentice to Fishar, eleven years old, 1st appearance any stage); End I: Rural Love, as17661120; II: A Serious Dance-Miss Capon (Apprentice to Fishar, sixteen years old, 1st appearance any stage); III: A New Pantomime Ballet-Mas. Blurton, Miss Besford (Apprentice to Fishar, ten years old, 1st appearance any stage as a dancer); IV: A Minuet-Fishar, Miss Capon; Double Hornpipe-Fishar, Sga Manesiere

Ballet: End: A New Grand Ballet call'd The Wapping Landlady. Jack (in Distress)-Fishar; the other Sailors-Petro, Hussey, Martin, Reynald, Curtat, King; Landlady-Miles; Milk Woman-Sga Manesiere; other women-Miss D. Twist, Miss S. Twist, Miss Barrowby, Miss Hilliard, Miss Daw, Mrs Viviez

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Harlequin's Jubilee

Performance Comment: As17700129, but Mrs _White, Miss Capon. [Master Lion">Master Leoni now called $Master Lion.]
Event Comment: Benefit for Jacobs, Griffith, Mrs Cross and Mrs Millidge. Paid Master Thomson 11 nights (23rd Inst. incl.) #2 15s.; Black Lyon Bill #3 19s. 2d. (Treasurer's Book). Tickets deliver'd for Benefit of Follett, Mas. Cape, Costin and Miss Berkly will be taken. Receipts: #233 18s. 6d. Charges: #74 14s. Profits to Jacobs, Griffith, Mrs Cross, Mrs Millage: #159 4s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: Harlequin's Invasion

Song: II: The Soldier Tir'd-Mrs Wrighten

Entertainment: V: Bucks Have at Ye All-Master Cape

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Quaker

Performance Comment: Parts by Bannister, Waldron, Dibdin, Davies, Wrighten, Kear, Fawcett, Legg, Carpenter, Blanchard, Master Blanchard, Mrs Scott, Mrs Love, and a Young Gentlewoman. Steady-Bannister; Lubin(?)-Dibdin; Solomon(?)-Waldron; Easy-Wrighten; Countrymen-Kear, Fawcett, Legg, Carpenter, Blanchard, Master Blanchard; Floretta(?)-Mrs Scott; Cicely-Mrs Love; Gillian-A Young Gentlewoman (Miss Wilde) first appearance on this stage (Genest, V, 452).
Event Comment: Mainpiece: By Particular Desire. Tickets deliver'd by Mrs Lampe, and Mrs Jones, Mrs Masters (formerly Miss Lalauze), Besford, Miss Cranfield, Bates, Widow Wise, Widow Emery, and Ledger, and those deliver'd for She Stoops to Conquer will be taken. Doors open half past 5. To begin at half past 6 o'clock

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Man of Quality

Dance: I: A Minuet-Holloway, Miss Cranfield; II: A Minuet-Dagueville, Mrs Masters (Daughter of the late Mr Lalauze)

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: A ChristmasTale

Performance Comment: Floridor-Vernon; Bonoro-Bannister; Faladel-Parsons; Nigromant-Legg; Tycho-Dodd; Robinette-Mrs Wrighten; Camilla-Mrs Baddeley; The Other Characters-Hurst, Burton, Lamash, R. Palmer, Wright, Fawcett, Kear, Master Pulley, Miss Platt, Mrs Scott, Miss Jarratt, Edition of 1776 (T. Becket) specifies: Radel-Lamash; Messengers-R. Palmer, Master Pulley; Good and Evil Spirits, in various characters-Hurst, Burton, Wright, Carpenter, Miss Platt, Mrs Scott, Miss Jarratt, Mrs Johnston, Mrs Bradshaw; Account-Book adds: Chorus Singers-Follett, Chaplin, Reynoldson, Webbe, Mrs J. Smith, Miss Collett, Mrs Love, Mrs Pitt, Miss Abrams, Miss Boyd.
Event Comment: Benefit for Grimaldi, ballet-master, and Lamash. The Rivals [announced on playbill of 4 May] is obliged to be deferred on account of Dodd's sudden Illness. Tickets delivered by Kenny, and [for] The Rivals will be taken. Paid Printer [of playbills, weekly throughout season] #9. Public Advertiser, 4 May: Tickets to be had of Grimaldi at his house, No. 125, Holbourn; of Lamash, No. 3, Air-street, Piccadilly. Receipts: #175 5s. 6d. (43.10.0; 17.17.6; 0.14.0; tickets: 113.4.0) (charge: #69 19s.)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Comus

Dance: In: Grand Dance, as17781102, but _Henry, Grimaldi, Master +Mills, Miss +Grimaldi

Song: As17790413

Event Comment: By Command of Their Majesties. [Master Degville and Miss De Camp were from the Royal Circus.]

