SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Love"/1) | (@(roleclean,performerclean) "Love")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3679 matches on Roles/Actors, 2767 matches on Performance Title, 988 matches on Performance Comments, 323 matches on Event Comments, and 99 matches on Author.
Event Comment: At the particular Desire of several Persons of Distinction, and eminent Merchants of the City of London. Tickets for The Devil to Pay and The Triumphs of Love and Honour, whatever Date they may bear, will be taken on the Authors Nights, and both the Play and Opera will be perform'd with all convenient Expedition

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: Bayes's Opera

Music: In mainpiece: By Desire, a Piece of Musick by Signior Vivaldi, call'd The Cuckow-Charke, others

Event Comment: [Written by Shakespear. With new Scenes and Cloaths. At the Desire of several Persons of Distinction the Pit and Boxes will be put together at 3s. Boxes on the Stage 4s. Gallery 1s. [The Prologue is in The Comedian, No. VII, October 1732, with a long essay on the major theatres of the present season.] Daily Advertiser, 4 Oct.: A very splendid and crowded Audience...testify'd their Approbation both of the Decorations and Performance. The principal Embellishments are as follows: On a large Oval over the Pit is represented the Figure of His Majesty, attended by Peace, Liberty, and Justice, trampling Tyranny and Oppression under his Feet; round it are the Heads of Shakespear, Dryden, Congreve, and Betterton. On the Coving on the Left Hand is painted the Scene of Cato pointing at the dead Body of his Son Marcus; in the Middle, that of Julius Caesar stabb'd in the Senate-House; and on the Right, that of Marc Anthony and Octavia, where the Children are introduc'd in All for Love. On the Sounding-Board over the Stage is an handsome Piece of Painting of Apollo and the Nine Muses. [See also Daily Post, 4 Oct. and Gentleman's Magazine, II (October 1732), 1028.

Performances

Mainpiece Title: King Henry Iv; With The Humours Of Sir John Falstaff

Event Comment: At the Desire of several Persons of Quality. Afterpiece: a Grotesque Entertainment. With new Scenes and Habits. Daily Post, 17 Nov.: We hear the following new Pieces are writ into Parts and are to be play'd at [dl] with all convenient Expedition, viz, The Perjur'd Love; or, The Broken Heart, a Tragedy; The Provident Wife; or, The Doctor's the Disease, a Comedy; and the Tragedy of Brutus

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Country Revels

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Apollo and Daphne

Performance Comment: Apollo-Poitier; Nymphs-Mrs Ogden, Miss LaTour; Daphne-Mrs Pelling; Burgomaster-Nivelon; Boor Servant-Hippisley; Colombine-Mrs Younger; Scaramouch-Newhouse; Harlequin-Lun; Peasants-Newhouse, Delagarde Jr, DuPre Jr; Women Peasants-Mrs Stevens, Mrs Kilby, Mrs Forrester; With The Triumphs of Love: Venus-Mrs Sanderson; Silenus-Leveridge; Pan-Laguerre; Bacchus-Salway; Zephyrus-Poitier; Frenchman-Glover; Spaniard-Dupre; Polonese-Pelling; French Woman-Mrs Younger; Spanish Woman-Miss LaTour; Polonese Woman-Mrs Ogden; Flora-Mrs Pelling.
Cast
Role: Frenchman Actor: Glover
Event Comment: Benefit Bullock and Excell. At the particular Desire of several Persons of Quality. Afterpiece: a Masque of Musick, compos'd by Mr Prellieur. [Tickets for Love's Last Shift taken.

