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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "MMrs King"/1) | (@(roleclean,performerclean) "MMrs King")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5904 results for: Keyword - M$Mrs King
We found 2635 matches on Performance Title, 2610 matches on Performance Comments, 1657 matches on Event Comments, 23 matches on Author, and 0 matches on Roles/Actors.

5776
17 April 1789 @ Drury Lane Theatre

Event Comment: Benefit for Kelly. Public Advertiser, 28 Mar.: Tickets to be had of Kelly, No. 7, King-street, Covent Garden. Receipts: #216 15s. 6d. (76.9.0; 21.7.6; 2.18.0; tickets: 116.1.0) (charge: #120 17s. 5d.)

Performances

Mainpiece Title: The Strangers At Home

Afterpiece Title: The Devil to Pay

Song: In afterpiece: a new Hunting Glee ['Tis health that gives birth] (1st time; composed by Callcott)-Kelly, Dignum, Sedgwick

5777
05 May 1789 @ Covent Garden

Performances

Mainpiece Title: The Lady Of The Manor

Afterpiece Title: The Feast of Anacreon [i

Performance Comment: e. The Sons of Anacreon]. Principal Parts-Bannister, Johnstone, Blanchard, Davies, Darley, Cubitt, Edwin; President (with the Anacreontic Song)-Bannister; Come come all Noble Souls-; Jack thou'rt a Toper-; How shall we Mortals spend our Hours?-; When Bibo went down to the Regions below=-Bannister; Poor Thomas Day-Edwin, Blanchard, Bannister; Sing Old Rose and burn the Bellows-; God save the King-Full Chorus.
Cast
Role: God save the King Actor: Full Chorus.

Afterpiece Title: The Intriguing Chambermaid

5778
06 May 1789 @ Covent Garden

Event Comment: Benefit for Mrs Martyr. Afterpiece: The Music composed by Dibdin. Public Advertiser, 4 May: Tickets to be had of Mrs Martyr, No. 13, King-street, Covent Garden. Receipts: #314 18s. 6d. (167.15.0; 12.7.6; tickets: 134.16.0)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Quaker

Dance: End II: Negro Dance- as l Jan.; End: Mirth by Moonshine-, as17890113

Song: In I: Sweet Bird, as17890126

5779
17 June 1789 @ Haymarket Theatre

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: Vimonda

Afterpiece Title: As It Should Be

Entertainment: Monologue. End 2nd piece: British Loyalty or A Squeeze for St. Paul's-Bannister Jun.; conclude with: God save the King-Chapman, Chambers, Mathews

Performance Comment: End 2nd piece: British Loyalty or A Squeeze for St. Paul's-Bannister Jun.; conclude with: God save the King-Chapman, Chambers, Mathews.
Cast
Role: God save the King Actor: Chapman, Chambers, Mathews.

5780
04 July 1789 @ Covent Garden

Performances

Mainpiece Title: Il Barbiere Di Siviglia

Performance Comment: As17890611at king's, but Almaviva-_.

Dance: As17890630

5781
11 November 1789 @ White Horse Inn, Parsons Green, Fulham

Event Comment: Benefit for Blandford and Randall. 3rd piece: A Pantomimical Interlude, from Don Juan. First Scene opens with a Tempestuous Sea, and Shipwreck of Don Juan and his man Scaramouch, who is cast on shore from off the Back of a Dolphin on the Island of Martinico. Scene from the pantomimes of The Enchanted Island, Wizard of the Silver Rock, The Witches Frolic, &c. The whole to conclude with a View of the Inside of the Bastille, with the different Gratings, Railings, and Instruments of Death and Torture by which the unfortunate Victims suffered, and the Grand Chorus of God save the King. The Curtain will rise precisely at 6:45

Performances

Mainpiece Title: The Foundling; Or, Virtue Rewarded

Afterpiece Title: The Deuce is in Him

Afterpiece Title: The Shipwreck; or, Walking Statue

Dance: End: a comic dance, The Affrighted Dwarf; or, Whimsical Transformation into Mad Moll-Blandford

Entertainment: Monologues. End I: Epilogue-Somebody in the Character of Nobody; End II: British Loyalty; or, A Squeeze for St. Paul's, will be introduced the characters of a Fide Lady? a Beau, an Irishman, a Scotchman, a Welshman, a Jew, an Old Man, and a British Sailor-Randall

5782
07 December 1789 @ Drury Lane Theatre

Event Comment: [As mainpiece the playbill announces King Henry the Fifth, but it was not acted "on account of the indisposition of Kemble" (Public Advertiser, 8 Dec.). Kemble Mem. lists the substitute play.] Receipts: #167 5s. 6d. (106.4.0; 58.0.6; 3.1.0)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Island of St

