SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "MMr King"/1) | (@(roleclean,performerclean) "MMr King")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2636 matches on Performance Title, 2610 matches on Performance Comments, 1691 matches on Event Comments, 23 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [Kemble's 1st appearance as Osman was in Dublin (Genest, VI, 295).] Afterpiece [1st time; P 2 (?), by James Cobb and Thomas King]: Partly formed on the Plan of the Italian Comedy, and embellished with Music and Machinery. The paintings by Greenwood. The Music compiled and composed by Linley [Sen.]. Nothing under Full Price will be taken. Books of the Songs [which assign no parts], Introduction, &c. to be had at the Theatre. [Synopsis of action in Universal Magazine, Dec. 1785, p. 335.] Account-Book, 31 Jan. 1786: Paid King for Hurly-Burly #165. Receipts: #181 2s. (174/17; 6/5)

Performances

Mainpiece Title: Zara

Afterpiece Title: Hurly-Burly; or, The Fairy of the Well

Related Works
Related Work: Hurly-Burly; or, The Fairy of the Well Author(s): Thomas King

Dance: In afterpiece, by Hamoir, Williamson, Miss Stageldoir, Mrs Sutton, &c. [The dance was included, as here assigned, in all subsequent performances.]

Event Comment: Benefit for Miss George. Afterpiece: Not acted these 2 years [not acted since 3 Aug. 1784]. Public Advertiser, 4 Aug.: Tickets to be had of Miss George, No. 23, King-street, Soho

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: Midas

Song: End I: a new song by Master King In vain do idle vi'lets blow (Public Advertiser 14 Aug.)-Miss George; End: Mad Bess (for that night only)-Miss George

Event Comment: Benefit for Mrs Mattocks. Tickets delivered for the 24th of April will be taken. Public Advertiser, 16 Apr.: Tickets [for 24 Apr.] to be had of Mrs Mattocks, No. 7, King-street, Covent Garden. Mainpiece: Written by Richard Steele. 3rd piece [1st time; ENT I, author unknown. Larpent MS 830; not published]. Receipts: #253 17s. 6d. (159.12.0; 8.9.6; tickets: 85.16.0)

Performances

Mainpiece Title: The Funeral; Or, Grief A-la-mode

Afterpiece Title: Annette and Lubin

Afterpiece Title: Saint George's Day; or, Britons Rejoice

Song: End 3rd piece: God save the King-; with Grand Accompaniment [on the organ]-Greatorex [, as performed at the Oratorios see17890320

Event Comment: Ballet: 1st Time [at this theatre. The two Miss Simonets were from the king's.]. With new Scenes and Dresses. Receipts: #119 9s. 6d. (113.6.6; 6.3.0)

Performances

Mainpiece Title: Marcella

Afterpiece Title: The Citizen

Dance: End afterpiece: A Grand Ballet of Action, as performed at the King's Opera House in the Hay-market [most recently in season of 1787-88] The Deserter[. Principal Characters-Cranfield, Delpini, Boyce, Byrne, Mrs Davenett, the two Miss Simonets (1st appearance [at this theatre])

Event Comment: [As mainpiece the playbill announces The School for Scandal, but "The Public is most respectfully informed that, in consequence of the sudden indisposition of King, The School for Scandal is unavoidably postponed. This Evening [will be acted] The Heiress" (printed slip attached to BM playbill (Burney 937.c.II)). Thespian Magazine, Feb. 1793, p. 193, also notes this change.] Receipts: #131 15s. (82.15; 45.8; 3.12)

Performances

Mainpiece Title: At King's The Heiress

Afterpiece Title: Richard Coeur de Lion

Song: Probably as17921016

Event Comment: Benefit for Suett and Barrymore. [In mainpiece the playbill assigns Valentine to Barrymore and Scandal to Bensley, but "previous to the play an apology was made for the appearance of Whitfield in Valentine, as Barrymore had undertaken Scandal, in consequence of Bensley's being afflicted with a violent hoarseness" (Thespian Magazine, June 1793, p. 2).] Morning Herald, 25 Apr.: Tickets to be had of Suett, No. 21, King-street, Bloomsbury; of Barrymore, No. 11, Bedford-street, Bedford-row. Receipts: #447 10s. (95.19; 43.16; 6.1; tickets: 301.14). (charge: #159 0s. 4d.)