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: The Contending Deities

Dance: SScotch Dance-Mrs Bullock

Event Comment: At Fielding-Hippisley Booth. Daily Post, 4 Sept.: We hear...that there have been such frequent Calls for Copies of that favourite Duetto of Sweet If You Love Me Smiling Turn. (sung by Salway and Mrs Pritchard) that they have been provided printed Copies of it be given Gratis daily at their Booth...and that further to entertain...Hippisley, at the End of the last Time of Acting every Night, will divert the Audience with his Comic Scene call'd the Drunken Man, as will also Mons LeBrun with his Drunken Peasant

Performances

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Afterpiece Title: Apollo and Daphne; or, The Burgo-Master Trick'd

Performance Comment: Apollo-Poirier; Nymphs-Mrs Ogden, Mrs Pelling, Miss Baston, Miss Rogers; Daphne-Mrs Laguerre; Burgomaster-Laguerre; Boor Servant-Hippisley; Colombine-Mrs Younger; Scaramouch-Newhouse; Harlequin-Lun; Peasants-Newhouse, De la Garde Jr, Du Pre Jr; Women Peasants-Mrs Stevens, Mrs Kilby, Mrs Forrester; With The Triumphs of Love: Venus-Mrs Wright; Diana-Miss Norsa; Silenus-Leveridge; Bacchus-Salway; Zephyrus-Poitier; Frenchman-Glover; Spaniard-Du Pre; Polonese-Pelling; French Woman-Miss Rogers; Spanish Woman-Mrs Pelling; Polonese Woman-Mrs Ogden; Flora-Mrs Laguerre .
Cast
Role: Frenchman Actor: Glover
Event Comment: Mainpiece: Taken from Moliere by the late Mr Betterton. Afterpiece: As 8 Nov. [HAY also announces it intends to perform a new masque, Love and Glory, in honor of the approaching Royal Nuptials, but, the time being short, the theatre will first bring on an Impromptu Revel Masque]

Performances

Mainpiece Title: The Amorous Widow; Or, The Wanton Wife

Performance Comment: Wanton Wife-Mrs Heron; Barnaby-Griffin; Sir Peter-Johnson; Lovemore-A. Hallam; Cunningham-Milward; Merryman-Harper; Clodpole-Miller; Jeffery-Oates; Jeremy-Master Arne; Lady Laycock-Mrs Shireburn; Lady Pride-Mrs Charke; Philadelphia-Miss Oates; Damaris-Miss Mann; Prudence-Mrs Grace .
Cast
Role: Lovemore Actor: A. Hallam

Afterpiece Title: The Opera of Operas

Dance: In Afterpiece: Les Bergeries, as17331108

Performances

Mainpiece Title: Tony Aston's Medley

Performance Comment: Gomez and Elvira (Spanish Fryar); Humours of Scrub (Stratagem); Humours of Teague (Committee); Humours of Hob (Country Wake); Fondlewife and Laetitia (old Batchelor); Ben and Prue (Love for Jjjve); Jerry Blackacre (Plain Dealer); Vellum and Abigail (Drummer). And the Drunken Man .
Event Comment: Benefit Carlo Broschi Farinello. With several Alterations and Additions. Pit and Boxes, Places on the Stage, at Half a Guinea. N.B. Signor Farinello humbly hopes, that the Subscribers will not make use of their Tickets on this Occasion. The Stage will be in the same Manner as in the Assembly with a great Number of Benches. Mrs Pendarves to Mrs Granville, 15 March: Tonight is Farinelli's benefit; all the polite world will flock there, and go at four o'clock, for fear they should not be time enough. I don't love mobbing, and so I shall leave them to themselves. Daily Advertiser, 13 March: 'Tis expected that Signor Farinelli will have the greatest Appearance on Saturday that has been known. We hear that a Contrivance will be made to accommodate 2000 People. His Royal Highness the Prince of Wales has been pleas'd to give him 200 Guineas, the Spanish Ambassador 100, the Emperor's Ambassador 50, his Grace the Duke of Leeds 50, the Countess of Portmore 50, Lord Burlington 50, his Grace the Duke of Richmond 50, the Hon. Col. Paget 30, Lady Rich 20, and most of the other Nobility 50, 30 or 20 Guineas each; so that 'tis believ'd his Benefit will be worth to him upwards of 2000l