5783
18 December 1789 @ Covent Garden

Event Comment: [The playbill announces The Way of the World, Love and War, and The Deserter, but "King being ill, the play was worse. For instead of Congreve's brilliant dialogue in The Way of the World there was, what few epithets can reach, The Castle of Andalusia" (World, 19 Dec.). The substitute for Love and War is listed in the Account-Book.] Receipts: #140 18s. (136.16; 4.2)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Death of Captain Cook

5784
24 February 1790 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection [of Sacred Music 0; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Ye Sons of Israel-Chorus (Joshua); Thou shalt bring them in-Saville (Israel in Egypt); O God@like Youth-Miss Dall; Sinfonia on Carrillons-; Welcome welcome mighty King-Chorus (Saul); Rendi il sereno al ciglio-Harrison (Sosarme); From the censer-Chorus (Solomon); O had I Jubal's lyre-Miss Mahon (Joshua); Ye sacred Priests, Farewell ye limpid springs-Miss Cantelo (Jephtha); The Horse and his Rider-Double Chorus (Israel in Egypt).
Cast
Role: Welcome welcome mighty King Actor: Chorus

Music: End II: concerto on the Piano Forte-Clementi

5785
03 March 1790 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0; Messiah

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Ariadne)-; Happy Iphis-Miss Poole (Jephtha); The many rend the Skies-Chorus (Alexander's Feast); The Lord is a man of war-Griffiths, Sale (Israel in Egypt); O come let us worship-Harrison (Coronation? Anthems); Behold the Monster Polypheme-Chorus (Acis and Galatea); Ye Men of Gaza-Miss Poole (Samson); Bless the true Church and save the King-Saville, Chorus (Athalia); The Mansion of Peace-Harrison (composed by Webbe).
Cast
Role: Bless the true Church and save the King Actor: Saville, Chorus

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Jehovah crown'd-Saville; He comes he comes-Chorus (Esther); Let me wander, Or let the merry Bells ring round-Miss Mahon, Chorus (L'Allegro); Softly sweet-Miss Cantelo (Alexander's Feast); Crown with festal pomp-Chorus (Hercules); Oft on a Plat-Harrison (L'Allegro); As from the power of sacred Lays-Miss Cantelo, Grand Chorus; accompanied on the trumpet-Sarjant (Dryden's Ode); God save Great George our King-.
Cast
Role: God save Great George our King Actor: .

Music: As17900224

5786
05 March 1790 @ Covent Garden

Performances

Mainpiece Title: Judas Maccabaeus; Grand Selection 0; Messiah

Performance Comment: As17900226, but End of Part I Bless the True Church and Save the King-Chorus (Athalia), which was encored by the whole House on Wednesday.

Music: As17900224

5787
10 March 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: A Grand Selection From The Works Of handel 0; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Fourth Hautboy Concerto-; Venus laughing from the skies-Chorus (Theodora); Ask if yon damask rose be sweet-Miss Romanzini (Susanna); My arms against this Gorgias, Arm arm ye brave=-Reinhold; We come in bright array-Chorus (Judas Maccabaeus); Hence loathed melancholy, Come thou goddess fair and free-Cizo (L'Allegro); From mighty kings-Miss Hagley (Judas Maccabaeus); To sing and dance, Fix'd in his everlasting seat-Grand Chorus (Samson).
Cast
Role: From mighty kings Actor: Miss Hagley

Music: End II: concerto on the violin-Weichsel

5788
26 March 1790 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0

Afterpiece Title: Grand Selection 1

Performance Comment: From the censer-Chorus as17900224; Come thou Goddess-Saville; +Hush ye pretty warbling choir-Miss Mahon; Kings shall be thy nursing fathers-Grand Chorus; Softly rise-Harrison; Ye southern breezes-Chorus; What though I trace-Miss Poole all as17900317 Venus laughing from the skies-Chorus (Theodora); Let the bright Seraphim-Miss Cantelo; Let their celestial Concerts all unite-Chorus.
Cast
Role: Kings shall be thy nursing fathers Actor: Grand Chorus
Role: Welcome welcome mighty King Actor: Chorus

Afterpiece Title: Grand Selection 2

Cast
Role: No more to Ammon's God and King Actor: Chorus
Role: Kings shall be thy nursing fathers Actor: Grand Chorus
Role: God save the King Actor: .

Afterpiece Title: Grand Selection 3 Entirely selected from The Messiah

Music: As17900219

5789
08 April 1790 @ Covent Garden

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Little Hunchback

Dance: End II: As17891013; End: The Guardian Outwitted (1st time at this theatre)-Byrne, Boyce, Ratchford, the two Miss Simonets. [This was 1st performed at the king's, 11 Jan. 1783, as Le Tuteur Trompe.

