SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Lord Whartonseldest son"/1) | (@(roleclean,performerclean) "Lord Whartonseldest son")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1743 matches on Performance Comments, 699 matches on Event Comments, 506 matches on Performance Title, 43 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: London's Glory; Or, The Lord Mayor's Show

Performance Comment: Containing an Illustrious Description of the several Triumphant Pageants, on which are represented Emblematical Figures, Artful Pieces of Architecture, and Rural Dancing, with the Speeches spoken in each Pageant; Also, Three new Songs, the first in praise of the Merchant-Taylors, the second the Protestant Exhortation, and the third the plotting Papists Litany, with their proper Tunes either to be Sung or Play'd Perform'd on Friday, October XXIX. 1680. For the Entertainment of the Right Honourable Sir Patience Warde, Knight. Lord Mayor of the City of London. At the proper Cost and Charges of the Right Worshipful Company of Merchant-Taylors. Invented and Compos'd by Tho. Jordan.
Event Comment: Mainpiece [1st time: CO 3, by John Burgoyne, based on Silvain, by Jean Francois Marmontel]: With entirely new Music [by William Jackson], Scenes, Dresses, and Decorations. The Scenery designed by DeLoutherbourg, and executed under his direction. Public Advertiser, 3 Apr. 1781: This Day is published The Lord of the Manor (price not listed). Receipts: #226 19s. (216.15; 9.16; 0.8)

Performances

Mainpiece Title: The Lord Of The Manor

Performance Comment: Principal Characters by Vernon, Dodd, Parsons, Bannister, Aickin, Baddeley, Du-Bellamy, Suett, R. Palmer, Williams, Holcroft, Chaplin, Griffiths, Phillimore, Nash, Helme, Palmer, Miss Prudom, Mrs Wrighten, Miss Farren. Cast from text (T. Evans, 1781): Trumore-Vernon; Le Nippe-Dodd; Sir John Contrast-Parsons; Rashly-Bannister; Rental-Aickin; Captain Trepan-Baddeley; Huntsman-Du-Bellamy; Serjeant Crimp-R. Palmer; Corporal Snap-Williams; Contrast-Palmer; Moll Flagon-Mr Suett; Annette-Miss Prudom; Peggy-Mrs Wrighten; Sophia-Miss Farren; unassigned-Holcroft, Chaplin, Griffiths, Phillimore, Nash, Helme.
Related Works
Related Work: The Lord of the Manor Author(s): William Jackson

Afterpiece Title: The Elopement

Cast
Role: Harlequin Actor: Wright
Role: Clown Actor: Delpini
Role: Pantaloon Actor: Chaplin
Role: Lover Actor: Burton
Role: Scaramouch Actor: R. Palmer
Role: Drunken Valet Actor: Griffiths
Role: Country Girls Actor: Miss Simson, Miss Kirby
Role: Colombine Actor: Miss Collett.
Event Comment: By Permission of the Lord Chamberlain. [Author of Address unknown.] 1st piece: By the Author of Love in a Village, &c. [Isaac Bickerstaffe]; not acted these 16 years [1st acted at DL, 24 Nov. 1770], by Veterans of the Stage. 2nd piece: By the late Samuel Foote, Esq. 3rd piece: By Garrick; not acted these 12 years. The Doors to be opened at 6:00. To begin at 7:00

Performances

Mainpiece Title: 'tis Well It's No Worse

Cast
Role: Don Carlos Actor: Wyatt
Role: Lazarillo Actor: Cross
Role: Don Guzman Actor: Darling
Role: Don Ferdinand Actor: Thome
Role: Octavio Actor: George
Role: Messenger Actor: Green
Role: Alguzill Actor: Purkiss
Role: Drunken Coachman Actor: Ryder
Role: James Actor: Morley
Role: Lawyer Actor: Hall
Role: Don Pedro Actor: Stephens
Role: Muskato Actor: Swords
Role: Aurora Actor: Miss Bird
Role: Marcella Actor: Miss Noel
Role: Leonardo Actor: Mrs Knox
Role: Old Nun Actor: Mrs Barnes
Role: Beatrice Actor: Miss Clarke

Afterpiece Title: The Diversions of the Morning

Cast
Role: Carmine Actor: Cross
Role: Caleb Actor: Brown
Role: Alderman Pentweazel Actor: Ryder
Role: Lady Pentweazel Actor: Mr Swords

Afterpiece Title: Lethe, -AEsop, Old Man, Mercury, Drunken Man, Charon, Bowman, Snip, Fine Gentleman, Frenchman, Lord Chalkstone to be performed, for that night only, by a Society of Gentleman; Mrs Riot-Mrs Dore

Related Works
Related Work: The Adventures of a Night Author(s): William Hodson

Monologue: 1785 04 25 Preceding the 1st piece an Address spoken by Brown

Event Comment: [By George Granville, Lord Lansdowne. Date of premiere unknown. Published by 19-23 Jan.

Performances

Mainpiece Title: The Jew Of Venice

Cast
Role: Bassanio Actor: Betterton
Role: Antonio Actor: Verbruggen
Role: Gratiano Actor: Booth
Role: Lorenzo Actor: Baily
Role: Shylock Actor: Dogget
Role: Duke of Venice Actor: Harris
Role: Portia Actor: Mrs Bracegirdle
Role: Nerissa Actor: Mrs Bowman
Role: Jessica Actor: Mrs Porter
Role: arise Crown'd with Lawrel Actor:
Role: Epilogue Actor: .
Related Works
Related Work: The Jew of Venice Author(s): George Granville, Lord Lansdowne
Event Comment: As alter'd from Shakespear by the Lord Lansdown. Receipts: #14 8s. 6d

Performances

Mainpiece Title: The Jew Of Venice

Cast
Role: Shylock Actor: Boheme
Role: Antonio Actor: Ryan
Role: Bassanio Actor: Walker
Role: Gratiano Actor: C. Bullock
Role: Lorenzo Actor: Diggs
Role: Portia Actor: Mrs Seymour
Role: Nerissa Actor: Mrs Bullock
Role: Jessica Actor: Mrs Parlour.
Related Works
Related Work: The Jew of Venice Author(s): George Granville, Lord Lansdowne