Performances

Mainpiece Title: Artaxerxes

Performances

Mainpiece Title: The Mistake

Afterpiece Title: Apollo and Daphne; or, The Burgo-Master Trick'd

Performance Comment: Apollo-Glover; Nymphs-Miss Sandham, Mrs Ogden, Mrs De l'Orme, Miss Norman; Daphne-Miss Rogers; Burgomaster-Nivelon; Servant-Hippisley; Colombine-Miss Nona; Scaramouch-Bencraft; Harlequin-Lun; Peasants-Bencraft, Ferguson, Du Pre; Women Peasants-Mrs Stevens, Miss Horsington, Miss Brunette; With The Triumphs of Love: Venus-Mrs Wright; Silenus-Leveridge; Bacchus-Stoppelaer; Zephyrus-Glover; Frenchman-Desse; Frenchwoman-Mrs De l'Orme; Spanish Man-Livier; Spanish Woman-Miss Sandham; Polonese Man and Woman-Tench, Mrs Ogden; Flora-Miss Rogers .
Cast
Role: Apollo Actor: Glover
Role: Zephyrus Actor: Glover

Performances

Mainpiece Title: The Funeral

Afterpiece Title: Apollo and Daphne

Performance Comment: Apollo-Glover; Nymphs-Miss Sandham, Mrs Ogden, Mrs De L'Orme, Miss Norman, Miss Rogers; Burgomaster-Nivelon; Boor Servant (Pierot)-Lalauze; Colombine-Mrs Kilby; Scaramouch-Bencraft; Harlequin-Lun; Peasants-Bencraft, Ferguson, Du Pre; Women Peasants-Mrs Forrester, Miss Horsington, Miss Brunette; with The Triumphs of Love: Venus-Mrs Wright; Silenus-Leveridge; Bacchus-Stoppelaer; Zephyrus-Glover; Frenchman-Desse; Frenchwoman-Mlle De L'Orme; Spaniard-Livier; Spanish Woman-Miss Sandham; Polonese-Tench; Polonese Woman-Mrs Ogden; Flora-Miss Rogers; Diana-Miss Hillyard; but see17351020 . but see17351020 .
Cast
Role: Apollo Actor: Glover
Role: Zephyrus Actor: Glover

Dance: French Peasant by Lalauze and Mlle D'Hervigni

Event Comment: A New Opera. [Librettist not known. Music by Handel.] London Daily Post and General Advertiser, 13 May: Last Night was perform'd ... Atalanta ...in which was a new Set of Scenes painted in Honour to this Happy Union, which took up the full length of the Stage: The Fore-part of the Scene represented an Avenue to the Temple of Hymen, adorn'd with Figures of several Heathen Deities. Next was a Triumphal Arch on the Top of which were the Arms of their Royal Highnesses, over which was placed a Princely Coronet. Under the Arch was the Figure of Fame, on a Cloud, sounding the Praises of this Happy Pair. The Names Fredericus and Augusta appear'd above in transparent Characters. Thro' the Arch was seen a Pediment supported by four Columns, on which stood two Cupids embracing, and supporting the Feathers, in a Princely Coronet, the Royal Ensign of the Prince of Wales. At the farther End was a View of Hymen's Temple, and the Wings were adorn'd with the Loves and Graces bearing Hymenael Torches, and putting Fire to Incense in Urns, to be ofter'd up upon this Joyful Union. The Opera concluded with a Grand Chorus, during which several beautiful Illuminations were display'd. . . . There were present their Majesties, the Duke, and the Four Princesses

Performances

Mainpiece Title: Atalanta: In Honour Of The Royal Nuptials Of Their Royal Highnesses The Prince And Princess Of Wales

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Apollo and Daphne; or, The Burgomaster Trick'd

