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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mad Clairon"/1) | (@(roleclean,performerclean) "Mad Clairon")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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420 results for: Keyword - Mad Clairon
We found 217 matches on Performance Title, 157 matches on Performance Comments, 73 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.

376
01 June 1776 @ Drury Lane Theatre

Event Comment: House (Hopkins Diary). Garrick's last time of performing Ranger (playbill). Rec'd Sga Paccini's Debt in full #75; Condell's 3rd payment: Fruit Office #20. Paid Blandford, Chandler's bill (after deduction) in full #14 12s. 2d.; Balance of Mad. Paccini and Martini's acct. in full #6 10s.; Bensley in full; Everard's debt and costs #5 15s. 6d. (Treasurer's Book). [Publish'd this month, Garrick's Looking Glass; or, the Art of Rising on the Stage. Price 2s. 6d. Printed for T. Evans By S. J. Pratt. Informative on most stage fundamentals. A poem in three cantos. Publish'd in July, A Lecture on Mimicry, as it was deliver'd with great applause at the Theatres in Covent Garden and the Haymarket, and the Great Room in Panton St. In the course of which were introduced a great variety of theatrical Imitations, to which is added Jerry Sneak 's return from the regatta and a Lecture upon Lectures. By G. S. Carey. Price 1s. @"I'll...on myself depend.@Inever yet found manager my friend.@By you supported boldly I'll oppose@My mimic powers against a host of foes.' Foote, Barry, and toothless Macklin, singers and dancers.] Receipts: #226 13s. (Treasurer's Book)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Deserter

Dance: I: The Savage Hunters, as17751118

377
06 May 1777 @ Covent Garden

Event Comment: Benefit for Mr and Mrs Ward. The Country Mad-Cap [announced on playbill of 5 May] is obliged to be set aside on account of Mrs Pitt's indisposition. Tickets delivered for Alexander the Great, for Saturday, May 3, will be admitted. Public Advertiser, 22 Apr.: Tickets to be had of Mr and Mrs Ward at Stacy's, No. 76, the Corner of Long-acre, Drury-lane. Receipts: #197 18s. (82.10; tickets: 115.8) (charge: #66 1s.)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Country Wife

Dance: End: All in the Downs, as17770425

Song: As17770505

378
09 May 1777 @ Drury Lane Theatre

Event Comment: "A Gentleman who is as mad as myself about the School remark'd that the Characters upon the Stage at the falling of the Screen stand too long before they speak-I thought so too the first Night-he said it was the same on the 2d & was remark'd by others-tho they should be astonish'd & a little petrify'd, yet it may be carry'd to too great a length" (David Garrick to R. B. Sheridan, 12 May 1777, in The Letters of David Garrick, ed. D. M. Little and G. M. Kahrl, 1963, III, 1163). Receipts: #195 13s. (184.7; 10.19; 0.7)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Deserter

379
10 April 1780 @ Covent Garden

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: A Fete The Fete Anticipated

Performance Comment: Consisting of the following compiled Entertainments: Scene I. A Forest. The Death of the Stag-; Overture by Dr Arne-; Hunting song, Give round the word dismount-Doyle; Foresters' Dance-; Scene II. The Cave of Echo. Echo rebuked in a duett, Idle Nymph-; the music by Dr Arne. Scene III; Mount Ida. Venus and the Graces, to whom she complains of the loss of her son She that will but now discover-; Venus-Miss Brown; Scene IV. A Landscape. Dance of Warriors-; Scene V. A. Moonlight. Witches. When shall we three meet again?-; Scene VI. The Cavern of Despair. Mad Tom-Reinhold; the music by Purcell. Scene VII. A Palace and Banquet. Come honest Friends and jovial Fellows-; Attendant Genius-Miss Morris.
Cast
Role: Mad Tom Actor: Reinhold