Performance Comment: [This was 1st performed at the king's, 11 Jan. 1783, as Le Tuteur Trompe.]

5790
23 April 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Pannel

Dance: As17900308

Entertainment: MonologuePrevious: his being the Anniversary of His Majesty's Happy Recovery, British Loyalty; or, a Squeeze for St. Paul's-Bannister Jun

Song: After which: the Stage being decorated and illuminated in the same Superb Stile which it was for the Reception of his Majesty on Dec. the 16 last, God save the King-Dignum, Sedgwick, Alfred, Danby, Fawcett, Haymes, Hollingsworth, Lyons, Maddocks, Phillimore

Performance Comment: the 16 last, God save the King-Dignum, Sedgwick, Alfred, Danby, Fawcett, Haymes, Hollingsworth, Lyons, Maddocks, Phillimore.
Cast
Role: God save the King Actor: Dignum, Sedgwick, Alfred, Danby, Fawcett, Haymes, Hollingsworth, Lyons, Maddocks, Phillimore.

5791
04 May 1790 @ Drury Lane Theatre

Event Comment: Benefit for Suett. On this and every Evening for the Remainder of the Season the Doors will not be opened till 5:30, and the Performance will commence exactly at 6:30. 1st piece: From [The Devil upon Two Sticks, by] Foote. Gazetteer, 28 Apr.: Tickets to be had of Suett, No. 21, King-street, Bloomsbury-square. Receipts: #232 19s. 6d. (62.12.0; 19.18.6; 1.14.0; tickets: 148.15.0) (charge: #107 6s. 4d.)

Performances

Mainpiece Title: The College Of Physicians; Or, Doctor Last's Examination

Afterpiece Title: The Heiress

Afterpiece Title: The Doctor and the Apothecary

Song: End II 2nd piece: The Greenwich Pensioner-Dignum

5792
18 May 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: Taste; or, Frolicks of Fancy

Afterpiece Title: Arthur and Emmeline

Entertainment: Monologue. Previous: British Loyalty, as17900423; to conclude with: God save the King-Dignum, Williames, Danby

Performance Comment: Previous: British Loyalty, as17900423; to conclude with: God save the King-Dignum, Williames, Danby.
Cast
Role: God save the King Actor: Dignum, Williames, Danby.

5793
24 May 1790 @ Covent Garden

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Afterpiece Title: An Harmonic Festival

Performance Comment: In which the Performers of the Concert of Ancient Music have obligingly offered their Assistance. The Wooden Walls of Old England (composed by Reeve)-Darley; As I saw fair Clora-Johnstone, Bannister; September 13th; or, The Siege of Gibraltar-Bannister; Poor Thomas Day-Edwin, Blanchard, Bannister; How stands the glass around-Johnstone; Bless the true Church and save the King- (composed by Handel).
Cast
Role: Bless the true Church and save the King Actor:

Afterpiece Title: Rosina

Song: End II: a Nicketerotion at the Meeting of Antony and Cleopatra-; Vocal Parts-Bannister, Johnstone, Darley, Duffey, Mrs Warrell, Mrs Masters, Mrs Gray, Mrs Mountain

Dance: With Grand Dance-Byrne, the two Miss Simonets

5794
08 June 1790 @ Covent Garden

Event Comment: Tickets delivered for King Lear will be admitted. Account-Book: Tickets delivered by Mrs Lampe, Clarke, Plank, Linton, Mrs Booth, Brandon, Longley, Dalby, Furkins, Pilbrow, Anselmo, Byrne, Copland, Rye, Jealous, Pugh, Berecloth, the Band will be admitted. Receipts: #405 5s. (69.12; 6.7; tickets: 329.6)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Love and War

5795
16 July 1790 @ Covent Garden

Performances

Mainpiece Title: She Wou'd And She Wou'd Not; Or, The Kind Impostor

Afterpiece Title: A Merry Sketch of Folly and Fashion

Performance Comment: Lee Lewes. In which will be exhibited Characters and Caricatures, many of them entirely new, and others selcted from Subjects of the most approved Wit and Humour. Two very astonishing figures will be introduced, of the late King of Prussia, and his General Ziethen; also the Propagation of a Lie, in Characters as large as life, with several whimsical Paintings in Transparency. The whole prepared for the East Indies, at a prodigious expense. The above two figures cost at Berlin 275 guineas.

