SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "MMrs Hopkins"/1) | (@(roleclean,performerclean) "MMrs Hopkins")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 894 matches on Performance Comments, 603 matches on Event Comments, 11 matches on Performance Title, 3 matches on Author, and 0 matches on Roles/Actors.
Event Comment: By Command of their Majesties. King? & Queen? (Cross Diary). Mr Havard being ill, Mr Aickin played Leonato (Hopkins Diary)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Harlequin's Invasion

Event Comment: MMr Barry's 1st appearance this season.--A quarrel in the Green Room between Mrs Barry and Mr Aickin (Hopkins Diary)

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: The Elopement

Event Comment: [The Young Gentleman who played Zaphna was Wroughton. "His real name was Rottan, but altered euphonia gratia. He was designed for a surgeon and served his apprenticeship at Bath. The following playbills show that he met with approbation on the stage. He remained with Covent Garden from this time till the end of the season 1785-86. He then played in Ireland one Winter, and was engag'd at Drury Lane Theatre in the beginning of the season 1787-88. This was the occasion of Mr Wroughton's leaving Covent Garden, I mean it was thus conjectured. Mr Lewis had been appointed manager of that theatre for Mr Harris. Mr Lewis and Mr Wroughton lived next door neighbors in Broad Court at the top of Bow Street, and were sworn friends:--they laughed together, lived together--In the season 1784-85 two new performers Mr Holman and Mr Pope, appeared on the Covent Garden Stage--these young men were great favorites with Mr Harris; Mr Holman, attracting at this time very crowded audiences, stood so particularly high in his regard, that his partiality made him guilty of some injustice to older and abler actors in the theatre. Mr Henderson had really cause to complain of neglect; and Mr Wroughton thought himself equally oppressed. At this time we had a Club and met every Wednesday fortnight during Lent at the Long Room in Hamstead at dinner. Our Club consisted of a certain number of us belonging indifferently to either theatre, and two or three other gentlemen who were not actors. Mr King, Mr Quick, Mr Farren, Mr Mattocks, myself, etc., etc. When the bottle had a little warmed Mr Wroughton he threw out some sarcasms on his Friend Mr Lewis's management; Mr Lewis retorted; Their tempers grew hot, their words grew aggravating; Mr Wroughton struck Mr Lewis; Mr Lewis returned the blow. They were parted; all the pleasures of the day were over, and the Club broke up in confusion. I was not present this day, but have related what Mr Siddons told me of this Quarrel, and I imagine that Mr Wroughton's attack on Mr Lewis sprang from a suspicion that he was too willing to execute Mr Harris's designs in favour of Mr Holman. Be this as it may, Mr Wroughton was discharged from cg at the expiration of his Articles with Mr Harris."--Hopkins MS Notes.] Receipts: #186 3s. (Account Book)

Performances

Mainpiece Title: Mahomet

Afterpiece Title: Harlequin Dr Faustus

Event Comment: Afterpiece: By Particular Desire. Mrs Arne being ill, Miss Radley made her First appearance on this stage in Leonora in the Padlock, and was well received (Hopkins Diary)

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: The Padlock

Dance: II: The Lilliputian Camp, as17680922

Event Comment: Mainpiece: An English Opera composed and directed by Dr Arne. In this opera two new performers appeared,--Mr Rathom who played Artaxerxes, a bad figure, extreamly aukward, and much hissed--the other Mrs Forbes, who played Arbaces, a small figure a good voice, was well received, and went decently through the part (Hopkins Diary)

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Old Maid

Dance: M Daguville, 1st appearance, Mrs King

Event Comment: PPortia, 1st time, by Mrs Abington--very well.--Mr and Miss Hamoir were advertised to dance at the end of the first act, being their first appearance.--At practice this morning Mr Hamoir sprained his leg so bad, he was not able to perform--An apology was made by Mr King; and another dance got ready, and all was quiet (Hopkins Diary)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Padlock

Dance: I: A New Comic Dance-Hamoir, Miss Hamoir (their 1st appearance this stage); III: The Piedmontese Mountaineer, as17681103

Event Comment: Comedy from Moliere and Cibber. Hopkins Diary: This comedy [Hypocrite] is the Non Juror altered, and two new characters introduced,--went off very well,--some few hisses,--but the play will do.--The alterations are by Mr Bickerstaffe. [Full account of the mainpiece, but without critical observation, appeared in the Lloyd's Evening Post, Nov. 18-21.