Afterpiece Title: The Flitch Of Bacon

380
03 April 1781 @ Covent Garden

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: A Fete

Performance Comment: SCENE I. A Forest. The Death of the Stag-; Overture by Dr Arne-; Hunting song, Give round the word-Doyle; Foresters' Dance-; SCENE II. The Cave of Echo; The Vauxhall Echo Catch, They say there is an echo here-Davies, Robson, J. Wilson, Doyle; SCENE III. Mount Ida; Venus and the Graces, to whom she complains of the loss of her son She that will but now discover-; Venus-Mrs Morton; The music by Dr Fisher-; SCENE IV. A Camp Scene, and Dance of Warriors-; SCENE V. A Cottage. Auld Robin Grey-Mrs Kennedy; SCENE VI. The Cavern of Despair. Mad Tom-Reinhold; The music by Purcell-; SCENE VII. A Palace and Banquet. Come honest Friends and jovial Souls-; To conclude Chorus-; Dance-; Attendant Genius-Miss Langrish.
Cast
Role: Mad Tom Actor: Reinhold

Afterpiece Title: Tom Thumb

381
18 April 1781 @ Covent Garden

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: A Fete

Performance Comment: As17810403, but To conclude with Tony Lumpkin's Adventures in a Trip to London-Quick; Mad Tom-_; Music by Purcell-_.
Cast
Role: Mad Tom Actor: Reinhold

Afterpiece Title: Barnaby Brittle; or, A Wife at her Wit's End

382
25 April 1781 @ Covent Garden

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: A Fete

Performance Comment: As17810403, but SCENE III. A View of the Sea. The Storm-Reinhold; We be three poor Mariners-Davies, Doyle, Simpkinson; To conclude with a Dance-Aldridge, others; SCENE IV as SCENE V on 3 Apr. SCENE V. A Church-Yard. Poor Thomas Day-Edwin, J.? Wilson, Davies; SCENE VI. A Banquet Scene. A Burlesque Italian Medley-Reinhold; To conclude with several Catches and Glees-the most eminent performers; Come honest Friends and jovial Souls-_SCENE VII omitted; Chorus-_; Dance-_; Attendant Genius-_; Venus-_; Dance of Warriors-_; Mad Tom-_; The music-_; She that will but now discover-_.
Cast
Role: Mad Tom Actor: Reinhold

Afterpiece Title: The Flitch of Bacon

Song: End III 1st piece: When Phoebus the tops of the hills did adorn-Leoni, Mrs Kennedy

383
06 May 1782 @ Covent Garden

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: A Fete, scene I

Performance Comment: A Forest. The Death of the Stag (singers not listed). Overture by Dr Arne. Hunting song, Give round the word, by Doyle. Foresters' Dance, scene II. The Cave of Echo. The Vauxhall Echo Catch, They say there is an echo here, by Davits, Robson, J. Wilson, Doyle, scene m. Mount Ida. Venus and the Grace, to whom she complains for the loss of her son [She that will but now discover}. Venus-Mrs Morton, scene IV. A Hall. Four and twenty fidlers all on a row, as17820423 scene V. A Camp. For Freedom and his Native Land, by Mrs Kennedy; the music by Hook; the words by Hull. SCENE VI. The Cavern of Despair. Mad Tom, by Reinhold; the music by Purcell. SCENE VII. A Palace and a Banquet. Honest Friends and jovial Souls (singers not listed). To conclude with a Chorus and Dance. Attendant Genius-Miss Langrish .

Afterpiece Title: The What d'ye Call It

384
07 December 1782 @ Covent Garden

Event Comment: [Afterpiece in place of The Country Mad-Cap, announced on playbill of 6 Dec] Receipts: #228 16s. (225/9; 3/7)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Author

385
20 December 1782 @ Drury Lane Theatre

Event Comment: "The Dress of Belvidera was happily arranged; and the Continuation of the same Dress, without the usual Change in the Fifth Act, is an Alteration for the better. It escapes the well-pointed Reproof of The Critic: 'Enter Tilburina, mad, in white Satin'" {Public Advertiser, 21 Dec.). Receipts: #272 8s. (260/18/0; 11/1/6; 0/8/6)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Irish Widow

