SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "MMr Handel"/1) | (@(roleclean,performerclean) "MMr Handel")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 391 matches on Event Comments, 197 matches on Performance Title, 184 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Orphan

Song: Singing in Italian and English-the Misses Hambleton

Music: M$Mr Handel's famous Water@Musick-, with Trumpets and French Horns; accompany'd with a Preamble on the Kettle@Drums- the ingeniousMr Joab Baker

Event Comment: MMr Garrick being hoarse went not so well as expected (Cross). Mainpiece: Not acted these ten years. An Historical Play written by Shakespeare. The Characters New Dress'd. Receipts: #180 (Cross)

Performances

Mainpiece Title: King John

Music: Between the Acts: The Pieces of Music , are adapted to the play, and taken from the Works of Handel and Martini-

Event Comment: MMr Handell's Oratorio of Joseph. 3rd night, [i.e., of oratorios] (Account Books, Egerton 2268)

Performances

Mainpiece Title: Joseph And His Brethren

Performance Comment: Parts were: Pharaoh-; Joseph-; Reuben-; Simeon-; Judah-; Benjamin-; Potiphera-; Phanor-; Asenath-; Chorus of Egyptians-; Hebrews-. [See Dean, Handel's Dramatic Oratorios, pp. 407-8.]See Dean, Handel's Dramatic Oratorios, pp. 407-8.]
Event Comment: MMr Handel is set out for Ireland, in order to have Oratorios, etc., at Dublin, this Winter.-Daily Advertiser, 21 Nov

Performances

Mainpiece Title: Alexander In Persia

Event Comment: MMr Handel proposes to perform by Subscription 24 times during the Winter Season and engages to exhibit two new Performances and several of his former Oratorios. 8 Guineas. At his House in Brooke St.

Performances

Performances

Mainpiece Title: Concert

Music: I: Overture of Ptolomy by Mr Handel-; Songs. No oh Dio-Signora Cuzzoni in Calphurnia; Lusinghe piu Care-Signora Faustina in Alexander; Eighth Concerto of Corelli-Castrucci, others; French Horn Song in Griselda-; II: Concerto Grosso by Pepusch-; with solo parts for the Harpsicord-Mr Bach; Songs: Fonti Amiche-Signora Cuzzoni in Ptolomy; accompanied by Flutes-; Chio mai vi polla-Signora Faustina in Siroe; Solo for Hautboy-Kytch; Concerto for French Horns by Nicholini-; III: Concerto for Hautboy by Alberti-; Songs: Ombra cara-Senesino in Radamistus; L'Empiorigor-Signora Cuzzoni in Rodelinda; Concerto for Little Flute by Babel-; First Part of Water Musick with French Horns by Handel-; All Vocal Parts-; Hautboy-Kytch; Little Flute, Bassoon-

Performance Comment: No oh Dio-Signora Cuzzoni in Calphurnia; Lusinghe piu Care-Signora Faustina in Alexander; Eighth Concerto of Corelli-Castrucci, others; French Horn Song in Griselda-; II: Concerto Grosso by Pepusch-; with solo parts for the Harpsicord-Mr Bach; Songs: Fonti Amiche-Signora Cuzzoni in Ptolomy; accompanied by Flutes-; Chio mai vi polla-Signora Faustina in Siroe; Solo for Hautboy-Kytch; Concerto for French Horns by Nicholini-; III: Concerto for Hautboy by Alberti-; Songs: Ombra cara-Senesino in Radamistus; L'Empiorigor-Signora Cuzzoni in Rodelinda; Concerto for Little Flute by Babel-; First Part of Water Musick with French Horns by Handel-; All Vocal Parts-; Hautboy-Kytch; Little Flute, Bassoon-.

Performances

Mainpiece Title: The Relapse

Afterpiece Title: An Old Man Taught Wisdom

Music: Select Pieces between the Acts composed by Handel, Geminiani, and others. First Musick: A Concerto for two Hautboys composed by Dr Pepusch. Second Musick: The third Concerto of the first Opera of Geminiani. Third Musick: Handel's Overture composed for the Opera of Ariadne

Performance Comment: First Musick: A Concerto for two Hautboys composed by Dr Pepusch. Second Musick: The third Concerto of the first Opera of Geminiani. Third Musick: Handel's Overture composed for the Opera of Ariadne .

