SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Maria Macklin"/1) | (@(roleclean,performerclean) "Maria Macklin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1547 matches on Performance Comments, 208 matches on Event Comments, 207 matches on Author, 38 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Duenna

Cast
Role: Clara Actor: Miss Dayes.
Role: Ferdinand Actor: Mattocks
Role: Issac Actor: Quick
Role: Jerome Actor: Wilson
Role: Antonio Actor: DuBellamy
Role: Carlos Actor: Leoni
Role: Father Paul Actor: Mahon
Role: Lopez Actor: Wewitzer
Role: Duenna Actor: Mrs Green
Role: Louisa Actor: Mrs Mattocks
Role: The Westminster Magazine adds Augustin Actor: Baker
Role: Francis Actor: Fox
Role: Porter Actor: Besford.

Afterpiece Title: The Englishman in Paris

Performance Comment: As17760220, but Minuet-Dagueville, Miss Macklin.
Cast
Role: Minuet Actor: Dagueville, Miss Macklin.
Role: Buck Actor: Woodward
Role: Sir John Buck Actor: Fearon
Role: Subtle Actor: Thompson
Role: Marquis Actor: Wewitzer
Role: Classic Actor: Hull
Role: Mrs Subtle Actor: Mrs Pitt
Role: Lucinda Actor: Miss Macklin
Role: and a Minuet Actor: Dagueville, Miss Macklin.

Dance: End: La Soiree A@la@mode, as17751207; The Pilgrim, as17750927

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Performance Comment: Clodio-Woodward; Don Antonio-Thompson; Charino-Cushing; Duart-Booth; Manuel-Young; Carlos-Wroughton, first time; Sancho-Quick; Choleric-Dunstall; Elvira-Miss Macklin; Louisa-Miss Ambrose; Angelina-Mrs Bulkley.
Cast
Role: Clodio Actor: Woodward
Role: Don Antonio Actor: Thompson
Role: Charino Actor: Cushing
Role: Duart Actor: Booth
Role: Manuel Actor: Young
Role: Carlos Actor: Wroughton, first time
Role: Sancho Actor: Quick
Role: Choleric Actor: Dunstall
Role: Elvira Actor: Miss Macklin
Role: Louisa Actor: Miss Ambrose
Role: Angelina Actor: Mrs Bulkley.

Afterpiece Title: Catherine and Petruchio

Cast
Role: Taylor Actor: Jones.
Role: Hortensio Actor: Young
Role: But Hortensio Actor: Davis
Role: Petruchio Actor: Woodward
Role: Baptista Actor: Thompson
Role: Music Master Actor: Fox
Role: Biondello Actor: Cushing
Role: Pedro Actor: Wewitzer
Role: Grumio Actor: Quick
Role: Bianca Actor: Mrs Poussin
Role: Curtis Actor: Mrs White
Role: Catherine Actor: Mrs Green.

Entertainment: Interlude.End: True Blue, as17760409 but Mrs _Willems; The Dance, as17760409

Performances

Mainpiece Title: Love For Love

Performance Comment: Valentine-Lewis; Tattle-Woodward; Scnadal-Hull; Jeremy-Lee Lewes; Sir Sampson-Dunstall; Foresight-Quick; Trapland-Cushing; Ben (with song)-Wilson; Mrs Frail-Mrs Bulkley; Miss Prue-Mrs Mattocks; Mrs Foresight-Miss Ambrose; Nurse-Mrs Pitt; Angelica-Miss Macklin.
Cast
Role: Valentine Actor: Lewis
Role: Tattle Actor: Woodward
Role: Scnadal Actor: Hull
Role: Jeremy Actor: Lee Lewes
Role: Sir Sampson Actor: Dunstall
Role: Foresight Actor: Quick
Role: Trapland Actor: Cushing
Role: Ben Actor: Wilson
Role: Mrs Frail Actor: Mrs Bulkley
Role: Miss Prue Actor: Mrs Mattocks
Role: Mrs Foresight Actor: Miss Ambrose
Role: Nurse Actor: Mrs Pitt
Role: Angelica Actor: Miss Macklin.

Afterpiece Title: The Irish Widow

Cast
Role: Thomas Actor: A Young Gentleman, first appearance on any stage
Role: Whittle Actor: Wilson
Role: Kecksey Actor: Lee Lewes
Role: Sir Patrick Actor: Mahon
Role: Bates Actor: Fearon
Role: Nephew Actor: Young
Role: Widow Brady Actor: Mrs Lessingham.

Monologue: Interlude. Taken from The Register Office. End of Play, By Particular Desire and for that night only. The New Character-Mrs Gardener , her first appearance here these 2 years; Melpomene-Miss Francis

Entertainment: After Interlude: Epilogue-Lee Lewes in the character of Harlequin (Written by late Dr Goldsmith) which will conclude with an escape thro' the Tub, as in the Pantomime of Mother Shipton

Dance: End Epilogue: The Merry Sailors, as17760314

Performances

Mainpiece Title: The Funeral; Or, Grief A-la-mode

Performance Comment: Lord Hardy-Wroughton; Campley-Lewis; Brumpton-Clarke; Trusty-Hull; Puzzle-Dunstall; Sable-Quick; Tom-Jones; Trim-Wilson, first time; Lady Harriet-Mrs Bulkley; Lady Charlotte-Miss Macklin; Tattleaid-Mrs Pitt; Fardingale-Mrs Green; Mademoiselle-Miss Valois; Lady Brumpton-Miss Barsanti.
Cast
Role: Lord Hardy Actor: Wroughton
Role: Campley Actor: Lewis
Role: Brumpton Actor: Clarke
Role: Trusty Actor: Hull
Role: Puzzle Actor: Dunstall
Role: Sable Actor: Quick
Role: Tom Actor: Jones
Role: Trim Actor: Wilson, first time
Role: Lady Harriet Actor: Mrs Bulkley
Role: Lady Charlotte Actor: Miss Macklin
Role: Tattleaid Actor: Mrs Pitt
Role: Fardingale Actor: Mrs Green
Role: Mademoiselle Actor: Miss Valois
Role: Lady Brumpton Actor: Miss Barsanti.

