SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "MMrs Cross"/1) | (@(roleclean,performerclean) "MMrs Cross")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 2725 matches on Event Comments, 1239 matches on Performance Comments, 236 matches on Performance Title, 110 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Leon-$Mr Garrick (Cross Diary). House. So Ends this Season. 61 different Plays; 37 different Farces; 190 Nights in all (Hopkins Diary)

Performances

Mainpiece Title: Rule A Wife

Afterpiece Title: Miss in Her Teens

Dance: V: The Sailors Revels-Atkins

Event Comment: [The preliminary number of The Westminster Magazine this date heartily condemned Colman's Comus "picked down into a skeleton," his production of King Henry VIII, and the new play Cross Purposes.] Receipts: #172 10s

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Harlequin Sorcerer

Event Comment: Oratorio: Written by the late Dr Hawksworth. Set to music by Stanley. Books of the Oratorio may be had of Mr Condell, in Cross St., Bow St., Covent Garden, and at the theatre the night of the performance. Price 1s. [This night Wm. Kenrick delivered his tenth, and apparently last, lecture on The School of Shakespeare. It was on King Lear, and very little could be said in favor of any of his remarks on the passages he selected...[he closed by] presenting the audience an act from Falstaff's Wedding." Monthly Miscellany (April 1774, p. 191), which had reviewed all of his lectures, had commented upon the increasing popularity of them as evidenced by the numbers attending, and presented an engraving of Kenrick in action before his audience.

Performances

Mainpiece Title: The Fall Of Egypt

Music: As17740218

Event Comment: Benefit for Jones, Walker, Mrs Simson and Mrs Cross. Tickets deliver'd by Mas. Blanchard, Stevens, Miss Berkley will be taken. Paid Mr Loutherbourg on acct #41 13s. 4d. (Treasurer's Book). Receipts: #187 19s. Charges: #65 2s. Profits to beneficiaries: #22 17s. (Treasurer's Book)

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Ladies Frolick

Dance: III: Hornpipe-Walker; End: The Mountaineers, as17730930

Event Comment: Benefit for Mrs Love, Mrs Cross, Mrs Millidge. Tickets deliver'd for This Night will be taken. Mr Smith-Leon Bad (Hopkins Diary). Receipts: #117 1s. Charges: #64 13s. 6d. Profits to beneficiaries: #52 7s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Rule A Wife

Afterpiece Title: A Trip to Scotland

Song: III: The Favourite Song of Gramachree Molly-Mrs Wrighten

Event Comment: Boxes 5s. Gallery 3s. Pit 2s. Upper Gallery 1s. Doors open at half past five. Play begin at half past six. [Repeated.] Before the Play a new Overture and New Occasional Prelude (Public Advertiser). The House has been quite alter'd since last Season and is now fitted up in the most elegant manner Possible by the Adam's etc. and is the most Compleat of any Theater in Europe. Great applause to the House before the Curtain. The Theatrical Candidates is wrote by D. G. Esq and was received with great Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording. In Judging the popularity of a play in terms of box receipts for this season one must be aware of the fact that the treasurer's account books here differ from those of the five preceding years in not recording the income from the tickets delivered out for benefit nights. Hence on those nights the stated income reflects only the money taken at the door the night of the performance, and does not indicate the larger amounts which the actors received for their tickets. Deficits to various actors listed on the following pages were all paid up, presumably from the ticket receipts. Each actor doubtless at least broke even on his benefit.] Ceiling rais'd 12 feet. Old side Boxes top and bottom remov'd. New passages to Boxes. Entrance Bridges St. Light pillars to support Boxes inlaid with plate glass on green and crimson ground. Old chandeliers remov'd. Gilt branches with two candles each on pillars. Four new chandeliers in front. No slit i Curtain. Adam architects. 4,000 guineas. Persons not employed in the night's amusement ordered not to come behind the scenes--performers by that means go cross stage (Winston MS 11, from Dr Burney's News Cuttings). Paid Renters #8; Supernumeraries and Drum #1 16s.; taylor's Bill #10 11s. 6d. (Treasurer's Book). [For the 188 acting nights of the season and for 11 Oratorio nights the Renters were paid a total of #1,692. The Supernumeraries were paid an average of #5 per night or #940 for the season. No further account of these items will be made. Full account of the new look given to Drury Lane by the Adam's brothers in the Westminster Magazine for Sept. along with an approving review of the Meeting of the Company.] From Lloyd's Evening Post, 25 Sept., "On the New Front of Drury Lane Theatre": @Garrick asham'd to poke his nose@Too sheepishly beneath the Rose:@And fearing, poor man, what were Worse,@His bashfulness might hurt his purse;@Resolves this year to push a front,@And put a better face upon't.@Not surely meaning to give o'er@His Art, and make no faces more.@Yet, fair as tis, I'd have him know@If tis the last he means to show.@This face will never make amends,@For turning tail upon his friends;@Who own, by general consent,@His face the best Stage ornament.@ (In Folger Library, David Garrick Verses, Prologues and Epilogues, MS, p. 86.) Receipts: #208 11s. (Treasurer's Book)