Dance: I: Drunken Peasant by Le Brun. II: English Maggot by Villeneuve and Mrs Walter. III: Black Joak by Nivelon and Miss Mann. V: Amorous Swain, as17350327

Song: rv: Mock Italian-English Ballad by Roberts

Event Comment: By Command of Their Majesties. This day publish'd Price 1s. Alexander's Feast; or, The Power of Music; written by Dryden. To which is added the Coronation Anthem as performed this evening at Covent Garden. Set by Mr Handel. This Day publish'd Price 5s. sewed. A Treatise on the Art of Dancing, by Giovanni Andrea Gallini, Director of the Dances at the Royal Theatre in the Haymarket

Performances

Mainpiece Title: Alexander's Feast

Music: As17620226; Handel's Coronation Anthem-

Event Comment: By Command of their Majesties. Theatrical Review, 11 March: Written by the celebrated Milton when he was very young...it would have been sufficient had he never produced anthing more considerable, to have transmitted his fame to the latest posterity. It is inimitable set to music by Mr Handel...not strictly an Oratorio, tho' perform'd as such, the subject not being taken from Holy Writ. To which was added the celebrated Te Deum, composed by Mr Handel for the peace of Utrecht...a very grand masterly piece. End of Act I, a Concerto on the French Horn by Mr Ponta, musician to his Serene Highness, the Elector of Mentz, lately arrived in England. What this gentleman executes with the horn is very surprising, but, not being suited to the genius of the instrument, it is not productive of any good effect, when considered musically; as a matter of novelty it may surprise and please, on which account it is worthy the notice of the curious

Performances

Mainpiece Title: L'allegro Ed Il Penseroso, With Handel's te Deum

Music: Concerto on French Horn-Ponta (Musician to his Serene Highness the Elector of Mentz); Solo on Violincello-Janson, his 2nd performance in England

Event Comment: Benefit for Mrs Kennedy. Public Advertiser, 26 Apr.: Tickets to be had of Mrs Kennedy at her house in Great Queen-street. [The Jubilee anticipated the official Handel Commemoration held at Westminster Abbey on 26 May.] Receipts: #320 9s. 6d. (213/4/6; tickets: 107/5/0) (charge: #105)

Performances

Mainpiece Title: A Jubilee In Commemoration Of Handel

Afterpiece Title: The Duenna

Afterpiece Title: Rose and Colin

Dance: 1st piece to conclude with a Grand Ballet by Harris, Byrn, Miss Besford, Mrs Goodwin, &c

Event Comment: Benefit for Mrs Billington. Mainpiece: 1st time at this Theatre [1st performed at Smock Alley Theatre, Dublin, 3 Jan. 1784]. The Music by Gluck [whose opera this actually was, with additions by] Handel, Bach, Sacchini, Reeve, and Mazzinghi. With an entire new Overture composed by Gyrowetz. In II Weichsel will accompany an obligato song on the violin. Dances by Byrne and Mlle St.Amand. With new Scenery, Dresses, and Decorations. Afterpiece: Not acted these 2 years [acted 27 May 1791]. Morning Herald, 9 Feb.: Tickets to be had of Mrs Billington, No. 53, Poland-street. Receipts: #371 15s. (257.18.6; 8.15.6; tickets: 105.1.0) (charge: #105)

Performances

Mainpiece Title: Orpheus And Eurydice

Afterpiece Title: Rosina

Song: Sweet Bird(by Handel)-Mrs Billington; accompanied on the violin-Weichsel

Event Comment: Ode: Written in Honour of St. Cecilia, by Dryden, and set to Music by Handel. Among the Instrumental Performers are G. Ashley, leader of the band, Mara, Sarjant, C. Ashley, Boyce, Bridgetower, Harvey, Parkinson, Taylor, Nix, two Flacks, Dresler, Gwilliam, Shutze, Price, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Archer, Cobham, two Munros, Wood, Cornish, Purney, Leffler, Woodham, Cantelo, Skillern, Franki, Simpson, Jenkinson, &c. Organ-J. Ashley. Double Drums (used at Westminster Abbey)-R. Ashley. The Chorusses will be numerous and complete. The Whole under the Direction of Ashley. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. Places for the Boxes to be had of Brandon at the Office in Hart-street. The Doors to be opened at 6:00. To begin at 7:00 [same throughout oratorio season]. Books of the Performance (with the Imprimatur of H. Macleish) to be had at the Theatre

Performances

Mainpiece Title: Alexander's Feast Or, the Power Of Music; Grand Selection 0

Afterpiece Title: Alexander's Feast 3

Performance Comment: [i.e. the ode being in 2 parts.] The Music- [by Handel--that was performed by Command of his Majesty, at St. James's on the late Marriage of their Royal Highnesses the Prince and Princess of Wales (on 8 Apr. 1795); composed by Handel, to celebrate the Nuptials (in Apr. 1736) of his late Royal Highness Frederick, Prince of Wales, with the Princess of Saxe-Gotha; [To conclude with the Coronation Anthem, Zadock the Priest-.

