SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Lord General Monk"/1) | (@(roleclean,performerclean) "Lord General Monk")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 1886 matches on Performance Comments, 1140 matches on Event Comments, 182 matches on Performance Title, 43 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Never acted. [See Genest's comment (IV, 618) derived from Cumberland and the London Magazine-its appeal to the fashionable circles, its damnation at first performance because of the hanging of Harlequin in full view, and its modification thereafter. See 18 June and Horace Walpole to George Montagu [Arlington Street] July 28, 1761: I came to town yesterday through clouds of dust to see The Wishes, and went ac- [I, 381] tually feeling for Mr Bentley, and full of the emotions he must be suffering. What do [you] think in a house crowded was the first thing I saw! Mr and Madam Bentley perked up in the front boxes and acting audience at his own play--no, all the impudence of false patriotism never came up to it! Did one ever hear of an author that had couraee to see his own first night in public? I don't believe Fielding or Foote himself ever did--and this was the modest bashful Mr Bentley, that died at the thought of being known for an author, even by his own acquaintance! In the stage-box was Lady Bute, Lord Halifax and Lord Melcomb-I must say the two last entertained the house as much as the play-your King was prompter, and called out to the actors every minute to speak louder-the other went backwards and forwards behind the scenes, fetched the actors into the box, and was busier than Harlequin. The curious prologue was not spoken, the whole very ill-acted. It turned out just what I remembered it, the good parts extremely good, the rest very flat and vulgar-the genteel dialogue I believe might be written by Mrs Hannah. The audience was extremely fair. The first act they bore with patience, though it promised very ill-the second is admirable and was much applauded-so was the third-the fourth woeful-the beginning of the fifth it seemed expiring, but was revived by a delightful burlesque of the ancient chorus-which was followed by two dismal scenes, at which people yawned-but were awakened on a sudden by Harlequin's being drawn up to a gibbet nobody knew why or wherefore-this raised a prodigious and continued hiss, Harlequin all the while suspended in the air-at last they were suffered to finish the play, but nobody attended to the conclusion-modesty and his lady all the while sat with the utmost indifference-I suppose Lord Melcombe had fallen asleep [p. 382] before he came to this scene and had never read it. The epilogue was about the King and new Queen, and ended with a personal satire on Garrick-not very kind on his own stage-to add to the judge of this conduct, Cumberland two days ago published a pamphlet to abuse him. It was given out for tonight with more claps than hisses, but I think it will not do unless they reduce it to three acts." [p. 383]. Correspondence with George Montagu. Ed. W. S. Lewis & Ralph Brown. (New Haven: Yale University Press, 1941), I, 381-83] Note: (I, 381n): Bentley's play of The Wishes or Harlequin's Mouth Opened, was offered to Garrick and Rich the beginning of 1761, but wasrefused by both. His nephew Cumberland showed it to Lord Melcomb, who carried it to Lord Bute, with a compliment in verse to that Lord by Mr Cumberland. Lord Bute showed it to the King, who sent Bentley #200 and ordered the new summer company to play [it]. There was a prologue, flattering the King and Lord Bute which Foote refused to act. Two days before it was played, Cumberland wrote an anonymous pamphlet, addressed to Mr Bentley, and abusing Garrick, who had refused to act Cumberland's tragedy of Cicero's banishment, which he printed this year [1761], unacted. The Wishes were played for the first time July 27th, 1761; the 2d 3d and part of the 4th, acts were much applauded, but the conclusion extremely hissed. The Epilogue concluded with a satire on Garrick. It was acted five nights. About the same time he wrote a tragedy called Philodamus, which he was to read to Garrick, but the latter was so angry at their treatment of him, that he declared against seeing Mr Bentley" (MS account by HW of Bentley's writings, in the collection of Lord Waldegrave at Chewton Priory)

Performances

Mainpiece Title: The Wishes; Or, Harlequin's Mouth Opened

Dance: Master Rogier, Miss Capitani

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 125: The King & Queene & a Box for ye Maydes of honor. See also Nicoll, Restoration Drama, p. 351. General Patrick Gordon, 6 May 1686: I saw the Scots Batallion exercized in the Hide Park before the King and Queen, and saw the comedy, Rehearsal, acted (Passages from the Diary of General Patrick Gordon of Auckleuchbies [Aberdeen, 1859], p. 133)

Performances

Mainpiece Title: The Rehearsal

Performances

Mainpiece Title: The Volunteers; Or, The Stock-jobbers

Performance Comment: Edition of 1693: A Prologue [by Mr Shadwell and designed to be Spoken, but was lost when the Play was Acted-; The Prologue [by Mr Durfey-Mrs Bracegirdle; The Epilogue-one in deep Mourning; Major General Blunt-Lee; Coll. Hackwell Sr-Dogget; Coll. Hackwell Jr-Powell; Welford-Hodgson; Sir NicholasDainty-Bowman; Sir Timothy Kastril-Bowen; Nickum-Alexander [Verbruggen]; Ding@boy-Freeman; Teresia-Mrs Knight; Eugenia-Mrs Mountford; Winifred-Mrs Rogers; Clara-Mrs Bracegirdle; Mrs Hackwell-Mrs Lee; Stitchum-Penkethman.
Cast
Role: Major General Blunt Actor: Lee