Dance: Lally, Pelling, Lally Jr, Mrs Rogeir, Mrs Bullock, Miss Hutton; Myrtillo-

Performances

Mainpiece Title: Julius Caesar

Performance Comment: The young Noblemen of the Westminster School. Julius Caesar-Lord Danby; Mark Anthony-Roberts; Brutus-Master Hay; Cassius-Lord Middlesex; Portia-Lord Dorset's son; Octavius-another of Lord Dorset's sons.
Event Comment: Among the Instrumental Performers are Messrs Ashley and Sons, Patria, Sarjant, Billington, Mahon, Boyce, Mountain, J. Mahon, the Leanders, Ware, Kaye, Rawlings, Sharp, Lyon, &c. &c. &c. Double Drums by J. Ashley. The Whole under the Direction of Harrison and Ashley. No Money to be returned. Places for the Boxes to be had of Brandon at the Theatre. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. Books of the Performances, with the Names of the Performers to their respective Songs, to be had at the Theatre, Price Six-pence. And to prevent imposition in the Streets, the Manager's Books are printed with the following Words at the bottom of each Title Page: "Printed by H. Macleish, Duke's-Court, Drury-Lane.

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of Handel

Performance Comment: Principal Vocal Performers-Harrison, Incledon, Griffith, Sale, Miss Poole, Mrs Piele, Mrs Billington; Leader of the Band-G. Ashley; The Organ-Knyvett.

Afterpiece Title: Grand Selection 1

Performance Comment: Part I Coronation Anthem,God save the King-; Overture-(Esther); Shall I in Mamre's fertile Plain-Sale; For all these Mercies-Chorus (Joshua); Rise Jephtha, Happy Iphis-Miss Poole; When his loud voice-Chorus (Jephtha); Total Eclipse-Harrison; O first created Beam-Chorus (Samson); Holy holy Lord-Mrs Billington (Redemption); He gave them Hailstones-Double Chorus (Israel in Egypt).

Afterpiece Title: Grand Selection 2

Performance Comment: Part II Fifth Grand Concerto-; Honour and Arms-Griffith; Ye Men of Gaza-Miss Poole; Hear Jacob's God-Chorus; Justly these evils, Why does the God of Israel sleep?-Incledon; Then round about the starry Throne-Chorus (Samson); O come let us worship-Harrison (Coronation Anthems); The Mighty Power-Chorus (Athalia); O worse than Death and Angels ever bright-Mrs Billington (Theodora); Gird on thy Sword-Chorus (Saul).

Afterpiece Title: Grand Selection 3

Performance Comment: Part III Ye Sons of Israel-Chorus (Joshua); Rendi il sereno al Ciglio-Harrison (Sosarme); O Lord in thee have I trusted-Incledon, Chorus (Te Deum); O had I Jubal's Lyre-Miss Poole (Joshua); From the censer-Chorus (Solomon); Ye sacred Priests, Farewell ye limpid springs-Mrs Billington (Jephtha); The Lord shall reign-Chorus; For the Horse of Pharaoh-Harris; The Horse and his Rider-Mrs Billington, Double Chorus (Israel in Egypt).

Performances

Mainpiece Title: Cato

Performance Comment: Portius-Prince George; Juba-Prince Edward; Cato-Master Nugent; Sempronius-Master Evelyn; Lucius-Master Montague; Decius-Viscount Milsintown; Syphax-Lord North's son; Marcus-Master Madden; Marcia-Princess Augusta; Lucia-Princess Elizabeth; King George III (then Prince George) spoke the Prologue-Prince George.
Related Works
Related Work: Cato Author(s): Joseph Addison
Event Comment: Elizabeth Barry to the Right Hon. Lady Lisburne, 5 Jan. 1698@9: As for the little affairs of our house I never knew a worse Winter only we have had pretty good success in the Opera of Rinaldo and Armida where the poet made me command the Sea the earth and Air but had I really that Authority I cou'd with joy forsake it all to wait on your Ladyship....Eliz: Barry. Lon: jan: ye 5th this monent Alexander is bespoke to entertain ye Bride I mentioned [the daughter of Lord Litchfield married to Lord Baltimore's son] & all their guest to-morrow (See M. A. Shaaber, A Letter from Mrs Barry, The Library Chronicle, The University of Pennsylvania, XVI [1950], 46)

Performances

Event Comment: Benefit for Sparks. Miss Radley became Mrs Fitzgerald (Winston MS 10). Ld. Townly, Mr Sparks Jun: first Appearance (Cross Diary). Mr Sparks Junr Son of Mr Isaac Sparks made his first Appearance on any Stage in Ld. Townly a fine figure and met with Applause (Hopkins Diary)

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: As17701102; Lord Townly-Young Gentleman, first appearance on any stage [Sparks Jun]; John Moody-I. Sparks; Lady Townly-Mrs Abington; Jenny-Mrs Fitzgerald (late Miss Radley).