Performances

Mainpiece Title: At King's Love For Love

Afterpiece Title: The Devil to Pay

Event Comment: The original Music [of the TE DEUM] is in two Scores, MS., one of them in the possession of the King of Naples, and the other in that of his Royal Highness the Prince of Wales, by whose gracious condescension the use of this Score will be allowed for that night. The new Organ, built by Green (organ-builder to his Majesty) for the new Subscription Room, will be played upon this occasion by Greatorex. Boxes to be taken of Rice. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. No Money to be returned. The Doors to be opened at 7:00. To begin at 8:00

Performances

Mainpiece Title: A Grand Selec Tion Of Music From The Most Eminent Masters

Afterpiece Title: THE GRAND TE DEUM, composed by Paisiello, upon the return of his Majesty the King of the Two Sicilies, from Vienna to Naples, in the summer of 1791

Event Comment: Tickets delivered for King Richard the Third [Account-Book: by Brandon, Arnold, Little, Brice, Blurton, Bonsor, Hay, Haseler, Lloyd, Berecloth, Savory, Noble, Linton, Castelle, Atkins] will be admitted. Receipts: #484 14s. 6d. (51.0.6; 3.14.0; tickets: 430.0.0)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Comus

Dance: End: The Wapping Landlady-Blurton, King, Mrs Watts

Related Works
Related Work: The Tragedy of King Henry IV of France Author(s): Charles Beckingham

Song: Vocal Parts, as17950309but Mrs _Blurton; In afterpiece: Sweet Echo-Mrs Mountain; accompanied on the hautboy-W. Parke

Event Comment: Last Night of the Company's performing this Season. Account-Book: Tickets delivered by Mrs Shotter, Wyatt, Waller, Gawdrey, Ratchford, the Band, Coombes, Page, Wilkins, Robson (door-keeper), Warwhick, Dosel, Paskin, Wells, Ansell, King will be admitted. Receipts: #467 13s. 6d. (67.10.0; 3.14.0; tickets: 396.9.6)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Poor Sailor

Cast
Role: King Edward III Actor: Farren

Dance: Afterpiece: With a Treble Hornpipe-Ratchford, King, Mrs Ratchford

Related Works
Related Work: The Tragedy of King Henry IV of France Author(s): Charles Beckingham
Event Comment: The Last Night of the Company's performing this Season. [Account-Book: Tickets delivered by Mrs Lloyd, W. Bayzand, Timkins (box-keeper), Street, Barnes, Morris, Rye, Dosel, Wells, King, Timkins (carpenter), Thompson (near Stage), Coates, Roberts, Thompson, (gallery door-keeper) will be admitted.] Receipts: #419 1s. (38.16; after-money: not listed; tickets: 380.5)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Irish Mimick

Dance: End: a Scotch Reel-Bayzand, King, Mlle St.Amand

Related Works
Related Work: The Tragedy of King Henry IV of France Author(s): Charles Beckingham
Event Comment: [Extra night] Benefit for the Widows and Orphans of those brave Men who perished, and those who were wounded, in the Glorious Action of the 14th February last [see king's, 18 May.] Patrons: His Royal Highness the Prince of Wales, His Royal Highness Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., Wm. Lushington Esq., Wm. Manning Esq., John Thomson Esq., John Julius Angerstein Esq. Boxes to be taken, and Tickets had at the Office of the Theatre, and at the Bar of Lloyd's Coffee-House. Receipts: none listed

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Dance: End: Peggy's Love (By permission of the Proprietors of the king's Theatre)-Mme Rose, Didelot, Gentili, Mlle Parisot, Mme Hilligsberg; End afterpiece: Cupid and Psyche-the same.Mme Rose, Didelot, Gentili, Mlle Parisot, Mlle Hilligsberg

Entertainment: Monologue. Preceding 1st ballet: [a favorite Epilogue-Mrs Abington (1st appearance on this stage these 8 [recte 7] years)

Event Comment: Benefit for R. Palmer and Russell. Morning Chronicle, 16 Apr.: Tickets to be had of R. Palmer, No. 12, King's Row, Pimlico; of Russell, No. 8, Broad-court, Bow-street. Receipts: #507 15s. 6d. (111.13.0; 69.19.6; odd and after-money: 11.6.0; tickets: 314.17.0) (charge: #219 12s. 5d.)

