SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mas Cape"/1) | (@(roleclean,performerclean) "Mas Cape")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 402 matches on Roles/Actors, 351 matches on Performance Comments, 145 matches on Performance Title, 49 matches on Event Comments, and 13 matches on Author.

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Harlequin's Jacket; or, The New Year's Gift

Performance Comment: Harlequin-Wright; Colombine-Mrs Sutton; others-Grimaldi, Davies, Messink, Burton, Wrighten, Waldron, Lamash, Cubitt, Everard, Griffiths, Legg, Fawcett, Kear, Carpenter, Blanchard, Norris, Mas. Blanchard, Mrs Bradshaw, Mrs Millidge; The Dances-Giorgi, Mrs Sutton.

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Orpheus and Eurydice; or, The Metamorphoses of Harlequin

Performance Comment: Harlequin-Lee Lewes; Orpheus-DuBellamy; Pantaloon-Banks; Squire Gawky-Wewitzer; Clown-Cushing; Witch-Thompson; Fish Woman-Walters; Drawer-Jones; Eurydice-Miss Brown; Rhodope-Miss Dayes; Dwarf-Mas. Jones; Nymph-Mrs Masters; Maid-Mrs Lawr; Colombine-Miss Matthews; first time. The Dances-Sg and Sga Zuchelli, Daguville, Sga Vidini; the Whole to conclude with Two Additional Scenes-. See17751016 .
Cast
Role: Dwarf Actor: Mas. Jones
Role: Nymph Actor: Mrs Masters

Performances

Mainpiece Title: Old City Manners

Cast
Role: Scapethrift Actor: Fawcett

Afterpiece Title: Queen Mab

Performance Comment: Parts-Wright, Garland, Grimaldi, Burton, Carpenter, Cubitt, Kear, Griffith, Norris, Mas. Blanchard, Fawcett, Legg, Bannister, Mrs Bradshaw, Mrs Smith, Mrs Sutton.

Performances

Mainpiece Title: The Maid Of The Oaks

Performance Comment: Old Groveby-King; Oldworth-Aickin; Sir Harry-Brereton; Druid-Bannister; Hurry-Parsons; Painter-Moody; Dupeley-Dodd; Maria-Miss P. Hopkins; Lady Bab Lardoon-Mrs Abington; in the course of the Piece will be introduced A Fete Champetre-; the music-Barthelemon; the Vocal Parts-Davies, Fawcett, Legg, Kear, Cubitt, Carpenter, Mas. Blanchard, Mrs Scott, Mrs Jewell, Mrs Wrighten; the Dances-Slingsby, Fontaine, Como, Giorgi, Blurton, Sga Crespi, Mrs Sutton, Sga Paccini; with a New Epilogue-Mrs Abington.

Afterpiece Title: The Lyar

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Smith; Duncan-Bransby; Ross-Aickin; Macduff-Reddish; Malcolm-Davies; Angus-Whitfield; Captain-Usher; Banquo-Packer; Donalbain-Everard; Hecate-Legg; Lady Macbeth-Mrs Yates; Lady Macduff-Miss Sherry; Witches-Parsons; Moody, Baddeley; Lenox-Fawcett; Seward-Hurst; Doctor-Wright; Fleance-Mas. Pulley; Seton-Griffiths; Vocal Parts-Legg, Kear, Carpenter, Cubitt, Blanchard, Mrs Scott, Mrs Love; in IV, a Dance of Furies-.
Cast
Role: Fleance Actor: Mas. Pulley

Afterpiece Title: The Padlock

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: The Genii

Performance Comment: Harlequin-Wright; Pantaloon-Grimaldi; Clown-Griffiths; Fop-Messink; Chief of Genii-Mas. Blanchard; Colombine-Mrs Sutton; other characters-Burton, Wrighten, Carpenter, Blanchard, Lamash, Norris, Legg, Fawcett, Kear, Cubitt, Bannister; the Dance-Como, Giorgi, Blurton; to conclude with a Grand Representation of a Regatta-.

