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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mas Besford"/1) | (@(roleclean,performerclean) "Mas Besford")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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524 results for: Keyword - Mas. Besford
We found 326 matches on Performance Comments, 204 matches on Performance Title, 58 matches on Event Comments, 26 matches on Roles/Actors, and 14 matches on Author.

126
28 October 1774 @ Covent Garden

Performances

Mainpiece Title: The Beggars Opera

Cast
Role: Hornpipe Actor: Miss Besford

Afterpiece Title: No Ones Enemy but His Own

Dance: II: The Reel-Aldridge, Miss Valois, Miss Besford. [See17711030.

127
03 May 1775 @ Covent Garden

Performances

Mainpiece Title: The Rivals

Related Works
Related Work: The Rival Queens; or, Drury-Lane and Covent-Garden Author(s): Thomas Holcroft

Afterpiece Title: The Druids

Cast
Role: for the first time a Fiera in Mascherata Actor:

Dance: II: A New Double Hornpipe-Harris, Miss Besford [See17730929]; IV: The Pilgrim-Harris, Miss Mathews [see17740416]

128
20 December 1775 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Cast
Role: Porter Actor: Besford.

Afterpiece Title: The Guardian

Related Works
Related Work: The Guardian Outwitted Author(s): Thomas Arne
Related Work: The School for Guardians Author(s): Thomas Murphy
Related Work: Love Finds the Way Author(s): Thomas Hull

Dance: End Opera: Rural Merriment-Aldridge, Miss Besford. [See17741209.

129
17 February 1776 @ Covent Garden

Performances

Mainpiece Title: Artaxerxes

Related Works
Related Work: Artaxerxes Author(s): Thomas Arne

Afterpiece Title: Catherine and Petruchio

Cast
Role: Music Master Actor: Fox

Dance: End Opera: The Frolick-Aldridge, Miss Besford, Sga Vidini. [See17741214.

130
19 March 1776 @ Covent Garden

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Imposters or A Cure for Credulity

Dance: I: A New Hornpipe-Miss Besford; End Comedy: Mirth and Jollity, as17760102

131
27 September 1776 @ Covent Garden

Performances

Mainpiece Title: News From Parnassus

Afterpiece Title: The Beggars Opera

Afterpiece Title: Cross Purposes

Dance: III: Hornpipe-Miss Besford; To conclude with: Country Dance-the characters. [Both these were danced, as here assigned, at all subsequent performances.

132
15 October 1776 @ Covent Garden

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Golden Pippin

Dance: End: Mirth and Jollity-Aldridge, Master Langrish, Master Jackson, Miss Besford

133
20 November 1776 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Lyar

Dance: End: The Frolick-Aldridge, Miss Besford, Miss Valois

134
08 October 1777 @ Covent Garden

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Royal Chace

Dance: End III: The Humours of Leixlip-Aldridge, Master Jackson, Miss Besford

Song: II: song [I have lost my Anna]-Leoni

135
17 October 1777 @ Covent Garden

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Commissary

Dance: End: As17771008; III: a Hornpipe-Miss Besford

136
25 November 1777 @ Covent Garden

Performances

Mainpiece Title: Sir Thomas Overbury

Cast
Role: Sir ThomasOverbury Actor: Lewis

Afterpiece Title: The Norwood Gypsies

Dance: Afterpiece: Dancing-Aldridge, Dagueville, Miss Besford, Miss Valois

137
22 December 1777 @ Covent Garden

Performances

Mainpiece Title: Percy

Afterpiece Title: Love a la Mode

Dance: End: The Humours of Leixlip-Aldridge, Miss Besford

138
28 January 1778 @ Covent Garden

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Two Misers

Dance: End III: The Garden of Love-Dagueville, Sga Tinte; End IV: a new Dance, The Cricketters-Aldridge, Langrish, Master Jackson, Miss Besford, Miss Nichols, Miss Valois

139
23 February 1778 @ Covent Garden

Performances

Mainpiece Title: Romeo And Juliet

Related Works
Related Work: The History and Fall of Caius Marius Author(s): Thomas Otway