Performances

Mainpiece Title: Periander

Performance Comment: Parts by Quin, Ryan, Walker, Milward, Chapman, Hulett, Mrs Buchanan, Mrs Templer; but edition of 1731 lists: Periander-Quin; Lycophron-Clarke; Procles-Ryan; Aristides-Milward; Zeno-Hulet; Alcander-Chapman; Hypsenor-Walker; Lycon-Ogden; General-Haughton; Melissa-Mrs Buchanan; Clarinda-Mrs Templer; Prologue-Ryan; Epilogue-Mrs Younger.
Cast
Role: General Actor: Haughton

Performances

Mainpiece Title: The Jovial Crew

Performance Comment: See17310208*c1731 2 10 dl UUniversal Spectator, 20 Feb.: On Wednesday [10 Feb.] dy'd (at his House in Brownlow-street) that celebrated Comedian Mr Henry Norris, commonly call'd Jubilee Dicky, who has entertain'd the Town, near Forty Years, with general Applause, and always follow'd Nature (thro' every Character) in a Masterly Way.

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: Bayes's Opera

Performance Comment: Bayes-Cibber Jr; Arabella-Mrs Butler; Belinda-Mrs Shireburn; Tragedo-Charke; Cantato-Stoppelaer; Harlequin-R. Wetherilt; Dulceda-Miss Oates; Apollo-Roberts; Bassoon-Oates; Crowdero-Evans; Eagle-Miss Brett; General Briton-Bridgwater; Pantomime-Berry; Jupiter-Excell; Neptune-Rainton; Pluto-Gray; Juno-Miss Mears; Amphitrite-Mrs Boman; Proserpine-Miss Williams; Crispin-Harper; Farcia-Miss Raftor.
Cast
Role: General Briton Actor: Bridgwater

Music: In mainpiece: By Desire, a Piece of Musick by Signior Vivaldi, call'd The Cuckow-Charke, others

Event Comment: A new Opera. Written by the late Mr Gay. With New Habits and Scenes. Receipts: #207 11s. 6d. Daily Courant, 12 Feb.: Mr Pultney and Mr Pope were in the Pit....They were in the House before any body else was admitted. Sir William Windham was also present at this Performance; but notwithstanding the Countenance given to it, there was so much Obscenity and Scurrility in it, that it raised a general Abhorrence in the Audience. [See also The Bee, 17 Feb., for a puff concerning this performance and the play in general.

Performances

Mainpiece Title: Achilles

Event Comment: Written by the late Mr Dryden. Set to Musick by Mr Handel. Pit and Boxes half a Guinea. Galleries 4s. and 2s. 6d. London Daily Post and General Advertiser, 20 Feb.: Last Night his Royal Highness the Duke, and her Royal Highness the Princess Amelia were at. . . Mr Dryden's Ode, set to Musick by Mr Handel. Never was upon the like Occasion so numerous and splendid an Audience at any Theatre in London, there being at least 1300 Persons present; and it is judg'd that the Receipt of the House could not amount to less than 450l. It met with general Applause, tho attended with the Inconvenience of having the Performers placed at too great a distance from the Audience, which we hear will be rectified the next Time of Performance. [Egmont also present.]

Performances

Mainpiece Title: The Feast Of Alexander

Performances

Mainpiece Title: The Way Of The World

Performance Comment: Sir Wilful-Harper; Witwoud-Cibber; Mirabell-Milward; Fainall-Mills; Petulant-Macklin; Waitwell-Shepard; Millamant-Miss Hollyday; Marwood-Mrs Butler; Lady Wishfort-Mrs Cross; Mrs Fainall-Mrs Pritchard; Foible-Miss Mann (this cast from London Evening Post, 12 April; London Daily Post and General Advertiser missing). London Daily Post and General Advertiser missing).

Afterpiece Title: The Mock Doctor

Dance:

Performances

Mainpiece Title: The Funeral

Afterpiece Title: The Lottery

Performance Comment: Chloe-Mrs Roberts. [These casts are from London Daily Post and General Advertiser, 26 April.]These casts are from London Daily Post and General Advertiser, 26 April.]