Performances

Mainpiece Title: As You Like It

Cast
Role: Touchstone Actor: King

Afterpiece Title: Wit's Last Stake

Related Works
Related Work: Wit's Last Stake Author(s): Thomas King

Afterpiece Title: The Deserter

Song: V: a song, as17990214

Entertainment: Monologue End: The Picture of a Play House; or, Bucks have at ye all-R. Palmer; Vaudeville II 3rd piece: Military Manoeuvres-; The Dead March-; the Ceremony Shooting a Deserter-

Event Comment: By Permission [of the Lord Chamberlain]. Benefit for a Gentlewoman. Mainpiece: Not acted these 7 years. [Author of Prologue unknown.] Afterpiece: Written by Thomas King, Esq. The Doors to be opened at 5:00. To begin at 6:30. The Public may be assured that the principal Performers in the above play and farce are Persons accustomed to the Stage, and that the utmost Attention will be paid to the credit of Performance. Tickets delivered by Mrs Lefevre and Blackburn will be admitted

Performances

Mainpiece Title: The Modish Wife

Afterpiece Title: Wit's Last Stake

Related Works
Related Work: Wit's Last Stake Author(s): Thomas King

Dance: End II: Miller

Entertainment: End: Variety of Rhetorical Imitations-a Gentleman (1st appearance [unidentified])

Event Comment: Benefit for Mr and Mrs Bernard. Afterpiece [1st time; CO 2, author unknown. Larpent MS 909; not published]: With proper Scenery, Dresses, and Decorations. The Music entirely new, composed by M. P. King. Morning Chronicle, 20 May: Tickets to be had of Bernard, No. 35, Bow-street. Receipts: #299 2s. 6d. (120.10.6; 11.8.0; tickets: 167.4.0)

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: Primrose Green; or, Love in the Country

Related Works
Related Work: Primrose Green; or, Love in the Country Author(s): Matthew Peter King

Dance: After Monologue: The Jockies, as17910507

Song: End II: Black Eyed Susan-Incledon

Entertainment: Monologue. End: Dissertation on Hobby@Horses: The Statesman's Hobby; The Soldier's Hobby; The Beau's Hobby; The Lady's Hobby; The Fidler's Hobby; Mrs Mountain's Hobby; The Manager's Hobby; and His Own Hobby-Bernard

Performances

Mainpiece Title: The Orphan

Song: Singing in Italian and English-the Misses Hambleton

Music: M$Mr Handel's famous Water@Musick-, with Trumpets and French Horns; accompany'd with a Preamble on the Kettle@Drums- the ingeniousMr Joab Baker

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17610421 but Richard-Holland; Buckingham-Davies; Lord Mayor-Baddeley.
Cast
Role: Buckingham Actor: Davies
Role: King Richard Actor: Garrick.
Role: King Henry Actor: Havard
Role: King Edward Actor: Master Cautherly

Afterpiece Title: High Life below Stairs

Cast
Role: Sir Harry's Servt Actor: King

Entertainment: M$Mr Foote's Epilogue to the Minor-Master Summers, a child 4 years old