Afterpiece Title: The Country Mad-Cap

Cast
Role: Ballad Actor: Mattocks
Role: Cantileno Actor: Reinhold
Role: Zorababel Actor: Quick
Role: Bauble Actor: Lee Lewes
Role: Thomas Actor: Young
Role: Jenny Actor: Mrs Poussin
Role: Mrs Midnight Actor: Mrs Pitt
Role: Country Madcap Actor: Mrs Mattocks.

Performances

Mainpiece Title: The Busy Body

Performance Comment: Cast from Morning Chronicle and Morning Post, both 16 Oct.: Marplot-Woodward; Sir Francis Gripe-Quick; Sir George Airy-Lewis; Charles Gripe-Wroughton; Isabinda-Mrs Whitfield; Miranda-Miss Macklin. [Gazetteer, 16 Oct., also refers to Dunstall, who probably acted Sir Jealous Traffic (see17780129).]Gazetteer, 16 Oct., also refers to Dunstall, who probably acted Sir Jealous Traffic (see17780129).]
Cast
Role: Marplot Actor: Woodward
Role: Sir Francis Gripe Actor: Quick
Role: Sir George Airy Actor: Lewis
Role: Charles Gripe Actor: Wroughton
Role: Isabinda Actor: Mrs Whitfield
Role: Miranda Actor: Miss Macklin.

Afterpiece Title: The Golden Pippin

Cast
Role: Jupiter Actor: Reinhold
Role: Paris Actor: Mattocks
Role: Momus Actor: Quick
Role: Mercury Actor: Mahon
Role: Venus Actor: Mrs Mattocks
Role: Pallas Actor: Miss Dayes
Role: Iris Actor: Miss Valois
Role: Juno Actor: Miss Catley.

Dance: End: Mirth and Jollity-Aldridge, Master Langrish, Master Jackson, Miss Besford

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Macklin; Macduff-Clarke; Duncan-Hull; Malcolm-Ward; Banquo-Aickin; Lenox-L'Estrange; Seyton-Thompson; Seyward-Davis; Doctor-Fearon; Hecate-Reinhold; Witches-Dunstall, Mrs Pitt, Quick; Lady Macbeth-Mrs Hartley.
Cast
Role: Macbeth Actor: Macklin
Role: Macduff Actor: Clarke
Role: Duncan Actor: Hull
Role: Malcolm Actor: Ward
Role: Banquo Actor: Aickin
Role: Lenox Actor: L'Estrange
Role: Seyton Actor: Thompson
Role: Seyward Actor: Davis
Role: Doctor Actor: Fearon
Role: Hecate Actor: Reinhold
Role: Witches Actor: Dunstall, Mrs Pitt, Quick
Role: Lady Macbeth Actor: Mrs Hartley.

Afterpiece Title: The Two Misers

Cast
Role: Lively Actor: Mattocks
Role: Hunks Actor: Reinhold
Role: Gripe Actor: Quick
Role: Osman Actor: Dunstall
Role: Mustapha Actor: Fox
Role: Ali Actor: Baker
Role: Jenny Actor: Mrs Mattocks
Role: Harriet Actor: Miss Brown.

Song: Mainpiece: Vocal Parts-Mattocks, Baker, Fox, Miss Brown, Miss Dayes, Miss Valois, Mrs Willems

Performances

Mainpiece Title: Othello

Performance Comment: Othello-Peile (the Gentleman who appeared in the character of Dorilas[on 17 Jan.]); Roderigo-Lee Lewes; Cassio-Lewis; Brabantio-Hull; Lodovico-Whitefield; Montano-Davis; Duke-L'Estrange; Gratiano-Fearon; Iago-Macklin; Emilia-Mrs Mattocks; Desdemona-Mrs Lessingham.
Cast
Role: Othello Actor: Peile
Role: Roderigo Actor: Lee Lewes
Role: Cassio Actor: Lewis
Role: Brabantio Actor: Hull
Role: Lodovico Actor: Whitefield
Role: Montano Actor: Davis
Role: Duke Actor: L'Estrange
Role: Gratiano Actor: Fearon
Role: Iago Actor: Macklin
Role: Emilia Actor: Mrs Mattocks
Role: Desdemona Actor: Mrs Lessingham.

Afterpiece Title: The Experiment

Dance: End: Hunting Dance, as17770218; End I afterpiece: The Villagers, as17770122

Performances

Mainpiece Title: The Miser

Performance Comment: Miser-Macklin; Frederick-Wroughton; Clerimont-Whitfield; Ramilie-Lee Lewes; James-Cushing; Decoy-Fox; Lappet-Mrs Green; Harriet-Mrs Whitefield; Mariana-Mrs Bulkley.
Cast
Role: Miser Actor: Macklin
Role: Frederick Actor: Wroughton
Role: Clerimont Actor: Whitfield
Role: Ramilie Actor: Lee Lewes
Role: James Actor: Cushing
Role: Decoy Actor: Fox
Role: Lappet Actor: Mrs Green
Role: Harriet Actor: Mrs Whitefield
Role: Mariana Actor: Mrs Bulkley.

Afterpiece Title: The Royal Chace; or, Harlequin Skeleton

Cast
Role: Harlequin Jupiter Actor: Lee Lewes
Role: Chasseur Royal Actor: Mahon
Role: Pantaloon Actor: Baker
Role: Anatomist Actor: Jones
Role: Pierrot Actor: Delpini
Role: Colombine Actor: Miss Matthews.

Dance: End: The Humours of New@Market with the Poney Races-Dagueville, Harris, Master Holland, Master Dagueville, Miss Ross, Sga Tinte

Performances

Mainpiece Title: The Provok'd Wife

Performance Comment: Sir John Brute-Macklin; Heartfree-Bensley (of dl); Col. Bully (with a song)-Mattocks; Razor-Quick; Justice-Thompson; Taylor-Jones; Lord Rake-Mahon; Constant-Wroughton; Lady Fanciful-Mrs Mattocks; Belinda-Miss Leeson; Mademoiselle-Mrs Lessingham; Lady Brute-Mrs Bulkley.
Cast
Role: Sir John Brute Actor: Macklin
Role: Heartfree Actor: Bensley
Role: Bully Actor: Mattocks
Role: Razor Actor: Quick
Role: Justice Actor: Thompson
Role: Taylor Actor: Jones
Role: Lord Rake Actor: Mahon
Role: Constant Actor: Wroughton
Role: Lady Fanciful Actor: Mrs Mattocks
Role: Belinda Actor: Miss Leeson
Role: Mademoiselle Actor: Mrs Lessingham
Role: Lady Brute Actor: Mrs Bulkley.