Music: End Part I: concerto on the harp-Mme Delaval; Beginning Part II: concerto for two violins and violoncello obligato-, as originally composed for this Ode, by Handel and performed in the year 1736; End Part II: concerto on the Grand Piano Forte-Dussek

Event Comment: In compliance with the request of several Ladies and Gentlemen, lovers of Handel's music, who find it inconvenient to attend at the beginning of the evening, Mr Ashley informs them that Half Price will be taken at the end of the Second Part

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of Handel; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End I: concerto on violin-Master Pinto; End II: concerto on the Piano Forte-Dussek

Event Comment: Among the principal instrumental performers are G. Ashley, leader of the band; C. Ashley, W. Parke, Boyce, R. Ashley, Parkinson, Woodham, Jenkinson, Bridgtower, the Munros, Purney, the Cantelos, Taylor, Lavenu, M'Intosh, Gwilliam, Nix, Cobham, Leffler, Betts, Piele, Flack, Dressler, Cornish, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Archer, Ware, Wood, G. Jones, Moorehead, Slezak, Francis, Jackson, Beale, Skillern, Abbot, &c. Organ-J. Ashley. The Band and Chorusses will be numerous and complete; and assisted by the trombones and double drums used at Handel's Commemoration at Westminster Abbey [in 1784]. The whole under the direction of Ashley, Sen. Places for the Boxes to be had of Brandon at the Stage Door. The Doors to be opened at 6:00. To begin at 7:00 [same throughout oratorio season]. Half Price will be taken at the end of the second part. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. Books of the Performance (with the imprimatur of E. Macleish) to be had at the theatre, price 6d

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Event Comment: Principal Instrumental Performers are G. Ashley, leader of the band; C. Ashley, W. Parke, Boyce, Barret, R. Ashley, Parkinson, Woodham, Jenkinson, M'Arthur, the Munros, Purney, Cantelo, Taylor, M'Intosh, Gwilliam, Nicks, Cobham, Leffler, Betts, Flack, Dressler, Cornish, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Ware, J. Ware, Wood, G. Jones, Moorehead, Slezack, Francis, Jackson, Vial, White, &c. Organ by J. Ashley. The Band and Chorusses will be numerous and complete, and assisted by the Trombones and Double Drums, used at Handel's Commemoration at Westminster Abbey [in 1784]. The whole under the direction of Ashley Sen. Places for the Boxes to be had of Brandon at the stage door. The Doors to be opened at 6:00, and the Performance to begin at 7:00 precisely [same throughout oratorio season]. Half Price will be taken at 9:00. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. Books of the Performance to be had at the Theatre (6d.)

Performances

Mainpiece Title: Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End II: concerto on the grand piano@forte-Master Neate

Event Comment: By His Majesty's Command. A New Oratorio in English. Composed by Mr Handel. And to be perform'd by a great Number of the best Voices and Instruments. The House to be fitted up and illuminated in a new and particular manner. Tickets One Guinea. Gallery Half a Guinea. [Text by Samuel Humphreys. Their Majesties, Prince, and three eldest Princesses present.] Daily Advertiser, 20 March: An Entertainment, perhaps, the most magnificent that has ever been exhibited on an English Theatre....The Composition of the Musick is by no means inferior to the most finish'd of that Gentleman's Works; but the Disposition of the Performers was in a Taste beyond what has been attempted. There was a very great Number of Instruments by the best Hands, and such as would properly accompany three Organs. The Pit and Orchestre were cover'd as at an Assembly, and the whole House Illuminated in a new and most beautiful manner. [See also Lady A. Irwin to Lord Carlisle, in Deutsch, Handel, pp. 309-10.