Performance Comment: Apollo-Glover; Daphne-Mrs Laguerre; Nymphs-Mrs LeBrun, Mrs Ogden, Mrs Delorme, Miss Norman; Burgomaster-Nivelon; Boor Servant-Hippisley; Colombine-Mrs Kilby; Scaramouch-Bencraft; Harlequin-Lun; Peasants-Bencraft, Bodine, Dupre Jr; Women Peasants-Mrs Forrester, Miss Horsington, Miss Dancy; with The Triumphs of Love: Venus-Mrs Wright; Diana-Miss Hillyard; Silenus-Leveridge; Bacchus-Laguerre; Pan-Salway; Zaphyrus-Glover; Frenchman-Desse; Spaniard-Tench; Polonese-Richardson; Frenchwoman-Mlle Delorme; Spanish Woman-Mrs Moreau; Polonese Woman-Mrs Ogden; Flora-Mrs Laguerre.
Cast
Role: Apollo Actor: Glover
Role: Zaphyrus Actor: Glover
Event Comment: Mainpiece: Written by the Author of Pasquin. Afterpiece: Giving an Account of the Rise, Progress, Greatness, and Downfall of Mr Pillage, the Author; his Followers and Friends at his Levee; his Friend Who begs to be excus'd from coming there; his Schemes to cram down Farces, and raise Prices; with his excellent Company shewn in a proper Distribution of Parts; a fine Love-Scene between him and his Muse; his crawling up the Pinnacle upon All-Fours; the terrible Hissing and Cat-calling of his favourite Face; with the dreadful Consequences and Catastrophe of the whole, Note, The Play will not begin till Half an Hour past Six

Performances

Mainpiece Title: The Historical Register

Afterpiece Title: Eurydice Hiss'd

Performances

Mainpiece Title: Pasquin

Afterpiece Title: Fame; or, Queen Elizabeth's Trumpets; or, Never plead's Hopes of being a Lord Chancellor; or, The Lover turn'd Philosopher; or, The Miser's Resolve upon the Lowering of Interest

Performance Comment: The Characters are, Sir Hardheart Pelf, an Usurer, and Justice of the Peace-; Counsellor Pleadwell, a Man of Honour-; in love with Charlotte, the Miser's Daughter-; Counsellor Neverplead, of Brick-Court in the Temple, an Original-; Fustian turn'd Auctioneer, preparatory to a Presbyterian Parson-; Mr Jamaica, an honest Merchant, sent as a Vagrant to the House of Correction-; Mr Quidnunc, a very deep-headed Man-; a Pack of fashionable Ladies and Beaux-; Famine, the Usurer's Servant-; George, Counsellor Neverplead's chief Clerk-.
Event Comment: Benefit Mrs Haywood the Muse, Author of Love in Excess, and many other entertaining Pieces. 6:30 p.m. Daily Advertiser, 23 May: We hear that her Grace the Dutchess Dowager of Marlborough will be at the Theatre in the Hay-Market this Night

Performances

Mainpiece Title: The Historical Register

Afterpiece Title: Eurydice Hiss'd

Event Comment: A notice had appeared announcing for this date a performance of Love Makes a Man, with Clodio-$Peterson, Cholerick-$Paget, and the rest of the parts by members of Giffard's Goodman's Fields Company (now of course at Lincoln's Inn Fields) and the Lying Valet, for the benefit of Paget, who states, in the notice, that he is out of work. The performance was not given, but see 25 Nov., by which date Paget was resting in Fleet prison

Performances

Mainpiece Title: None

Event Comment: The New Tragedy entitled Love's the Cause and Cure of Grief intended to have been acted this night is deferr'd till Monday Next. Daily Advertiser: The Fable of the Iron and the Earthen Pot. To Mr Macklin. Vers'd thou art in every Wile Thy conduct who can Reconcile? Who'll think thee knowing in Intrigue With Garrick e'er to join in League? Was not the Maxim to thee known That Leaguers. 'Twixt Equals suit alone? We grant thee Merit; yet how far Does Sol outshine the brightest Star? Thy strength hads't thou by duly weigh'd No Feuds had then to ills betray'd. Still if thou well or ill deserve Pity, methinks, to let thee starve Pity that thou shoulds't find too late Sage Aesop's Earthen Pot thy fate

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Lawyer's Feast

Song: II: Song-Morland

Dance: V: New Dance, as17431123

Event Comment: To Macklin the Player: The Laity as well as Priests of all Religons are the same. Macklin, Thou mayst remember when thou wert learning the part of Shylock in the Merchant of Venice, thou camest daily to the Change, and artfully dids't introduce thyself into my company, till thou hads't stolen my Face, my Looks, and not content with the Index, thou did'st turn over the volume of my Mind, as it if thy Author had been wanting in the manner of his character, and dids't show me on the stage to the Disgrace of my Tribe, for which we wish thee not in Abraham's Bosom, thou may'st be sure. Now if thou hast a mind to compromise the Affair, and serve thyself at thy Benefit time, publicly delcare what Place thou did'st frequent, and what set of Christians thou did'st herd with, before thou playd'st the part of Iago in the Moor of Venice; Comply and our Rancor to thee will be turn'd into Love and Service. s@Zorobabel. PS I will call to thee tonight at thy Synagogue in the Hay-market, about the sixth Hour, as you players reckon, for intelligence.-Daily Advertiser

