SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Lord Halifax"/1) | (@(roleclean,performerclean) "Lord Halifax")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1657 matches on Performance Comments, 568 matches on Event Comments, 108 matches on Performance Title, 43 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Jew Of Venice

Related Works
Related Work: The Jew of Venice Author(s): George Granville, Lord Lansdowne

Afterpiece Title: The Rape of Proserpine

Performances

Mainpiece Title: The Jew Of Venice

Related Works
Related Work: The Jew of Venice Author(s): George Granville, Lord Lansdowne

Afterpiece Title: The Rape of Proserpine

Performances

Mainpiece Title: The Jew Of Venice

Related Works
Related Work: The Jew of Venice Author(s): George Granville, Lord Lansdowne

Song: new Song-Miss Fenton; The Cobler's Tragical End-Leveridge

Dance: SScottish Dance-Mrs Bullock; Wooden Shoe Dance-Nivelon; Grand Dance of Moors-Glover, Pelling, Newhouse, Lanyon, Mrs Ogden, Mrs Anderson, Miss LaTour

Performances

Mainpiece Title: The Jew Of Venice

Related Works
Related Work: The Jew of Venice Author(s): George Granville, Lord Lansdowne

Afterpiece Title: The Rape of Proserpine

Performances

Mainpiece Title: The Jew Of Venice

Related Works
Related Work: The Jew of Venice Author(s): George Granville, Lord Lansdowne

Afterpiece Title: The Rape of Proserpine

Performances

Mainpiece Title: The Jew Of Venice

Related Works
Related Work: The Jew of Venice Author(s): George Granville, Lord Lansdowne

Afterpiece Title: Flora

Dance: TTwo Pierrots-Poitier, Nivelon; Numidian-Glover, Miss LaTour; Highlander and his Mistress-Salle, Mrs Laguerre

Performances

Mainpiece Title: The Jew Of Venice

Related Works
Related Work: The Jew of Venice Author(s): George Granville, Lord Lansdowne

Afterpiece Title: The Rape of Proserpine

Performances

Mainpiece Title: The Jew Of Venice

Related Works
Related Work: The Jew of Venice Author(s): George Granville, Lord Lansdowne

Afterpiece Title: Perseus and Andromeda

Performances

Mainpiece Title: The Jew Of Venice

Related Works
Related Work: The Jew of Venice Author(s): George Granville, Lord Lansdowne

Afterpiece Title: The Comical Rivals; or, The School Boy

Dance: TTwo Pierrots-Poitier, Nivelon; French Sailor-Salle, Mrs Laguerre; Numidian-Glover, Miss LaTour

Performances

Mainpiece Title: The Jew Of Venice

Related Works
Related Work: The Jew of Venice Author(s): George Granville, Lord Lansdowne

Afterpiece Title: Apollo and Daphne

Performances

Mainpiece Title: The Jew Of Venice

Related Works
Related Work: The Jew of Venice Author(s): George Granville, Lord Lansdowne

Afterpiece Title: Perseus and Andromeda

Performances

Mainpiece Title: The Jew Of Venice

Related Works
Related Work: The Jew of Venice Author(s): George Granville, Lord Lansdowne

Afterpiece Title: The Toy Shop

Afterpiece Title: The Rape of Proserpine

Performances

Mainpiece Title: The Jew Of Venice

Related Works
Related Work: The Jew of Venice Author(s): George Granville, Lord Lansdowne

Afterpiece Title: The Royal Chace

Performances

Mainpiece Title: The Jew Of Venice

Related Works
Related Work: The Jew of Venice Author(s): George Granville, Lord Lansdowne

Afterpiece Title: Perseus and Andromeda

Performances

Mainpiece Title: The Jew Of Venice

Related Works
Related Work: The Jew of Venice Author(s): George Granville, Lord Lansdowne