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Miller of Mansfield

Event Comment: Benefit for R. Palmer, Walker, Kirk, house-keeper, & Mrs Cross. The Doors to be opened at 5:30. To begin at 6:30 [same for rest of season]. Receipts: #247 9s. 6d. (45.5.0; 11.12.6; 0.0.0; tickets: 190.12.0) (charge: #67 5s.)

Performances

Mainpiece Title: The Fair Quaker

Afterpiece Title: The Deserter

Dance: Grand Naval Review, As17761109; End I afterpiece: a Hornpipe-Walker

Song: As17761109

Entertainment: Monologue. End: Bucks have at ye All-R. Palmer

Event Comment: Benefit for Sga Danzi. Tickets to be had of Sga Danzi, No. 8, Suffolk-street, Charing-cross

Performances

Mainpiece Title: Creso

Dance: As17780203

Song: II: new song, as17780305In II: a new song-Sga Danzi; accompanied on the hautboy-LeBrun

Event Comment: Benefit for Jermoli. A new Comic Opera; the Poetry by Goldoni; the Finales and Airs by Piccinni and Paisiello. [Performed on 24 Jan. 1786 as Il Marchese Tulipano.] Tickets to be had of Jermoli, No. 29, Cockspur-street, Charing-cross

Performances

Mainpiece Title: Il Marchese Villano

Dance: As17780203

Event Comment: Benefit for Condell, Evans & Curteen, box-keepers. Tickets sold at the doors will not be admitted. Public Advertiser, 12 May: Tickets to be had of Condell, Cross-court, Duke's-court, Bow-street, Covent Garden; of Evans at Bromfield's, Trunk-maker, No. 118, Long-acre; of Curteen, No. 11, Temple-lane, White-friars. Receipts: #259 5s. (53.3; tickets: 206.2) (charge: #105)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Comus

Dance: As17780507

Event Comment: Mainpiece [1st time; C 5]: By the celebrated Henry Fielding; and never yet performed or published. With new Scenes, Dresses, &c. [and incidental music by Michael Arne. Prologue by David Garrick. Epilogue by the same (see text)]. Public Advertiser, 12 Dec. 1778: This Day is published The Fathers (1s. 6d.). "This play was written by Mr Henry Fielding, some years before his death. Mr Garrick saw it at that time. Mr Fielding gave the only fair copy he had of it to his friend Sir Charles Williams, of whose judgment he entertained a high opinion. Sir Charles soon after went abroad, and the comedy was mislaid. Mr. Fielding communicated this circumstance to his family on his death-bed; and enquiry was made for it, but without effect. At length Mr Thomas? Johnes, Member for Cardigan, looking over Sir Charles's books, found a comedy in manuscript, which he read, and, approving, had it transcribed and sent to Mr Garrick for his opinion, who, like Archimedes, cried out, 'This is the lost sheep! This is Mr Henry Fielding's play!' Mr Garrick communicating it to Mr Johnes, Mr Johnes immediately sent the original manuscript, which was in Mr Fielding's hand-writing, to the family, with his best wishes for its success, promising to assist it to the utmost of his power" (Gentleman's Magazine, Dec. 1778, p.586). See also, for corroboration of the above and for other details, Wilbur L. Cross, The History of Henry Fielding, 1918, III, 99-104. Receipts: #210 11s. 6d. (186.6.0; 23.19.6; 0.6.0)