Afterpiece Title: A Peep behind the Curtain

Cast
Role: Lady Fuz Actor: Mrs Hopkins.
Role: Glib Actor: King
Role: Sir Toby Actor: Love
Role: Sir Macaroni Actor: Dodd
Role: Others Actor: Packer, Palmer, Bannister, Moody, J. Aickin, Wright, Johnston, Mrs Love, Mrs Bradshaw
Role: Orpheus Actor: Vernon
Role: Rhodope Actor: Mrs Baddeley
Role: Miss Fuz Actor: Miss Burton
Role: Patent Actor: Packer
Role: Careless Actor: Moody
Role: Wilson Actor: Palmer
Role: Prompter Actor: Wright
Role: Johnston Actor: Johnston
Role: Shepherds Actor: Dodd, J. Aickin, Hartry, Fawcett, Kear, Messink
Role: Sweepers Actor: Mrs Bradshaw, Mrs Love

Dance: End: Comic Dance, as17710416

Event Comment: Benefit for Vestris? Jun. Opera: In 2 acts; the music by Piccinni, and conducted by Bianchi. With new Scenes painted by Novosielski. New Dresses and Decorations both for the Opera and Dances. Mme Simonet will this Evening reassume her station at the Opera House; but as she is not perfectly recovered from the consequences of her late Accidnet, she hopes for the indulgence of the Public, from whom she has already received so many flattering proofs of Approbation. Tickets, 10s. 6d., to be had of Vestris, No. 5, Leicester-street, Leicester-fields. "Last Thursday was the benefit of Vestris and son; the house could not receive and contain the multitudes that presented themselves. Their oblations amounted to fourteen hundred pounds" (Walpole [26 Feb. 1781], XI, 406)

Performances

Mainpiece Title: Il Barone Di Torre Forte

Cast
Role: Armidoro Actor: Trebbi
Role: Barone Actor: Gherardi
Role: Serpina Actor: Sga Prudom
Role: Lucinda Actor: Sga Sestini.

Dance: End I: new Pastoral Ballet (composed by Simonet) The Country Diversions-Sg and Sga Zuchelli, Henry, Sga Crespi, Slingsby, Sga Tantini; and to finish with a grand Chaconne-Vestris? Jun

Ballet: End Opera: a new grand Pantomime Ballet in 3 acts (composed by Vestris Sen.) Ninette a la Cour. Sg Zuchelli, Sga Zuchelli, Henry, Sga Crespi, Mlle Baccelli, Vestris Jun., Mme Simonet, Vestris Sen. (1st appearance in England). Cast, with synopsis, from Public Advertiser, 26 Feb.: Nancy-Mlle Baccelli; Colas-Vestris Jun.; Prince-Vestris Sen.; Countess-Mme Simonet; Dancing@Master-Simonet; Mayor of the Town-Delpini; Peasants-Slingsby, Sga Tantini, Traffieri, 16 Figure Dancers; Lords-Zuchelli, Henry; Ladies-Sga Zuchelli, Sga Crespi; Huntsmen-; Captain of Life Guards-; Equerries-; Notaries-

Performance Comment: ) Ninette a la Cour. Sg Zuchelli, Sga Zuchelli, Henry, Sga Crespi, Mlle Baccelli, Vestris Jun., Mme Simonet, Vestris Sen. (1st appearance in England). Cast, with synopsis, from Public Advertiser, 26 Feb.: Nancy-Mlle Baccelli; Colas-Vestris Jun.; Prince-Vestris Sen.; Countess-Mme Simonet; Dancing@Master-Simonet; Mayor of the Town-Delpini; Peasants-Slingsby, Sga Tantini, Traffieri, 16 Figure Dancers; Lords-Zuchelli, Henry; Ladies-Sga Zuchelli, Sga Crespi; Huntsmen-; Captain of Life Guards-; Equerries-; Notaries-.
Cast
Role: Nancy Actor: Mlle Baccelli
Role: Colas Actor: Vestris Jun.
Role: Prince Actor: Vestris Sen.
Role: Countess Actor: Mme Simonet
Role: Dancing@Master Actor: Simonet
Role: Mayor of the Town Actor: Delpini
Role: Peasants Actor: Slingsby, Sga Tantini, Traffieri, 16 Figure Dancers
Role: Lords Actor: Zuchelli, Henry
Role: Ladies Actor: Sga Zuchelli, Sga Crespi
Role: Huntsmen Actor:
Role: Captain of Life Guards Actor:
Role: Equerries Actor:
Role: Notaries Actor: .
Event Comment: Benefit for Lewis. Public Advertiser, 25 Mar.: Tickets to be had of Lewis at his house in Broad-court, Bow-street. Afterpiece [1st time in London; co 2. MS: Larpent 620; not published]: Written by the Author of The Castle of Andalusia, The Agreeable Surprise, Son-in-Law, &c &c. [John O'KeefFe, 1st acted at the Crow Street Theatre, Dublin, 15 Apr. 1777, and altered in the CG season of 1783-84 as The Poor Soldier]. The Airs Select [ed by the author from] Irish [airs]. With a New Overture and Accompaniments by Shield, who composed the music of Rosina. The Words of the Songs to be had at the Theatre. Receipts: #256 9s. (201/10; tickets: 54/19) (charge: #105)

Performances

Mainpiece Title: The Chapter Of Accidents

Performance Comment: Woodville-Lewis; Lord Glenmore-Aickin; Grey-Hull; Vane-W. Bates; Gov. Harcourt-Wilson; Capt. Harcourt-Whitfield; Jacob-Edwin; Cecilia-Miss Satchell; Miss Mortimer-Miss Morris; Warner-Mrs Davenett; Bridget-Mrs Wilson .
Cast
Role: Woodville Actor: Lewis
Role: Lord Glenmore Actor: Aickin
Role: Grey Actor: Hull
Role: Vane Actor: W. Bates
Role: Harcourt Actor: Wilson
Role: Harcourt Actor: Whitfield
Role: Jacob Actor: Edwin
Role: Cecilia Actor: Miss Satchell
Role: Miss Mortimer Actor: Miss Morris
Role: Warner Actor: Mrs Davenett
Role: Bridget Actor: Mrs Wilson