5796
03 December 1790 @ Covent Garden

Event Comment: Paid 1@2 yrs Kings Taxes for Theatre #84 2s. 6d. Receipts: #146 3s. 6d. (140.3.6; 6.0.0)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: A Divertisement

Cast
Role: Of the Ancients its speaking Actor: Johnstone

Dance: End I in V: As17901020; In afterpiece: Dancing, as17901123

5797
22 February 1791 @ Pantheon, Oxford Street

Event Comment: By Command of Their Majesties. "There were not an hundred persons in the Pit when their Majesties entered, and there were not double the number at any part of the evening. The Royal box being in the centre, fronting the stage, their Majesties were invisible to the Gallery; and on their entrance solemn stillness prevailed, until the Orchestra, for the first time in an Opera-house, for the first time by the Professional Band, Struck up God save the King. Never, we will venture to say, in any Theatre during the present reign, was there so thin an audience when their Majesties were present; and we pretend not to divine the cause. Whether it is the failure of the Theatre as a musical room--the general poverty of the performance--the little notice that was given of their Majesties' intention to be present we know not" (Morning Chronicle, 23 Feb.)

Performances

Mainpiece Title: Armida

Ballet: Amphion et Thalie. As17910217

5798
26 February 1791 @ Covent Garden

Event Comment: Mainpiece [1st time; CO 3, by Henry Bate]: With new Music, Scenes, Dresses, and Decorations. The Music (with a few exceptions) composed entirely new by Shield. And new Scenery designed and chiefly executed by Richards. Books of the Songs to be had at the Theatre. [Williamson was formely a chorus singer at this theatre; Mme Pieltain had sung at the king's in the season of 1788-89. Afterpiece in place of The Deaf Lover, advertised on playbill of 25 Feb.] "The author is very little responsible for his part of the entertainment, which he acknowledges was composed chiefly for the purpose of [the music, which] in the taste of the present day is almost the only essential part of such an entertainment" (Gazetteer, 28 Feb.). Oracle, 7 May 1791: Thas Day is published The Woodman (1s. 6d.). Receipts: #243 2s. (239.17.6; 3.4.6)

Performances

Mainpiece Title: The Woodman

Performance Comment: [Principal Characters-Quick, Bannister, Johnstone, Blanchard, Incledon, Williamson (1st appearance in a speaking part), Cross, Mrs Martyr, Mrs Webb, Miss Huntley, Mme Pieltain (1st appearance on the English stage non-operatic]; Rest of; the Vocal Parts-Mrs Mountain, Mrs Warrell, Miss Williams, Mrs Harlowe, Miss Stuart, Miss Barnet, Mrs Watts, Miss Francis, Mrs Arnold, Mrs Davenett, Mrs Rock, Mrs Cross, Mrs Powell, Mrs Gray, Mrs Masters, Mrs Platt, Mrs Ratchford, Mrs Byrne, Mrs Goodwin; [Cast from text (T. Cadell, 1791): Sir Walter Waring-Quick; Fairlop the Woodman-Bannister; Capt. O'Donnel-Johnstone; Medley-Blanchard; Wilford-Incledon; Bob the Miller-Williamson; Filbert the Gardener-Cross; Dolly-Mrs Martyr; Miss Di Clackit-Mrs Webb; Polly-Miss Huntley; Emily-Mme Pieltain [in text: Miss Dall (see17910310; Kitty Maple-Miss Stuart; Bridget-Mrs Cross.

Afterpiece Title: Two Strings to Your Bow

Cast
Role: Of the Ancients its speaking Actor: Johnstone

5799
11 March 1791 @ Drury Lane Theatre

Performances

Mainpiece Title: A Grand Selection 0 From The Works Of Handel

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Part III Fifth Grand Concerto-; Is not the King most mighty, On the Charmer fondly gazing-Miss Hagley [Dr Arnold]; For unto us a Child is born-Chorus (The Messiah); Every Day will I give thanks-Miss Broadhurst (Chandos Anthems); Jehovah crown'd-Bellamy; He comes-Chorus (Esther); Prophetic Raptures-Miss Cecilia Davies (Joseph); O come let us worship-Spence (Coronation Anthems); Hallelujah for the Lord God Omnipotent reigneth-Grand Chorus (The Messiah).

5800
11 March 1791 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of Handel

Afterpiece Title: Grand Selection 1

Performance Comment: Part I Coronation Anthem,God save the King-; Overture-(Esther); Shall I in Mamre's fertile Plain-Sale; For all these Mercies-Chorus (Joshua); Rise Jephtha, Happy Iphis-Miss Poole; When his loud voice-Chorus (Jephtha); Total Eclipse-Harrison; O first created Beam-Chorus (Samson); Holy holy Lord-Mrs Billington (Redemption); He gave them Hailstones-Double Chorus (Israel in Egypt).
Cast
Role: God save the King Actor:

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3