Afterpiece Title: The Reprisal

Cast
Role: Maclaymore Actor: Fearon.
Role: Heartley Actor: Whitfield
Role: Champignon Actor: Wewitzer
Role: Oclabber Actor: Mahon
Role: Lyon Actor: Booth
Role: Brush Actor: Death
Role: Haulyard Actor: Reinhold
Role: Block Actor: Quick
Role: Harriet Actor: Miss Dayes.

Dance: As17771016

Performances

Mainpiece Title: Othello

Performance Comment: Othello-Ross; Roderigo-Lee Lewes; Cassio (1st time)-Whitfield; Brabantio-Hull; Lodovico-Booth; Montano-Robson; Duke-L'Estrange; Gratiano-Fearon; Iago-Macklin; Emilia-Mrs Mattocks; Desdemona-Mrs Hartley (1st appearance in that character).
Cast
Role: Othello Actor: Ross
Role: Roderigo Actor: Lee Lewes
Role: Cassio Actor: Whitfield
Role: Brabantio Actor: Hull
Role: Lodovico Actor: Booth
Role: Montano Actor: Robson
Role: Duke Actor: L'Estrange
Role: Gratiano Actor: Fearon
Role: Iago Actor: Macklin
Role: Emilia Actor: Mrs Mattocks
Role: Desdemona Actor: Mrs Hartley

Afterpiece Title: Comus

Cast
Role: Comus Actor: Mattocks
Role: 1st Spirit Actor: L'Estrange
Role: Brothers Actor: Whitfield, Robson
Role: Bacchanal Actor: Reinhold
Role: The Lady Actor: Mrs Jackson
Role: Bacchants Actor: Miss Dayes, Miss Ambrose
Role: Pastoral Nymph Actor: Miss Brown
Role: Euphrosyne Actor: Mrs Farrell

Performances

Mainpiece Title: The Provoked Husband

Performance Comment: Lord Townly-Lewis; Manly-Clarke; Squire Richard-W. Bates; John Moody-Thompson; Count Basset-Lee Lewes; Sir Francis Wronghead-Macklin; Lady Grace-Mrs Lessingham; Lady Wronghead-Mrs Pitt; Miss Jenny (with a song)-Mrs Wilson; Myrtilla-Mrs Davenett; Mrs Motherly-Mrs Poussin; Trusty-Miss Stuart; Lady Townly-Mrs Mattocks .
Cast
Role: Lord Townly Actor: Lewis
Role: Manly Actor: Clarke
Role: Squire Richard Actor: W. Bates
Role: John Moody Actor: Thompson
Role: Count Basset Actor: Lee Lewes
Role: Sir Francis Wronghead Actor: Macklin
Role: Lady Grace Actor: Mrs Lessingham
Role: Lady Wronghead Actor: Mrs Pitt
Role: Miss Jenny Actor: Mrs Wilson
Role: Myrtilla Actor: Mrs Davenett
Role: Mrs Motherly Actor: Mrs Poussin
Role: Trusty Actor: Miss Stuart
Role: Lady Townly Actor: Mrs Mattocks

Afterpiece Title: The Choice of Harlequin

Cast
Role: Pleasure Actor: Miss Morris
Role: : Harlequin Actor: W. Bates
Role: Old Lieutenant Actor: Darley
Role: Clown Actor: Stevens
Role: Midshipman Actor: Mrs Kennedy
Role: Bridewell Actor: Keeper-Edwin
Role: Keeper Actor: Edwin
Role: Irishman Actor: Egan
Role: Old Beau Actor: Jones
Role: Jailor Actor: Webb
Role: Bailiffs Actor: Thompson, Fearon, &c.
Role: Groom Porter Actor: Doyle
Role: Columbine Actor: Miss Matthews
Role: Her Mother Actor: Mrs Pitt
Role: Virtue Actor: Mrs Martyr
Event Comment: The news of the death of Henrietta-Maria, the Queen Mother, reached London ca. 3 Sept. 1669. There may well have been an order forbidding playing, although it is not extant; but an order, L. C. 5@12, p. 251 (in Nicoll, Restoration Drama, p. 322) directs the two companies to act again on Monday, 18 Oct. 1669. Probably the theatres were closed for approximately six weeks

Performances

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 346. There is no certainty that this performance is the premiere, but as the play was licensed for printing on 9 Jan. 1676@7, this performance may well be the first one. Downes (Roscius Anglicanus, pp.9-10) lists the same cast except for the ommission of Letice. It is not certain which Mrs Knight played Letice. Possibly it was Frances Maria Knight (see Wilson, All the King's Ladies, where she is tentatively listed for that role), but the presence of Mrs Ursula Knight on an undated L. C. list, 3@24, with the date of her swearing into the company given as 12 March 1676@7, it is quite likely that she played this role. (I owe this reference to Ursula Knight to Professor John Harold Wilson.) John Dennis: And when upon the first representations of the Plain Dealer, the Town, as The Authour has often told me, appeard Doubtful what Judgment to Form of it; the foremention'd gentlemen [The Duke of Buckingham, Earl of Rochester, Earl of Dorset, Earl of Mulgrave, Savil, Buckly, Sir John Denham, Waller] by their loud aprobation of it, gave it both a sudden and a lasting reputation (Defense and Defects of Dramatick Poetry, 1725, in The Works of John Dennis, ed. Hooker, II, 277)