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Sheridan; King Henry-Clarke; Richmond-Clinch; Buckingham-Hull; Stanley-Fearon; Tressel-Young; Prince Edward-Miss Besford; Duke of York-Mas. Jones; Norfolk-Booth; Lieut.-L'Estrange; Duchess of York-Mrs Booth; Lady Ann-Miss Macklin; Queen-Mrs Hunter, first time.
Cast
Role: Duke of York Actor: Mas. Jones

Afterpiece Title: Prometheus

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Performance Comment: Biron-Smith; Villeroy-Packer; Carlos-Aickin; Belford-Usher; Count Baldwin-Jefferson; Child-Mas. Pulley; Nurse-Mrs Johnston; Isabella-Mrs Yates; Sampson-Bransby; in III, an Epithalamium-Mrs Scott, Mrs Wrighten.
Cast
Role: Child Actor: Mas. Pulley
Related Works
Related Work: The Fatal Marriage Author(s): Thomas Southerne
Related Work: The Fatal Marriage; or, The Innocent Adultery Author(s): Thomas Southerne

Afterpiece Title: Bon Ton

Performance Comment: As17751206, but to avoid confusion parts listed again: King, Dodd, Parsons, Brereton, Lamash, Mrs King, Mrs Abington; Prologue-King.

Dance: II: The Savage Hunters, as17751118, but _Blurton

Performances

Mainpiece Title: Medea

Performance Comment: Jason-Smith; Creon-Bensley; Aeson-Palmer; First Colchian-Packer; Lycander-Farren; Hecate-Bransby; Children-Mrs Blanchard, Mas. Pulley; Theano-Mrs Hopkins; Medea-Mrs Yates; With the song of Azure God-Mrs Smith (By Desire); Epilogue-Mrs Yates.

Afterpiece Title: The Deserter

Dance: End: The Grand Garland Dance-, as17760302 but Sga _Pacini

Event Comment: Benefit for Reddish. Mainpiece: Not acted in 4 years. [See 22 Dec. 1772.] Monimia by Mrs Canning very So, so. The Farce much hiss'd it was badly performed (Hopkins Diary). Rec'd Mrs Groath's one years rent to Xmas last #3. Paid Salary list #416 4s. 4d.; Johnston's Music Bills #24 2s. (Treasurer's Book). [The Westminster Magazine concluded with respect to the afterpiece: "This little drama met with rather an unfavourable reception. It would be breaking a butterfly on the wheel, were we to enter into strict examination of it; and as it was a mere benefit-night performance, it would be going out of our way to dwell much on its defects; suffice it therefore that although we so far join with the audience in condemnation of it, that we allow it wanted terseness of dialogue, brilliancy of wit, and strength of fable, yet we protest we have seen worse singing pieces received with applause. Jerry Jingle had same humor, and the music had great prettiness about it."] Receipts: #140. Charges: #67 14s. Profits to Reddish: #72 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Performance Comment: Castalio-Reddish; Chamont-Smith; Polydore-Brereton; Chaplain-Usher; Page-Mas. Pulley; Servt-Everard; Acasto-Packer; Monimia-A Lady [Mrs Canning] first appearance this season; Ernesto-Wrighten; Serina-Miss Platt; Florella-Mrs Johnston; before the play A New Occasional Address to the Public-Reddish.
Cast
Role: Page Actor: Mas. Pulley
Related Works
Related Work: The Orphan; or, The Unhappy Marriage Author(s): Thomas Otway

Afterpiece Title: Valentine's Day

Dance: II: The Grand Garland Dance, as17760311

Performances

Mainpiece Title: The Committee

Performance Comment: Teague (With Songs)-Moody; Obadiah-Parsons; Day-Baddeley; Ruth-Mrs King, first time; Blunt-Aickin; Col. Careless-Jefferson; Lt. Story-Fawcett; Abel-Burton; Mrs Day-Mrs Bradshaw; Arabella-Miss Jarratt; Mrs Chat-Mrs Cartwright; Committeemen-Waldron; Coachman-Griffith; Sargent-Everard; Jack-Mas. Blanchard.
Cast
Role: Jack Actor: Mas. Blanchard.