Performances

Mainpiece Title: The Fathers; Or, The Good Natur'd Man

Afterpiece Title: The Irish Widow

Dance: As17780919

Event Comment: Benefit for Sga Sestini. Tickets to be had of Sga Sestini, No. 8, Great Suffolk-street, Charing-cross

Performances

Mainpiece Title: La Buona Figliuola

Dance: End I: Les Oiseleurs, as17790123; End Opera: New Ballet, as17790227

Ballet: End II: Annette et Lubin. As17781124

Event Comment: Benefit for Condell, Evans & Curteen, box-keepers. Tickets sold at the Doors will not be admitted. Mainpiece: On account of the additional Airs, contracted into 3 Acts. The Music by Purcell, Smith, Arne & Fisher. [Wright is identified by MS annotation on Kemble playbill. And see 8 May.] Public Advertiser, 7 May: Tickets to be had of Condell, Cross-court, Bow-street, Covent Garden; of Evans, at Bromfield's, trunk-maker, No. 118, Long-acre; of Curteen, No. 11, Temple-lane, Whitefriars

Performances

Mainpiece Title: Illumination

Afterpiece Title: The Tempest

Afterpiece Title: The Upholsterer

Dance: In: Aldridge, Miss Valois

Event Comment: Benefit for Mrs Cargill. Tickets to be had of Mrs Cargill, No. 41, Suffolk-street, Charing-Cross

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Comus

Dance: End: As17800530

Event Comment: Creditors of Mr Taylor are requested to meet the Trustees this Day, at One o'clock, at the Bedford Arms, Covent Garden. The Proprietor having, upon a certain Ground, granted the use of the House for the Benefit of the Performers, during the Remainder of the Season, there will be an Opera on Thursday next. [It was cancelled.] Several Persons of Fashion having generously raised a new Subscription for the Relief of the Performers, they take this opportunity of returning them their most cordial thanks. The Price of the new Subscription is Five Guineas each Subscriber, for 12 Benefit Nights, the Money to be paid into the hands of Mr Drummond, Banker, at Charing-Cross. [On 27 May a concert was held at the Pantheon for the benefit of the singers and dancers who had lately belonged to the King's Theatre, in which they all participated.]

Performances

Mainpiece Title:

Event Comment: Benefit for Bannister. Public Advertiser, 22 Aug.: Tickets to be had of Bannister, No. 7, Suffolk-street, Charing-cross. 1st piece [1st time; prel i, by William Finney. MS: Larpent 635; not published]

Performances

Mainpiece Title: The Green Room

Afterpiece Title: The English Merchant

Afterpiece Title: The Sheep Shearing

Song: End of Act I of mainpiece a favourite song by Miss George; End of Act IV Admiral Benbow by Bannister

Monologue: 1783 08 27 As 13 Aug. IMITATIONS. As 20 Aug

Performances

Mainpiece Title: The Patriot

Performance Comment: Principal Characters by Wilkinson, Parker, Cross, Hunter, Miller, Powell, Shatford, Smith; Miss Watson Sen., Miss Forde, Miss Watson Jun., Miss Frederick, Miss Hemet. Cast not known. New Prologue [spoken by T. Davis] and Epilogue [spoken by Miss Hemet] .

Afterpiece Title: The Reprisal; or, The Tars of Old England

Performance Comment: Characters by Cross, Schultz, Cooke, Parker, Morgan, Gardin, Mills, Burden, Liddel, Barfield; Miss Hemet, &c. Cast not known .
Event Comment: Benefit for Bannister. [Kean's 1st appearance was at this theatre, 22 Mar.] 2nd piece: The Music compiled by Dr Pepusch. 4th piece: A Ballet Tragi-Comique, composed by Signor Novestris [i.e. George Colman, the elder]. Gazetteer, 23 Aug.: Tickets to be had of Bannister, No. 7, Suffolk-street, Charing-cross

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Foote, Weston, and Shuter in the Shades

Afterpiece Title: Medea and Jason

Dance: In Act III of 2nd piece Hornpipe by Byrne

Monologue: 1784 08 26 As 10 Aug

Performances

Mainpiece Title: King Charles I

Afterpiece Title: The Beggar's Opera (Last Act only)