Afterpiece Title: The Shamrock; or, The Anniversary of St

Performance Comment: Patrick. Principal Characters by Mrs Kennedy, Edwin, Brett, Wilson, Master Edwin, Davies; Miss Morris, Mrs Martyr, Mrs Morton, Mrs Bannister. [Cast from European Magazine, Apr. 1783, p. 308: Pat-Mrs Kennedy; Darby-Edwin; Dermot-Brett; Father Luke-Wilson; King of the Leprechans-Master Edwin; Phelim-Davies; Fairy Frank-Miss Morris; Kathlane-Mrs Martyr; Shelah-Mrs Morton; Norah-Mrs Bannister. Larpent MS adds: Clarke, Leprechans; Peasants, Old Woman, Girls.] hathi. Peasants, Old Woman, Girls.] hathi.
Cast
Role: : Pat Actor: Mrs Kennedy
Role: Darby Actor: Edwin
Role: Dermot Actor: Brett
Role: Father Luke Actor: Wilson
Role: King of the Leprechans Actor: Master Edwin
Role: Phelim Actor: Davies
Role: Fairy Frank Actor: Miss Morris
Role: Kathlane Actor: Mrs Martyr
Role: Shelah Actor: Mrs Morton
Role: Norah Actor: Mrs Bannister. Larpent MS adds: Clarke, Leprechans

Dance: As17830221

Event Comment: By Permission of the Lord Chamberlain. Benefit for a Performer, thirty years a Servant of the Publick at Covent-garden and Haymarket Theatres [unidentified]. Mainpiece: Written by the ingenious Mrs Behn, with Alterations by a Gentleman well known in the Dramatick World and Republick of Letters. The Characters new dressed in the Habits of the Times. [Writers and speakers of Prologue and Epilogue unknown.] Afterpiece: Altered from Sir John Vanbrugh. The Doors to be opened at 5:00. To begin at 6:00

Performances

Mainpiece Title: The Amorous Prince

Performance Comment: The Principal Characters are Frederick, the Amorous Prince, Son to the Duke; Curtius, his Friend; Salvator, Father to Aura; Lorenzo, a rich, extravagant Lord, favourite of Frederick; Antonio, a Nobleman of Florence, Alberto, his Friend, a Nobleman also; Piertro, Man to Curtius; A Valet to Antonio; A Page to Ismenia; Galliard, Servant to the Prince; Guilliam, Man to Cloris, a Country Fellow; Clarina, Wife to Antonio; Ismenia, Sister to Antonio, in love with Alberto; Laura, Sister to Lorenzo, in love with Curtius; Isabella, Woman to Clarina; Cloris, Sister to Curtius, disguised like a Country Maid, in love with Frederick. The Principal Parts by independent Ladies and Gentlemen. With a Prologue and Epilogue .

Afterpiece Title: The Battle Royal

Dance: In Act V of mainpiece a Masquerade, and a Minuet de la Cour by Master Corbyn and Miss Keen

Song: End of mainpiece most of the favourite airs from The Poor Soldier [singers not listed]. Vaudeville. End of afterpiece a short Pantomimical Scene, in which Harlequin will leap through a Hogshead on Fire

Event Comment: DDaily Advertiser, 22 Nov.: A Latin Play of Terence's, call'd Eunuchus; the Theatre was newly built by the said Mr Galliardy, and is large enough to contain 150 Spectators; the Scenes were all new, and the House neat and well lighted; the Performers were young Lords, and Sons of Gentlemen of Distinction, whose Propriety of Speech and Justness of Action, exceeded all that had ever been done of the kind; the Dresses were exceeding rich, and after the Eastern Fashion; the Decorations handsome, and every thing performed...to the intire Satisfaction and Applause of the Audience

Performances

Mainpiece Title: Eunuchus

Event Comment: By Permission of the Lord Chamberlain. Benefit for Watts. Mainpiece: Written by Mrs Centlivre; Not acted these 40 years [not acted since 27 Apr. 1731, at Goodman's Fields]. Prologue written by a Gentleman [unidentified; printed in Town and Country Magazine, Apr. 1784, p. 214. The playbill for this performance is as printed in Morning Chronicle, 8 Mar. Gazetteer, 8 Mar., assigns Captain Constant to Reynolds, Laura to Miss Beaufield, Maria to Mrs Green, Belinda to Miss Johnson]. The Doors to be opened at 5:00. To begin at 6:30. Tickets to be had of Connolly, at the King's Head Tavern, Fenchurch-street; of Watts, No. 2, Upper James-street, Golden-square

Performances

Mainpiece Title: The Man's Bewitch'd; Or, The Devil To Do About Her

Performance Comment: Faithful (the Man Bewitch'd)-Smith; Sir GeofFry Constant (a very extraordinary Ghost)-Stannard; Captain Constant (son of the Ghost)-Keynlas; Clinch-Shatford; Num (a Country Squire)-Mills; Slouch (his man)-Stannard Jun.; Lovely-Cross; Roger (a Countryman)-Watts; Trusty-Swords; Manage-Brown; Sir David Watchum-Lloyd; Laura-Mrs Beaufield; Maria-Miss Vernon; Dorothy-Mrs Reynolds; Lucy-Mrs Thompson; Belinda-Mrs Johnson. New Occasional Prologue spoken by Shatford .
Cast
Role: Faithful Actor: Smith
Role: Sir GeofFry Constant Actor: Stannard
Role: Captain Constant Actor: Keynlas
Role: Clinch Actor: Shatford
Role: Num Actor: Mills
Role: Slouch Actor: Stannard Jun.
Role: Lovely Actor: Cross
Role: Roger Actor: Watts
Role: Trusty Actor: Swords
Role: Manage Actor: Brown
Role: Sir David Watchum Actor: Lloyd
Role: Laura Actor: Mrs Beaufield
Role: Maria Actor: Miss Vernon
Role: Dorothy Actor: Mrs Reynolds
Role: Lucy Actor: Mrs Thompson
Role: Belinda Actor: Mrs Johnson. New Occasional Prologue spoken by Shatford
Related Works
Related Work: Belphegor; or, The Marriage of the Devil Author(s): John Wilson

Afterpiece Title: The Mayor of Garratt

Performance Comment: Major Sturgeon-Scott; Sir Jacob Jollup-Knights; Heeltap-Davies; Bruin-Farrell; Lint-Shatford; Roger-Bass; Snuffle-Harris; Jerry Sneak-Swords; Mrs Bruin-Mrs Thompson; Mrs Sneak-Mrs White .
Cast
Role: Major Sturgeon Actor: Scott
Role: Sir Jacob Jollup Actor: Knights
Role: Heeltap Actor: Davies
Role: Bruin Actor: Farrell
Role: Lint Actor: Shatford
Role: Roger Actor: Bass
Role: Snuffle Actor: Harris
Role: Jerry Sneak Actor: Swords
Role: Mrs Bruin Actor: Mrs Thompson
Role: Mrs Sneak Actor: Mrs White

Dance: End of mainpiece Hornpipe by Rothery

Song: Between the Acts Singing [singer not listed]

Event Comment: By Permission of the Lord Chamberlain. Mainpiece [1st time; C 5, author unknown. MS: Larpent 651; not published]. Places for the Boxes to be taken of Rice at the Theatre; and Tickets to be had of Mrs Williams, the Artificial Flower Warehouse, Store-street, Bedford-square. [Mrs Williams is identified in Morning Post, 11 Feb.]

Performances

Mainpiece Title: The Fair Refugee; Or, The Rival Jews

Performance Comment: Principal Characters by Jackson, Cartwright, Holland, Osborne, Frederic, Mitchell, Edwards, Porter, Henley, Connell (with a new Irish sons in character); A Young Lady (1st appearance [unidentified]), Mrs Bolton, Mrs Cartwright, Mrs Ponsonby, Mrs Henley, A Lady (2nd appearance [unidentified]). [Larpent MS lists the parts: Sir Gregory Granby, Sir ThomasLoveby, George Granby, Frank Bentley, Solomons, Levi, Waddle, Scandal, Dennis, Robert, Waiter; Eliza Wentworth, Mrs Dornbush, Miss Harcourt, Charlotte Harcourt, Lady Loveby, Susan, Miss Nancy, Miss Kitty, Maid.] hathi.

Afterpiece Title: A Musical Interlude

Afterpiece Title: The Author

Performance Comment: Cadwallader-Jackson; Vamp-Osborne; Young Cape-Edwards; Sprightly-Frederic / Mrs Cadwallader (for that night only)-A Young Lady (Sister to Mr Edwin, of Covent Garden, 1st appearance in this, and 2nd on any stage [Mrs Williams]) .Mrs Williams]) .

Song: End of Act I of 3rd piece How sweet's the love that meets return by Mrs Henley

Event Comment: By Permission of the Lord Chamberlain. Benefit for Wilkinson. Mainpiece [T 3, by John Penn, 1st acted at Richmond, Feb. 1796. Prologue by the author (see text)]: A New Historical Play in 3 Acts (with songs [by John Wall Callcott]). Morning Herald, 11 Apr.: This Day is published The Battle of Eddington, as acted at the Haymarket and at Richmond (1s. 6d.). Tickets to be had of Wilkinson, No. 14, Mary-le-bone-street, Golden-square. The Doors to be opened at 5:30. To begin at 6:30

Performances

Mainpiece Title: The Battle Of Eddington; Or, British Liberty

Performance Comment: Partial cast from Morning Herald, 30 Mar.: Alfred-Clifford; Ceoluph-Wilkinson; Queen-Mrs Sidney; [Text (Elmsley [et al], 1796) lists the parts: Alfred King of England; Mervin, his dependent, Prince of South Wales; Ethelred, General of the English; Ceoluph, English Nobleman; Danish Captain of Auxiliaries; Ceoluph's Vassal; Edmund, Son and Heir of Alfred then very young; Elsitha, Queen of England; Editha, an Old Woman inhabiting the Cottage. Prologue-Wilkinson.
Cast
Role: Alfred Actor: Clifford
Role: Ceoluph Actor: Wilkinson
Role: Queen Actor: Mrs Sidney
Role: Prologue Actor: Wilkinson.

Afterpiece Title: Who's the Dupe

Entertainment: Monologue.End: Collins's Ode on the Passions-Wilkinson

Performance Comment: End: Collins's Ode on the Passions-Wilkinson.
Event Comment: By Authority of the Lord Chamberlain. Mainpiece: 2nd Time [see 28 Mar. 1796. Prologue by the author (see text)]. The Music composed by Callcott. The Doors to be opened at 5:30. To begin at 6:30. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Tickets to be had of Wilkinson, No. 16, Lisle-street, Leicester-square. Books of the Tragedy to be had at the Theatre

Performances

Mainpiece Title: The Battle Of Eddington; Or, British Liberty

Performance Comment: Principal Characters-Egerton, Meredith, Morton, Master Sincock, Holmes, Evans, Brent, Wilkinson, Mrs Sincock, Mrs Sidney; [Partial cast adjusted from Morning Herald, 30 Mar. 1796: Alfred-Egerton; Ceoluph-Wilkinson; Elsitha-Mrs Sidney. Text (Emsley [et al], 1796) lists other parts: Mervin (Alfred's dependent, Prince of South Wales), Ethelred (General of the English), Danish Captain of Auxiliaries, Ceoluph's vassal, Edmund (Son and Heir of Alfred, then very young), Editha (An Old Woman inhabiting the Cottage).] Prologue-Wilkinson.