Afterpiece Title: The Genii

Dance: IV: The Jealous Harlequin, as17760117

Event Comment: [Song and Chorus] Written over our late Victory over the French Fleet (General Advertiser). (bad) upon beat F: fleet (Cross). [The battle was fought on 25 Oct. off Cape Finisterre. Accounts, both French and English, appeared in the General Advertiser by 16 Nov.] Receipts: 120 (Cross); #114 16s. (Powel)

Performances

Mainpiece Title: The Recruiting Officer

Song: New Sailor's Song-; Chorus call'd Tit for Tat-

Dance: New Ballet, call'd %The Gardner's Revels-Cooke, Mathews, Leviez, Pelling, Shawford, Royer, Mrs Addison, Miss Thompson, Mrs Shawford, Miss Cole

Event Comment: Mainpiece: At the Particular Desire of some Persons of Quality. [The song, apparently by Cibber, upon the victory off Cape Finisterre displeased Cross the night before, but met with sufficient popular appeal to have a run.] Receipts: #82 (Cross); #88 14s. 6d. (Powel)

Performances

Mainpiece Title: Albumazar

Related Works
Related Work: Albumazar Author(s): Thomas Tomkis
Related Work: The Metamorphosis: or, The Old Lover Out-witted Author(s): Thomas Tomkis

Dance: II: The Gardner's Revels-Cooke, Mathews, Mrs Addison

Song: fter the dance, an Entertainment of singing and dancing call'd The Sailors Rendezvous at Portsmouth-. [See17471116]

Event Comment: Benefit for Morris, Gray, West, Mortimer, and Cape. Tickets deliver'd out by Mr Page and Mr Roberts will be taken. Receipts: #180 (Cross)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Lying Valet

Event Comment: Receipts: #173 5s. [The Occasional Song is Larpent MS 164, a patriotic one on George II's victories: "Amherst by land Boscawen by sea" referring to victories at Cape Breton, Crown Point, Niagara, Guadeloupe, Senegal, and Quebec.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Fair

Related Works
Related Work: The Fair Maid of the West Author(s): Thomas Heywood
Related Work: Bury Fair Author(s): Thomas Shadwell
Related Work: The Fair American Author(s): Charles Thomas Carter
Event Comment: Benefit for Cape, West, Tomlinson, Robinson, Roberts, and Mortimer. Tickets delivered by Marr and Page will be taken

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Englishman in Paris

Event Comment: Benefit for Shuter. Mainpiece: Not acted in 20 years. Receipts: #171 15s. 6d. plus #112 17s. from tickets (Box 272; Pit 299). Paid Hughes and Batten for 4 1!2 yds muslin for sleeves for women dancers 18s. 9d. (Account Book). [Shuter's Interlude is Larpent MS 188, a verse monologue with songs, giving the geneology of Bucks from Nimrod's heirs-hunters who now seek ladies in Boxes rather than foxes. A patriotic song on successes at Minden, Quebec, Cape Breton, &c. ending]: @We wish as we ought that Great Britain may thrive@That freedom and friendship may faction survive@On sea and on shore, as we have may we shine@And this year sixty-one equal fam'd forty-nine.@ Charges: #63 (Account Book)

Performances

Mainpiece Title: The Wife's Relief; Or, The Husband's Cure

Afterpiece Title: The Cheats of Scapin

Related Works
Related Work: The Cheats of Scapin Author(s): Thomas Otway

Dance: II: (By Desire) Hornpipe-Poitier Jr

Entertainment: End: A Comic Lecture; or, Tea a-la-Mode, in the manner of Foote-Wilkinson; The Cries of London-Shuter; End Afterpiece: the Origin, Nature, and Progress of the Order of British Bucks-Mr Shuter; with the whimsical behaviour of Choice Spirits, and Mons Thurot's Trip to Carrickfergus-

Event Comment: Benefit for West, Cape, Mortimer, Roberts, Tomlinson. Tickets deliver'd for This Night will be taken. [The Occasional Epilogue is Larpent MS 197, wherein Tomlinson as the habitual stage mute finally speaks, after having acted in dumb show Prelate, Senator, Page, Soldier, Clown, and Lord, thanks the audience and expresses his desire to please.