Afterpiece Title: The Lying Valet

Event Comment: Mainpiece: Comedie in 5 Actes de Mr Baron. The alleged deposition of Wm Davison:...he on the 17th Day of November being the second Night of the French Strollers acting at the Theatre in the Haymarket, was at the Sign of the Globe, a Publick House about Nine of the Clock that Night, where this Deponent saw John Haines, one of the Waiters at the said Tavern, and several other Persons, to the Number of 16, dressed like Chairmen, each of which had a great Bludgeon in his Hand, which he put under his Coat, in order to hide the same, but in such a manner as this Deponent was capable of seeing said Bludgeons;...and was informed by several Persons of credit that they and others to the number of 30, were hired by Lord Trentham to protect the French Strollers from any Attempt that might be made to prevent their Acting [claims Haines had a list of their names and told them Lord Trentham would need them again on other nights] notarized before John Waple, 24 Nov. [Lord Trentham offered a fifty pound reward for the original copy of the above affidavit.] John Haynes...maketh Oath...that he...never had any Conversation directly or indirectly, with Lord Trentham, relating to the French Players, nor did the said Lord Trentham dine at the King's Arms on 17 Nov., nor did this Deponent see the said Lord Trentham on that Day, nor for several Days before, nor did the Deponent make use of the said Lord Trentham's name, in any conversation at the Globe Alehouse the said Lord Trentham was not in the least privy to this Deponent's going to the said little Theatre on the said 17th of Nov. with several Persons as mentioned in the affidavit or pretended affidavit of Wm Davison...Sworn the 26th Day of Nov., before me, H. Fielding. [This notice repeated in the General Advertiser for a week. The French players departed for France on 28 Dec.

Performances

Mainpiece Title: L'homme A Bonne Fortune

Afterpiece Title: La Chercheuse D'esprit

Event Comment: Afterpiece An Historical Dramatic Piece of on act (taken from Shakespear) with a representation of the Trials of the Lords for High Treason, in the Reign of King Henry V. The Characters dress'd in the Habits of the times. With proper Scenes and Decorations. On account of the Extraordinary Scenery, &c, and to prevent any interruption in the performance, it's desired no persons will take it ill that they cannot admitted behind the Scenes.--General Advertiser. [This adaption most certainly occasioned by the trial, which began in Westminster Hall on 28 July of Lord Kilmarnock, Lord Cromarty, and Lord Balmerino for participation in the Rebellion of '45! (Hogan, Shakespeare in the Theatre, p. 199).] An Historical Dramatic Piece of one act, taken from Shakespear, will be perform'd, after a play, at Drury Lane; it will be a Representation of the trials of Lord Cambridge, Lord Scroopv, &c for High Treason, in the reign of King Henry the Fifth. The Characters are to [be] dress'd in rich antique Habits of the times.--Daily Advertiser, 31 July. Last night the Dramatick Piece call'd The Conspiracy Discover'd; or French Policy Defeated, with a representation of the Trials of the Lords for High Treason, was acted at dl, with great applause, and will be performed again tomorrow night at the desire of several persons of Distinction.--General Advertiser, 5 Aug

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Conspiracy Discovered; or, French Policy Defeated