Performances

Mainpiece Title: Othello

Event Comment: Mainpiece Written by the late Mr Congreve. Benefit Mrs Mills. Tickets to be had of Mills at his house in Nassau St., Soho. To the Author of the General Advertiser: It is with great Pleasure I find by the Publick Papers that a tragedy founded on Voltaire's Mahomet is now in rehearsal at Drury Lane Theatre. The Original was by Authority forbid to be played in France on account of the free and noble sentiments with regard to Bigotry and Enthusiasm, which shine through it; and which that Nation found as applicable to itself, as to the bloody propagators of Mahomet's Religion. Indeed the Fable on which it is built demanded such sentiments; the design of it being to shew the dreadful effects of Bigotry and Enthusiasm, even upon minds naturally well inclined when work'd up to such a pitch, as a beautiful concurrence of amazing, yet probable Circumstances hath there carried them to: So that it was equally impossible for the poet, by cutting and mangling his play, to lop it to their standard of Orthodox poetry, as it were for their Inquisitors, by torturing and burning a poor Protestant, to convince him of their Christian love and charity....They foresaw that the most obvious Reflection, that every sensible Spectator could not but make, would be, that he every day saw the same effects produced from two the most different causes, Mahometanism and Christianity; and the consequence must be, either that they were both alike Imposters, or that a crafty, mercenary, and cruel Clergy had dared to add a spirit to Christianity, which Christianity never knew. It is not doubted but these every Sentiments, which in France, prevented the Representation of this piece, will, in England speak loudly in its favor (providdd our English poet is not unequal to his subject) especially since so audacious an attempt has been lately made by the Common Enemy of Europe to establish at once a Civil and Spiritual Tyranny over those injur'd Nations, by the old Mohametan and Roman Arguments of Fire and Sword. I am, &c

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Jovial Crew

Cast
Role: Springlove Actor: Cross
Related Works
Related Work: The Ladies' Frolic Author(s): James Love