Performances

Mainpiece Title: The Plain Dealer

Cast
Role: Prologue Actor:
Role: Epilogue Actor: Widow-Blackacre
Role: Widow Actor: Blackacre
Role: Manly Actor: Hart
Role: Freeman Actor: Kynaston
Role: Vernish Actor: Griffin
Role: Novell Actor: Clark
Role: Major Oldfox Actor: Cartwright
Role: Lord Plausible Actor: Haines
Role: Jerry Blackacre Actor: Charlton
Role: Olivia Actor: Mrs Marshall
Role: Fidelia Actor: Mrs Boutell
Role: Eliza Actor: Mrs Knep
Role: Letice Actor: Mrs
Role: Widow Blackacre Actor: Mrs Cory.
Event Comment: Benefit Signora Maria Gallia Saggione

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-

Event Comment: By Command of his Royal Highness the Duke, their Highnesses the Princess Amelia, the Princess Caroline, the Princess Louisa, and the Princess Maria. Mainpiece: Written by Mr Voltaire

Performances

Mainpiece Title: Zaire

Cast
Role: Zaire Actor: Mrs Fompre
Role: Orosmane Actor: Le Sage Sr
Role: Lusignan Actor: Verneuil
Role: Nerestan Actor: Le Sage Jr
Role: Chatillon Actor: Dessessars
Role: Corasmin Actor: Dubuisson
Role: Meledor Actor: De Lisle
Role: Fatime Actor: Mrs Mimi

Afterpiece Title: Harlequin Always Harlequin

Dance:

Event Comment: Benefit a Family in Distress. By Command of their Royal Highnesses the Duke, the Princesses Maria and Louisa

Performances

Mainpiece Title: L'heureux Naufrage

Afterpiece Title: Arlequin Esprit Folet

Dance:

Event Comment: By Command of his Royal Highness the Prince of Wales, the Duke, their Royal Highnesses the Princesses Amelia, Carolina, Maria and Louisa

Performances

Mainpiece Title: Harlequin Astrologer, Infant, Ch1mney-sweeper, Statue, Parrot, & Skeleton

Afterpiece Title: Harlequin Hulla

Music: Select Pieces. Solo on the German Flute by Burk Thumoth

Dance:

Event Comment: By Command of His Royal Highness the Duke, their Royal Highnesses the Princesses Carolina, Amelia, Louisa, and Maria

Performances

Mainpiece Title: Arlequin Balourd

Afterpiece Title: Harlequin and Scaramouch Deserteurs

Dance:

Performances

Mainpiece Title: Demetrius

Afterpiece Title: The Impresario

Performance Comment: Edition of 1737 states the performers were Signora Anna Maria Faini (who presumably sang Dorina), Antonio Lottini (who presumably sang Nibbio).
Event Comment: DDaily Advertiser, 26 April: Signior Rolli's new Opera Call'd Sabrina, was rehears'd Yesterday Morning in Mr Heidegger's Apartments, to a numerous and very splendid Audience of Ladies and Gentlemen. The Signora Antonia Maria Marchesini, lately arriv'd from Italy, perform'd in it with universal Approbation

Performances

Mainpiece Title: Sabrina

Event Comment: Mainpiece: Written by the late Mr Otway. At Common Prices. 6 p.m. N.B. There is a new Passage to the Pit.,. also a large Lobby for the Servants that keep Places. Receipts: #65. Egerton 2320: ye first night of Mr Right's appearance. Cato given out, but cou'd not be play'd, Mrs Cibber not being ready in Maria we cou'd play no Play but the Orphan Mrs Thurmond having left us

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Cast
Role: Orphan Actor: Mrs Cibber
Role: Castalio Actor: Milward
Role: Polydore Actor: Mills
Role: Chamont Actor: Quin
Role: Chaplain Actor: Turbutt
Role: Page Actor: Miss Cole
Role: Serina Actor: Miss Holliday
Role: Florella Actor: Mrs Brett
Role: Acasto Actor: Wright, the first time of his appearance on that stage.