Performances

Mainpiece Title: Deborah

Performance Comment: Edition of 1733 does not list performers' names, but Daily Advertiser, 20 March, states: Wherein Principal Parts-Signor Senosini, Signora Strada, Signora Gismundi, Signora Bertoldi, Signor Montagnana, Miss Young, Miss Arne, Mrs Wright, Mr Swartzs[, perform'd the principal Parts. [See also Deutsch, Handel, p. 308, and Dean, Handel's Dramatic Oratorios, p. 236.], perform'd the principal Parts. [See also Deutsch, Handel, p. 308, and Dean, Handel's Dramatic Oratorios, p. 236.]
Event Comment: LLondon Daily Post and General Advertiser, 25 Feb. contained the following verses: Hearing Mr Handel's Samson at Covent Garden. Rais'd by his subject Milton nobly flew And all Parnassus open'd to our view; By Milton fir'd Great Handel strikes our ear, And every power of harmony we hear. When two such mighty artists blend their fire Pour forth each Charm that Genius can inspire The man whose bosom does not raptures feel, Must have no soul, or all his heart be steel

Performances

Mainpiece Title: Samson

Performance Comment: Samson-Beard; Dalila-Signora Francesina; Micah-Signora Francesina, Sullivan; Harapha-Reinhold; Israelite Woman-Signora Avolio (Dean, Handel's Dramatic Oratorios, p. 351). Mrs Delany to Mrs Dewes, 25 Feb.: Francesina sings most of Mrs Cibber's parts and some of Mrs Clive's. [See Deutsch, Handel, p. 585.]See Deutsch, Handel, p. 585.]
Event Comment: See Daily Advertiser, 19 April, for a letter on Handel. Deutsch, Handel, pp. 481-83, reprints it but states that it appeared in the London Daily Post and General Advertiser

Performances

Mainpiece Title: Saul

Performance Comment: See17390116, but With a Concerto on the Organ-Mr Handel; And another Concerto on the Violin-the famous Sig Plantanida (who is just arrived from Abroad).
Event Comment: A New Oratorio. Tickets will be deliver'd to subscribers (on paying their Subscription money), this day, and every day following at Mr Handel's in Brook Street, near Hanover Square. Attendance will be given from 9 o'clock in the Morning till Three in the Afternoon. Pit and Boxes to be put together and no persons to be admitted without tickets, which will be deliver'd that day at the Office in Covent Garden Theatre, at Half a Guinea each, First Gallery 5s. Upper Gallery 3s. 6d. N.B. Each subscriber is to pay Six Guineas upon taking out his subscription ticket, which entitles him to three Box tickets every night of Mr Handel's first six performances in Lent; and if Mr. Handel should have any more performances after his first six nights, each subscriber may continue on the same conditions. The Gallery will be open'd at Four O'Clock. Pit and Boxes at Five. To begin at Six o'clock. [These notices concerning price, subscription, and time of performance recur regularly, but will not be recorded further here.

Performances

Mainpiece Title: Samson

Performance Comment: Samson-Beard; Manoa-Savage; Micah-Mrs Cibber; Dalila-Mrs Clive; Harapha-Reinhold; Officer-Lowe; Israelite Women-Signora Avoglio, Miss Edwards; Philistine Women-Signora Avoglio, Miss Edwards; Philistine-Lowe (Deutsch, Handel p. 559).
Event Comment: Today, will be reviv'd an Opera. The Musick compos'd by Mr Handel. With Dances and other Decorations entirely new. Pit and Boxes to be put together; and no Person to be admitted without Tickets, which will be deliver'd this Day at the Office in the Haymarket, at Half a Guinea each. Gallery 5s. 6 p.m. Note. The Subscribers to the Opera are desir'd to send for their Silver Tickets to the Opera-Office in the Hay-Market. [This customary notice will not be included further. According to Loewenberg, Annals of Opera, I, 102, this is the new opera Rossane, Lampugnani's first composition, at the house for which he was the new resident composer. Musicologists have not arrived at the identity of this piece, Burney and Loewenburg attributing it to Lampugnani, Schoelcher and Deutsch to Handel. See Deutsch, Handel, p. 572, where he reviews the evidence.