Dance: Muilment, Mrs Auguste

Song: BBritons Strike Home-

Event Comment: t foot of Bill]: Whenever a Pantomime or Farce shall be advertised, the advanced prices shall be returned to those who do not choose to stay; and on Thursday next will be published the Manager's reasons for his conduct in the present dispute. Winston MS.: Fleetwood, the manager, and servants driven from doors & all rushed in. Genest, IV, 137-38: A country gentleman was taken from an upper box and carried before a magistrate. This step when known by the audience occasioned much mischief. Acting the play not allowed. General Advertiser, 22 Nov.: An Address to the Public, dl Theatre 20 November. As the extraordinary disturbances which have lately happened at this theatre greatly affect the diversions of the publick, as well as the property of the manager, he thinks it incumbent on him to justify his conduct by giving a fair statement of the case....The reasons of complaint assigned, he apprehends, are the exhibition of Pantomimes, Advanced Prices, and Insults on the audience--as to the first, he submits it to be considered that however distasteful such pieces may be to the delicacy of some judgments, yet there are others to whose taste they are suited; as the playhouse may be considered as the general mart of pleasure, it is only from the variety of entertainment, the different tastes of the public can be supplied--of this the receipts of the house are a sufficient evidence, it being notorius, how necessary the addition of such pieces is towards procuring the best play a numerous audience. With regard to the advanced prices, the Manager hoped he should in some measure be justified by the great increase of the charges of the theatre which, notwithstanding any reduction that has been made, are still at least a fourth part greater than usual--but as in this point he has already submitted, he conceives it can no longer remain the subject of their displeasure, especially as by an advertisement handed about the theatre it was said that every objection would cease, when the manager consented to return the advanced prices to those, who did not choose to be tortured with entertainments. As to insults on the audience...last week upon some persons flinging the sconces and candles on the stage a quarrel arose, in the confusion of which a Gentleman was secured, but by whom the Manager knows not, nor ever gave any order, or was any acquainted with the affair till after he was discharged, for the truth of which he refers to the affidavit annexed. As to the accusation of several bruisers (as they are termed) being employed on Saturday night to insult Gentlemen, the Manager declares, that there was none but the Peace Officers, Carpenters, and Scene-men (which on account of the Entertainments are very numerous) and other servants belonging to the theatre; nor did they appear till urged by the tumult, by tearing up benches and threat'ning to come on the stage and demolish the scenes; nor could the Manager apprehend this legal precaution to prevent mischief and defend his property would ever be construed as an infringement on the liberty of an audience, especially when it is considered, what great damages he sustained some years ago on an attempt of the like nature--if any such persons appeared in the pit, the Manager presumes, they must have come in with the multitude, after his doorkeepers were drove from their posts, and the house was open to all; which was evident from several hundred persons more being present at the disturbance than were at the performance that night, who then came to a determination to prevent any performance on the Monday. After this impartial account of his conduct, the manager appeals to the judgment of the publick what foundation he has given for the outrageous disturbance on Monday night; and cannot help thinking, the real injuries he has sustained, too severe a punishment for an imaginary offence, having lost several hundred pounds already, by people being terrified from frequenting the theatre. A total exclusion is now insisted on, the Manager to resign his property, the Publick to be deprived of their diversions and the players of their subsistence; And all this after every concession, becoming one gentleman to ask, or another to make, has been submitted to. [Affidavit of Constable followed. See Genest, IV, 139-40.] The following three pamphlets came out expressing points of view concerning Fleetwood and his policy and management: I. The Disputes between the Director of d.l. and the Pit Potentates, 20 Nov. As a Letter to a Friend it tells the resolution: not to have old Pantomimes (so execrably bad that they were damn'd when new) imposed on them, unless the manager would take no more than common prices; reports how Fleetwood stocked the pit with Men of doughty valor...disguised in the habits of Gentlemen, to throw out all who protested; protests the system of casting employed whereby 2nd rate actors appeared in good parts; discusses hardship cases of certain actors (Mrs Roberts, Mrs Horton, Mrs Mills) and asks why Theophilus Cibber is not on the stage. 2. An Impartial Examen of the Present Contests, by Mr Neitherside, 1744: harks back to Fleetwood's finacial policies of the previous year, deploring his relations with the actors and with manager of cg; scourges him for miscasting his plays around one prominent actor, rather than giving a balanced performance; deplores his paying Mrs Cibber, Mrs Clive so much; revives the 1743 dispute which led to secession; dislikes the casting for 2 Nov. of Love's Last Shift; suggests better casts for many plays; scores the Licensing Act for reducing players to slavery; hopes for resumption of balanced performances. 3. Stage Policy Detected, or some Selcet Pieces of Theatrical Secret History Laid Open, in a Letter to a Certain Manager, 1744: takes apart Fleetwood's Defense, statement by statement, giving him the lie at each point. Suggests the real money from the house comes from Pit and Box, which are protesting his pantomimes; shows full attendance at Rehearsal and Macbeth with no afterpieces. Especially dislikes the hired bruisers, and the cast of the Alchemist for 6 Nov

Performances

Mainpiece Title: The Provoked Wife

Dance: Muilment

Event Comment: AAll for Love is obliged to be deferred till further notice

Performances

Mainpiece Title: The Orphan

Song: Lowe

Dance: Muilment

Event Comment: Benefit Mr Daniel and Mrs Bainbridge; tickets deliver'd out for Love's Last Shift will be taken

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: The Miller of Mansfield

Event Comment: By particular Desire. Benefit Mrs Ridout and Miss Budgell. Tickets deliver'd out for Love's Last Shift will be taken

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Double Disappointment

Song: II: Lowe; IV: Cantata-Lowe

Dance: III: Italian Peasants, as17460206