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: The Lyar

Event Comment: JJane Shore for the 1st time by Miss Younge--so, so--spoke much too low.--Mrs Barry was very well in Alicia (Hopkins Diary)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Queen Mab

Event Comment: MMiss Morris was a pupil of Mr Colman's--She was very much approved by the public in the character of Juliet. On the sixth night of her appearance on the stage she was taken ill, and died before the end of this season. See the Bill for her Benefit (Hopkins MS Notes). Afterpiece: Not acted these 6 years. [See 19 May 1762.] [The Occasional Prologue, by Colman, is Larpent MS 288, which introduces Miss Morris as Juliet, and stresses the qualms and fears of a new performer.] Receipts: #227 19s. 6d. (Account Book). Lloyd's Evening Post, 28-30 Nov.: Sir: The managers of both theatres have of late, in order to put a stop to the Public complaint against a dearth of actors, given trials to several stage candidates that seemed to have any promising requisite. Such experiments have not proved fruitless. The most brilliant and interesting of which was the young lady's appearance on Covent Garden Theatre last night, in the character of Juliet. So great was her terror, on presenting herself for the first time before a crowded audience, that, deprived of all her powers, she fell down on the stage in a swoon. The first act in consequence, was all terror on her side, all compassion and anxiety on that of the audience. But having had time between the first and second Acts to recover from her panic, she shone forth in the Balcony Scene the most pleasing promise of a young tragic actress that has been seen for half a century past, and continued so throughout. Her person is genteel, her tone of voice insinuating, variable, and melodious; her recitation is just and sensible; very affecting in the pathetic parts; condescending, free, and polite are the familiar speeches with the Nurse. She is happily devoid of all stage whine, and tragedy Cant. The manner she has been rudimented in does great honour to her instructors, who have so judiciously prevented the so excellent actor of this verily a Shakespeare's Juliet, from being sophisticated by the studied tricks, and false ornamenting of mistaken modern and degenerate art

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Damon and Phillida

Event Comment: MMiss Burton made her first apperaranc on this stage in the part ofthe Country Girl. She is a pretty, genteel figure; Played the part well, and was much Applauded (Hopkins Diary). Country Girl, Young Gentlewoman, first Appearance (Cross Diary)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Queen Mab

Dance: II: A New Dance called The Hunters-Hamoir, Miss Hamoir

Event Comment: This tragedy was wrote by Mr Dow,--went off but So, so.--some hisses thro' the play, and at the end also when given out.--The scenery and dresses was very fine, was well adapted, and had applause.--Miss Younge played very bad, and much disliked--Mr Holland and Mr Aickin played well (Hopkins Diary). New Scenes, Dresses, and Decorations. [The Prologue is Larpent MS 289. It follows in content the suggestions of the Prologue to the Orphan of China ten seasons earlier:@"Too much the Greek and Roman chiefs engage@The Muse's care--they languish on our stage;@The modern bard struck with the vast applause@Of ancient masters, like the painter draws@From models only.--Can such copies charm@The Heart, or like the glow of Nature warm?@To fill the scene, tonight our author brings@Originals at least, --Warriours and Kings,@Heroes who like their Gems, unpolish'd shine,@The mighty fathers of the Tartar line,@Greater than those whom classic pages boast,@If those are greatest who have conquored most."@ An account of the plot of the mainpiece is in Lloyd's Evening Post, 16-19 Dec. Concludes: The play is said to have been written by Mr Dow, who lately favored the public with an accurate History of the Hindoos. The decorations and dresses were very magnificent. The performers who were the most distinguished by the audience were Mr Holland, Miss Younge, Mr Aickin, and Mr Jefferson. Mr Holland spoke the Prologue and Mrs Abington the Epilogue the latter of which furnished infinite entertainment, from the spirit and humour of that admirable actress. A Two column resume of the play appears in the Public Advertiser, 19 Dec.

Performances

Mainpiece Title: Zingis

Afterpiece Title: The Absent Man

Event Comment: Benefit for Author of Zingis. Damon and Phillida was altered into a Comic opera of two acts, and new musick with the addition of some new songs and choruses--the Musick composed by Mr Dibdin,--went off very dull, and some hisses--the muscik not vastly liked (Hopkins Diary). New Overture. Both Zingis and Damon and Phillida published at 1s. 6d. and 1s

Performances

Mainpiece Title: Zingis

Afterpiece Title: Damon and Phillida

Event Comment: ZZingis was to have been played tonight; but Mr Holland cut his hand, and could not play (Hopkins Diary)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Padlock

Event Comment: Afterpiece: In the Manner it was performed at Stratford. This Ode was as it was perform'd at the Jubilee at Stratford upon Avon Dedicating a Building & Erecting a Statue to Shakespeare it was written by D. G. Esqr. and the Music by Dr Arne Mr G. speaking in this performance is equal to anything he ever did and met with as much applause as his heart could desire. It is a most delightful performance (Hopkins Diary)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Ode

Dance: III: A Dance-Dagueville, Sga Vidini

Event Comment: MMr Waldron from Edinburgh made his first appearance upon this Stage in Scrub he is a mean figure a small Impediment in his speaking and wants power he met with some applause (Hopkins Diary)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Ode