Dance: As17821005

386
31 May 1783 @ Covent Garden

Event Comment: Benefit for T. Ansell, Pilford, Marks & Furkins. Tickets delivered by Clarridge, Doe, Roberts, Walker, Cox, Sarjent, Seymour, Sloper, Abbot, Akrey [Account-Book adds Rolles] will be admitted this Evening. Tickets sold at the Doors will not be admitted. [This was Yates's last appearance on the stage in London; he subsequently acted in Edinburgh in March, 1785. Afterpiece in place of The Country Mad-Cap, announced on playbill of 30 May.] Receipts: #255 3s. 6d. (20/5/0; 0/15/6; tickets: 234/3/0)

Performances

Mainpiece Title: The Mysterious Husband

Afterpiece Title: Barnaby Brittle, As17820930, but Jeremy-W

Dance: As17821231

387
11 November 1783 @ Covent Garden

Event Comment: [Afterpiece in place of The Rival Knights and The Country Mad-Cap, both announced on playbill of 10 Nov.] Receipts: #178 13s. 6d. (175/3/0; 3/10/6)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Lord Mayor's Day

388
01 April 1786 @ Covent Garden

Event Comment: Benefit for Mrs Bannister. Afterpiece [1st time; MF 2, by Leonard Macnally, based on A Mad World, My Masters, by Thomas Middleton. MS: Larpent 729; not published. Introduction by the author (Town and Country Magazine, June 1786, p. 328]. Books of the Songs to be had at the Theatre [composer unknown]. Morning Herald, 11 Mar.: Tickets to be had of Mrs Bannister, No. 29, Bow-street, Covent Garden. Receipts: #273 4s. 6d. (180/6/0; 7/9/6; tickets: 85/9/0) (charge: #105)

Performances

Mainpiece Title: The Follies Of A Day

Afterpiece Title: The April Fool; or, The Follies of a Night

Song: In the course of the evening Sweet Echo (from Comus) by Mrs Bannister

389
21 May 1787 @ Covent Garden

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: The Winter's Tale

Afterpiece Title: The Cantabs

Song: II 2nd piece: Come come my good Shepherds-Mrs Martyr; In course Evening: Four@and@Twenty Fidlers-Edwin

Monologue: Vaudeville End 2nd Piece: A Scene in a Masque Ball , with an Illumination. Huntress-Mrs Martyr; Tantivy the welkin resounds-Mrs Martyr; Mad Tom-Darley; song-Johnstone; Highland Lad and Lass-Mrs Kennedy, Mrs Martyr; Say bonny Lass will you carry a Wallet?-Mrs Kennedy, Mrs Martyr; To conclude with a Grand Dance-

Performance Comment: Huntress-Mrs Martyr; Tantivy the welkin resounds-Mrs Martyr; Mad Tom-Darley; song-Johnstone; Highland Lad and Lass-Mrs Kennedy, Mrs Martyr; Say bonny Lass will you carry a Wallet?-Mrs Kennedy, Mrs Martyr; To conclude with a Grand Dance-.
Cast
Role: Mad Tom Actor: Darley

390
07 August 1787 @ Haymarket Theatre

Performances

Mainpiece Title: Transformation

Afterpiece Title: The Spanish Barber

Afterpiece Title: English Readings

Dance: End: a Pas de Deux Provencale-the two Miss Simonets

Entertainment: In the course of the Evening's Entertainments various Imitations-Bannister Jun

Ballet: End 3rd piece: a grand dance, never performed, Gli Schiavi per Amore. Bastiano Amazzagatta-young D'Egville; Mons. Perruque-young Giorgi; Don Berticco-George D'Egville; Mad. Neri-Miss Blanchet; Glinda-Miss DeCamp

Performance Comment: Bastiano Amazzagatta-young D'Egville; Mons. Perruque-young Giorgi; Don Berticco-George D'Egville; Mad. Neri-Miss Blanchet; Glinda-Miss DeCamp.