Afterpiece Title: Mother Shipton

Related Works
Related Work: The Life of Mother Shipton Author(s): Thomas Thomson

Dance: In: As17770929; In afterpiece: Langrish, Miss Besford [who danced in all subsequent performances]

Song: End IV: Solemn Dirge, as17770929, but _Reinhold, Battishill

140
25 November 1778 @ Covent Garden

Performances

Mainpiece Title: The Lady Of The Manor

Afterpiece Title: The Invasion

Dance: End II: The Embarkment for Cytherea-Dagueville, Harris, Master Holland, Master Dagueville, Miss Matthews, Miss Besford, Miss Valois

141
12 December 1778 @ Covent Garden

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Englishman in Paris

Dance: III: a Hornpipe-Miss Besford; Afterpiece: a Minuet-Dagueville, Mrs Mattocks

142
25 February 1779 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Liverpool Prize

Dance: End: The Humours of Leixlip-Aldridge, Master Jackson, Miss Besford

143
20 March 1779 @ Covent Garden

Event Comment: Prelude [1st time;PREL I, probably by Richard Cumberland. Larpent MS 472; not published]. Mainpiece [1st time; M 3, by Richard Cumberland, based on Calypso and Telemachus, by John Hughes]: The Overture and all the Music entirely new, and composed by Butler. With new Scenery painted by Richards and Carver, and new Dresses. Books of the Masque to be had at the Theatre. Public Advertiser, 27 Mar. 1779: This Day is published Calypso (1s. 6d.)

Performances

Mainpiece Title: A New Prelude And Prologue

Afterpiece Title: Calypso

Related Works
Related Work: Calypso Author(s): Thomas Butler

Afterpiece Title: Cross Purposes

Dance: In: Incidental Dances-Dagueville, Miss Besford, Miss Valois

144
28 April 1779 @ Covent Garden

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Three Weeks after Marriage

Dance: to conclude with: Country Dance-the characters; End I: new Comic Dance-Langrish, Jackson, Miss Parish, Miss Lings; End II: a Minuet-Aldridge, Mrs Bulkley; In III: Hornpipe, as17781212; End I afterpiece: a new Pantomimical Dance, The Sports of the Green-Aldridge, Langrish, Jackson, Miss Besford, Miss Parish, Miss Valois; in which his celebrated Tambourine Dance-Aldridge

145
08 May 1779 @ Covent Garden

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Liverpool Prize

Dance: End II: Minuet-Dumay, Miss Dagueville; and the Minuet de la Cour-Holloway, Miss Besford; End I afterpiece: New Dance-Harris, Mrs Sutton (1st appearance on that stage); with a New Allemande-

Ballet: End: The Humours of Newmarket. As17790503, but Jockeys-Holloway; Ladies-Miss +Besford

Performance Comment: As17790503, but Jockeys-Holloway; Ladies-Miss +Besford.
Cast
Role: Ladies Actor: Miss +Besford.

146
22 October 1779 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Plymouth In An Uproar

Dance: End: The Embarkment for Cythera-Dagueville, Harris, Master Holland, Langrish, Miss Matthews, Miss Besford, Miss Valois

147
08 February 1780 @ Covent Garden

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Deaf Lover

Dance: III: Hornpipe-Miss Besford. [This was danced, as here assigned, in all subsequent performances.

148
06 May 1780 @ Covent Garden

Performances

Mainpiece Title: A Gazette Extraordinary

Afterpiece Title: Artaxerxes

Related Works
Related Work: Artaxerxes Author(s): Thomas Arne

Afterpiece Title: The Norwood Gypsies

Dance: 3rd piece: Dancing-Dagueville, Langrish, Miss Besford, Miss Matthews

Entertainment: [Vaudeville.]3rd piece: a Leap through a Cask on Fire-

149
20 September 1780 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Apprentice

Dance: End: The Frolick-Aldridge (1st appearance here these 2 years), Miss Besford, Miss Valois

150
21 September 1780 @ Covent Garden

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Upholsterer

Dance: End II: As17800920; III: Hornpipe-Miss Besford. [The Hornpipe was omitted on 24 Apr. 1781, but was otherwise danced, as here assigned, in all subsequent performances.

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