SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mary"/1) | (@(roleclean,performerclean) "Mary")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 664 matches on Roles/Actors, 189 matches on Performance Comments, 105 matches on Event Comments, 68 matches on Performance Title, and 29 matches on Author.
Event Comment: By Command of His Royal Highness the Duke. [The Duke and the Princesses Amelia, Caroline, Mary, and Louisa expected to attend.

Performances

Mainpiece Title: Love's Last Shift; Or, The Fool In Fashion

Afterpiece Title: Harlequin Shipwreck'd

Dance: II: La Provencale (new)-Mlle Chateauneuf alone; IV: Tambourine-Mlle Chateauneuf

Event Comment: By Command of Their Royal Highnesses the Duke, and the Princesses Amelia, Caroline, Mary, and Louisa. Mainpiece: Written by the late Sir John Vanbrugh and Colley Cibber Esq; Poet-Laureat. Afterpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Country House

Dance: SSerious Dance-Villeneuve, Miss Oates; A new dance (by Command) Between a Sailor and his Mistress to the tune of To Arms-Glover, Mlle Anne Roland; Scotch Dance-Glover, Mlle Anne Roland

Ballet: The Reprizal. As17391015

Event Comment: By Command of Their Royal Highnesses the Duke and the Princesses Amelia, Caroline, Mary, and Louisa. Mainpiece: Written by Sir George Etherege

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Afterpiece Title: The Dragon of Wantley

Dance: III: Comic Ballet-Villeneuve, Miss Oates; IV: Grecian Sailors-Glover; V: Grand Ballet-Mlle Roland Elder; The Kilkenny-Glover, the Younger Mlle Roland

Song: IV: Bachique Song-Leveridge, Salway

Event Comment: By Command of Their Royal Highness the Duke and the Princesses Amelia, Caroline, Mary, and Louisa

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Dragon of Wantley

Dance: III: Comic Ballet-Villeneuve, Miss Oates; V: Kilkenny-Glover, the Younger Mlle Roland; End Afterpiece: Scots Dance-Glover, the Younger Mlle Roland

Event Comment: By Command of Their Royal Highness the Duke and the Princesses Amelia, Caroline, Mary, and Louisa

Performances

Mainpiece Title: The Tender Husband

Dance: I: Je ne scay quoy-Villeneuve, Richardson, Miss Oates; II: Grand Ballet-the Elder Mlle Roland; III: Grecian Sailors-Glover; IV: Le Badinage de Provence-Poitier, the Elder Mlle Roland; V: Grand Ballet-Glover, the Younger Mlle Roland

Song: TThe Parting Lovers (a Sea Lieutenant, a Sailor, and His Mistress)-Laguerre, Salway, Mrs Lampe [by Henry Carey]

Event Comment: By Command of Their Royal Highnesses the Duke and the Princesses Amelia, Caroline, Mary, and Louisa

Performances

Mainpiece Title: Oroonoko

Dance: A French Boy and Girl (the first Time of their appearance on this Stage); Muzette, Tambourine-the Girl; Wooden Shoe Dance-the Boy; French Peasants-the Boy and Girl; Grand Ballet-Glover, Mlle Roland Ynger

Event Comment: [M+Midwife, No II (at about this date) includes a Letter from Mary Midnight to David Garrick, Esq praising him as actor and even as manager, but asking why he neglects Fletcher's plays: "What is the reason that the public patience is so largely try'd, and the human understanding so shamefully insulted as it is, by a perpetual repetition of the Duke and No Duke, the Anatomist, and twenty things of like nature?" Concludes by remarking that the London Cuckolds is a scandal to virtue.] Receipts: #120 (Cross)

Performances

Mainpiece Title: The London Cuckolds

Afterpiece Title: The Anatomist

Dance: I: Hornpipe-Mathews, the Little Swiss; III: Running Footman's Dance, as17501020 Play to conclude with a dance call'd The City Revels-the characters of the play

Event Comment: A Concert, etc. At the Great Room, Castle Tavern. [See Comment, 5 May 1752.] To be conducted by Mrs Mary Midnight, author of the Midwife, and his Family. No admittance without Tickets, which are to be had at the Bedford Coffee House, Covent Garden. The Room will be lighted by Wax Candles. To begin at 7 p.m. Price 2s. 6d. [Time and price repeated thus for subsequent performances at the Castle Tavern.