Event Comment: The King's Company. Pepys, Diary: Being full of my desire of seeing my Lord Orrery's new play this afternoon at the King's house, The Black Prince, the first time it is acted; where though we come by two o'clock, yet there was no room in the pit, but we were forced to go into one of the upper boxes, at 4s. a piece, which is the first time I ever sat in a box in my life. And in the same box come, by and by, behind me, my Lord Barkeley and his lady; but I did not turn my face to them to be known, so that I was excused from giving them my seat; and this pleasure I had, that from this place the scenes do appear very fine indeed, and much better than in the pit. The house infinite full, and the King and Duke of York was there. By and by the play begun, and in it nothing Particular but a very fine dance for variety of figures, but a little too long. But, as to the contrivance, and all that was witty (which, indeed, was much, and very witty), was almost the same that had been in his two former plays of Henry the 5th and Mustapha, and the same points and turns of wit in both, and in this very same play often repeated, but in excellent language, and were so excellent that the whole house was mightily pleased with it all along till towards the end he comes to discover the chief of the plot of the play by the reading of a long letter, which was so long and some things (the people being set already to think too long) so unnecessary that they frequently begun to laugh, and to hiss twenty times, that, had it not been for the King's being there, they had certainly hissed it off the stage. But I must confess that, as my Lord Barkeley says behind me, the having of that long letter was a thing so absurd, that he could not imagine how a man of his parts could possibly fall into it; or, if he did, if he had but let any friend read it, the friend would have told him of it; and, I must confess, it is one of the most remarkable instances that ever I did or expect to meet with in my life of a wise man's not being wise at all times, and in all things, for nothing could be more ridiculous than this, though the letter of itself at another time would be thought an excellent letter, and indeed an excellent Romance, but at the end of the play, when every body was weary of sitting, and were already possessed with the effect of the whole letter, to trouble them with a letter a quarter of an hour long was a most absurd thing. After the play done, and nothing pleasing them from the time of the letter to the end of the play, people being put into a bad humour of disliking (which is another thing worth the noting), I home by coach, and could not forbear laughing almost all the way home, and all the evening to my going to bed, at the ridiculousness of the letter, and the more because my wife was angry with me, and the world, for laughing, because the King was there, though she cannot defend the length of the letter

Performances

Mainpiece Title: The Black Prince

Performance Comment: Edition of 1672: Prologue-the Genius of England [holding Trident in one hand and a Sword in the other; King Edward-Moon [Mohun]; King John-Wintersell; Prince-Kenniston [Kynaston]; Lord Delaware-Hart; Count Guesclin-Burt; Lord Latimer-Cartwright; Page-Beeston; Alizia-Mrs Guinn; Plantaginet-Mrs Marshall; Cleorin-Mrs Corey; Sevina-Mrs Nepp; Valeria disguised-F. Damport [Davenport]; A Lady-Betty Damport [Davenport]; Epilogue to the King-.
Cast
Role: King Edward Actor: Moon
Role: King John Actor: Wintersell
Role: Epilogue to the King Actor: .
Event Comment: Mainpiece: Containing the Distresses and Death of King Henry VI; the Artful acquisition of the Crown by King Richardv; the Murder of young King Edward V, and his brother in the Tower; The landing of the Earl of Richmond, and the death of King Richard in the memorable Battle of Bosworth Fieldv, being the last that was fought between the Houses of York and Lancaster. With many other Historical passages. [This descriptive passage accompanies all notices of the play this season and will not be recorded here further.

Performances

Mainpiece Title: Richard Iii

Performance Comment: Richard-Garrick; Richmond-Havard; King Henry-Berry; Buckingham-Mills; Duke of York-Miss Cibber; Queen-Mrs Roberts; Lady Anne-Mrs Mills; Duchess of York-Miss Bennett; Stanley-Winstone; Lord Mayor-Taswell; King Edward V-Mrs Ridout; Tressel-Turbutt; Ratcliff-Woodburn; Norfolk-Blakes; Catesby-Marr; Lieutenant-Ray; Oxford-Green; Tirrel-Vaughan; Forest-Gray; Dighton-Wright; Blunt-Raftor.
Cast
Role: King Henry Actor: Berry
Role: Buckingham Actor: Mills
Role: King Edward V Actor: Mrs Ridout