391
10 August 1787 @ Haymarket Theatre

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: Midas

Song: End I: a new song by Master King In vain do idle vi'lets blow (Public Advertiser 14 Aug.)-Miss George; End: Mad Bess (for that night only)-Miss George

Performance Comment: )-Miss George; End: Mad Bess (for that night only)-Miss George.
Cast
Role: Mad Bess Actor: Miss George.

392
03 June 1788 @ Covent Garden

Event Comment: Benefit for Gardner, Rock, Besford & Mrs Watts. The Caledonian Wedding [a dance, advertised on playbill of 2 June] cannot be performed on Account of the Indisposition of a Principal Performer. [3rd piece in place of The Country Mad-Cap, advertised on playbill of 2 June.] Receipts: #177 6d. (48.1.6; 7.16.0; tickets: 121.7.0)

Performances

Mainpiece Title: The Follies Of A Day

Afterpiece Title: Linco's Travels

Afterpiece Title: Tom Thumb

Song: End II 1st piece: The Soldier tir'd of War's Alarms (for this Night only)-Master Braham

Entertainment: Monologue End III 1st piece: A Description of the Tombs in Westminster Abbey-Edwin

393
17 March 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: A Grand Selection From The Works Of handel 0

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Atalanta)-; Sin not O King against the youth-Miss Romanzini [Saul]; Bless the true Church and save the King-Gore, Chorus Athalia]; [Funeral Scene from Samson: Glorious Hero may thy Grave-Reinhold; The virgins too-Sga Storace; Bring the laurels bring the bays-Chorus of Virgins; May every Hero fall like thee-Sga Storace; Bring the laurels bring the bays-Full Chorus; Dead March (Saul)-; My faith and truth-Mrs Crouch [Samson]; Mad Bess-Sga Storace (composed by Purcell; 1st time and for that night only); Gird on thy sword-Chorus [Saul].Saul].
Cast
Role: Mad Bess Actor: Sga Storace

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

394
01 April 1791 @ Drury Lane Theatre

Performances

Mainpiece Title: Acis And Galatea 0; Grand Selection 0

Afterpiece Title: Acis and Galatea 1

Afterpiece Title: Acis and Galatea 2

Afterpiece Title: PART III

Performance Comment: A Grand Selection. Tyrants would in impious throngs-Mrs Crouch; Tyrants ye in vain conspire-Chorus (Athalia); Sin not O King-Miss Broadhurst (Saul); Thrice happy the Monarch-Bellamy [Alexander Balus]; What's sweeter than the new blown rose-Miss Hagley, Dignum (Joseph); Shake the dome and pierce the Sky-Chorus (Solomon); Mad Bess-Mrs Crouch (Purcell); I sing the produce of the vine, 'Tis mighty wine inspires us-Reinhold (Ottone); The Trumpet's loud clangor-Kelly, Chorus (Dryden's Ode); Da forte morir sapro-Miss Davies (Sarti); I'll proclaim the wondrous story-Spence, a Young Lady (1st appearance) (Esther); Worthy is the Lamb-Grand Chorus (The Messiah).
Cast
Role: Mad Bess Actor: Mrs Crouch

Music: As17910323

395
20 October 1791 @ Covent Garden

Event Comment: Afterpiece [1st time; BALL. P 1, by James Byrne. MS of Songs only: Larpent MS 919; synopsis of action in Universal Magazine, Oct. 1791, p. 308]: Taken from Ossian. With new Music, Airs, Chorusses, new Scenery, Dresses, and Decorations. The Ballet composed by Byrne. The new Music composed, and the Ancient Scots Music selected and adapted by Shield. The Overture by Reeve. The Scenery by Richards, Hodgins, Pugh, &c. &c. The Dresses by Dick. Books of the Songs, &c. to be had at the Theatre. [For Harp and Pipes see 24 Oct.] Account-Book, 22 Nov.: Paid Byrne for Oscar & Malvina #50; 8 Dec.: Paid Mad. St.Amand expenses from Paris to London #14 6s. 8d. Receipts: #182 16s. 6d. (177.13.6; 5.3.0)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Oscar and Malvina; or, The Hall of Fingal

