SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Lord Strafford"/1) | (@(roleclean,performerclean) "Lord Strafford")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1657 matches on Performance Comments, 569 matches on Event Comments, 108 matches on Performance Title, 43 matches on Author, and 0 matches on Roles/Actors.
Event Comment: On Tuesday next will be presented The Relapse, or Virtue in Danger, the part of Lord Foppington to be perform'd by Mrs. Cibber. [This day appeared in the papers an account of the salaries of present-day actors compared with those in the time of Wilkes and Betterton, suggesting great overpayment of Garrick, Macklin, &c. This, according to Mrs Clive (Case, p. 8) was a false account.

Performances

Mainpiece Title: The Mourning Bride

Song: II: Song-Sullivan

Dance: III: Dance, as17431013; V: a New Dance-Muilment, Desse, Liviez, Mrs Walter

Performances

Mainpiece Title: Roxana; Or, Alexander In India

Performance Comment: Allessandro-Monticelli; Rossane-Siga Visconti; Lisaura-Rosa Mancini; Tassile-Giulia Frasi; Clito-Signora Fratesanti (Deutsch Handel, p. 573). Lady Hertford to Lord Beauchamp: The singers are Monticelli, Visconti, Julietta, a bass from Italy whose name is Fratanzanti, and two new women; one whose name is Rosa Mancini...and the other, Caselli.-Hughes, Hertford, p. 297.
Event Comment: Announced as 1 Nov., but not performed as theatre was closed by order of the Lord Chamberlain. See T. Cibber's letter in the Daily Post, 12 Nov., cited by Hogan, Shakespear in the Theatre, I, 69

Performances

Mainpiece Title: Cymbeline

Event Comment: Tragedy never acted. By James Thomson. Characters New Dress'd. But as it is rather more fashionable to run mad about Mr Thomsons's play, I will change my theme and talk to you of Tancred. I want much to know how you like it, at this distance I would lay any wager you do not like it so well as your sister does, who certainly cannot be your sister and not have been to see it long ago. Everybody agrees that no play was ever so much improved in acting, at least since the Booths and Bettertons. That first scene expecially, where Siffredi discovers to Tancred who he is, pleased me almost beyond anything I ever saw, indeed even before I saw it, that scene was my favourite. But what do you think of the story, and what of the style?-A Series of Letters between Mrs Elizabeth Carter and Miss Catherine Talbot, I, 60 (dated strangely 2 March). [On 26 April, the Daily Post published a letter by Bellario on Tancred and Sigismunda, discussing the kind of support it received]: A very remarkable new Lord of the Treasury was proud of appearing its Foster Father, and attended at the public rehearsals; the first night of the performance this celebrated person and his friends in the Box with him (all very lately most flaming Patriots) were seen clapping their hands at the following remarkable speech: First of You All...To Quit Mistakes. [The letter also discussed political aspects of the play, then the poetry of the lines. The author heard that three hundred lines were cut out after the first performance, and was of opinion that double that amount would have been beneficial.

Performances

Mainpiece Title: Tancred And Sigismunda

Event Comment: Benefit Macklin. Mainpiece written by the late Lord Lansdown. With the Original Songs, new set by Mr Arne, and to be sung by Mr Lowe and Mrs Clive. Never acted there before. Afterpiece wirtten by the late Mr Pope, Mr Gay, and Dr Arbuthnot. Servants will be allowed to keep places on the stage; and those ladies who have taken places are humbly desired to send for tickets to prevent mistakes. Tickets to be had of Macklin at his house in Bow St., and of Hobson at the stage door

Performances

Mainpiece Title: The She Gallant; Or, Once A Lover And Always A Lover

Related Works
Related Work: The She-Gallants Author(s): George Granville, Lord Lansdowne

Afterpiece Title: Three Hours after Marriage

Dance: Muilment, the Mechels

Event Comment: HHorace Walpole to Montagu, 3 Nov.: I shall be with you at the end of the week, but just now I am under the maidenhead-palpitation of an author; my Epilogue will, I believe, be spoke tomorrow night, and I flatter myself I shall have no faults to answer for but what are in it, for I have kept secret whose it is. It is now gone to be licensed, but as the Lord Chamberlain is mentioned, though rather to his honour it is possible it may be refused, as they are apt to think at the Office, that the Duke of Grafton can't be mentioned but in ridicule.--Horace Walpole's Correspondence with George Montagu, I, 48. Receipts: #119 1s