Song: II: Song-Beard

Music: IV: Concerto-Veracini

Dance: V: Grand Serious Ballet, as17421005

Event Comment: Benefit for Havard. Fairy Tale deferr'd, Miss Wright ill. This morning Mr Obrien was married to Lady Susan Strangeways. Mr Powell made an Apology & Mr King play'd his part in the Farce. N.B. This Night Mrs Yates sent me word She could play no more this Season (Hopkins). Mr Obrien married, cou'd not come. Mr King play'd his Part Mr I. Palmer King's (Cross Diary). Mr O'Brien being married this morning to Lady Susan Strangeways [sic] after the Play Mr Powell made apology that Mr O'Brien had sent word he was not able to do his part [Lovel], and that Mr King had undertaken it at every short warning, and hoped for their indulgence.-Mr J. Palmer did Mr King's part [Sir Harry's Servant]. This Night Mrs Yates gave notice she could play no more this season (Hopkins Diary-MacMillan). Receipts: #214 2s. (MacMillan); charges: #64 4s. [Profit to Havard: #149 18s.

Performances

Mainpiece Title: The Orphan

Afterpiece Title: High Life below Stairs

Performance Comment: As17631029, but Lovel-King; Sir Harry's Servt-J. Palmer. [See note below.]See note below.]
Cast
Role: Lovel Actor: King
Role: Sir Harry's Servant Actor: King

Dance: End: The Irish Lilt, as17630922

Event Comment: Benefit for King. The Play was very Imperfect. Bon Ton is a Comedy in Two Acts. Written 15 or 16 years ago Mr G. out of Friendship for Mr King gave it him to get up for his Benefit-It was verY well perform'd & receiv'd with the highest Applause (Hopkins Diary). Mainpiece: Not acted these 16 years. [See 29 Jan. 1759.] Part of Pit laid into boxes. Paid 4 days salary, list #377 4s.; J. French on acct #5 5s.; Mr Carter in full for Music for Rival Candidates #42 (Treasurer's Book). [Rather unfavorable review of Bon Ton in Westminster Magazine for March. Ascribes it to Burgoyne, with touches form Garrick.] Receipts: #291 2s. 6d. Charges: #66 7s. 6d. Profits to King: #224 15s. (Treasurer's Book)

Performances

Mainpiece Title: Measure For Measure

Performance Comment: Duke-Smith; Claudio-Reddish; Angelo-Palmer; Escalus-J. Aickin; Clown-Parsons; Provost-Davies; Friar Peter-Usher; Elbow-Wright; Barnardine-Keen; Abhorson-Carpenter; Lucio-King; Mariana-Miss Hopkins; Juliet-Miss Platt; Mistress Overdone-Mrs Bradshaw; Francisca-Mrs Johnson; Isabella-Mrs Yates.
Cast
Role: Lucio Actor: King

Afterpiece Title: Bon Ton; or, High Life Above Stairs

Performance Comment: Parts by King, Dodd, Parsons, Baddeley, Burton, Brereton, Lamash, Wheeler, Miss Pope, Miss Platt, Mrs Abington, Prologue-King; Sir John Trotley-King; Lord Minikin-Dodd; Davy-Parsons; Col. Tivy-Brereton; Jessamy-Lamash; Mignon-Burton; Lady Minikin-Miss Pope; Gymp-Miss Platt; Miss Titup-Mrs Abington; Riffle-Baddeley; Whisp-Wheeler (the parts of Riffle and Whisp removed after 1st performance) (Genest, V, 449).
Cast
Role: Prologue Actor: King
Role: Sir John Trotley Actor: King
Event Comment: Benefit for Palmer [whose 1st recorded appearance as King Richard was at Canterbury, 8 Mar. 1780]. Morning Herald, 26 Aug.: Tickets to be had of Palmer, No. 39, Great Pultney-street, Golden-square