Performances

Mainpiece Title: The Old Woman's Oratory; Or, Henley In Petticoats

Event Comment: A Concert, &c. To be concluded by Mrs Mary Midnight and her Family. The Concert to begin at Twelve. Boxes 5s. Pit 3s. Gallery 2s. [Repeated in subsequent bills.] Second time of performing

Performances

Mainpiece Title: The Old Woman's Oratory

Event Comment: On Wednesday next in the Evening Mrs Midnight's Concert and Oratory will again be performed...at the Haymarket. The last time this Entertainment was performed, the House was crowded, that many Hundreds could not get admittance, and persons of Quality and Distinction found Satisfaction...My Service to Sister Henley. Mary Midnight (Daily Advertiser)

Performances

Event Comment: Receipts: #157 15s. [The Account Book lists the payment of 2s. per acting night to each shareholder: @Shareholder Mrs Martha Bedwell No. Share 1@No. Nights 36@Payment #3 12s.@Shareholder Mrs Creighton No. Shares 1@No. Nights 36@Payment #3 12s.@Shareholder Mr Francis Bedwell No. Shares 1@No. Nights 37@Payment #3 14s.@Shareholder Mr Robert Griffin No. Share 1@No. Nights 37@Payment #3 14s.@Shareholder Mr John Mitchell No. Shares 1@No. Nights 87@Payment #8 14s.@Shareholder Mrs Mary Michell No. Shares 1@No. Nights 87@Payment #8 14s.@Shareholder Mr John Walsh No. Shares 1@No. Nights 86@Payment #8 12s.@Shareholder Mr Lucuss No. Shares 1@No. Nights 54@Payment #5 8s.@Shareholder Col. Wade No. Shares 1@No. Nights 8@Payment 16s.@Shareholder Sir Arthur Croft No Shares 1@No. Nights 8@Payment 16s.@Shareholder Mr John White No. Shares 1@No. Nights 5@Payment 10s.@Shareholder Mr John Croft, Esq No. Shares 1@No. Nights 5@Payment 10s.@Shareholder Mr Rubin Adolphus No. Shares 1@No. Nights 5@Payment 10s.@Shareholder Mr Henry Woodfall No. Shares 1@No. Nights 3@Payment 6s.@Total No. Shares 14@No. Nights 494@Payment #49 8s.@ Winston MS 8 notes that on 1 Feb. dl had only 20 renters at 2s. a night.

Performances

Mainpiece Title: The Prophetess

Event Comment: Receipts:#66 4s. 6d. Hutchison Mure came in as a New Renter for 2 shares, and Mary Mure for 1 share commencing this night (Account Book)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Harlequin Sorcerer

Dance: NewComic Dance, as17580417

Event Comment: Receipts: #143 12s. 6d. Paid Mary Mattley for a woman's black velvet suit #4 4s

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Lying Valet

Dance: As17591023

Performances

Mainpiece Title: Man And Wife; Or, The Shakespeare Jubilee

Performance Comment: Parts-Woodward, Shuter, Morris, Lewes, R. Smith, Davis, Dunstall, Perry, Quick, Wignell, Fox, Herbert, Mrs Green, Mrs Gardner, A Young Gentlewoman, who never appeared on any stage, Mrs Mattocks, Mrs Bulkley. With a Prelude-; Marcourt-Woodward; Cross-Shuter; Landlord-Morris; Luke-Lewes; Fleece-R. Smith; Buck-Davis; Kitchen-Dunstall; Col. Frankly-Perry; Ostler-Quick; Snarl-Wignell; Passengers-Fox, Herbert; Mrs Cross-Mrs Green; Landlady-Mrs Gardner; Sally-A Young Gentlewoman who never appeared on any stage; Miss Mary Linley, afterwards Mrs Tickell (Winston MS 10); Lettice-Mrs Mattocks; Charlotte-Mrs Bulkley; Passengers-Miss Pearce, Mrs Copin; With a Prelude, Dapperwit-Dyer; Jenkins-Hull; Townly-Wroughton (Edition of 1770).

Afterpiece Title: Damon and Phillida

Entertainment: End II: Pageant exhibiting the characters of Shakespeare-; End III: Representation of the Amphitheatre at Stratford Upon Avon-; with a Masquerade-

Event Comment: Benefit for Hull. Mainpiece: Not acted this season. Charges #65 17s. Deficit to Hull #17, covered by #121 3s. from tickets (Box 233; Pit 280; Gallery 209). Paid Hull for The Garland, The Spanish Lady and Altering the Comedy of Errors #50. Paid Miss Mary Twist and Miss Charlotte Twist for walking 12 nights in Man and Wife #1 10s. apiece (Account Book). Receipts: #48 17s

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Spanish Lady

Song: II: The Blackbirds, a Cantata-Miss Potts

Dance: End: The Reel, as17700329

Event Comment: Benefit for Barry. Tickets deliver'd for King Arthur will be taken. Part of Pit laid into Boxes. Ladies send servants by 4 o'clock. Paid Supers, Kettle Drum, & practices to King Arthur #2 16s.; Printer's Bill #8 12s. (Treasurer's Book). Mary Martin to J. M. Rebow, 6 April (MS correspondence in Washington State University Library): There has not been any mention of Barry's Benefit in ye Papers till to Day when it is advertis'd for ye 23rd of this Month, & ye Play. After...ye Constant Couple, which I imagine is no very desirable thing to see so late in ye Season, therefore pray tell me if I must send ye Tickets back directly, or may keep them till you are in Town again, which I hope you certainly will be before that time; I find we are not ye only unfortunates that Mr Johnson disappoints of Places, for that it is his Constant Practice not to let a single Place, till all his Five Guinea Chaps are serv'd even if you are at ye Play House, & apply ye Instant ye Play is given out, for which reason Mr Garrick has desir'd Gentlemen will Write to him upon such Occasions, & it is now very commonly done. Receipts: #264 11s. 6d. Charges: #67. Profits to Barry: #197 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Lottery