Performances

Mainpiece Title: The Agreeable Surprise

Afterpiece Title: Peeping Tom

Dance: Mainpiece: With The Nosegay by Master Degville and Miss De Camp (their 1st appearance on this stage)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Sons of Anacreon

Performance Comment: In which several capital Catches and Glees selected from the most eminent Masters-; the celebrated Anacreontic Song-Bannister; President (with an imitative song)-Bannister Jun; Principal Vocal Parts-Bannister, Suett, Barrymore, Dignum, Williames, Master Clarke.

Afterpiece Title: The Quaker

Event Comment: Benefit for the London Hospital. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. Places for the Boxes to be taken at the Stage Door of the Theatre; the Doors of which will be opened at 5:30, and the Performance to begin precisely at 6:30. No Money to be returned after the Curtain is drawn up, nor will any Person be admitted behind the Scenes. [Master Braham is identified in Grove. Address by Arthur Murphy (Town and Country Magazine, July 1787, p. 324).] This was the opening night of this theatre, which had been built by and was under the management of John Palmer. Following the afterpiece he explained to the audience the objections of the proprietors of dl, cg and hay to his opening the theatre. He said that he had from the Lieutenant of the Tower of London what he considered to be sufficient permission, but that he would nevertheless close the theatre temporarily. Palmer's difficulty was that he had no really legal permission from anybody for the performance of actual plays. See 3 July, and for further details the head-note to this season. World, 18 July, prints an official accoudting for this night from the theatre's treasurer: Receipts were #273 12s.; paid for music, advertisements, servants, &c. #37 10s.; lost in bad silver #1 19s.; paid the London Hospital #234 4s.; the players acted without salary

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Miss in her Teens

Song: Between acts: The Soldier tired of War's Alarms-a little boy [Master Braham]

Entertainment: Monologue Preceding: Occasional Address-Palmer

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: Blue Beard; or, The Flight of Harlequin

Performance Comment: Principal Characters-Byrne, Follett, Farley, C. Powell, Rees, Milburne, Rowson, Simmons, Blurton, Letteney, Master Webb, Mrs Watts, Mrs Rock, Miss Leserve, Miss Francis, Miss Birt, Mrs Ratchford, Mlle St.Amand; Vocal Parts-Munden, Fawcett, Davies, Marshall, Gray, Powel, Cross, Miss Stuart, Mrs Arnold, Mrs Masters, Mrs Davenett, Miss Barnett. [Playbill of 22 Dec. lists a full cast, but has so many changes of all sorts that no assignment of parts for this present night is possible.]Playbill of 22 Dec. lists a full cast, but has so many changes of all sorts that no assignment of parts for this present night is possible.]

Dance: see17920111

Performances

Mainpiece Title: Speculation

Performance Comment: Principal Characters by Lewis, Quick, Munden, Fawcett, Middleton, Claremont, Davenport, Thompson, Farley, Abbot, Blurton, Master Curties; Mrs Mansel, Mrs Davenport, Miss Wallis. Cast from text (T. N. Longman, 1795), and playbill of 17 May 1800: Tanjore-Lewis; Alderman Arable-Quick; Project-Munden; Jack Arable-Fawcett; Capt. Arable-Middleton; Sir Frederick Faintly-Claremont; Meanwell-Davenport; Promptly-Thompson; Vickery-Farley; Cecilia-Miss Mansel; Lady Project-Mrs Davenport; Emmeline-Miss Wallis; unassigned-Abbot, Blurton, Master Curties; Prologue-Harley; Epilogue-Lewis. [Prologue spoken, as here assigned, at 1st 26 performances only (see17960112); Epilogue spoken, as here assigned, at all subsequent performances, except on 29 Mar. and 13 May 1796.]Prologue spoken, as here assigned, at 1st 26 performances only (see17960112); Epilogue spoken, as here assigned, at all subsequent performances, except on 29 Mar. and 13 May 1796.]