Performances

Mainpiece Title: The School Of Shakespeare; Or, Humours And Passions

Performance Comment: Given in a regular representation of several of his most favourite and capital Scenes. With Scenery and Dresses suited to the Characters and their situations. The inimitable Scenes of the Poet, selected for the Purpose, and digested into Five Acts, will exemplify in the strongest colours of our immortal Bard, Cruelty, Vanity, Ambition, Rusticity, Tyranny-; [Act I. Cruelty, in The Merchant of Venice [IV. i]. Shylock-Palmer; Anthonio-Aickin; Bassanio-C. Kemble; Gratiano-R. Palmer; Portia-Mrs Kemble; [Act II. Vanity, in the First Part of Henry IV [parts of II. iv]. Sir John Falstaff-Fawcett; Prince of Wales-Palmer Jun.; Francis (for that night only)-Bannister Jun.; [Act III. Ambition, in King Henry the Eighth [parts of III. ii]. Cardinal Wolsey (1st time)-Palmer; King Henry-R. Palmer; [Act IV. Rusticity, in As You Like it [III. iii]. Touchstone-Bannister Jun.; Audrey-Mrs Harlowe; [Act V. Tyranny, in King Richard the Third [parts of I. ii; II. ii; and V]. King Richard (1st time)-Palmer; King Henry-Aickin; Richmond (1st time)-Palmer Jun.; Lady Anne-Miss Logan.
Cast
Role: King Henry Actor: R. Palmer
Role: King Richard Actor: Palmer
Role: King Henry Actor: Aickin

Afterpiece Title: The Hodge Podge; or, A Receipt to make a Benefit

Afterpiece Title: The Son-in-Law

Song: In 2nd piece: Mad Bess (in character)-Miss Leak; a Welch Song (in character)-Mrs Bland; The Waiter-Fawcett

Entertainment: In 2nd piece: Imitations-Caulfield

Event Comment: The Duke's Company. On Thursday 10 Dec. 1663, Pepys reported that this play was to be acted the following week, but the date of the first performance is uncertain. But--except for the holidays--it was probably acted on consecutive days until 1 Jan. 1663@4, when Pepys saw it. The play is also in Herbert, Dramatic Records, p. 138, as a "Revived Play." Pepys, Diary: I perceive the King and Duke and the Court was going to the Duke's playhouse to see Henry VIII. acted, which is said to be an admirable play. But, Lord! to see now near I was to have broken my oathe, or run the hazard of 20s. losse, so much my nature was hot to have gone thither; but I did not go. Downes (p.24): King Henry the 8th, This Play, by Order of Sir William Davenant, was all new Cloath'd in proper Habits: The King's was new, all the Lords, the Cardinals, the Bishops, the Doctors, Proctors, Lawyers, Tip-staves, new Scenes: The part of the King was so right and justly done by Mr Betterton, he being Instructed in it by Sir William, who had it from Old Mr Lowen, that had his Instructions from Mr Shakespear himself, that I dare and will aver, none can, or will come near him in this Age, in the performance of that part: Mr Harris's performance of Cardinal Wolsey, was little Inferior to that, he doing it with such just State, Port, and Mein, that I dare affirm, none hitherto has Equall'd him:...Every part by the great Care of Sir William, being exactly perform'd; it being all new Scenes; it continu'd Acting 15 Days together with general Applause

Performances

Mainpiece Title: Henry Viii

Performance Comment: Downes (Roscius Anglicanus, p.24): King-Betterton; Wolsey-Harris; Duke of Buckingham-Smith; Norfolk-Nokes; Suffolk-Lilliston; Cardinal Campeius, Cranmur-Medburn; Bishop Gardiner-Underhill; Earl of Surry-Young; Lord Sands-Price; Queen Catherine-Mrs Betterton.
Cast
Role: King Actor: Betterton
Role: Duke of Buckingham Actor: Smith
Event Comment: Mainpiece: Not acted these Six years [8 April 1735]. Containing the Distresses and Death of King Henry VIv. The artful acquisition of the Crown by King Richardv. The Murder of Young King Edward Vv and his Brother, in the Tower. The Landing of the Earl of Richmondv, and the Death of King Richard in the memorable Battle of Bosworth Fieldv, being the last that was fought between the Houses of York and Lancaster. [This customary description appears in all subsequent notices.