Dance: In afterpiece a Hornpipe by Middleton. IMITATIONS. End of mainpiece a variety of new Imitations by a Gentleman [probably Kean (see17850124)]. VAUDEVILLE. After the Imitations A Comic Sketch of the Times by Ryder, Greville, Mrs Hudson; and Bucks have at ye All by Cross

Performance Comment: IMITATIONS. End of mainpiece a variety of new Imitations by a Gentleman [probably Kean (see17850124)]. VAUDEVILLE. After the Imitations A Comic Sketch of the Times by Ryder, Greville, Mrs Hudson; and Bucks have at ye All by Cross .
Event Comment: Benefit for Bannister. Public Advertiser, 15 Mar.: Tickets to be had of Bannister, No. 7, Suffolk-street, Charing-cross. [Miss Bannister's 1st appearance at this theatre was on 28 Apr. 1784.] Receipts: #321 9s. (118/6; 22/18; 2/4; tickets: 178/1) (charge: #113 7s. 3d.)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Rosin A

Dance: As17850307athi

Event Comment: Benefit for Vestris. Tickets, 10s. 6d. each, to be had of Vestris, No. 8, Great Suffolk-street, Charing-cross. 2nd ballet: With a great Variety of magnificent Scenery and Decorations executed by Gaetano Marinari. [Synopsis of action in Morning Post, 23 Mar.] "Vestris and Baccelli, tho' incomparable in some parts of the art, are far inferior as actors to Lepicq and Rossi... One evident amendment of the Ballet may be compression and curtailment. As it was, the curtain did not drop till twelve o'clock" (Public Advertiser, 25 Mar.)

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I Divertissement Villageois, as17860218, but Sga Angiolini in place of Sga Carolina; End of Opera a Grand Pantomime Ballet in 3 acts, Le Premier Navigateur; ou, La Force de I'Amour (originally composed by Gardel Sen., and acted at the Opera House in Paris with uncommon Applause, and now got up at this Theatre under the immediate Inspection of Vestris). Melide-Mlle Baccelli (1st appearance these 4 years); Semite, Mother to Me'lide-Mlle Mozon; Venus-Sga Angiolini; Daphnis-Vestris; Faun-Fabiani; Old Cottager-D'Egville; Lovers of Melody-Henry, Marseilles, Duquesney [Jun].; Morpheus and Priest of Hymen-Marseilles; Cupid-Miss De Camp. With a Pas de Quatre by Rozier Jun., Marseilles, Spozzi, Giorgi

Event Comment: Benefit for Bannister. 1st piece: Not acted these 2 years. Morning Herald, 11 Mar.: Tickets to be had of Bannister, No. 7, Suffolk-street, Charing-cross. Receipts: #316 4s. 6d. (123/16/0; 10/16/0; 1/7/6; tickets: 180/5/0) (charge: #111 15s. 9d.)

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: The Sons of Anacreon

Afterpiece Title: The Romp

Song: In 2nd piece several capital Catches and Glees, selected from the most eminent Masters; The celebrated Anacreontic Song by Bannister; an Imitative Song by Bannister Jun

Event Comment: Benefit for Mme Mara. Tickets to be had of Mme Mara, No. 39, Suffolk-street, Charing-cross. Receipts not listed

Performances

Mainpiece Title: Didone Abbandonata

Dance: End I: Divertissement, as17870116; End Opera: La Fete Provencale, as17870308

Event Comment: Benefit for Johnstone. Public Advertiser, 14 Apr.: Tickets to be had of Johnstone, No. 7, Suffolk-street, Charing-cross. Receipts: #282 2s. (135.6; 2.15; tickets: 144.1)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Annette and Lubin

Afterpiece Title: The Intriguing Chambermaid

Event Comment: Benefit for Mlle Hilligsberg. Tickets to be had of Mlle Hilligsberg, No. 1, Suffolk-street, Charing-cross. 1st ballet: With new Dresses and Scenery. Receipts not listed

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: an entire new ballet, composed by Noverre, Les Fetes de Tempe. Principal Characters-Mlle Hilligsberg, Mlle Coulon, Didelot, Vestris, Henry, the two Miss Simonets, Coulon

Ballet: End Opera: L'Amour et Psiche. As17880129