Afterpiece Title: Rosina

Performances

Mainpiece Title: The Orphan

Cast
Role: Page Actor: Master Standen

Afterpiece Title: Harlequin and Quixotte; or, The Magic Arm

Performance Comment: Principal Pantomime Characters-Bologna Jun., Bologna, Follett, Dyke, Hawtin,Blurton, Abbot, Wilde, Curties, Findlay, Cranfield, Parsloe, Davis, Master Blackmore, Mrs Parker, Mlle St.Amand, Mrs Follett, Mrs Norton, Miss Leserve, Mrs Henley; Principal Vocal Characters-Townsend, Linton,Simmons, Gray, Street, Rees, Smith, Tett, Oddwell, Thomas, Everett, Little, J. Linton, Mrs Clendining, Miss Sims, Miss Wheatley, Mrs Watts, Mrs Follett, Miss Walcup, Mrs Masters, Mrs Lloyd, Mrs Bologna; Cast from Songs (T. N. Longman, 1797): Harlequin-Bologna Jun.; Sancho-Bologna; Scaramouchillo-Follett; Don Quixotte-Dyke; Grandee-Hawtin; Inca-Townsend; Chinese Magician-Linton; Colembine-Mrs Parker; Savoyard Girls-Mlle St.Amand, Mrs Watts; Goddess of Silence-Mrs Follett; Maritornes-Mrs Henley. Commencing with the Representation of the Ruins of a Peruvian Temple, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England; where after a succession of whimsical transitions, warned from the Grotto of the Goddess Pleasure by the Magic Arm-they take shelter in one of the +East India Company's Warehouses, which on their being closely pursued, is transform'd into a Picturesque Chinese Apartment. In this country he is deprived, by an adverse Magician, of his Columbine; and in despair is on the point of destroying himself by Fire, when the Magic Arm appears in the flames to prevent him; the object of his choice is restored by the old Inca, his Father; and their Union and the Restoration of his Right, preceded by their Visit to the Great Wall of China, which separates that Empire from Tartary, after which is seen a Chinese and European Procession; concluding with a Representation of the reception of a British Embassy to China, with the Exchange of Presents in the Grand Hall of Audience. and in despair is on the point of destroying himself by Fire, when the Magic Arm appears in the flames to prevent him; the object of his choice is restored by the old Inca, his Father; and their Union and the Restoration of his Right, preceded by their Visit to the Great Wall of China, which separates that Empire from Tartary, after which is seen a Chinese and European Procession; concluding with a Representation of the reception of a British Embassy to China, with the Exchange of Presents in the Grand Hall of Audience.
Event Comment: Mainpiece: In I a Grand Masquerade. Account-Book: Paid Sloper [master carpenter] for Scene Men #40 17s. 11d. Receipts: #179 0s. 6d. (176.9.6; 2.11.0)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Robin Hood

Song: End IV: The Funeral Procession of Juliet and a Solemn Dirge-; Vocal Parts-Johnstone, Incledon, Townsend, Linton, Blurton, Street, Gray, Lee, Little, Sawyer, Tett, Dyke, Miss Mitchell, Miss Wheatley, Mrs Iliff, Miss Sims, Mrs Whitmore, Mrs Watts, Mrs Follett, Miss Leserve, Mrs Castelle, Mrs Norton, Mrs Gilbert, Mrs Masters, Mrs Lloyd, Mrs Blurton, Miss Walcup, Miss Gray, Miss Burnett, Mrs Martyr

Performances

Mainpiece Title: Life's Vagaries

Afterpiece Title: Saturday Night at Sea; or, Tars at Anchor

Afterpiece Title: The Norwood Gipsies

Performance Comment: Harlequin-Bologna Jun.; Squire Breakneck-Farley; Beggar-Townsend; (with) A Beggar I am of low degree-Townsend; Natty Sammy-Simmons; Justice Smallwit-Whitmore; Deputy Paunch-Hawtin; Baker-Blurton; Captain Swagger-Coombs; Highwaymen-Dyke, Blurton [i.e. doubled Baker]; Waiters-Webb, Rees Jun.; Serjeant-Claremont; Corporal-L. Bologna; Countrymen-Abbot, Rees; Pierrot (for that night only)-Laurent (1st appearance on this stage); Hunter and Huntress-Mrs Martyr, Mrs Atkins; (with) Tantara-Mrs Martyr, Mrs Atkins; Gipsies-Ms Iliff, Ms Castelle, Ms Leserve, Ms Burnett, Ms Norton, Ms Masters, Mt Linton, Mt Street, Mt Thomas, Mt Lee, Mt Curties; (with) O who has seen the miller's wife-Ms Iliff, Ms Castelle, Ms Leserve, Ms Burnett, Ms Norton, Ms Masters, Mt Linton, Mt Street, Mt Thomas, Mt Lee, Mt Curties; Pierrot's Wife-Mrs Watts; Mother to Columbine-Mrs Whitmore; Nurse-Mrs Lloyd; Deputy's Lady-Mrs Gilbert; Columbine-Mrs Mills.

Song: End II 1st piece: Admiral Benbow-Incledon; End 1st piece: The Group of Lovers-Munden