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Mock Doctor

Event Comment: Paid Quin on account #100. Gilbert Walmesley to Garrick, 3 Nov,: I see by the prints you are engaged with Mr Rich. I hope you will take care not to hurt your health by playing more than you can well bear....But I must not forget to tell you what Lord Chesterfield says of you. He says you are not only the best tragedian now in the world, but the best, he believes, that ever was in the world; but he does not like your comedy, and particularly objects to your playing Bayes, which he says is a serious solemn character and that you mistake it. He spoke much in praise of Barry's handsome figure, but made a joke of his rivaling or hurting you.-Boaden, Private Correspondence of Garrick, I, 44. Receipts: #170 9s

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Virgin Unmasked

Event Comment: The Oratorio of Joseph and his Brethren, which was to have been performed this night at Covent Garden, is put off on account of the Trial of Lord Lovat

Performances

Event Comment: Text by the Rev. Dr Thomas Morrell; Music by Handel. [Dean quotes Lord Shaftesbury as saying the oratorio went off with great applause.

Performances

Mainpiece Title: Judas Macchabaeus

Event Comment: Benefit Jones. Wrote by Lord Landsdown and set to Music by Boyce [actually a part of The Jew of Venice]. (General Advertiser, Daily Advertiser.

Performances

Mainpiece Title: Peleus And Thetis

Song: RReturn O God of Hosts-; Honour and Arms from Samson-

Event Comment: CCross: There was a report, that my Lord Hubbard had made a party this night to hiss The Foundling off Stage, that ye Reason was it ran too long, & they wanted variety of Entertainments. Mr Garrick was sent for, he met 'em, & so far prevail'd that they promis'd peace 'till after the 9th night. However there was an attempt made by one Catcall, & an apple Thrown at Macklin & some other Efforts made by a few but without effect--Greatly hiss'd wn given out I believe the main cause of this anger, in spite of their Excuses, was their being refus'd admittance behind the Scenes. Receipts: #170 (Cross); #184 1s. 6d. [Powel)

Performances

Mainpiece Title: The Foundling

Event Comment: CCross: Great Threatning being among ye Lords the managers to prevent tumult gave out as follows. [They gave out King Lear to be the next performance.] Receipts: #174 13s. (Powel)

Performances

Mainpiece Title: The Foundling

Dance: As17480227

Event Comment: Play a Tragedy by James Thomson. Brought to the stage by the efforts of Lord Lyttleton and Quin (Baker, Biographia Dramatica). [Genest, IV, 279, notes that Mrs Woffington had painted her beautiful face with wrinkles to suit the character of Venturia.

Performances

Mainpiece Title: Coriolanus

Event Comment: Fire Works for ye Peace (Cross). This evening the Fireworks will be exhibited in the Green Park. This morning three Regiments of Foot Guards are ordered to be on parade in St James's Park, at Six o'Clock, in order to mount guard in the Green Park. The Right Hon. the Lord Mayor having receiv'd a certain number of tickets for seeing the fireworks, sent them yesterday, by his officers, to the Aldermen, Commoncouncilmen, and the Governors and Directors of the several Publick Companies

Performances

Mainpiece Title: None

Event Comment: FFrench Company--open'd at ye Haymarket Little House--several strove to pelt 'em off--but some Lords and officers drawing their Swords in their Defence, they went on & many people were wounded--a small opposition on Wed and Fry: following but without effect (Cross). Paid Blandford (Tallow Chandler) #19 2s. (Treasurer's Book). Receipts: #100 (Cross); #104 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Alchemist

Song: Master Mattocks

Ballet: SSavoyard Travellers. As17491110

Performances

Mainpiece Title: None

Performance Comment: [Eight serious questions put to Lord Trentham via the General Advertiser concerning his connection with the Riot in the French theatre and his qualifications for Parliament.]
Event Comment: Play never acted. 'Tis hoped no gentleman will take it ill that he cannot possibly be admitted behind scenes this night (General Advertiser). This play was wrote by Mr Whitehead Tutor to my Lord Jersey,--it was receiv'd with Extravagant applause--& it was Agreed Mr-(Cross). Paid Mr Ackman for writing voice parts in Don Severio #1 1s.; Salary list #305 6d. Norton 6 chorus #1 10s. (Treasurer's Book). [Of some interest is the fact that a ship plying between London and Dublin was named the Roman Father, perhaps in response to the popularity of this play. See note of its safe arrival in Crookhaven in General Advertiser 25 Oct. 1750.] Receipts: #190 (Cross); #191 7s. 6d. [Treasurer's Book)

Performances

Mainpiece Title: The Roman Father

Performances

Mainpiece Title: Belshazzar

Performance Comment: Parts were Belshazzar, Daniel, Cyrus, Gobryas (An Assyrian Noble revolted to Cyrus), Nitocris (Mother to Belshazzar), Arioch (Babylonian Lord), Chorus of Babylonians, Jews, Medes, Persians (Larpent MS).

Afterpiece Title: Concerto on Organ

Event Comment: This Morning we were surpris'd with the unhappy News, that Frederick Prince of Wales Dy'd the Night before between ten & eleven-Mr Beard's Benefit was to be on Thursday & many of ye Bills were posted before we heard of this Accident the Bills were immediately torn down, & the House shut up before my Ld Chamberlain sent orders for so doing-on fryday the 5th of Ap: my Lord sent us leave to open on the 8th: being Easter Monday; it is said our having permission to open so soon, & before the prince was Bury'd was on account of the Actors Benefits depending (Cross)

Performances

Mainpiece Title: None

Event Comment: This play was reviv'd instead of ye London Cuckolds by way of Compliment to the City--not lik'd at all--Mr Ross being ill Mr Mattocks did his part at 2 Day's Notice, wch at the end of the 4 Act Mr Woodward told the Audience, & tho Mr Mattocks was hiss'd before, when he next appear'd they gave him great Applause. Mattocks never play'd a principal part before in London (Cross). Mainpiece: Never Acted there. [Inspector No 206 reports a letter on the lack of wisdom of giving the London Cuckolds on Lord Mayor's Day, as the morals of the trading youth have been corrupted by it the writer rejoices to see the substitution of Eastward Hoe for it (Daily Advertiser and Literary Gazette).] Receipts: #130 (Cross)

Performances

Mainpiece Title: Eastward Hoe; Or, Ye Prentices

Afterpiece Title: The Anatomist

Dance: HHornpipe-Mathews; The Little Swiss

Event Comment: mong the Addresses of the Lords and Commons to the Sovereign which appeared in the Gentleman's Magazine (Nov. 1751, pp. 513-14) one recommended that provision be made for suppressing audacious crimes of robbery and violence. A contributor called Mr Urban's attention to a "method of reformation earnestly recommended more than 40 years ago by an eminent Divine" (Dean Swift). In this treatise occured the following paragraph: "The Reformation of the Stage is entirely in the power of the Court; and in the consequence it hath upon the minds of younger people, doth very well deserve the strictest care. Surely a pension would not be ill employed on some men of wit, learning and virtue, who might have power to strike out every offensive and unbecoming passage from plays already written, as well as those that may be offered to the stage for the future, by which, and other wise regulations, the theatre might become a very innocent and useful diversion instead of being a scandal and reproach to our religion and country."] Receipts: #120 (Cross)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Lottery

Dance: IV: L'Entree de Flore, as17511017; Peasant Dance, as17511017

Event Comment: MMr Ross, belonging to Drury Lane, is recover'd from his late illness, and will appear this week in the character of Lord Townly in the Provok'd Husband. Receipts: #120 (Cross)

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Anatomist

Ballet: Grand Entertainment (not performed these 3 years) call'd The Savoyard Travellers. First Savoyards-Mathews, Mad Auretti; Second Savoyard-Sg Piettero, Mad Janeton Auretti; Peasants-Harvey, Sg Piettero; Savoyard Children-the Little Swiss, Miss Poplin. With Proper Decorations

Event Comment: Mainpiece: By Particular Desire. We are assured that Mr Barry is so well recover'd from his late illness, that he will appear on Thursday next, in the character of Lord Townly in the Provok'd Husband; and that Mrs Cibber will perform the part of Lady Townly

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Necromancer

Event Comment: Some Hissing, tho' play'd Well-Garrick Kiteley &c. (Cross). Mainpiece: Written by Ben Johnson, never acted there. Characters Dress'd in the Old English@Manner. Receipts: #200 (Cross). We hear that His Majesty intended to go to the theatre Royal in Drury Lane this evening, to see the Comedy of Every Man in his Humour, wrote by Ben Johnson in 1598, acted the same year by the Lord Chamberlain's Servants, and dedicated to the great Mr Camden; and was reviv'd since the Revolution with Great Applause, having a new Epilogue spoken by Ben Johnson's Ghost , written by the late Earl of Dorset (Daily Advertiser)

Performances

Mainpiece Title: Every Man In His Humour

Dance: LL'Entree de Flore, as17511015; Peasant Dance, as17511015

Event Comment: Suppos'd Garrick's Benefit (Cross). This day publish'd at 1s. Every Man in his Humour, a Comedy written by Ben Johnson [sic] with alterations and additions, as it was perform'd at Drury Lane (General Advertiser). [Inspector No 298 comments on a blemish in the performance of Richard III, where the character of the Lord Mayor has Buffoonry in the handling." Taswell frequently acts it thus, but perhaps is not to blame, the decision as to the manner of the part probably having been made by the Manager (Daily Advertiser and Literary Gazette, 13 Feb.)] Receipts: #210 (Cross)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Chaplet