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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "MMrs Love"/1) | (@(roleclean,performerclean) "MMrs Love")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3957 results for: Keyword - MMrs Love
We found 2768 matches on Performance Title, 988 matches on Performance Comments, 389 matches on Event Comments, 99 matches on Author, and 0 matches on Roles/Actors.

3926
10 February 1790 @ Covent Garden

Event Comment: [Afterpiece in place of Love in a Camp, advertised on playbill of 9 Feb.] Receipts: #209 15s. 6d. (191.4.6; 18.11.0)

Performances

Mainpiece Title: The Dramatist

Afterpiece Title: Tom Thumb

Dance: As17891125

3927
21 April 1790 @ Covent Garden

Performances

Mainpiece Title: Annette And Lubin

Afterpiece Title: The Pharo Table

Performance Comment: Young Hazlewood-Lewis; Hector-Ryder; Sir Harry Hazlewood-Quick; Hotfrost (with a song in character)-Edwin; Glovestring-Mrs Rock; Mrs Knott-Mrs Platt; Mrs Jeroboam-Mrs Pitt; Miss Jeroboam (with a song in character)-Mr Blanchard; Miss Somers-Mrs Wells.
Cast
Role: Glovestring Actor: Mrs Rock

Afterpiece Title: The Soldier's Festival

Afterpiece Title: Patrick in Prussia i

Performance Comment: e. Love in a Camp. As17900227.

3928
15 November 1790 @ Covent Garden

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Harlequin's Chaplet

Performance Comment: Harlequin-Boyce; Clown-Follett; Pantaloon-Ratchford; Lover-Farley; Farmer (with Come Roger and Nell)-Cubitt; Shepherd, Shepherdess (with Cast, my Love, thine Eyes around)-Mrs Martyr, Mrs Mountain; Serjeant-W. Powel; Recruit-C. Powell; Bricklayers-Letteney, Thompson; Carpenter-Lee; Sportsmen-Cross, Evatt; Gardener-Ledger; Woodcutter-Rock; Lover's Servant-Master Simmons; Monkey-Rayner; Peacock-Sloper; Principal Witches-Davies, Reeve [Public Advertiser: Linton], Miss Williams, Mrs Mountain; Colombine-Mrs Watts.
Cast
Role: Lover Actor: Farley
Role: Lover's Servant Actor: Master Simmons

Dance: As17901020

3929
17 May 1791 @ Pantheon, Oxford Street

Performances

Mainpiece Title: La Molinarella

Dance: End I: Divertisement, as17910217

Ballet: End Opera: Le Siege de Cythere. Venus-Mlle Leonore Simonet; Adonis-Mlle Gervaise Troche; Calysto-Mme Theodore D'Auberval; Brontes, Scythian Chief-D'Egville; Zephyre-Didelot; Nymph-Mlle Deligny; Lucanians-Mons and Mme Vigano; Zephyrs, Loves, Ionians, Amazons, Thessalians, Scythians, Africans, Indians, Peruvians, Phrygians, Inhabitants of Cythere- [all unassigned]

Performance Comment: Venus-Mlle Leonore Simonet; Adonis-Mlle Gervaise Troche; Calysto-Mme Theodore D'Auberval; Brontes, Scythian Chief-D'Egville; Zephyre-Didelot; Nymph-Mlle Deligny; Lucanians-Mons and Mme Vigano; Zephyrs, Loves, Ionians, Amazons, Thessalians, Scythians, Africans, Indians, Peruvians, Phrygians, Inhabitants of Cythere- [all unassigned].all unassigned].

3930
10 August 1791 @ Haymarket Theatre

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: A Trip to Elysium; or, Foote, Weston, Shuter, and Edwin in the Shades

Performance Comment: Foote (in the character of the Devil [in The Devil upon Two Sticks])-Bannister; Weston (as Doctor Last [in the same])-Wewitzer; Shuter (as Justice Woodcock [in Love in a Village])-Parsons; Edwin (as Lingo [in The Agreeable Surprise])-Wilson; Wilson-Evatt.

Afterpiece Title: Peeping Tom

3931
01 October 1791 @ Drury Lane at King's Theatre

Event Comment: Paid Johnston's bill #7 10s. 6d.; Supernumeraries #6 12s.; Chorus by R. Shaw #10; Mantuamaker #13 5s. 4d.; Foulis for Music Copying #2 8s.; Land Tax 1 Yr. #79 12s. 6d.; Billstickers #3 6s.; Booth, tailor, #14 13s. 1d. "Mrs Jordan has a voice, the tones of which are infinitely more musical and sweet than those of any professional singer we have. There is also an interest about her singing, arising not from what may be called musical feeling, but the impression of the subject. Thus, though sometimes a little untrue, we love her songs, and forbear to weigh them in the diatonic or chromatic scales" (Oracle, 3 Oct.). Receipts: #450 3s. (393.2; 56.3; 0.18)

Performances

Mainpiece Title: Poor Old Drury

Afterpiece Title: The Rivals

Afterpiece Title: The Spoil'd Child

3932
23 March 1792 @ Covent Garden

Performances

Mainpiece Title: Alexander's Feast 0; Grand Selection 0

Afterpiece Title: Alexander's Feast 3; Grand Miscellaneous Act

Performance Comment: As17920307but The Mansion of Peace-_; Rendi il sereno-Harrison (Sosarmes); Love in her eyes-Hindle (Acis and Galatea).
Cast
Role: Love in her eyes Actor: Hindle

3933
22 May 1793 @ Drury Lane Theatre

Event Comment: Benefit for Whitfield and Mrs Ward. Afterpiece [1st time; F 2, by-Fernside, for whose authorship see Kemble Mem., based partly on Love's Cure; or, The Martial Maid, probably by Philip Massinger. Incidental music by Richard Suett]. Public Advertiser, 15 May: Tickets to be had of Whitfield, under the Great Piazza; of Mrs Ward; No. 6, York-street, Covent-Garden. Morning Herald, 12 June 1793: This day is published The Female Duellist (1s.). Receipts: #469 13s. 6d. (51.4.0; 33.9.0; 8.4.0; tickets: 376.16.6) (charge: #158 17s. 2d.)

Performances

Mainpiece Title: At King's A Trip To Scarborough

Cast
Role: Loveless Actor: Wroughton

Afterpiece Title: The Female Duellist

Song: End: As on the pleasant banks of Tweed-Master Welsh

3934
26 October 1793 @ Covent Garden

Event Comment: Miss Poole having a violent Cold and Hoarseness, LOVE IN A VILLAGE [advertised on playbill of 25 Oct.] is obliged to be deferr'd. [Afterpiece in place of THE MIDNIGHT HOUR, advertised as above.] Receipts: #173 8s. (138/5; 35/3)

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: THE WARD OF THE CASTLE

Dance: As17931022

Song: In Act III of mainpiece, as17931008; In afterpiece, as17931024

3935
15 November 1793 @ Covent Garden

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Harlequin's Chaplet

Performance Comment: Harlequin-Boyce; Clown-Follett; Pantaloon-Ratchford; Lover-Farley; Farmer (with Come Roger and Nell)-Cubitt; Shepherd, Shepherdess (with Cast, my Love, thine Eyes around)-Mrs Martyr, Mrs Mountain; Serjeant-W. Powel; Recruit-C. Powell; Bricklayers-Letteney, Thompson; Carpenter-Lee; Sportsmen-Cross, Evatt; Gardener-Ledger; Woodcutter-Rock; Lover's Servant-Master Simmons; Monkey-Rayner; Peacock-Sloper; Principal Witches-Davies, Reeve [Public Advertiser: Linton], Miss Williams, Mrs Mountain; Colombine-Mrs Watts.
Cast
Role: Lover Actor: Farley
Role: Lover's Servant Actor: Master Simmons

Dance: As17931020

3936
27 November 1793 @ Covent Garden

Event Comment: The Follies of a Day. As 29 Oct. 1st piece: Altered from The Winter's Tale of Shakespeare [2nd piece in place of Love a-la-Mode, advertised on playbill of 26 Nov.] Receipts: #171 2s. 6d. (160.5.6; 10.17.0)

Performances

Mainpiece Title: Florizel And Perdita

Afterpiece Title: A Divertisement

Dance: As17931123

3937
30 April 1794 @ Covent Garden

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: PATRICK IN PRUSSIA [i

Performance Comment: e. LOVE IN A CAMP]. As17931004, but Rupert-Wilde//Mabel Flourish-Mrs Chambers; omitted: Adjutant . omitted: Adjutant .

Dance: As17931022

Song: As17931007, but added: Townsend, Richardson//Miss Hopkins, Miss Kirton; omitted: Williamson, Gray, Mrs Watts, Mrs Davenett, Mrs Masters

3938
13 May 1794 @ Drury Lane Theatre

Event Comment: Afterpiece: The Musick composed by Storace. Powell: Englishman in Paris rehearsed at 10; Children in the Wood at 11 (Master Welsh absent; rehearsal dismissed); Love a-la-Mode at 12 (Suett and Miss Heard, one scene). Receipts: #416 3s. (343/7/6; 61/19/0; 10/7/6; tickets not come in: 0/9/0)

Performances

Mainpiece Title: The Jew

Afterpiece Title: THE PRIZE; or, 2

3939
15 May 1794 @ Drury Lane Theatre

Event Comment: Powell: Love a-la-Mode rehearsed at 10 (Palmer ill; Packer one scene); Pirates music at 11 (Caulfield ill); Lodoiska music at 12. Receipts: #433 19s. (356/16/6; 67/13/0; 9/0/6; tickets not come in: 0/9/0)

Performances

Mainpiece Title: The Jew

Afterpiece Title: MY GRANDMOTHER

3940
17 May 1794 @ Drury Lane Theatre

Event Comment: [Afterpiece: Prologue by George Colman, the elder.] Powell: Love a-la-mode rehearsed at 10 (for King); Lodoiska music at 11 (for Kelly, Storace, Crouch); Natural Son at 12 (King, Moody. Miss Farren one scene). Receipts: #347 15s. 6d. (283/0/0; 53/13/6; 7/2/0)

Performances

Mainpiece Title: The }ew

Afterpiece Title: BON TON

3941
19 May 1794 @ Drury Lane Theatre

Event Comment: [Afterpiecc in place of LOVE A-LA-MODE, advertised on playbill of 17 May.] Powell: Macbeth's scenes rehearsed at 11; Natural Son at 12. Receipts: #366 5s. (293/2/0; 69/12/6; 3/10/6)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: THE PRIZE

Song: Mainpiece: Chorus of Witches and Spirits by Kelly, Master Welsh, Sedgwick, Dignum, Cooke//Mrs Crouch, Mrs Bland, Miss Leak, Miss Menage, &c. &c

3942
20 May 1794 @ Drury Lane Theatre

Event Comment: Powell: Love a-la-Mode rehearsed at 10 (King two scenes); Gamester at 11 (Mrs Siddons one scene; Mrs Heard). Receipts: #283 7s. 6d. (225/16/0; 52/5/0; 5/6/6)

Performances

Mainpiece Title: The Siege Of Belgrade

Afterpiece Title: THE CITIZEN

3943
06 April 1795 @ Covent Garden

Performances

Mainpiece Title: The Rage

Afterpiece Title: Windsor Castle 1

Afterpiece Title: Windsor Castle 2

Performance Comment: A Grand Masque, invented and prepared undyr the Immediate Direction of Noverre, representing the Marriage of Peleus and Thetis-; [The Story from the Greek Writers. Peleus-Farley; Ganymede-Byrn; Proteus-Holland; Hymen-Mrs Martyr; Hebe-Mme Rossi; Minerva-Mrs Follett; Thetis-Mme Prevost (1st appearance); Cupid-Mrs Clendining; Terpsichore-Mlle St.Amand; Discord-Mlle Droma (1st appearance.); [The Masque commences with the View of A Grove-;[, sacred to Cupid and Hymen . Woods, Rocks, and Waterfalls form the Borders of the Sea, which terminates by the Horizon; the Genii of the Morn-; [are seen, preceded by Aurora-; [Fame sounding her Trumpet, proclaims to Mortals the Arrival of Thetis ; several splendid Barges appear, from the last of which Thetis disembarks, attended by Hymen, the Graces-; Groups of Cupids-; Zephyrs-; [Peleus enters, accompanied by Cupid and Minerva with her Suite; Thetis resigns herself to the Protection of Minerva, and perceiving Peleus, is struck with Admiration, but not knowing him, is informed by Cupid, he is her intended Husband-Peleus approaching, offers her his hand, which she respectfully accepts-the Characters retire, and the Clouds gradually dispersing, discover Mount Olympus-; [with the Gods and Goddesses assembled to behold the Nuptials; the Temple of Jupiter- [is seen on one side, that of Cupid on the other; Jupiter-[seated, accompanied by; Juno-; Mars-; Hercules-; Apollo-; Bacchus-; Mercury-; Saturn-; Diana-; Venus-; Ceres-; Victory-; Cybelle-; the Destinies-; Neptune-; [and Amphitrite-; [arise from the Sea in their Watry Car Pluto-; [and Proserpine-; [ascend, together with Rhadamanthus-; Minos-; [and Eacus-; [this is succeeded by A Magnificent Entree, in the following order: Sylvan Dancers-; Instrumental Performers-; Vocal Performers-; Rural Nymphs-; a Magnificent Column- [Richly Decorated, bearing the Emblematical Trophies ff War, Love, the Fine Arts; Rural Swains-; Virgins bearing Baskets of Flowers-; [The Goddess Hebe, attended by Cupids collected in a Picturesque Corbeille de Treillage ; Nymphs and Swains-[, attendants upon Thetis; Terpsichore; Ganymede; Proteus; Minerva borne by Warriors on a Military Trophy; Peleus and Thetis in a Splendid Chariot, drawn by Cupids, and attended by Hymen, Zephyrus : The High Priest; Priests bearing the Altar of Hymen; Tripods with Incense burning, followed by the Virtues, Truth, Justice, Benevolence, Clemency, Glory, Strength and Generosity. After the Procession, Thetis and Peleus being led to the Altar by the High Priest, just as they are receiving the Conjugal Cup, the Goddess Discord appears, enraged at not being invited to the sacred Festival-She attempts, in vain, to spread Confusion by throwing an Apple on the stage, inscribed "For the Fairest"-Cupid presents it to the Dieties, who adjudge it to Thetis-Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded; Peleus and Thetis are placed on a Magnificent Throne, attended by Hymen, Cupid, and the Grace3; variety of Dances are performed; and Peleus and Thetis are crowned with Wreaths. The Appearance of the Stage then changes to another Emblematical Spectacle. Festoons of Flowers descend-Cupids ascend supporting a Medallion and the Letters G. C. [i.e. George Caroline]-the Side Scenes draw off and discover Pyramids formed of Variegated Colours, bearing the Order of the Garter, and the Piece is concluded with a; Grand Chorus-; Dance-Ganymede, Proteus, Hebe, Terpsichore; accompanied on the Harp-Weippert.

Song: Part I: concludes with ancient British Airs-; Chorus of Bards-, accompanied on the Harp by Jones

3944
06 May 1795 @ Drury Lane Theatre

Performances

Mainpiece Title: Jack Of Newbury

Afterpiece Title: The Triumph of Hymen

Performance Comment: Hymen-Master DeCamp; Cupid-Master Welsh; Mercury-Fialon; Apollo-Aumer; Hercules-G. D'Egville; Castor-Fairbrother; Pollux-Boimaison; Psyche-Miss Granger; Diana-Miss Collins; Zephyrus-Mrs Fialon; Flora-Miss F. D'Egville; Britannia-Mrs Cuyler; Plenty-Mrs Butler; Commerce-Mrs Hedges; Loves, Graces, Chorus-Miss Menage, Miss Wheatley, Miss S. D'Egville, Mrs Beaufort, Mrs Brooker, Mrs Brigg, Miss Bourk, Mrs Bramwell, Miss Redhead, Miss Gawdry, Miss Stageldoir, Miss Chatterley, Cooke, Danby, Evans, Lyons, Maddocks, Welsh, Trueman.

Afterpiece Title: Tit for Tat

3945
24 February 1796 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Overture and Dead March (Saul)-; How willing my paternal love-; Then round about-; My faith and truth (Samson)-; What tho' I trace (Solomon)-; Fallen is the foe (Judas Maccabaeus)-; Total eclipse-; O first created beam-; Let the bright Seraphim-Mme Mara; Fix'd in his everlasting seat (Samson)-.
Cast
Role: How willing my paternal love Actor:

Afterpiece Title: Grand Selection 3

Music: End Part I: concerto on the violincello-C. Ashley; End Part II: concerto on the harp-Mme Delaval

3946
15 March 1796 @ Drury Lane Theatre

Event Comment: [Mainpiece in place of First Love, advertised on playbill of 14 Mar. In it the playbill retain Palmer as Frederick Bertram and Miss Farren as Eliza Ratcliffe, but "The Publick are most respectfully informed that in consequence of the Indisposition of Palmer and Miss Farren, the Characters of Charles [sic] Bertram and Eliza in The Jew will be performed by C. Kemble and Mrs Goodall" (printed slip attached to Kemble playbill).] Receipts: #145 14s. 6d. (102.3.0; 38.5.0; 5.6.6)

Performances

Mainpiece Title: The Jew

Afterpiece Title: The Doctor and the Apothecary

3947
28 October 1797 @ Covent Garden

Event Comment: In consequence of Mme Hilligsberg not being sufficiently recovered from her late Accident, the Dances intended to have been performed this Evening [A Divertisement (i.e. Les Delassemens Militaires) and Cupid and Psyche, both advertised on playbill of 26 Oct.] are unavoidably obliged to be postponed till Tuesday. "Towards the conclusion of Peggy's Love on Tuesday Madame Hilligsberg fell upon the stage, and was so much stunned that she was obliged to be carried off by Didelot" (True Briton, 28 Oct.). Receipts: #252 14s. 6d. (249.3.6; 3.11.0)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: A Divertisement

Afterpiece Title: England's Glory

Cast
Role: Lovelace Actor: Claremont.

Dance: In 2nd piece: Ballet, as17971013

3948
09 November 1797 @ Covent Garden

Event Comment: Mme Mara is prevented by a Severe Hoarseness from appearing this Evening; but will perform in Love in a Village [advertised on playbill of 8 Nov.] on Wednesday next. [2nd piece in place of Catherine and Petruchio, advertised as above.] Receipts: #193 6s. 6d. (185.6.6; 8.0.0)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: A Divertisement

Afterpiece Title: England's Glory

Cast
Role: Lovelace Actor: Claremont.

Dance: In 2nd piece: Ballet, as17971013; In V 3rd piece: a Triple Hornpipe, as17971018

3949
02 March 1798 @ Covent Garden

Performances

Mainpiece Title: Acis And Galatea 0

Afterpiece Title: Acis and Galatea 3 [i

Performance Comment: e. serenata in 2 parts]. Overture- (Ariadne); Pour forth no more-Sale (Jephtha); Lord what is man-Miss Poole [Semele]; How willing my paternal love-Reinhold; Then round about the starry throne-Chorus; Why does the God of Israel sleep-Incledon [Samson]; The soldier tir'd-Mme Mara [Dr Arne]; The Coronation Anthem-.
Cast
Role: How willing my paternal love Actor: Reinhold

Music: End I: serenata concerto on violin-G. Ashley; End II: a new concerto, with a military rondo, on the Grand Piano Forte-Dussek