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Double Disappointment

Song: II: Fawcett

Entertainment: II: An Occasional Epilogue (1st time)-Tomlinson

Event Comment: [This day Horace Walpole wrote as follows to George Montagu, forshadowing an event to take place on 27 July: "If you will stay with me a fortnight or three weeks, perhaps I may be able to carry you to a play of Mr Bentley's--you stare--but I am in earnest--nay, and de par le roy. In short, here is the history of it. You know the passion he always had for the Italian comedy. About two years ago he writ one, intending to get it offered to Rich--but without his name--he would have died to be supposed an author, and writing [I, 372] for gain. I kept this a most inviolable secret. Judge then of my surprise when about a fortnight or three weeks ago I found my Lord Melcomb reading this very Bentleiad in a circle at my Lady Hervey's. Cumberland had carried it to him, with a recommendatory copy of verses, containing more incense to the King and my Lord Bute, than the Magi brought in their portmanteaus to Jerusalem. The idols were propitious, and to do them justice, there is a great deal of wit in the piece, which is called The Wishes or Harlequin's Mouth Opened. A bank note of #200 was sent from the Treasury to the author, and the play ordered to be performed by the summer company. Foote was summoned to Lord Melcomb's, where Parnassus was composed of the peer himself, who, like Apollo as I am going to tell you, was dozing, the two Chief Justices and Lord Bute. Bubo read the play himself, with handkerchief and orange by his side. But the curious part is a prologue which I never saw. It represents the god of verse fast asleep by the side of Helicon. The race of modern bards try to wake him, but the more they repeat of their works, the louder he snores. At last "Ruin seize thee ruthless King" is heard, and the god starts from his trance. This is a good thought, but will offend the bards so much, that I think Dr Bentley's son will be abused at least as much as his father was. The prologue concludes with young Augustus, and how much he excels the ancient one, by the choice of his friend. Foote refused to act this prologue, and said it was too strong. 'Indeed,' said Augustus's friend, 'I think it is.' They have softened it a little, and I suppose it will be performed. You may depend upon the truth of all this; but what is much more credible, is that the comely young author appears every night in the Mall in a milkwhite coat with a blue cape, disclaims any benefit, and says he has done with the play now it is out of his own hands, and that Mrs Hannah Clio alias Bentley writ the best scenes in it. He is going to write a tragedy, and she, I suppose, is going--to court."--Horace Walpole's Correspondence with George Montagu. Ed. W. S. Lewis and Ralph S. Brown Jr (New Haven: Yale University Press, 1941), I, 372-73. [IX, 372-373.

Performances

Mainpiece Title: All In The Wrong

Dance: As17610616

Performances

Mainpiece Title: Florizel And Perdita

Related Works
Related Work: The Sheepshearing; or, Florizel and Perdita Author(s): Thomas Arne

Afterpiece Title: Catharine and Petruchio

Performance Comment: As17620127 *uö›dl The Farmer's Return from London. As17620320 but Children, Master Pope, Miss Cape, Miss Heath.
Event Comment: Cymon and The Witches both to be laid aside after this night on account of preparations for a New Pantomime for the Holidays (Winston MS 10). [See Pigmy Revels, 26 Dec.] Paid Mr Vernon on note #10 10s.; Mr Wright's bill to Manning, #4 10s. 3d.; Eaton for Women's cloaths #16 16s.; Master Cape per order, #2 12s. 6d. Receipts: #177 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Witches

Related Works
Related Work: The Lancashire Witches, and Tegue o Divelly the Irish Priest Author(s): Thomas Shadwell
Event Comment: Sethona Publish'd. Note of Hand deferr'd Dodd ill (Winston MS 10). Paid Mr F. Aickin's joint note with Mr J. Aickin #4 10s.; Mr Everard (late Cape) a debt & Costs #3 18s.; Mr Highley on acct #200; Mr Hopkins, Licence for Note of Hand & Sethona, #4 4s.; Miss P. Hopkins 1 night 5s. (Treasurer's Book). Receipts: #239 13s. (Treasurer's Book)

Performances

Mainpiece Title: Sethona

Cast
Role: Amasis Actor: Aickin

Afterpiece Title: The Citizen

Event Comment: Benefit for Hopkins, prompter, and Mrs Hopkins. The Farmer's Return was advertised for Hopkins' Benefit, the Farmer-Cape">Weston, but changed (Winston MS 10). Paid $Mr Cape's Apothecary's Bill #4 16s. 11d.; Chorus 2 nights (this incl.) #3 11s.; Mr Wallis on note #2 2s.; Extra Flutes & Guitars in Genii & Xmas Tale (9th inst. incl.) #1 15s. (Treasurer's Book). Receipts: #166 4s. 6d. Charges: #66 11s. 6d. Profits to Mr and Mrs Hopkins: #99 13s. (Treasurer's Book)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Deserter