Dance: End: Comic Dance, as17720326

Event Comment: Benefit for Hopkins, Prompter, and Mrs Hopkins. By Particular Desire. Tickets deliver'd for Mary Queen of Scots will be taken (playbill). Miss Hopkins made her first appearance upon the stage in Celia in As You Like It. Was rec'd with great applause (Hopkins Diary). House charges: #74 14s.; Profit to beneficiaries: #165 2s. Receipts: #239 16s. (Treasurer's Book)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Harlequin's Invasion

Dance: I: A Dance-Daigville's scholars

Entertainment: End: (First time) an Address to the Town-Miss P. Hopkins

Event Comment: Benefit for Dodd. Afterpiece: Not acted these 9 years. [See 26 March 1763.] Married at Marylebone Church-W. Lacy, Esq one of managers of Drury Lane to Miss Orpen, daughter of an eminent hatter (Winston MS 10). Married: Willoughby Lacy, Esq to Miss Orpen of St Mary-le-bon (Gentleman's Magazine, 1744, p. 141). Receipts: #166 16s. Charges: #64 12s. Profits to Dodd: #102 4s. (Treasurer's Book)

Performances

Mainpiece Title: The Brothers

Related Works
Related Work: The Beau Defeated; or, The Lucky Younger Brother Author(s): Mary Pix

Afterpiece Title: The School Boy

Entertainment: Bucks Have at ye All-Dodd

Event Comment: [The formula for Mary-le-bone this season is Entertainment in three parts, into which skits seem to be inserted.

Performances

Mainpiece Title: Fragmentary ]dramatic Entertainments

Event Comment: Juliet by Mrs Robinson--a genteel Figure--a very tolerable first Appearance, and may do in time. [Note added by J. P. Kemble: Mrs Mary Robinson, whose maiden name was Darby, died Dec. 26, 1800 at Englefield Green. See her Life, of which the first part, namely as far as to her Acquaintance with the Prince of Wales, was written by herself] (Hopkins Diary). Receipts: #170 8s. (133.15; 31.15; 4.18)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Selima and Azor

Dance: In I: Masquerade-; Dance-Giorgi, Blurton, Mrs Sutton. [This was included, as here assigned, in all subsequent perfomances.

Song: Mainpiece: with the Funeral Procession. Vocal Parts-Gaudry, Legg, Kear, Fawcett, Brown, Carpenter, Follett, Chaplin, Miss Abrams, Miss Collett, Mrs Scott, Mrs Greville, Mrs Davies, Miss Jarratt, Miss Boyd, Mrs Booth, Mrs Pitt

Performances

Mainpiece Title: Othello

Afterpiece Title: A Fete

Performance Comment: scene I. Hornpipe, as17840517; Poor ThomasDay by Chapman, Wilson, Barry more, scene III. Thou hast gone awa' from me Mary by Miss Phillips. scene III. As scene III, 26 Apr., but added: Wilson. scene IV. An Italian Air, as17840412 To conclude with a Dance [probably The Sportsmen's Return] by Mr and Miss Hamoir .

Afterpiece Title: The Rival Candidates

Event Comment: By Permission of the Lord Chamberlain. Benefit for Wilkinson. [For Miss Thompson see DNB, under Mary Anne Clarke.] Tickets to be had of Wilkinson, No. 33, Warwick-street, Golden-square. The Doors to be opened at 5:30. To begin at 6:30

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Busy Body

Song: End: a favourite song-Tanner

Entertainment: Monologue. End III: a Comic Sketch of the Times-Ryder

Event Comment: The Proprietor of this Theatre having informed us that a report has been recently circulated, highly injurious to this Building; we, in consequence of his request, beg leave to asure the Public that such report is unfounded. John Johnson, Mary-le-bone; James Paine, Northend, Hammersmith; Thomas Hardwicke, Rathbone Place; Robert Brettingham, Berkley-Square. Architects

Performances

Mainpiece Title: I Giuochi D'agrigento

Dance: As17930216

Event Comment: Benefit for Hull and Macready. 1st piece: In Act I a Grand Banquet. With the Procession [in Act IV] from the Abbey at the Coronation of Anne Bullen . To conclude with the Ceremonial of a Royal Christening. [In 2nd piece the scenes, as listed on 10 May, are indicated.] Morning Herald, 20 May: Tickets to be had of Hull, No. 7, Duke's-court, Westminster; Diary, 21 May: of Macready, No. 3, Mary-street, Charles-street, Tottenham-Court-Road. Receipts: #282 14s

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: The Sailor's Festival

Afterpiece Title: The Follies of A Day

Song: III: a song-Mrs Clendining

Performances

Mainpiece Title: Othello

Afterpiece Title: THE SAILOR'S FESTIVAL

Performance Comment: As17940425, but in SCENE 1: Dear Mary Adieu by Incledon (1st time) in place of Sally in our Alie, .

Afterpiece Title: HARTFORD BRIDGE

Dance: In 3rd piece The Lucky Escape, as17930916