Afterpiece Title: The Devil to Pay

Event Comment: Benefit Signora Maria Monza, 7p.m. 5s

Performances

Mainpiece Title: Concert

Music: The First Violin-Veracini; The Violoncello-Caporale

Performances

Mainpiece Title: Alexander In Persia

Performance Comment: Burney, History of Music, IV, 446, lists: Angelo Maria Monticelli, Soprano, first man; Andreoni, soprano, second man; (Amorevolli) tenor; Signora Visconti, 1st woman; Signora Panichi, 2nd woman; Signora Tedeschi, 3rd Woman. The part of Amorevoli omitted (Walpole to H. Mann, 2 Nov.). Libretto lists: Monticelli, Signora Visconti, Signora Moscovita, Amorevale; airs by Lampugnani, Pescetti, Leo, Hasse.
Event Comment: NNeale had Tickets (Cross). Last time of the Company's performing this season. Neale had tickets on this night for which it is customary to pay half price, the whole amount of his tickets in the House came to #22 7s. (Powel). Receipts: #60 (Cross); #33 18s. 6d. (Powel). General Advertiser, 23 June: Yesterday was married by the Rev. Mr Franklin at his Chapel Russel St?, Bloomsbury,--David Garrick Esq. to Mlle Eva Maria Violette. Comments by John Powel in MS Tit for Tat: This was the last night of the season, having play'd 175 nights. Rec'd by forfeits of the Band of Music #32 11d. Rec'd ditto from actors #1 15s. Rec'd of Mr Neale for half share of his tickets #11 3s. 6d. So that they received as appears by their own books in the two seasons that Mr G k has been concern'd as manager, the sum of #40,906 2s. 7d. having play'd in the whole time 346 nights. But as Mr Garrick's Benefit and Mrs Cibber's charges were included in the account as a blind to the Principle Treasurer, I must therefore, among some few other things, subtract them from the total amount, and then it will stand as follows: @The first season:@Cash return'd by licencer #2 2s.@G k's Benefit, whole amount of house #193 16s.@Mrs Cibber's charges at her Bt. #60@Mr Berry #1 10s.@Mrs Pritchard for a ticket as agreed #10 10s.@The last season G k receiv'd as author of Lethe, for 6th night #56 8s. 6d.@Mr Warner #5 14s.@G k's benefit as before #187@Mrs Cibber's charges #60@Mrs Pritchard's #10@Total #587 16s. 6d.@ The sum subtracted, it wil remain #40,318 6s. 1d., which is at the rate of #116 10s. 6d. for each night, one night with another, Benefit nights and all Disadvantages included. As I have no given an exact account of the Receipts of Cash, I must also endeavor to give an account of the nightly charge, that the reader may be able to judge of the Profits. But it must be first consider'd, that all nights will not amount to the same, as for example the play of Macbeth requires more incidents, than a common play, such as wine, fruit made use of in the Banqueting Scene, also spirits of wine for the Cauldron in the scene of the Witches, Rosin for lightening, &c. Whereas in another play, such as the Orphan perhaps there are few or no incidents, and consequently the charges must be less, so that it is impossible to be quite exact without giving the particulars of each night's play throughout the two seasons which would not only tire the reader's patience, but swell this pamphlet to a greater bulk than the nature of the thing requires; besides as all the Account Books are in their own custody, there can be no such thing as making an abstract. But as my own memorandums will let me into the most principle things, it is an easy matter to make an allowance for others of less consequence, which I shall take care as much as I can to do rather in their favor than against them. In the first place I shall begin with their Rents and Taxes as they stood last season: @A Calculation of the Nightly Expence of Drury Lane Playhouse:@Renter's Shares in the House, being in number Thirty-Six at #23 6s. 8d. each share for the season amounts in all to #840, and supposing they play but 170 nights (tho' they play'd 175 last season which is allowing them as much advantage as I possibly can) then will it amount to per night #4 18s. 9d.@Land Tax for the year #88, which calculated at the rate of 170 nights as above, is per night 10s. 4d.@Ground Rent, and for the rent of a Wardrobe call'd the Sparrow's Nest, for the year #80, which is per night 9s. 4d.@Poor's rate for the year #33 6s. 8d., which is per night 3s. 11d.@Scavanger for the House, and another place call'd the King's Passage, for the year #7 9s. 4d., which is 10 1!2d.@Rent for a Place call'd the King's Passage for the year #31 10s., which is per night 3s. 8 1!4d.@Watch Rate for the Playhouse and a House in Russel St, call'd the King's Passage #7, which is per night 9 3!4d.@Window lights for the Playhouse and the King's Passage, #6 per year, which is per night 8 1!4d.@Water for the year, #2, which is per night 2 3!3d.@Rent of a room call'd the Scene Room for the year #60, which is per night 7s. 1!2d.@Fruit money to be divided among the renters, as by their Lease #40, which is per night 4s. 8 1!4d.@(N.B.: It has not been the custom for some years past to pay this money to the Renters, but as they are entitled to receive it, I think proper to make it one of the charges.)@A Perquisite payable out of the P t [Patent?] for the year #815, which is per night #1 1 7s. 1!2d.@The Total amount of their Rent and Taxes is per night #8 17s. 6d.@ Thus far I have given an account of their rents] and Taxes and before I proceed any farther I believe it will be necessary to acquaint the reader, that the Renter's Lease will expire in the year 1753, and then the whole affair will come into the hands of Messrs G k and L y, for the term of near 21 years at an annual Rent of #210. This is a purchase made not long ago, for which they gave #3000. But the Annual rent of #210 commences before the Renters time is out, occasioned by an addition of several dwelling Houses in the Playhouse Passages which they had thrown into their agreement, and for some of which they now receive Rent. The next principal charge is the Nightly Salaries of the people belonging to the House, such as actors, dancers, musicians, office keepers, doorkeepers, dressers, and sweepers. The customary way of paying these people is once a week; on a Saturday Morning their names being all enter'd alphabetically upon a list (which is call'd the Pay List). This List is always made out according to the number of nights that the House has played in the week, but I must set it down at 6 which is a full week's pay. This is also a fluctuating affair, as well as the incidents, their generally being a necessity of either adding or striking off some names before the season is out, which consequently either makes an increase or decrease in the charges, but as I am oblig'd to be as particular as possible, and to bring it to a point, I will fix upon salaries of the latest date. @Sat. Feb. 25, 1748-49. The salaries amounted to per week #296 9s. 6d., and on Sat. 15 Apr. 1749, the salaries were per week #294 6d. But as I chuse to make the thing rather more than less, I will enter it according to the former list, which is per night #49 8s. 8d.@N.B. Mr Lacy has #2 15s. 6d. per night upon this list for management, but I cannot comprehend that this is any part of the charge because he has a moity, or equal half-share of the Profits, as being a partner; and consequently ought not to be paid for inspecting into his own affairs. I shall therefore subtract this from the Nightly expence at the end.@The next charge to be consider'd is that of the Tallow Chandler, which generally amounts to per week about #17, but this is not always certain, it varying sometimes either a trifle over or under. This person makes an allowance of 8 per cent Discount upon account of his receiving ready money for his goods, which deducted from the #17 makes it per night #2 12s. 1d.@The Printer's Bill generally amounts to between #7 and #8 per week, but as I rather chuse to be over than under the mark, I will set it down at #8, which is per night #1 6s. 8d.@Advertisements in the General Advertiser, there has been nothing charg'd for these two years and upwards, which I believe is occasion'd by the Managers having a share in that paper, that perhaps may bring as much as their advertisements come to.@I shall find the greatest difficulty of any yet in making an Allowance for the nightly use of their cloaths, Scenes, &c, there being a vast number of rich cloaths bought into their wardrobe within these two years, and large sums paid to the Taylor, Mercer and other Tradesmen, on account of the same, but then the Stock remains, and will serve for a considerable time with some little addition, and it is well known the wardrobe was never so rich before, as at this juncture, a great many of the cloaths having been bought ready-made at dery great bargains, and when they are no longer fit to appear upon the stage, the Lace will burn to a considerable part of their money again; And as it is impossible to be quite exact, I must submit to the reader whether #3 3s. a Night only for the use of their cloaths, Scenes and other things that appertain to the dress, is not sufficient, for according to the calculation of playing 170 nights in the season it will amount to #535 10s., only for the use, which in my opinion is enough, and if they can contradict it let them make it appear #3 3s.