Dance: II: Clown-Vallois; IV: Two Pierrots-Vallois, Delagarde; V: The last new Grand Ballet-Haughton, Mlle Roland,

Song: I: French Horn Song-Miss Jones; III: Singing in Italian-Mrs Chambers

Event Comment: A New Opera. [Text by Zeno. Music by Handel.] London Daily Post and General Advertiser, 4 Jan.: Last Night the new Opera of Faramondo was perform'd...to a splendid Audience, and met with general Applause. It being the first Time of Mr Handel's Appearance this Season, he was honour'd with extraordinary and repeated Signs of Approbation

Performances

Mainpiece Title: Faramondo

Event Comment: Mainpiece: Written by Shakespear. London Daily Post and General Advertiser, 15 Feb.: On Monday last Mr Lacy, who set up the Oratory in York Buildings, and was committed to Bridewell some time since, by two of his Majesty's Justices of the Peace on the lade Act of Parliament, was brought by Habeas Corpus to the King's Bench, in order to be bail'd, but after several Learned Arguments by his Council, which were answer'd by the Attorney and Solicitor-General, the Court remanded him back again

Performances

Mainpiece Title: Henry The Fourth, Part I

Afterpiece Title: The Royal Chace; or, Merlin's Cave

Event Comment: Benefit Haughton. [The London Daily Post and General Advertiser, 3 May, is missing; this bill is from London Daily Post and General Advertiser, 30 April.

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Cobler's Opera

Dance: Glover, Lalauze, Villeneuve, Mlle Roland

Event Comment: By Desire. Receipts: #133 12s. 6d. (Account Book); #160 (Rylands MS.). London Daily Post and General Advertiser, 23 March: On Saturday Night last, in the Entertainment of Orpheus and Eurydice, the Audience were aggreably surpriz'd with the Representation of a new Machine, in Imitation of the Travelling Chaise without Horses, the Performance of which was so extraordinary, and gave such a general Satisfaction, that the Spectators would not be contented 'till they saw it a second Time pass round the Stage

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: Orpheus and Eurydice

Event Comment: No Money will be taken behind the scenes, nor any money to be return'd after the Curtain is drawn up. The following Letter, signed A By-Stander was inserted in the London Daily Post and General Advertiser: As I am absolutely unconcerned in all the now subsiding Theatrical Disputes, I hope the following observations upon what happened last Tuesday Night at Drury Lane will not be thought unworthy the Publick attention. The Manager of a theatre is to regard the General sense of the Town, and not any Faction form'd thru pique or resentment; Such a Faction may be Noisy, it may be Insolent, but never can be Considerable enough to force either the Manager or the Publick into their terms. Their outrages are equally insults upon the Understanding of the Town, as they are injuries to the Property of the Manager. Therefore if the Manager shall at any time give way to such proceedings, Then and not till Then, the Publick has a right ot find fault with him. The stage Then becomes a property to the insolence of a few misled people; and all theatrical diversions, which in this and other countries used to be directed by Decency and Publick Approbation are sacrificed to a pitiful Personal Resentment. If the above propositions are undeniable, the following Queries are submitted to the Publick, and the answer to them will determine the Reasonableness of the Tuesday Night Riot: I. Whether the Rioters were not Inconsiderable in their numbers and Circumstances? II: Whether any Gentleman can answer to himself, for doing in a Body, a thing which no Gentleman can justify for doing by himself? III. Whether the Rioters can justify their breaking into the Boxes, and taking possession of the seats, which were taken by many persons of Quality and Distinction, at the same time refusing to pay anything; thereby robbing the Manager of all the money of the Boxes, and most part of the Pit? IV. Whether the Manager ought to suffer in his property for the private quarrel between any two actors, as was the case...? V: Whether if such insolences are not discountenanced in the most effectual manner by the Town, any publick diversion can continue longer than a noisy inconsiderable Cabal pleases? VI. Whether any other motive than a regard to Public Decency would have hindered the Manager and Mr. Garrick's friends (who were treble the number) from treating the rioters as they deserved? I should be glad to see the above questions fairly and impartially answered

Performances

Mainpiece Title: The Rehearsal

Performances

Mainpiece Title: Love The Cause And Cure Of Grief; Or, The Innocent Murderer

Performance Comment: Prologue-Delane; Epilogue-Mrs Giffard; Weldon-Delane; Briar-Giffard; Young Freeman-Havard; Freeman-Bridges; Judge-Winstone; Servant-Woodburn; Charlotte-Mrs Giffard; Mrs Freeman-Mrs Roberts; Mrs Briar-Mrs Bennet [1st edition, but listed in order of actors given in London Daily Post and General Advertiser].1st edition, but listed in order of actors given in London Daily Post and General Advertiser].