Dance: IV: The Wake-Giorgi, Mrs King

Event Comment: SSir John Brute, Mr Garrick (Cross Diary). The Fair Penitent was advertised for Wednesday the 11th: a Rehearsal was call'd on Tuesday the 10. About nine o'clock in the morning Mr Barry sent for & told me he was so ill that would be impossible for him to play for sometime & that he would give up his salary till he was able to play (Hopkins MS Memorandum Book)

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Register Office

Event Comment: Waited on Mrs Barry to know if it would be agreeable to her to play Lady Townly [Provok'd Husband] with Mrs Reddish. She said she had no cloaths fit for it. I ask'd if she has any objection to Mrs Abington's playing the part. She answered no (Hopkins MS Memorandum Book)

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: The Jubilee

Event Comment: TTancred and Sigismunda deferred. Mrs Barry ill. I call'd upon Mr Barry. He was not at home. In the afternoon I sent him a note desiring they would send notice when they were able to perform. He sent me an angry note in answer on Fryday. I, by the managers [orders] answer'd it on Fryday morning, both which letters Mr Garrick has (Hopkins MS Memorandum Book)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Jubilee

Dance: Dagueville, Sga Vidini

Event Comment: Bills was prhnted for Zingis but Mr Holland being taken very ill an Apology was made for the Change (Hopkins Diary). Chang'd from Zingis...Mr Holland Ill, Small Pox (Cross Diary). [The playbill for Zingis reads: Timur-Holland; Zingis-Aickin; Zemouca-Reddish; Cubla-Jefferson; Zena-Palmer; Aunac-Packer; Nevian-Bannister; Sidacou-Hurst; Nadir-Wright; Jelizou-Keen; Suida-Wrighten; Officers-Ackman, Fawcett, &c.; Mila-Mrs Stephens; Ovisa-Miss Younge.

Performances

Mainpiece Title: Amphitryon

Afterpiece Title: The Jubilee

Event Comment: Afterpiece: A dramatic enterainment by William Whitehead. New Scenes, Dresses, and other Decorations. The Farce receiv'd great applause (Hopkins Diary). [An account of the staging of the afterpiece appeared in the Freeholder's Magazine, Jan., concluding: These are the outlines of the Fable of this singular production, which, excepting the episode of Tom Southerton and Dolly Flack, seemed to give great satisfaction to the audience."

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: A Trip to Scotland

Event Comment: MMiss Weller a Pupil of Dr Arne first appear'd and-(Hopkins Diary). London Evening Post, 11 Jan.; A pupil of Dr Arne and scarecely 19 years of age; her figure is that of the tallest of the middle size, well proportioned and at present possesses a dignity and grace which when habit brings her to perfection cannot fail of being universally admired. Her face is oval with an aqualine nose and though from the timidity of a first appearance the rest of her features lost that necessary animation, yet there were periods when she could disposses herself of her confusion, that prognosticated great expression of countenance. Her voice was clear, commanding, and melodious, and her ear and manner both excellent. She is that kind of singer that one can be pleased from looking at as well as from hearing, --an excellence few vocal performers possess. Her acting abstracted from her voice would have done credit to a first appearance, as it was very pleasing and properly accompanied....What the managers could mean in casting Lucy for Miss Pope is extraordinary, as she sung, or indeed rather squalled every song so much out of tune that it was impossible for the music to accompany her; we do not however mean by this to cast the least reflection on so excellent an actress, as her spirited and judicious manner of playing it almost atoned for that of singing it

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: A Trip to Scotland

Event Comment: Rec'd a Message from Mr Barry that he was not able to play King Lear on Fryday, which was at the bottom of today's Bills, but that he believ'd he could play on Saturday. He did not play again till Mond. the 15, King Lear (Hopkins MS Memorandum Book)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: A Trip to Scotland

Event Comment: Rec'd this night a Message from Barry that he was not able to play tomorrow in the Siege of Damascus, which was under today's Bills (Hopkins MS Memorandum Book)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Jubilee

Event Comment: Waited on Mr Barry to know if he should be able to play in the Conscious Lovers on Saturday. His answer was that he could not--& Mrs Barry consented to play it with Mr Reddish (Hopkins MS Memorandum Book)

Performances

Mainpiece Title: Amphitryon

Afterpiece Title: The Jubilee

Event Comment: Sent a note to Mr Barry to know if he could play in the Siege of Damascus on Tuesday. He sent word he could not determine till tomorrow. Sunday Morning (the 4th) sent a note for Mr Barry's determination & to know if Zenobia might be advertis'd for Saturday. His answer was he would let me know when he was able to play (Hopkins MS Memorandum Book)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Jubilee