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers-Harrison, Meredith (from Liverpool; 1st appearance in London), Master Welsh, Dignum, Miller, Kelly//Sga Storace, Miss Leak, Mrs Crouch. Leader of the Band-Shaw. PART I. Zadock the Priest (CORONATION ANTHEMS). He layeth the beams. Fall'n is the Foe (JUDAS MACCABAEUS). Let the bright Seraphim (SAMSON). For unto us (THE MESSIAH). O magnify the Lord. Deeper and deeper; Waft her Angels (JEPHTHA). Sing ye to the Lord; The Horse and his Rider (ISRAEL IN EGYPT). PART II. Introduction and Chorus. Ye sons of Irrael (JOSHUA). What tho' I trace (SOLOMON). Gird on thy sword (SAUL). O come let us worship (CHANDOS ANTHEMS). Concerto on the violin by Giornovichi. Let me wander (L'ALLEGRO). Tears such as (DEBORAH). He gave them hailstones (ISRAEL IN EGYPT). PART III. Second Hautboy Concerto. Lord remember David. Welcome! Welcome! (SAUL). The Trumpet's loud clangor (DRYDEN'S ODE). Sweet Bird, accompanied on the Flute by Ashe (L'ALLEGRO). See the conquering Hero (JUDAS MACCABAEUS). Angels ever bright and fair (THEODORA). Hallelujah for the Lord (THE MESSIAH) . Waft her Angels (JEPHTHA). Sing ye to the Lord; The Horse and his Rider (ISRAEL IN EGYPT). PART II. Introduction and Chorus. Ye sons of Irrael (JOSHUA). What tho' I trace (SOLOMON). Gird on thy sword (SAUL). O come let us worship (CHANDOS ANTHEMS). Concerto on the violin by Giornovichi. Let me wander (L'ALLEGRO). Tears such as (DEBORAH). He gave them hailstones (ISRAEL IN EGYPT). PART III. Second Hautboy Concerto. Lord remember David. Welcome! Welcome! (SAUL). The Trumpet's loud clangor (DRYDEN'S ODE). Sweet Bird, accompanied on the Flute by Ashe (L'ALLEGRO). See the conquering Hero (JUDAS MACCABAEUS). Angels ever bright and fair (THEODORA). Hallelujah for the Lord (THE MESSIAH) .
Event Comment: Luttrell, A Brief Relation, II, 313, 17 Dec. 1691: Last Tewsday [i.e., Wednesday] a great disorder at the playhouse, where the lord Grey of Ruthin and viscount Longueville were knockt downe, and 2 other lords puncht with the butt ends of muskets; they complained of the affront to his majestie, who referred them to the house of lords, where they made their application yesterday; and the lords thereon desired his majestie would be pleased to command the suspending acting of playes till further order. Newdigate newsletters, 17 Dec. 1691: Last night the Kings play House was shut up upon complaints given in to the King by the Lord Grey Viscount Longville and other Lords that they had received severall Affronts from and were badly used by ye door keepers, and 'tis said the future Acting is suspended till further order (Wilson, Theatre Notes from the Newdigate Newsletters, p. 82). See also HMC, 13th Report, Appendix Five, pp. 464-65

Performances

Performances

Mainpiece Title: A Grand Concerto Spirituale 0

Afterpiece Title: Grand Concerto Spirituale 1

Afterpiece Title: Grand Concerto Spirituale 2

Afterpiece Title: Grand Concerto Spirituale 3

Performance Comment: Dixit Dominus, the Music by Pergolesi-; The Lord said unto the Lord-Chorus; The Lord shall send-Kelly; Be Thou Ruler-Chorus; In the Day of Thy Power-Mrs Crouch; The Day of Thy Birth-Miss Hagley; The Lord swear and will not repent-Chorus; The Lord upon Thy Right Hand-Miss Hagley, Miss Lockhart, Reinhold, Dignum, Semi-Chorus; Glory be to the Father-Kelly, Reinhold; As it was in the Beginning-Chorus; To conclude with God save Great George our King-.

Music: As17890311

Performances

Mainpiece Title: Julius Caesar

Performance Comment: The young Noblemen of the Westminster School. Julius Caesar-Lord Danby; Mark Anthony-Roberts; Brutus-Master Hay; Cassius-Lord Middlesex; Portia-Lord Dorset's son; Octavius-another of Lord Dorset's sons.
Event Comment: Edition of 1661: By the Worshipful Company of Grocers. Evelyn, Diary: I saw the Lord Major passe in his Water Triumph to Westminster being the first solemnity of this nature after 20 years. Pepys, Diary: I was (after office was done) ready to go to my Lord Mayor's feast, as we are all invited; but the Sir Williams were both loth to go, because of the crowd, and so none of us went....This Lord Mayor, it seems, brings up again the custom of Lord Mayors going the day of their instalment to Paul's, and walking round about the Cross, and offering something at the altar