Afterpiece Title: The Lying Valet

Event Comment: t foot of Bill]: Whenever a Pantomime or Farce shall be advertised, the advanced prices shall be returned to those who do not choose to stay; and on Thursday next will be published the Manager's reasons for his conduct in the present dispute. Winston MS.: Fleetwood, the manager, and servants driven from doors & all rushed in. Genest, IV, 137-38: A country gentleman was taken from an upper box and carried before a magistrate. This step when known by the audience occasioned much mischief. Acting the play not allowed. General Advertiser, 22 Nov.: An Address to the Public, dl Theatre 20 November. As the extraordinary disturbances which have lately happened at this theatre greatly affect the diversions of the publick, as well as the property of the manager, he thinks it incumbent on him to justify his conduct by giving a fair statement of the case....The reasons of complaint assigned, he apprehends, are the exhibition of Pantomimes, Advanced Prices, and Insults on the audience--as to the first, he submits it to be considered that however distasteful such pieces may be to the delicacy of some judgments, yet there are others to whose taste they are suited; as the playhouse may be considered as the general mart of pleasure, it is only from the variety of entertainment, the different tastes of the public can be supplied--of this the receipts of the house are a sufficient evidence, it being notorius, how necessary the addition of such pieces is towards procuring the best play a numerous audience. With regard to the advanced prices, the Manager hoped he should in some measure be justified by the great increase of the charges of the theatre which, notwithstanding any reduction that has been made, are still at least a fourth part greater than usual--but as in this point he has already submitted, he conceives it can no longer remain the subject of their displeasure, especially as by an advertisement handed about the theatre it was said that every objection would cease, when the manager consented to return the advanced prices to those, who did not choose to be tortured with entertainments. As to insults on the audience...last week upon some persons flinging the sconces and candles on the stage a quarrel arose, in the confusion of which a Gentleman was secured, but by whom the Manager knows not, nor ever gave any order, or was any acquainted with the affair till after he was discharged, for the truth of which he refers to the affidavit annexed. As to the accusation of several bruisers (as they are termed) being employed on Saturday night to insult Gentlemen, the Manager declares, that there was none but the Peace Officers, Carpenters, and Scene-men (which on account of the Entertainments are very numerous) and other servants belonging to the theatre; nor did they appear till urged by the tumult, by tearing up benches and threat'ning to come on the stage and demolish the scenes; nor could the Manager apprehend this legal precaution to prevent mischief and defend his property would ever be construed as an infringement on the liberty of an audience, especially when it is considered, what great damages he sustained some years ago on an attempt of the like nature--if any such persons appeared in the pit, the Manager presumes, they must have come in with the multitude, after his doorkeepers were drove from their posts, and the house was open to all; which was evident from several hundred persons more being present at the disturbance than were at the performance that night, who then came to a determination to prevent any performance on the Monday. After this impartial account of his conduct, the manager appeals to the judgment of the publick what foundation he has given for the outrageous disturbance on Monday night; and cannot help thinking, the real injuries he has sustained, too severe a punishment for an imaginary offence, having lost several hundred pounds already, by people being terrified from frequenting the theatre. A total exclusion is now insisted on, the Manager to resign his property, the Publick to be deprived of their diversions and the players of their subsistence; And all this after every concession, becoming one gentleman to ask, or another to make, has been submitted to. [Affidavit of Constable followed. See Genest, IV, 139-40.] The following three pamphlets came out expressing points of view concerning Fleetwood and his policy and management: I. The Disputes between the Director of d.l. and the Pit Potentates, 20 Nov. As a Letter to a Friend it tells the resolution: not to have old Pantomimes (so execrably bad that they were damn'd when new) imposed on them, unless the manager would take no more than common prices; reports how Fleetwood stocked the pit with Men of doughty valor...disguised in the habits of Gentlemen, to throw out all who protested; protests the system of casting employed whereby 2nd rate actors appeared in good parts; discusses hardship cases of certain actors (Mrs Roberts, Mrs Horton, Mrs Mills) and asks why Theophilus Cibber is not on the stage. 2. An Impartial Examen of the Present Contests, by Mr Neitherside, 1744: harks back to Fleetwood's finacial policies of the previous year, deploring his relations with the actors and with manager of cg; scourges him for miscasting his plays around one prominent actor, rather than giving a balanced performance; deplores his paying Mrs Cibber, Mrs Clive so much; revives the 1743 dispute which led to secession; dislikes the casting for 2 Nov. of Love's Last Shift; suggests better casts for many plays; scores the Licensing Act for reducing players to slavery; hopes for resumption of balanced performances. 3. Stage Policy Detected, or some Selcet Pieces of Theatrical Secret History Laid Open, in a Letter to a Certain Manager, 1744: takes apart Fleetwood's Defense, statement by statement, giving him the lie at each point. Suggests the real money from the house comes from Pit and Box, which are protesting his pantomimes; shows full attendance at Rehearsal and Macbeth with no afterpieces. Especially dislikes the hired bruisers, and the cast of the Alchemist for 6 Nov

Performances

Mainpiece Title: The Provoked Wife

Dance: Muilment

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Quacks; or, