SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "M Lee"/1) | (@(roleclean,performerclean) "M Lee")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2968 matches on Roles/Actors, 824 matches on Performance Comments, 606 matches on Author, 229 matches on Event Comments, and 31 matches on Performance Title.
Event Comment: [Nicoll, III, 280, 390, states that this was an alteration of Shakespear's play by John Lee.] Receipts: #174 5s. (173.10.6; 0.14.6)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Apprentice

Dance: I: Masquerade Scene incident to the Play-; I: Minuet-Dumay, Mrs Jackson

Song: End IV: the Funeral Procession of Juliet, with the Solemn Dirge. Vocal Parts-Mattocks, Reinhold, Baker, Fox, Miss Brown, Miss Dayes, Miss Valois, Mrs Willems, Miss Green

Event Comment: [As afterpiece the playbill announces the 31st night of The Touchstone (see 20 Feb.), but "The entertaiment at Covent-garden theatre was obliged to be changed last night, on account of Lee Lewes being seized with a most violent inflammation in his right arm...Hand-bills, announcing that The Reprisal would be the farce, were distributed at each door of the theatre as the company came in; when the tragedy, however, was ended, some persons in the galleries...began an alarming disturbance, calling out vociferously for the pantomime...and continued throughout the farce to behave in the most savage manner, pelting every actor and actress as fast as either came on the stage. Mrs Morton stood their fire of oranges, apples, and pieces of wood, with more heroism than prudence. At length the brutes aimed at her head with an orange, which struck her a violent blow, and she fainted immediately" (Morning Chronicle, 16 Feb.).

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Reprisal

Performances

Mainpiece Title: Which Is The Man

Performance Comment: As 11 Mar. but R. Palmer (of DL) in place of Lee Lewes .

Afterpiece Title: The Choice of Harlequin

Event Comment: Paid Lee Lewes in lieu of a Benefit #105. Afterpiece: Never acted at this Theatre. Receipts: #157 1s. 6d. (153/19/0; 3/2/6)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Maid of the Oaks

Dance: In Act I of afterpiece a Dance by Harris, Miss Matthews, Miss Besford

Performances

Mainpiece Title: As You Like It

Performance Comment: Touchstone-[Lee] Lewes (1st appearance in that character); Orlando-Brereton; Amiens (with songs')-Williames; Duke Senior-Aickin; Adam-Moody; Oliver-Packer; Jaques-Palmer; Caelia (with the Cuckov song)-Miss Wheeler; Audrey-Mrs Wells; Rosalind-Miss E. Kemble (1st appearance this season) .

Afterpiece Title: High Life below Stairs

Dance: As17830918

Song: In Act v of mainpiece a song by Miss Field

Performances

Mainpiece Title: Measure For Measure

Performance Comment: Duke-Smith; Angelo-Palmer; Claudio-Brereton; Escalus-Aickin; Clown-Parsons; Provost-Wrighten; Elbow-Wright; Fryar Peter-Chaplin; Barnardine-Fawcett; Abhorson-Alfred; Lucio-[Lee] Lewes; Mariana-Mrs Ward; Juliet-Miss Barnes; Isabella-Mrs Siddons (1st appearance in that character [in London]). [Edition of 1784 (Bathurst) adds: Francisca-Miss Simson.] hathi. hathi.

Afterpiece Title: The Apprentice

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: The Deaf Lover

Performance Comment: Meadows-[Lee] Lewes; Canteen-Suett; Young Wrongward-Phillimore; John-R. Palmer; William-Burton; Groom-Fawcett; Sternhold-Wrighten; Cook-Chaplin; Old Wrongward-Baddeley; Sophia-Miss Wheeler; Chambermaid-Miss Barnes; Betsy Blossom (with songs)-Mrs Wilson .

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Leon-Smith; Duke-Aickin; Cacafogo-Moody; Juan-Packer; Sanchio-Phillimore; Alonzo-R. Palmer; The Copper Captain-[Lee] Lewes; Margaretta (1st time)-Mrs Ward; Clara-Miss Barnes; Altea-Mrs Love; Old Woman-Mr Baddeley; Maid-Mr Waldron; Estifania-Miss Farren (1st appearance in that character) .

Afterpiece Title: Comus

Performances

Mainpiece Title: Love For Love

Performance Comment: Tattle-[Lee] Lewes; Valentine-Farren; Sir Sampson Legend-Moody; Scandal-Bensley; Foresight-Waldron; Jeremy-Baddeley; Trapland-Burton; Ben-Dodd; Mrs Frail-Miss Pope; Miss Prue-Miss Wheeler; Mrs Foresight-Mrs Ward; Angelica-Miss Farren .