Afterpiece Title: Ways and Means

Performance Comment: Sir David Dunder-Baker; Young Random-Egerton; Scruple-Holmes; Old Random-Brent; Carney-Wilson; Paul Peery-Jones; Tiptoe-Meredith; Lady Dunder-Mrs Sincock; Harriet-Mrs Brent; Kitty-A Young Lady [unidentified].unidentified].
Cast
Role: Sir David Dunder Actor: Baker
Role: Young Random Actor: Egerton
Role: Scruple Actor: Holmes
Role: Old Random Actor: Brent
Role: Carney Actor: Wilson
Role: Paul Peery Actor: Jones
Role: Tiptoe Actor: Meredith
Role: Lady Dunder Actor: Mrs Sincock
Role: Harriet Actor: Mrs Brent
Role: Kitty Actor: A Young Lady

Song: Mainpiece: Vocal Parts-Denman, Walker, Willoughby, Master Willoughby, Master Woodham, Mrs Laver, A Young Lady [probably Miss Jones (see17970510)]

Entertainment: Monologue.End: The Picture of a Playhouse ; or, Bucks have at ye all-Meredith

Performances

Mainpiece Title: Love's Last Shift

Dance: Son, age 8, and Daughter, age 7 of Sandham; A Comic Scene-Harper, mimicking a Drunken Man

Event Comment: Benefit Penkethman, Son to the late Mr Penkethman

Performances

Mainpiece Title: Love Makes A Man

Cast
Role: Antonio Actor: W. Williams
Role: Monsieur Actor: Bardin
Role: Elvira Actor: Mrs Haughton.
Role: Manuel Actor: Lacy
Role: Honoria Actor: Mrs Thomas.
Role: Lewis Actor: Penkethman
Role: Carlos Actor: Giffard
Role: Clodio Actor: W. Bullock
Role: Charino Actor: Collet
Role: Governor Actor: W. Giffard
Role: Duart Actor: Smith
Role: Sancho Actor: R. Williams
Role: Angelina Actor: Mrs Giffard
Role: Louisa Actor: Mrs Seal

Afterpiece Title: The What D'ye Call It

Performance Comment: Peascod-W. Penkethman; Son to the late Mr Penkethman; Kitty-Mrs Giffard; With an Epilogue-Penkethman; riding on an Ass. riding on an Ass.
Cast
Role: Peascod Actor: W. Penkethman
Role: Kitty Actor: Mrs Giffard
Role: With an Epilogue Actor: Penkethman
Event Comment: The King's Company. Pepys, Diary: Being full of my desire of seeing my Lord Orrery's new play this afternoon at the King's house, The Black Prince, the first time it is acted; where though we come by two o'clock, yet there was no room in the pit, but we were forced to go into one of the upper boxes, at 4s. a piece, which is the first time I ever sat in a box in my life. And in the same box come, by and by, behind me, my Lord Barkeley and his lady; but I did not turn my face to them to be known, so that I was excused from giving them my seat; and this pleasure I had, that from this place the scenes do appear very fine indeed, and much better than in the pit. The house infinite full, and the King and Duke of York was there. By and by the play begun, and in it nothing Particular but a very fine dance for variety of figures, but a little too long. But, as to the contrivance, and all that was witty (which, indeed, was much, and very witty), was almost the same that had been in his two former plays of Henry the 5th and Mustapha, and the same points and turns of wit in both, and in this very same play often repeated, but in excellent language, and were so excellent that the whole house was mightily pleased with it all along till towards the end he comes to discover the chief of the plot of the play by the reading of a long letter, which was so long and some things (the people being set already to think too long) so unnecessary that they frequently begun to laugh, and to hiss twenty times, that, had it not been for the King's being there, they had certainly hissed it off the stage. But I must confess that, as my Lord Barkeley says behind me, the having of that long letter was a thing so absurd, that he could not imagine how a man of his parts could possibly fall into it; or, if he did, if he had but let any friend read it, the friend would have told him of it; and, I must confess, it is one of the most remarkable instances that ever I did or expect to meet with in my life of a wise man's not being wise at all times, and in all things, for nothing could be more ridiculous than this, though the letter of itself at another time would be thought an excellent letter, and indeed an excellent Romance, but at the end of the play, when every body was weary of sitting, and were already possessed with the effect of the whole letter, to trouble them with a letter a quarter of an hour long was a most absurd thing. After the play done, and nothing pleasing them from the time of the letter to the end of the play, people being put into a bad humour of disliking (which is another thing worth the noting), I home by coach, and could not forbear laughing almost all the way home, and all the evening to my going to bed, at the ridiculousness of the letter, and the more because my wife was angry with me, and the world, for laughing, because the King was there, though she cannot defend the length of the letter

Performances

Mainpiece Title: The Black Prince

Performance Comment: Edition of 1672: Prologue-the Genius of England [holding Trident in one hand and a Sword in the other; King Edward-Moon [Mohun]; King John-Wintersell; Prince-Kenniston [Kynaston]; Lord Delaware-Hart; Count Guesclin-Burt; Lord Latimer-Cartwright; Page-Beeston; Alizia-Mrs Guinn; Plantaginet-Mrs Marshall; Cleorin-Mrs Corey; Sevina-Mrs Nepp; Valeria disguised-F. Damport [Davenport]; A Lady-Betty Damport [Davenport]; Epilogue to the King-.
Cast
Role: Prologue Actor: the Genius of England
Role: King Edward Actor: Moon
Role: King John Actor: Wintersell
Role: Prince Actor: Kenniston
Role: Lord Delaware Actor: Hart
Role: Count Guesclin Actor: Burt
Role: Lord Latimer Actor: Cartwright
Role: Page Actor: Beeston
Role: Alizia Actor: Mrs Guinn
Role: Plantaginet Actor: Mrs Marshall
Role: Cleorin Actor: Mrs Corey
Role: Sevina Actor: Mrs Nepp
Role: Valeria disguised Actor: F. Damport
Role: A Lady Actor: Betty Damport
Role: Epilogue to the King Actor: .
Event Comment: Mainpiece: By Particular desire. Afterpiece: Never Acted Before. [The Farce by Fielding is a sequel to The Virgin Unmasked.] Forbidden soon by the Lord Chamberlain. It being supposed that a particular man of quality was pointed at in one of the characters. The prohibition short of duration (Genest, III, 652). See A Letter to a Noble Lord to whom it alone belongs, occasioned by a representation at Drury Lane of a Farce call'd Miss Lucy in Town (1742), [a 20 page pamphlet criticizing the Lord Chamberlain for allowing this farce. Author gives a scene by scene account emphasizing the bawdry and discounting the pious conclusion. He concludes with remarks on theatrical dancing]: As to Dances, I think your province of prohibition does not extend; so the Public cannot owe their gratitude to you for several. I appeal to those who have been on the coast of Malabar and the banks of the Ganges whether we have not had some that have exceeded on posture, or anything of that kind so common amongst the polite Indians of Indostan. Afterpiece: Mrs Clive mimics the Muscovita admirably, and Beard Amorevoli intolerably (H. Walpole to H. Mann, 26 May).-Horace Walpole Correspondence with Sir Horace Mann, I, 435. Receipts: #70