Performances

Mainpiece Title: London's Triumphs

Event Comment: The King's Company. Pepys, Diary: By coach to White Hall, thinking to have met at a Committee of Tangier, but nobody being there but my Lord Rutherford, he would needs carry me and another Scotch Lord to a play, and so we saw, coming late, part of The Generall, my Lord Orrery's (Broghill) second play; but, Lord! to see how no more either in words, sense, or design, it is to his Harry the 5th is not imaginable, and so poorly acted, though in finer clothes, is strange. And here I must confess breach of a vowe in appearance, but I not desiring it, but against my will, and my oathe being to go neither at my own charge nor at another's, as I had done by becoming liable to give them another, as I am to Sir W. Pen and Mr Creed; but here I neither know which of them paid for me, nor, If I did, am I obliged ever to return the like

Performances

Mainpiece Title: The Generall

Event Comment: The United Company. Newdigate newsletters, 20 Jan. 1682@3: Yesterday was acted at the Theatre Royall the first of a new play Entituled the City Politiques the novelty of wch drew a Confluence of Spectators under both Qualifications of Whigg and Tory to hear and behold a Ld Mayor Sheriffs & some Aldermen with their wives in yr usuall formalityes buffoond & Reviled a great Lawyer with his young Lady Jeared and Intreagued Dr Oates pfectly represented berogued & beslaved the papist plott Egregiously Rediculed the Irish Testemonyes Contradictiorily disproved & befoold the Whiggs totally vanquished & undon Law & property men oreruld & there wanted nothing of Artifice in behaviour and discourse to render all those obnoxious & dispised in fine such a medly of occurences intervened that twas a question whether more of Loyalty designe or Rhetorique prvailed but there were mighty clappings among the poeple of both partyes in Expressing either their sattisfaction or displeasure (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). The Prologue and Epilogue, separately Printed, have 20 Jan. 1682@3 as Luttrell's date of acquisition (Huntington Library) and are reprinted in Wiley's Rare Prologues and Epilogues, pp. 166-69. John Dennis, To Mr --- In which are some Passages of the Life of Mr John Crown, Author of Sir Courtly Nice, June 23, 1719: About that time he writ The City Politicks, on purpose to Satyrize and expose the Whigs; a Comedy so agreeable, that it deserv'd to be writ in a much better Cause: But after he had writ he met with very great Difficulties in the getting it acted. Bennet Lord Arlington, who was then Lord Chamberlain of the King's Houshold, and who had secretly espous'd the Whigs, who were at that time powerful in Parliament, in order to support himself against the Favour and Power of the Lord Treasurer Danby, who was his declared Enemy, us'd all his Authority to suppress it. One While it was prohibited on the account of its being Dangerous, another while it was laid aside on the pretence of its being Falt and Insipid; till Mr Crown at last was forc'd to have Recourse to the king himself, and to engage him to give his absolute Command to the Lord Chamberlain for the acting of it; which Command the King was Pleas'd to give in his own Person (I, 49-50). Morrice Entry Book, Vol.1 1682@3: Mr Crowne [was cudgled on Wednesday last in St Martin's Lane and] hee that beat him said hee did it at the suite of the Earle of Rochester some time since deceased who greatly abused in the play for his penetency &c. (p. 353. I owe this note to the courtesy of Professor David M. Vieth of the University of Kansas and Professor G. H. Jones of Kansas State University)

Performances

Mainpiece Title: The City Politiques

Event Comment: The United Company. This performance is known from testimony in the trial of Charles Lord Mohun for the attack on William Mountfort on 9 Dec. 1692. The evidence given by Brereton at the trial stated: I had not seen my Lord Mohun for two or three days before this Fact was committed;...but the Friday before, the Play of Alexander the Great was Acted, and my Lord Mohun and I were talking of the Play, and he said it was a good Play, and he commended Mr Mountford's Acting extreamly (The Tryal of Charles Lord Mohun [London, 1693], p. 26)

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great