@Mr Fleetwood (who was the late manager) when he made an assignment of the Playhouse to Mr Lacy in trust for the Bankers (Gr n, and Am r, late of the Strand) and himself to care to keep a Reserve of #500 a year during the Time then to come on the P t [patent?], a part of which has been paid annually to a Gentleman appointed to receive the same by Mr Fleetwood. But when Mr G k came in as manager, it was agreed by the consent of that Gentleman, that it should be paid at the rate of #300 a year, and so to take a longer time for the payment of the whole. This annuity had it stood at the rate of #500 a year as was first design'd would have expir'd with the P t, which is several months before the Renter's time is out, but this affair ought to be look'd upon rather as a Debt than part of the nightly charge of the Playhouse. However, as it always stood in that Rank in their books, I shall make the same allowance here and leave the reader to judge of it as he thinks proper, which is per night according to the former calculation #1 15s. 3d.@The Lamp Lighter's bill for lighting the lamps will amount to about 7 shillings sixpence a night, but as there is an occasion sometimes for Tin Wares and reparations, I shall set it down at Per night 10s.@Coals made use of are generally about 40 Chaldrons for the season, which bought in the summer time, we must suppose not be to above 34s. a chaldron, amounting in the whole to #68, which is per night 8s.@Properties, or Incidents, are sometimes more, sometimes less, as I have before observed, and are according to the play. They are under the Denomination of Fruit, Wines, Sweetmeats, Sticks, Stage Money, &c, but to take one night with another throughout the season they don't amount to quite 5s.@Bill Stickers are those men that stick the Large Bills about the Town, being Six in number, and have 18 pence per night each. They are not enter'd on the pay List among other servants, on account of their sticking Bills sometimes when the House does not play, which makes a difference, and supposing them to be in full pay, which is not always the case, then it would amount to per night 9s.@Two men that deliver Handbills, at 1 shilling a night each per night 2s.@Four constant supernumerary scene-men to assist the scene-men belonging to the House, and a Candle-man that sees all tne candles put out after the play is over, at 1 shilling each, which is per night 5s.@There are sometimes extraordinary Supernumerary scene-men, made use of in plays, to help the traps, &c, such as Richard III, Macbeth, The Tempest, &c, which have a shilling each, but one night with another it will not amount to above 3s.@Kettle Drums and French Horns are not included among the Band of Music, and as there are but two French Horns, and one pair of Kettle Drums made use of, which are only in some particular things, at 5 shillings a night, I cannot think they will amount to throughout the season more than per night 7s. 6d.@Chorus singers, which are people that stand behind the scenes, whose additional voices are sometimes necessary in grand pieces of vocal music, and are made use of in the Tempest, Comus, Macbeth, &c., and seldom in number so many as 6, at 5 shillings each,--but if I make allowance for two each night throughout the season, I am very confident it is more than sufficient, which supposition is per night 10s.@The Prompter is allowed for Paper, Pens, Ink and Wafers per night 3d.@The Carpenters, being sometimes employed in doing work in the House, save 2s. 6d. a day each, and as this is also a fluctuating affair, I shall put them down throughout the season at per night 5s.@The Glover's bill amounts one night with another to about 6s.@The Stationer's Bill, perhaps about #15 in the season, every Boxkeeper, &c being oblig'd to find his own Paper, which is per night 1s. 9d.@The Feather-man, Shoe-maker, Sword-Cutler, Hatter, Taylor, Scene Painter, Lace-man, Mercer, &c, I have already made an allowance for,--the #3 3s. per night for the use of the Cloaths, Scenes, &c. ....@The Brick-layer and Iron-monger are casual tradesmen, and as accidents so frequently happen, I think it necessary to put them down at per night 7s. 6d.@The Turner's Bill perhaps may amount in the season to about #6 which is per night 8d.@The person that has the care of the Candles brings in a bill for small wax candles, &c, and one night with another about 1s. 6d.@The House-keeper sometimes brings in a bill for little things to the amount of about per night 1s.@The Prompter for writing parts, one night witn another 8d.@I have thus endeavored to give the most minute Part of the charges that belongs to the House, but as most of these affairs depends upon accident and for fear of any omission (At the beginning of the first season their salaries were a few weeks at #54 per night, but as this was but of a short duration it cannot make any great difference) and lest they say I fix them to certain sums which have alter'd to their disadvantage, I will as a guard against such a supposition allow them per night #3@#74 6s. 8d.@[Subtracting Mr Lacy's #2 15s. 6d.] then according to the nearest calculation I can make the whole nightly charge is #71 11s. 2d.@ The next thing to be consider'd (supposing this charge to be right) is their Profits, which will appear by multiplying the sum of #71 11s. 2d. by 346 (the number of nights they play'd in the two seasons) and the total sum will be #24,759 10s. 10d., which subtracted from #40,318 6s. 1d., the remainder will be #15,558 15s. 2d., the profits, according to the best calculations I can make arising from the two last seasons. But I think it incumbent on me to inform the reader that this money was not all at the Managers' disposal, because there was a mortgage upon the Playhouse, &c to one Mr Clutterbuck?, a tradesman in the Strand, who was Mortgagee in trust for Mr G k himself and others, and the Mortgagee was entitled to take up #1000 a year and interest at 5 per cent. This security was made at Mr G k's first commencing manager in order to purchase the Bankers' two shares in the old P t, &c. which was sold for #3,500, also to discharge an old mortgage made by Mr Fleetwood, and other debts due from the playhouse. Thus have I made appear to the Town the receipts and charges as near as possibly can, and hope not to the disadvantage of the Managers. But perhaps they will say that they have expended more money than I have already given an account of, which I must readily submit to, but then it has been upon different affairs than the nightly charge of the House; as for example the first season they, as will appear by their own Books, #15,179 12s. 3d.; the second season #13,663 3s. 3d., so at this rate the profits do not amount to above #10,475 10s. 8d., which is noways right, for as I have already observed, they bought large quantities of ready-made rich cloaths, merely because they were great bargains. These cloaths they now have by them, and doubtless are as good as money, and which I make an allowance for at #3 3s. a night. They also made alterations in the House, by enlarging the first Gallery, and adding more seats, which are placed so neighborly together, that they keep people pure warm in a cole [sic] winter's night, especially at the upper end. The transformation of that Part adjoining to the Box-Lobby into a standing place for the Quality, that they may pay before they go in, is another charming contrivance, and many other alterations much to advantage, but these conveniences being once finish't become Perpetual, and are no longer chargeable. Besides they lent out of the said sums money to several actors for some of which they have bonds that bear 5 per cent interest, and these are the things that were the occasion of the Extraordinary Advancement, which perhaps they under a pretence may call part of the Nightly charges, but as I have made the thing as clear as well can be, I shall submit to the reader's judgment. I thought it necessary to set down each night's farce with the play as near as I could throughout the two seasons, and I believe upon strict examination the reader will find that the whole number consists of about 25 good old Stagers, one of them having mounted upwards of that times. But however dis[agreea]ble these antient attendants may prove to an Audience, yet they are absolutely necessary on account of keeping up the [starf--l P[rice]s, which could not decently be done without them as Mr Rich has Pantomime entertainments. [starWhilst their rent, Taxes, &c are so very high, it is my firm opinion, they cannot afford to take under full prices, and therefore I would not have any one imagine to the Contrary. And the reason of publishing this account is no more than to do my self common justice and to shew how well they could afford to make me amends for my past Labours. Tho in my opinion Mr G-k is such a rarity, that he needs no embellishment, and I hope I shan't be thought too lavish in his Praise when I say that his great condesention in playing oftener since he has been a manager (almost in spite of his sickness) than he did when he was under management, is such an obligation conferr'd on the town, that it is questionable