Afterpiece Title: Fortunatus

Performances

Mainpiece Title: Love In A Veil

Performance Comment: Sir Charles Winlove-Palmer; Don Philip-Brereton; Alonzo-Baddeley; Governor-Aickin; Diego-Phillimore; Aspin-[Lee] Lewes; Flora-Mrs Wrighten; Fidelia-Mrs Ward; Leonora-Miss Farren .

Afterpiece Title: Jewish Education

Afterpiece Title: The Quacks; or, The Credulous Man

Dance: End of mainpiece, as17840311athi

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Oakly-Farren; Major Oakly-Ryder; Sir Harry Beagle-Edwin; Captain O'Cutter-Aickin; Charles Oakly-Macready (Their 1st appearance in those characters); Russet-Fearon; Paris-Wewitzer; Tom-Rock; Lord Trinket-Lewis; Harriet-Miss Brunton (1st appearance in that character); Lady Freelove (1st time)-Mrs Bernard; Mrs Oakly-Mrs Pope Edition of 1792 (John Bell) adds: William-$Ledger; John-$Evatt; Servant-$Lee; Toilet-$Miss Stuart; Chambermaid-$Miss Brangin.
Cast
Role: Servant Actor: Lee

Afterpiece Title: Love in a Camp

Dance: As17880301

Performances

Mainpiece Title: The Catch Club

Afterpiece Title: Thimble's Flight from the Shopboard

Performance Comment: [Principal Characters by R. Palmer, Iliff, Rees (with variety of Imitations), Abbott, Moss, Miss Francis, Mrs Taylor. Cast from text (Brightelmston: W. and A. Lee [1789]): Dermot O'Dogherty-R. Palmer; Ensign Frederick-Iliff; Tim Thimble-Rees; Waiter-Abbott; Sir Brimmer Bountiful-Moss; Betty-Miss Francis; Sophia Bountiful-Mrs Taylor.

Afterpiece Title: Gretna Green

Afterpiece Title: The Son-in-Law

Entertainment: Monologue End 3rd piece: As17890617

Event Comment: A Grand Serious Opera; the music by Sacchini, with additions and alterations [by Andreozzi and Mazzinghi]. Under the direction of Mazzinghi. The dresses executed from original drawings of Bartolozzi and Tresham, by Lupino. With dances analogous to the Opera. The Doors to be opened at 6:30. To begin at 7:30 [same throughout season]. Pit 10s. 6d. Gallery 5s. There are a number of green boxes which may be taken on application to Lee, at the Theatre; the entrance to which, and to the Gallery, will be in Oxford-street. Subscriptions will be received by Messrs Wright and Co., Henrietta-street, Covent-garden (only) where tickets are delivering daily; and such Ladies as have not compleated their subscriptions to their boxes are intreated to send their names to the office, in order to have the tickets prepared, as no person can be admitted without producing a ticket. The Nobility and Gentry are intreated to give particular orders to their coachmen to set down and take up with their horses' heads towards Hyde-park. The Doors in Blenheim-mews for chairs only. By Command of His Majesty no person can be admitted behind the scenes during the performance. "We fear that [the Pantheon as converted into a theatre] will gratify only the eye. It must undergo still more changes before the ear will be satisfied. Whether it is that the dome is too high and disproportioned to the breadth, or that the orchestra is sunk too low beneath the audience we cannot tell, but the sound does not swell and spread in equal volume; and it is the most inaudible in the best parts of the Theatre: the Pit and the first and second tier of Boxes hear very indistincly...We found this to be the complaint of every judge of music in the place" (Morning Chronicle, 18 Feb.). "The Pantheon has opened, and is small, they say, but pretty and simple; all the rest ill-conducted, and from the singers to the scene-shifters imperfect; the dances long and bad, and the whole performance so dilatory and tedious, that it lasted from eight to half an hour past twelve" (Walpole [18 Feb. 1791], XIV, 377) [and see 19 Feb.]

Performances

Mainpiece Title: Armida

Dance: End I: Divertisement by D'Auberval-

Ballet: End II: an entire new Pantomime Ballet, in I act, composed by D'Auberval, Amphion et Thalie; ou, L'Eleve des Muses. Principal dancers-[Didelot, Duquesney, Vigano, Fialon, Duchesne, Rousseau, Boisgirard, St.Aumer, Schweitzer, [Mme Didelot, Mme Vigano, Mlle Theodore, [Mlle Gervaise Troche, Mlle Deligny, [Mlle L. Simonet, Mlle R. Simonet, Mlle Puisieux, [Mlle Bithmer Cadette, Mlle Bithmer, Mlle Rousseau, Mlle Vedie, Mlle Durand; [Cast from synopsis (H. Reynell [1791]:) Amphion (eleve des Muses)-Didelot; Bergers de la Phocide-Duquesney, Vigano; Thalie (Muse de la Comedie)-Mme Theodore D'Auberval; Jeune Nymphe de la Phocide (eleve de Terpsichore)-Mlle Gervaise Troche; Terpsichore (Muse de la Danse)-Mlle Leonore Simonet; Jeune Nymphe (favorite de Thalie)-Mlle Rosine Simonet; Melpomene (Muse de la Tragedie)-Mme Didelot; Clio (Muse de L'Histoire)-Mlle Augustine Bithmer; Erato (Muse de la Poesie Lyrique)-Mlle Bithmer; Euterpe (Muse de la Musique)-Mlle Rousseau; Uranie (Muse de l'Astronomie)-Mlle Jacobs; Calliope (Muse de l'Eloquence)-Mlle Birt; Polimnie (Muse de la Rhetorique)-Mlle Watson; Nymphes a la suite des Muses-Mlle Vedie, Mlle Durand, Mlle Berry, Mlle Bougier; Suite d'Amphion-Mme Fialon, Mme Duchesne, Mme Simonet, Mme Menage; Habitants de la Phocide-Mme Boisgirard, Mme Rousseau, Mme Omer, Mme Schweitzer

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Bassanio-Baker; Anthonio-A Gentleman [unidentified]; Gratiano-[Lee] Lewes; Launcelot-Gull; Lorenzo (with songs)-Tanner; Shylock-Wilkinson; Nerissa-Miss Chatterley; Portia-A Young Lady [probably Miss Thompson].probably Miss Thompson].

Afterpiece Title: The Busy Body

Song: End: a favourite song-Tanner

Entertainment: Monologue. End III: a Comic Sketch of the Times-Ryder

Performances

Mainpiece Title: The Bank Note

Performance Comment: As17950501, but Mr Hale-Davenport in place of Quick; Sally Flounce-Mrs Mountain (for that night only) in place of Mrs Lee; Mrs_ Norton ; Prologue, Epilogue as17950501. Mrs_ Norton ; Prologue, Epilogue as17950501.

Afterpiece Title: The Death of Captain Faulknor

Afterpiece Title: Sprigs of Laurel

Song: In course of 2nd piece: As17950506; Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; In course of entertainments: Black Eyed Susan-Incledon; Old Towler-Incledon

Music: 3rd piece: With the favorite Overture by Shield for Arrived at Portsmouth-; with a violin and oboe obligato-Mountain, W. Parke

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: Harlequin and Quixotte

Performance Comment: As17971226, but added to Principal Pantomime Characters-Lee.

Performances

Mainpiece Title: Lover's Vows

Performance Comment: As17981022, but added: Lee.

Afterpiece Title: The Highland Reel

Performances

Mainpiece Title: Five Thousand A Year

Afterpiece Title: The Old Cloathsman

Performance Comment: As17990402, but Peasants and Servants-Lee, Mrs +Norton, Mrs +Gilbert, Mrs +Burnett, Mrs +Walcup, Mrs +Whitmore, Mrs +Lloyd, _Tett, _Oddwell, _Thomas.
Cast
Role: Peasants and Servants Actor: Lee, Mrs +Norton, Mrs +Gilbert, Mrs +Burnett, Mrs +Walcup, Mrs +Whitmore, Mrs +Lloyd, _Tett, _Oddwell, _Thomas.

Afterpiece Title: The Mouth of the Nile

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Volcano

Performance Comment: As17991223, but The Other Pantomime Characters-Lee; Attendants on Floridel-Miss +Burnett; Irish Ship@builder-_.
Event Comment: Account-Book: Tickets delivered by Ledger, Thompson, Klanert, Claremont, Simmons, Wilde, Miss Mills, Miss Sims, Mrs Lloyd, Mrs Masters, Lee, Goostree, Street, Mrs Mills, Mrs Sydney, Abbot, Mrs Egan will be admitted. 3rd piece: Representation of the Battle, as 9 Nov. 1799. Receipts: #424 9s. 6d. (40.13.6; 5.3.0; tickets: 378.13.0)

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Dramatist

Afterpiece Title: The Mouth of the Nile

Dance: In 1st piece: Hornpipe-Cuerton; End 2nd piece: The Minuet de la Cour, a Favorite Scotch Pas Deux-Klanert, Mrs Watts