Performances

Mainpiece Title: Othello

Cast
Role: Othello Actor: Delane, 1st appearance on that stage
Role: Iago Actor: Mills
Role: Cassio Actor: Winstone
Role: Brabantio Actor: Berry
Role: Roderigo Actor: Neale
Role: Lodovico Actor: Turbutt
Role: Montano Actor: Havard
Role: Duke Actor: Taswell
Role: Desdemona Actor: Mrs Mills
Role: Emilia Actor: Mrs Butler.

Afterpiece Title: Miss Lucy in Town

Performance Comment: Lucy-Mrs Clive; Zorobabel-Macklin; Signor Cantileno-Beard; Ballad-Ray; Thomas-Neale; Lord Bawble-Cross; Goodwill-Taswell; Mrs Haycock-Mrs Macklin; Tawdry-Mrs Bennet[from edition of 1742, but listed in the order of the actors' names given in London Daily Post and General Advertiser].from edition of 1742, but listed in the order of the actors' names given in London Daily Post and General Advertiser].
Cast
Role: Lucy Actor: Mrs Clive
Role: Zorobabel Actor: Macklin
Role: Signor Cantileno Actor: Beard
Role: Ballad Actor: Ray
Role: Thomas Actor: Neale
Role: Lord Bawble Actor: Cross
Role: Goodwill Actor: Taswell
Role: Mrs Haycock Actor: Mrs Macklin
Role: Tawdry Actor: Mrs Bennet
Event Comment: Afterpiece [1st time at a public theatre; C 3, by Elizabeth Craven, Baroness Craven, afterwards Margravine of Anspach, 1st acted privately at the Town-Hall, Newbury, 6 Apr. 1780. Text (G. Riley, 1781) assigns no parts. Prologue by Richard Brinsley Sheridan. Epilogue by Joseph Jekyll (see text)]: With new Dresses, &c. "The Prologue [the first 30 lines and the concluding couplet of which were used by Sheridan as the Prologue to Pizarro (see dl, 24 May 1799)] was so much admired that at the request of the Duchess of Devonshire and several other of the nobility it was respoken after the piece; but as King was absent from the theatre, it was delivered by Palmer" (Town and Country Magazine, May 1780, p. 23 ). "The chief singularity was that [Lady Craven] went to it herself the second night, in form; sat in the middle of the front row of the stage-box, much dressed, with a profusion of white bugles and plumes, to receive the public homage due to her sex and loveliness. The Duchess of Richmond, Lady Harcourt,...Mrs Damer, Lord Craven,...and I were with her. It was amazing to see so young a woman entirely possess herself-but there is such an integrity and frankness in her consciousness of her own beauty and talents, that she speaks of them with a naivete as if she had no property in them, but only wore them as gifts of the gods. Lord Craven on the contrary was quite agitated by his fondness for her and with impatience at the bad performance of the actors, which was wretched indeed, yet the address of the plot, which is the chief merit of the piece, and some lively pencilling carried it off very well, though Parsons murdered the Scotch lord, and Mrs Robinson (who is supposed to be the favourite of the Prince of Wales) thought on nothing but her own charms, or him. There is a very good though endless prologue written by Sheridan and spoken in perfection by King, which was encored (an entire novelty) the first night: and an epilogue that I liked still better and which was full as well delivered by Mrs Abington, written by Mr. Jekyl. The audience, though very civil, missed a fair opportunity of being gallant, for in one of those ----logues, I forget which, the noble authoress was mentioned, and they did not applaud as they ought to have done, especially when she condescended to avow her pretty child and was there looking so very pretty...Yet Lady Craven's tranquillity had nothing displeasing;...and it was tempered by her infinite good nature, which made her make excuses for the actors instead of being provoked at them" (Walpole [28 May 1780], XI, 178-80). Public Advertiser, 14 July 1781: This Day at Noon will be published The Miniature Picture (price not listed). Receipts: #144 9s. (94.9; 48.3; 1.17)

Performances

Mainpiece Title: The Winter's Tale

Cast
Role: Hermione Actor: Miss Farren
Role: Leontes Actor: Smith
Role: Polixenes Actor: Bensley
Role: Florizel Actor: Brereton
Role: Camillo Actor: Aickin
Role: Old Shepherd Actor: Packer
Role: Autolicus Actor: Vernon
Role: Cleomines Actor: Hurst
Role: Gentleman Actor: Williams
Role: Clown Actor: Yates
Role: Perdita Actor: Mrs Robinson
Role: Paulina Actor: Mrs Hopkins

Afterpiece Title: The Miniature Picture

Performance Comment: Principal Characters by Palmer, Parsons, Brereton, Wrighten, Mrs Davies, Miss Farren, Miss Sherry, Mrs Robinson. [Cast from Town and Country Magazine, May 1780, p.228: Mr Belvil-Palmer; Lord Macgrinnon-Parsons; Mr Camply-Brereton; John-Wrighten; Susan-Mrs Davies; Miss Loveless-Miss Farren; Mrs Arabella Loveless-Miss Sherry; Eliza Camply-Mrs Robinson; Prologue-King; Epilogue-Mrs Abington. [Thses were spoken, as here assigned, at all subsequent performances.]Thses were spoken, as here assigned, at all subsequent performances.]
Cast
Role: Mr Belvil Actor: Palmer
Role: Lord Macgrinnon Actor: Parsons
Role: Mr Camply Actor: Brereton
Role: John Actor: Wrighten
Role: Susan Actor: Mrs Davies
Role: Miss Loveless Actor: Miss Farren
Role: Mrs Arabella Loveless Actor: Miss Sherry
Role: Eliza Camply Actor: Mrs Robinson
Role: Prologue Actor: King
Role: Epilogue Actor: Mrs Abington.