Song: II: song-Incledon

396
31 December 1791 @ Pantheon, Oxford Street

Event Comment: "On 31st Dec. I was with Pleyel in the Pantheon Theatre. They gave La Pastorella Nobile by Guglielmi. Mad. Casentini played the leading role and Lazarini? the primo huomo; the thin Calvesi had l'ultima parte. The opera did not please. Neither did the ballet, even though the great Hilligsburg [sic] danced" (Haydn, 266)

Performances

Mainpiece Title: La Pastorella Nobile

Dance: End I: La Fontaine d'Amour, as17911217; End Opera: La Fete Villageoise-(composed by D'Auberval [with music by Mazzinghi])DeLaChapelle (his 1st appearance). [For other performers see hay, 14 Feb. 1792.

397
07 March 1792 @ Covent Garden

Performances

Mainpiece Title: Alexander's Feast 0; Redemption 0; L'allegro Ed Il Pensieroso 0

Afterpiece Title: Alexander's Feast 1

Afterpiece Title: Alexander's Feast 2

Afterpiece Title: Grand Miscellaneous Act

Performance Comment: Overture-(Berenice, Handel); The Mansion of Peace-Harrison (Webbe); Mad Bess-Mrs Billington (Purcell); The mighty power-Chorus (Athalia, Handel); Se constanta per timore-Mrs Second (Caruso); Together let us range-Mrs Billington, Harrison (Boyce); Shall I in Mamre's-Bartleman (Joshua, Handel); Bravura song-Mrs Billington (Sacchini); Gloria Patri-Chorus.
Cast
Role: Mad Bess Actor: Mrs Billington

398
20 February 1793 @ Covent Garden

Performances

Mainpiece Title: Alexander's Feast; Grand Selection 0

Afterpiece Title: A Grand Miscellaneous Act

Performance Comment: Overture-(Ariadne); Captivity (supposed to be sung by the unfortunate Maria Antoinette, Queen of France, during her confinement in the Tower of the Temple) [composed by Storace]-Mrs Crouch; Jehovah crowned-Incledon; He comes-Chorus (Esther); Mad Bess (composed by Purcell)-Mme Mara; Disdainful of danger-Incledon, Kelly, Reynolds (Judas Maccabaeus); He layeth the beams-Bartleman (Ezio); But bright Cecilia, As from the power-Mme Mara; The dead shall live-Chorus (Dryden's Ode); God save Great George our King, To Arms, Britons strike home-Chorus (Purcell).
Cast
Role: Mad Bess Actor: Mme Mara

Music: End II oratorio: concerto on the violin-Mme Gautherot

399
27 February 1793 @ Haymarket Theatre

Performances

Mainpiece Title: A Grand Selection 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: As17930215, but Mad Bess-Miss Poole; Non piu andrai-_; Concerto on the violin-_; The prince unable-_.
Cast
Role: Mad Bess Actor: Miss Poole

400
06 March 1793 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Music

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Ye sons of Israel-Chorus (Joshua); The Captive King-Incledon, Chorus (The Words by Dr Wolcot); Honor and arms-Reynolds (Samson); See the conquering hero comes-Chorus (Judas Maccabaeus); Together let us range-Mrs Crouch, Kelly (Solomon, by Boyce); Then round about-Chorus (Samson); Mad Bess-Mme Mara (Purcell); Gird on thy sword-Grand Chorus (Saul); God save Great our King, To Arms, Britons strike home-Chorus (Purcell).
Cast
Role: Mad Bess Actor: Mme Mara

Song: In Part III: Captivity-Mrs Crouch [, as17930220

Music: End Part I: concerto on the violoncello-C. Ashley