whether the salary he now receives as an Actor is equivalent. But lest it should not be generally known what it is (as such things do sometimes slip the ears of the People) I think it proper to inform the Reader, and having first ask'd Mr Garrick the manager's pardon, I shall begin with Mr Garrick the Actor, whose salary for the season is #525 certain, and as most players have a benefit once a year, so has he, but only this difference, that they pay for theirs (Mrs Cibber excepted) and he does not. Nor need he give himself any trouble to make an interest at the time; for it is only playing Richard, or Lear, and the job is done without putting his name up in large characters at the top of the Playbill, for every inquisitive person to gape at. What these Benefits have brought him in is easily seen by looking backwards. This added to the salary makes upwards of #700 a year, and so much for Mr G-k the actor. As to Mr Garrick the Manager, he only takes up #500 a year out of the profits under the denomination of Management, which does but just put him upon a footing with his brother manager, who takes up the same, and if I may presume to put the Manager and Actor together, it will appear that Mr Garrick's income from the Playhouse is upwards of #1200 a year exclusive of a Mortgage of #4000 upon the Playhouse, Patent, Cloaths, Scenes, &c., which brings him in #200 per year, at the rate of 5 per cent interest. These things put together and added to his half share of Profits, makes it a comfortable living enough, and I heartily wish every brave fellow that ventured his life and limbs for his Country's service could meet with the same success. I make no doubt but it will create some wonder that I have laid these things before the Town, without saying for why. But I must assure the reader that after weighing every circumstance well within my own breast, I think I have sufficient reason, and would relate each particular reason, but that I have given to understand Facts may be Libels--that all advantages will be taken--that I must have a care what I do, and that Power may get the better of Truth. I must confess I think it very hard that if a man is hurt he must not only suffer the injury, but be also hindered from telling his grievance. However, as I have often groan'd in private, I will run the risk of venturing one groan in public, but will be as concise as possible, for fear my antagonists may be too impatient to stay till my tale is told. Let it suffice them that I was Deputy Treasurer of D-y L-ne Playhouse upwards of four years, and resigened my office the beginning of this season. Several messages were sent to me to return again, and I had my place kept for me several weeks, which plainly shows I have been guilty of no misdemeanor, but have been rather look'd upon as a valuable sl-ve than other ways, and could I have been content with much more labor and little pay I don't doubt but I might have been suffer'd to trudge on and carry my Burthen to the end of my days. But having forgot my station, and that I had no right to make terms for myself, was so impudent as to imagine I had some Gratitude due me for past services, and that as I had weather'd a most terrible Storm, I had some right to share in the calm, but alas! I was mistaken. Property was not intended for me, I was only design'd to share in Adversity and help others to cut their passage to happiness. I believe it is pretty well known that near two years before Mr G-k came in as manager, the Playhouse was involved [in] many difficulties, much money being due to tradesmen, Actors, &c occasioned by his not playing there, which [would] not have been the case had Mr Lacy, who was then manager in trust for the Bankers and himself, agreed with him, and given what he demanded as an actor, which was as Mr Lacy order'd him #500 for the season, and as Mr G-k did not chuse to be under him he went to Ireland where he remain'd during the season. The Bankers who advanc'd #6,800 to purchase the Playhouse, the Renters, and Mr Lacy begun to see their folly, and were so unfortunate as to become Bankers' prey afterwards, though one of them (Mr Amber) has had the grant to be made a Pit office-keeper in the Playhouse, where he now remains at a salary of about #29 a year. I shall return to the difficulties. The People that had the demands to them (being upwards of #140) began to be very uneasy, and they very clamorous, that we perceiv'd what we were to depend upon. Distruction, seemingly as it was a dark cloud over our heads, we expected daily to burst upon us; and tho' Mr Lacy had given as many fair promises as a man could do, yet it availed nothing, for every word they spoke had something of danger in it (which oblig'd him to keep pretty much within doors). Here I interposed, and stood between him and his creditors, for upwards of a year and a half, ever breaking my rest to preserve his, and was continually forming excuses and pledging my word, to divert them from their design, and as it was unsafe for him to come to the playhouse for a long time together, for fear of arrests, I was oblig'd to undertake the management there (which they now take up #500 a year for) and go through a very hard Task to an account of the people's not having their pay. Added to this I had the Accounts of the Treasurer's Office to keep and as we were in debt every particular person's belonging to the playhouse, beside. I also took upon myself the Inspection of the Wardrobe and kept an account of that (which was almost one man's business alone to do). I drew all the articles between the manager and actor, and at other times were [sic] continually either writing, walking, though lame, or contriving for Mr Lacy's welfare. In the day I had no rest, in the night very little sleep, and my whole study was to extricate him from his troubles. I was bail for him to the Sheriff in two actions for #200, and brought at the suit of Mr Fl-dyer in Bazinghall St, and Mr Ho-se, Tinman in High Holborn, and had a great deal of trouble in getting one of these actions defended in order to gain time. I was arrested twice myself for him: one of these times dragg'd out of my lodgings at twelve o'clock at night. In short I went through every trouble that a sincere friend could do, while he was endeavouring to get the new Patent, which he and Mr Garrick now enjoy, and did imagine if ever those difficulties were got over (which I then very much question'd) that I should have met with some gratification, but instead of that as soon as Mr G-k came to be concern'd as a partner (who knew very well that I had gone through for the service of the Playhouse) I found another Person was to be put in Principal Treasurer over my head, with this Reason: "That it was their interest it should be so, because his Wife, Mrs Pr-h-d was to play for them." Not that I envy the gentleman that has it, for I think him worthy of much more, and hope my being under a necessity of mentioning it will be a sufficient plea for my excuse. This I very easily look'd over, and had not the least doubt but they would make me some amends another way, but adding something to my salary, which was at the rate of #44 a year, and this I was entitled to for doing the business of Deputy treasurer in the Office which was nothing in competition with the other affairs I had gone through. But I found I was mistaken here too for I had no addition, and discover'd when too late that I should have made use of the opportunity when I had it in my power,--but though I knew the time when everything must have been granted that I ask'd, yet I did not take the advantage, nor would by compulsion force the thing that I knew was due from the strongest ties of Friendship. How wretched must such a disappointment make me! What must that man deserve that can betray such confidence, and without blushing deny the breach he had made in Honour. If after this I can point out a way to do myself justice, have I not Right to make use of it? Must I lose my health, Time, Labor, for other's happiness, and not consider my miseries? It is against Nature and I hope the Reader will make my Case his own, and then judge accordingly. In my next I shall give the full history of the Stage ever since Mr Fl-w-d was manager, down to the end of the last season, wherein will be the Bankers' affair set forth at large. The manner of obtaining the new P-t, and Gratitude displayed in a particular manner. The intended partnership between Mr Rich and Mr Lacy, how Mr Garrick came to be admitted. His compact with Mrs Pritchard, and some other affairs necessary to be known both to the Public and the Theatres. @Then let the stricken deer go weep@The hart ungall'd go play...&c. &c.@Finis.@ [Powel's second pamphlet seems not to have been written, as this one seems never to have been printed. His total income for the two seasons #40,906 2s. 7d. corresponds favorably with Cross's total estimates for the same period of #40,995. His analysis of the cost of many items in his attempt to arrive at a reasonable statement of nightly charges is most valuable. If his figure of #71 11s. 2d. is correct, then the managers lost from #8 to #11 on each benefit night, which hardly seems probable.