3950
09 April 1798 @ Covent Garden

Performances

Mainpiece Title: The Raft

Afterpiece Title: The Orphan

Afterpiece Title: Harlequin's Return

Performance Comment: Principal Pantomime Characters. Harlequin-Bologna Jun.; Sammy Scrip-Simmons; Outre (his Man)-Bologna; Father to Columbine-Hawtin; Clown (his Man)-Follett; The other Pantomime Characters-Goostree Jun., Parsloe, Coombs, Noble; Columbine-Mlle St.Amand; Principal Vocal Characters. Jack Junk-Townsend; Fisherman-Linton; Harlequin's Father-Street; Mimic-Rees; Lawyers-Gray, Abbot, Blurton, Wilde; Country Boy-Miss Sims; Potter's Girl-Mrs Clendining; Milk@maid-Miss Wheatley; Harlequin's Mother-Mrs Henley; Lapland Witch-Mrs Iliff; Other Vocal Characters-Ms Castelle, Ms Watts, Ms Follett, Ms Norton, Ms Lloyd, Ms Burnett, Ms G. Walcup, Ms Bologna, Ms Gray; Sylph-Mrs Martyr; The Pantomime commences with a Sea View-the Father and Mother of Harlequin enter from their Hut and meeting their Friend, a Fisherman, according to Evening custom, deplore the absence of their Son, whom they conceive lost at Sea-a small Bark is discernable at a distance, which enlarging as it approaches, and making towards them, gives them hopes, which are realized by their Son's landing in the habit of a Sailor; but are dreadfully disappointed on finding that, being wrecked on the Coast of Lapland, a Witch of that Country, for his wishing to re-visit England, had struck him dumb; but to make amends bestowed on him an Enchanted Sword, which has the various qualities of becoming Sable when Danger is near, and being waved in different Directions produces the effect of making Dance, Laugh or Sleep those living objects it is employed upon-Escaped from the Witch, he has to contend with her Power-the Genius attendant on the Talismanic Influence of his Sword rises, promises assistance, and transforming him to the motley Hero, brings to his View his beloved Columbine-from hence the Harlequinade takes place, followed up by a variety of Changes, Tricks, Metamorphoses. A Short Description of the Scenery, Machinery.: Sea View. +Oft have our footsteps-Linton, Street, Mrs Henley; The wind blew fresh and fair-Townsend; Inside of Fisherman's Cottage, change to Corn-field. Brave offspring of Ocean-Mrs Martyr; Country Publicans. A Prize in the Lottery and its consequence. Outside of Town Hall. Behold natty Sammy-Simmons, Bologna; Changes to Inside of Ditto. Rustic rejoicings-Harlequin in armour, and Columbine's escape. Rural View. In the spring when the meadows-Miss Sims, Miss Wheatley; Milk pail change to Milk-maids, Garland, and Jack in the Green. Artist's Chamber. You take off good likenesses-Rees; in which a Variety of New Imitations-Rees; Fashionable Rout change to Billingsgate. Catch-Linton, Street, Gray, Abbot, Blurton, Wilde, Dyke, Curties, Mrs Castelle, Mrs Leserve, Mrs Bologna; Garden of Love. Chamber. Harlequin and Columbine in jeopardy-make their Pursuers dance to some tune. Landscape leading to the Pottery. Come buy my earthenware-Mrs Clendining; Inside View of the Pottery, change to Subterraneous Cavern. Rash stripling-Mrs Iliff; Bottle changes to Tarantula-the effects of its bite upon Harlequin, cured by Music. By sweet Music's powerful Note-Mrs Martyr; Cavern of Necromancy. With the entrance to the Fiery Gulph, where the Witch consults her Familiar, guarded by an immense Dragon, whose power is counteracted by that of the Sylph, who after singing the following air, Hither haste the young and gay-Mrs Martyr changes the Scene to The Bower of Constancy; The Lovers are united by their Parents, and the Piece concludes with an appropriate Finale-.
Cast
Role: Laugh or Sleep those living objects it is employed Actor: Escaped from the Witch, he has to contend with her Power-the Genius attendant on the Talismanic Influence of his Sword rises, promises assistance, and transforming him to the motley Hero, brings to his View his beloved Columbine-from hence the Harlequinade takes place, followed up by a variety of Changes, Tricks, Metamorphoses. A Short Description of the Scenery, Machinery.: Sea View. +Oft have our footsteps-Linton, Street, Mrs Henley
Role: he has to contend with her Power Actor: the Genius attendant on the Talismanic Influence of his Sword rises, promises assistance, and transforming him to the motley Hero, brings to his View his beloved Columbine-from hence the Harlequinade takes place, followed up by a variety of Changes, Tricks, Metamorphoses. A Short Description of the Scenery, Machinery.: Sea View. +Oft have our footsteps-Linton, Street, Mrs Henley
Role: brings to his View his beloved Columbine Actor: from hence the Harlequinade takes place, followed up by a variety of Changes, Tricks, Metamorphoses. A Short Description of the Scenery, Machinery.: Sea View. +Oft have our footsteps-Linton, Street, Mrs Henley