Song: II: (By Desire) the Song from Love a@la@Mode-Moody

Dance: End Entertainment: The Irish Fair, as17730918

Monologue: Between Play and Entertainment: (By Desire and for the last time this season) Linco's Travels. As 14 March

Event Comment: [These performances were held in a temporary booth erected following the destruction of the theatre by fire (see 26 June). In August King Lear, with Everard as Lear and Cooke as Edgar, was acted here three times [Edward Cape Everard, Memoirs of an Unfortunate Son of Thespis [Edinburgh, 1018], p.78). Everard states that the booth was kept open for about six weeks, but no further records of what was acted have survived.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Old Maid

Event Comment: Benefit for the Relief of the Widows and Orphans of the brave Men who fell in the late Glorious Actions [on 1 June 1794], under Earl Howe. The Whole Receipt of the Night to be applied to the above Fund. Under the Patronage of His Royal Highness the Prince of Wales, and His Royal Highness the Duke of Clarence. The Tickets for the Boxes at Half-a-Guinea each, are issued under the Direction of a Committee consisting of the following Noblemen and Gentlemen, who have obligingly undertaken to attend to the arrangements of the Evening: The Duke of Leeds, The Duke of Bedford, The Earl of Lauderdale, Lord Mulgrave, Lord William Russel, The Right Honourable the Lord Mayor [Paul Le Mesurier], Mr Alderman Coombe, Hon. Thos. Erskine, J. Nesbit Esq., I. B. Church Esq., W. Devaynes Esq., J. Taylor Vaughan Esq., J. J. Angerstein Esq., R. B. Sheridan Esq. Tickets and Places for the Boxes, not disposed of by the Committee, to be had of Fosbrook, at the Box-Office, Little Russel-Street. Tickets also to be had at the Bar of Lloyd's Coffee House. Afterpiece [1st time; ENT 2, by Richard Brinsley Sheridan and James Cobb; with songs written by the Duke of Leeds, the Earl of Mulgrave, Mary Robinson, Joseph Richardson, &c. In 1797 altered as CAPE ST. VINCENT. Prologue by Joseph Richardson (London Chronicle, 4 July). Epilogue by Richard Brinsley Sheridan]: The Music composed and selected by Storace [with one song each by Reeve. Linley Sen., Michael Kelly]. The Dresses, Scenery and Machinery entirely New. "This piece is a sort of continuation of No Song No Supper...hastily put together for the occasion" (European Magazine, July 1794, p. 60). "The Theatre this Evening was crowded in every Part, the receipt amounting to something better than 1300 Guineas" (Powell). Powell, 1 July: Country Girl rehearsed at 10; Glorious First at 12 and at night. 2 July: Glorious First rehearsed at 10. Receipts: #1,526 11s. (450/6/0; 41/13/0; 0/12/6; tickets in boxes: 954/0/0; tickets in pit: 80/0/0) (charge: free)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: THE GLORIOUS FIRST OF JUNE

Performance Comment: Cast not listed. [Cast from text (C. Lowndes [1794]): Commodore Broadside-Palmer; Endless-Suctt; Old Cottager-Maddocks; Robin-Barrymore; William-C. Kemble; Tom Oakum-Bannister; Ben-Sedgwick; Splicem-Kelly; Boy-Master Welsh; Dick-Hollingsworth; Busy-Benson//Cottager's Wife-Mrs Booth; Mary-Miss De Camp; Susan-Miss Leak; Girl-Miss Menage; Cicely-Miss Chatterley; Margaretta-Sga Storace.] In which the Principal Performers will assist in the M usical Parts . In which the Principal Performers will assist in the M usical Parts .
Cast
Role: Boy Actor: Master Welsh

Dance: In afterpiece the Ballets composed by James D'Egville; the Principal Dancers-D'Egville, Gentili, and also by permission of the Proprietor of the King's Theatre, Mme Del Caro, Mlle E. Hilligsberg, Mlle Hilligsberg