Dance: II: New Dance, as17791126; End II afterpiece: The Coopers, as17800224

Event Comment: Principal Violoncello by C. Ashley. Double Drums by R. Ashley. Trumpets by Sariant, Cantelo, Purney. Among the other Principal Instrumental Performers are Foster, Mahon, Boyce, Flack, Lavenu, John Sharp, Simpson, Gwilliam, Monro, Mich. Sharp, Wood, Warren, Wm. Sharp, Cobham, Cornish, Jenkinson, F. Sharp, Shutze, Lord, Woodham, J. Sharp, Franks, &c. With a Complete Set of Chorus Singers. The Whole under the Direction of Ashley. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. No Money to be returned. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. Places to be had of Brandon at the Box Office in Hart-street. Books of the Performance, 6d. each, may be had at the Theatre. The Directors' Books have these words at the bottom of each title-page: "Printed by H. Madeish, Recorder-Office, Duke's-Court, Drury-lane."

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers-Incledon, Florio, Linton, Hill (from Winchester), Bardeman//Mme Mara, Mrs Stuart, Master Hummell, Miss Bruman, Miss Parke. Leader of the Band-G. Ashley. Organ-J. Ashley. PART I. Zadock the Priest [by Chorus] (CORONATION ANTHEMS). Overture (ARIADNE). THE DETTINGEN TE DEUM, in which Holy, Holy Lord by Mme Mara. PART II. Overture and Dead March (SAUL). Funeral Anthem. Tune your harps (ESTHER). Gentle airs [by Incledon], accompanied on the violoncello by C. Ashley (ATHALIA). Fall'n is the foe by Chorus {JUDAS MACCABAEUS). What tho' I trace [by Miss Parke] (SOLOMON). Lord of Eternity by Chorus; Behold the Nations; O Baal (DEBORAH). With thee the unsheltered (SOLOMON). He smote all the first-born by Chorus (ISRAEL IN EGYPT). Pious Orgies [by Mme Mara] (JUDAS MACCABAEUS). He gave them hailstones by Chorus (ISRAEL IN EGYPT). PART III. Second Oboe Concerto. Happy Iphis (JEPHTHA). My Arms; Sound an Alarm; We hear by Chorus (JUDAS MACCABAEUS). O magnify the Lord (CHANDOS ANTHEMS). Hear Jacob's God by Chorus (SAMSON). I feel the Deity within; Arm, Arm, ye brave; We come by Chorus (JUDAS MACCABAEUS). Ye sacred priests and Farewell, ye limpid springs [by Mme Mara] (JEPHTHA). Gloria Patri by Chorus (JUBILATE). To conclude with God save Great George our King and Rule Britannia .by Mme Mara] (JUDAS MACCABAEUS). He gave them hailstones by Chorus (ISRAEL IN EGYPT). PART III. Second Oboe Concerto. Happy Iphis (JEPHTHA). My Arms; Sound an Alarm; We hear by Chorus (JUDAS MACCABAEUS). O magnify the Lord (CHANDOS ANTHEMS). Hear Jacob's God by Chorus (SAMSON). I feel the Deity within; Arm, Arm, ye brave; We come by Chorus (JUDAS MACCABAEUS). Ye sacred priests and Farewell, ye limpid springs [by Mme Mara] (JEPHTHA). Gloria Patri by Chorus (JUBILATE). To conclude with God save Great George our King and Rule Britannia .
Event Comment: The Duke's Company. On Thursday 10 Dec. 1663, Pepys reported that this play was to be acted the following week, but the date of the first performance is uncertain. But--except for the holidays--it was probably acted on consecutive days until 1 Jan. 1663@4, when Pepys saw it. The play is also in Herbert, Dramatic Records, p. 138, as a "Revived Play." Pepys, Diary: I perceive the King and Duke and the Court was going to the Duke's playhouse to see Henry VIII. acted, which is said to be an admirable play. But, Lord! to see now near I was to have broken my oathe, or run the hazard of 20s. losse, so much my nature was hot to have gone thither; but I did not go. Downes (p.24): King Henry the 8th, This Play, by Order of Sir William Davenant, was all new Cloath'd in proper Habits: The King's was new, all the Lords, the Cardinals, the Bishops, the Doctors, Proctors, Lawyers, Tip-staves, new Scenes: The part of the King was so right and justly done by Mr Betterton, he being Instructed in it by Sir William, who had it from Old Mr Lowen, that had his Instructions from Mr Shakespear himself, that I dare and will aver, none can, or will come near him in this Age, in the performance of that part: Mr Harris's performance of Cardinal Wolsey, was little Inferior to that, he doing it with such just State, Port, and Mein, that I dare affirm, none hitherto has Equall'd him:...Every part by the great Care of Sir William, being exactly perform'd; it being all new Scenes; it continu'd Acting 15 Days together with general Applause

Performances

Mainpiece Title: Henry Viii

Performance Comment: Downes (Roscius Anglicanus, p.24): King-Betterton; Wolsey-Harris; Duke of Buckingham-Smith; Norfolk-Nokes; Suffolk-Lilliston; Cardinal Campeius, Cranmur-Medburn; Bishop Gardiner-Underhill; Earl of Surry-Young; Lord Sands-Price; Queen Catherine-Mrs Betterton.
Cast
Role: King Actor: Betterton
Role: Wolsey Actor: Harris
Role: Duke of Buckingham Actor: Smith
Role: Norfolk Actor: Nokes
Role: Suffolk Actor: Lilliston
Role: Cranmur Actor: Medburn
Role: Bishop Gardiner Actor: Underhill
Role: Earl of Surry Actor: Young
Role: Lord Sands Actor: Price
Role: Queen Catherine Actor: Mrs Betterton.