Performances

Mainpiece Title: Roxana; Or, Alexander In India

Performance Comment: Allessandro-Monticelli; Rossane-Siga Visconti; Lisaura-Rosa Mancini; Tassile-Giulia Frasi; Clito-Signora Fratesanti (Deutsch Handel, p. 573). Lady Hertford to Lord Beauchamp: The singers are Monticelli, Visconti, Julietta, a bass from Italy whose name is Fratanzanti, and two new women; one whose name is Rosa Mancini...and the other, Caselli.-Hughes, Hertford, p. 297.
Event Comment: Performance After the manner of an Oratorio Set by Mr Handel. Tickets will be deliver'd to subscribers on paying their subscription money, this day and every day following at Mr Handel's House in Brook Street, near Hanover Square, where attendance will be given from nine o'clock in the Morning till three in the afternoon. Pit and Boxes to be put together, and no person to be admitted without tickets, which will be deliver'd at the Office in the theatre at Half a Guinea each, First Gallery 5s.; Upper Gallery 3s. 6d. [Customary notice which will not be repeated.] Gallery opened at Four o'clock, Pit and Boxes at Five. To begin at Six. Mrs Delany to Mrs Dewes: There is a four-part song that is delightfully pretty...there was no disturbance at the playhouse. -Delany, Autobiography, II, 262. [Libretto by Congreve.

Performances

Mainpiece Title: Semele

Performance Comment: Semele-Signora Francesina [Elizabeth Duparc ( Delany, Autobiography, II, 254)]; Jupiter-Beard, tenor; Cadmus-Reinhold[, bass; Athamas-Daniel Sullivan[, alto; Juno-Miss Young[, mezzo soprano; Iris-Signora Avoglio[, soprano; Ino-Miss Young[, contralto; High Priest-Reinhold[, bass [Deutsch, Handel, p. 582]., bass [Deutsch, Handel, p. 582].
Event Comment: Music by Handel; libretto by James Miller. See Earl of Egmont's Diary, III, 290, where he speaks of attending on 1 March, probably a rehearsal

Performances

Mainpiece Title: Joseph And His Brethren

Performance Comment: Pharaoh-Reinhold, bass; Joseph-Sullivan, alto; Reuben-Reinhold, bass; Simeon-Beard, tenor; Asenath-Signora Francesina, soprano; Phanor-Signora Galli, mezzosoprano (Deutsch, Handel, pp. 586-67), Esther Young (Dean, Handel's Dramatic Oratorios, p. 407); Benjamin-Samuel Champness (Dean, Handel's Dramatic Oratorios, p. 407).

Music: Concerto on the Organ-

Event Comment: A New Oratorio. Libretto-Jennens; Music-Handel

Performances

Mainpiece Title: Belshazzar

Performance Comment: Belshazzar-Beard, tenor; Nitocris-Signora Francesina, soprano; Cyrus-Reinhold or Miss Robinson, contralto; Daniel-Miss Robinson,contralto; Gobrias-Reinhold, bass; Arioch-, tenor; Messenger-, bass. (Deutsch, Handel, p. 610; Dean, Handel's Dramatic Oratorios, p. 454.) Dean, Handel's Dramatic Oratorios, p. 454.)
Event Comment: Pit and Boxes to be put together, and no person to be admitted without Tickets, which will be deliver'd that day at the office at cg theatre, at half a Guinea each. First Gallery 5s. Second Gallery 3s. 6d. Galleries to be opened at half an hour after Four o'clock. Pit and Boxes at Five. To begin at half an hour after Six. The Subscribers who favoured Mr Handel last season with their subscription, are desired to send to the office at cg on the day of the performance, where two tickets shall be deliver'd to each Gratis, in order to make good the Number of Performances subscrib'd to last season. [Recitative and chorus. Words taken from Milton and Spenser (Edition of 1746). Rehearsed at Handel's lodgings on 7 Feb. Burney and DeFesch in orchestra. (Deutsch, Handel, pp. 629-30.) Librettist not known, possibly Thomas Morell.

Performances

Mainpiece Title: The New Occasional Oratorio

Performance Comment: [No characters.] First soprano-Signora Francesina; Tenor-Beard; Bass-Reinhold (Deutsch, Handel, pp. 629-30.); With a newConcerto on the Organ-.
Event Comment: A private performance. For details, see Deutsch, Handel, pp. 285-86, Dean, Handel's Dramatic Oratorios, pp. 203-204, and Egmont, Diary, I, 225

Performances

Mainpiece Title: Esther

Performance Comment: Esther-John Randall; Assuerus-James Butler; Haman-John Moore; Mordecai-John Brown; Priest of the Israelites-John Beard; Harbonach-Price Cleavely; Persian Officer-James Allen; First Israelite-James Butler; Second Israelite-James Allen; Israelite Boy-John Brown; Israelites and Officers-Samuel Howard, ThomasBarrow, Robert Denham (Dean, Handel's Dramatic Oratorios, p. 204).