Performances

Mainpiece Title: Richard Iii

Performance Comment: Richard-Ryan; King Henry-Bridgwater; Richmond-Hale; Buckingham-Cashell; Prince Edward-Mrs Vincent; Duke of York-Miss Morrison; Tressel-Chapman; Stanley-Rosco; Norfolk-Stephens; Lord Mayor-Marten; Lieut. of Tower-Stevens; Catesby-Gibson; Ratcliff-Harrington; Oxford-Bencraft; Blunt-Clark; Tyrrel-Stoppelaer; Forrest-Vaughan; Queen Elizabeth-Mrs Pritchard; Lady Anne-Mrs Horton; Duchess of York-Mrs Mullart.
Cast
Role: King Henry Actor: Bridgwater
Role: Buckingham Actor: Cashell

Afterpiece Title: The Necromancer

Event Comment: Benefit for Powell. Ladies send Servants by 3 o'clock (playbill). Othello (for first time) Mr Powell. This Night there was the greatest over flow ever known. the Crowd was so great it prevented the Ladies from coming into the Boxes till near Seven o clock at half past Six begun the play. As the Ladies were not come into the Boxes, being prevented by passage being Stopt up by the Crowd the Gentlemen Cry'd out. off off &c. Mr King & Mr Havard remaind on the Stage some time but the Noise increasing. Mr King address'd the Audience & told them it would be equally agreeable to the performers to stay half an hour longer, upon which there was a great Clap & the Curtain was drop'd & a quarter before Seven begun the play again. N.B. The Farce was hiss'd all thro'(Hopkins). This night one of the greatest overflows that ever was known. The crowd was so great it preventdd the ladies from coming to their places in the boxes till near seven o'clock-At half past six the play began, and in the first scene they cried Off, off.' Mr King and Mr Havard remained on the Stage some time; but the noise increasing, Mr King went forward and said, It would be equally agreeable to the performers to stay half an hour longer, before they began-upon which there was a great clap, and the curtain was dropped; and in about a Quarter of an hour began the play again (Hopkins Diary-MacMillan). Receipts: #268 11s. (MacMillan). charges. #64 9s. [Profit to Powell: #204 2s.

Performances

Mainpiece Title: Othello

Performance Comment: Othello-Powell (first time); Iago-Havard; Cassio-Palmer; Roderigo-King (first time); Desdemona-Mrs Yates (first time); Emelia-Mrs Hopkins; Ludovico-Packer; Montano-Mozeen; Gratiano-Parsons; Messenger-Ackman; Brabantio-Burton; Duke-Bransby.
Cast
Role: Roderigo Actor: King

Afterpiece Title: Thomasand Sally

Dance: The Irish Lilt, as17630922

Event Comment: New Scenes, Dresses, Machinery and other Decorations. Book of the Entertainment to be had at 1s. 6d. at Theatre. A Dramatic Romance by David Garrick, Music composed by Michael Arne. Gave King's Footmen and Chairmen #4 4s.; Queen's ditto; Dukes of York and Gloucester ditto (Treasurer's Book). [A memorandum dated 22 August 1766 (Folger Library, Garrick Album, 520 MS, Cage) explains that Michael Arne was to compose the Music for Cymon, and as compensation shall be intitled to and receive one third part of the profits of the three first nights which the author shall take for his own Benefits." Zachariah Stephens was witness. See 15 Jan. 1767.] Receipts: #196 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Performance Comment: Parts by King, Bensley, Parsons, Champness, Fawcett, Fox, Vernon, Mrs Abington, Mrs Baddeley, Miss Plym, Miss Reynolds, Mrs Bradshaw, Mrs Dorman, Mrs Arne. Prologue and Epilogue. The Dances-Grimaldi, Guidetti, Duquesney, Giorgi, Mrs King, Sga Giorgi, Miss Rogers, Miss Ford, Miss Collet; Cymon-Vernon; Linco-King; Merlin (Enchanter)-Bensley; Dorus-Parsons; Damon and Dorilas-Fawcett, Fox; Demon of Revenge-Champness; Sylvia-Mrs Arne; Urganda (Enchantress)-Mrs Baddeley; Fatima-Mrs Abington; Dorcas-Mrs Bradshaw; 1st shepherdess-Miss Reynolds; 2nd Shepherdess-Miss Plym; Cupid-Miss Rogers; Parts-Mrs Dorman; Prologue for New Year's Day-King; Epilogue (by George Keate)-Mrs Abington (Edition of 1767).