Performances

Mainpiece Title: Much Ado About Nothing

Cast
Role: Hero Actor: Mrs Elmy
Role: Balthasar Actor: _ Fryar-Bridges
Role: _ Fryar Actor: Bridges
Role: Borachio Actor: Blakes
Role: Margaret Actor: Mrs Havard.
Role: Dogberry Actor: Taswell
Role: Country Dance Actor: included at end of play.
Role: add Country Dance Actor: .
Role: add Masquerade Dance Actor: Mrs Addison.
Role: a Masquerade Dance Actor: Matthews
Role: to conclude with a Country Dance Actor: the Characters.
Role: Benedick Actor: Garrick for the first time
Role: Don Pedro Actor: Havard
Role: Leonato Actor: Berry
Role: Don John Actor: Winstone
Role: Claudio Actor: Lee
Role: Friar Actor: Bridges
Role: Sexton Actor: Ray
Role: Town Clerk Actor: James
Role: Verges Actor: Neale
Role: Conrade Actor: Bransby
Role: 1st Watchman Actor: Vaughan
Role: 2nd Watchman Actor: Marr
Role: Ursula Actor: Miss Cole
Role: Beatrice Actor: Mrs Pritchard
Role: Musical parts Actor: Beard, Reinhold, Mrs Clive.

Afterpiece Title: The Intriguing Chambermaid

Cast
Role: also Goodall Actor: Winstone
Role: Mrs Highman Actor: Mrs Bennet.
Role: Drunken Colonel Actor: Woodward
Role: Lettice Actor: Mrs Clive.

Dance: Cook, Anne Auretti, Mathews, Mrs Addison

Event Comment: This day publish'd at 3s. Printed on Five sheets of superfine paper, Five Principal Scenes in Romeo and Juliet, designed, drawn, and engraved by Mr Ant. Walker. Printed and sold by John Tinney, at the Golden Lion in Fleet St. The drawing and Engraving of the three following Plays of Shakespeare are in great forwardness, and the scenes of each play will be sold at a time: 1 Henry IV, 2 Henry IV, Merry Wives. These plates will serve for Mr Pope's edition of Shakespeare in quarto, Sir Thomas Hanmer's edn. 6 Vol. quarto, or for any of the Folio editions. And may be framed and glazed for furniture. There will be a few sets neatly coloured for Gentlemen and Ladies who chuse them so (Public Advertiser). [A set of these prints is available in the Folger Shakespeare Library. The Five Principal Scenes were: The scene in Capulet's Housev where Romeo kisses Juliet 's hand; the Balcony Scenev ; the scene in which Friar Lawrence hurries the young couple off to be married; the Apothecary scenev ; and the death scenev . If, as may be, these scenes were taken from--as they were certainly stimulated by--the Barry-Nossiter production, they may present a good likness of Maria Isabella Nossiter, who so captivated London that season. If, also, they were taken from the theatre production, they give evidence that Barry used a balcony, not only a window.

Performances

Mainpiece Title: Lo Studente A La Moda

Dance: As17540118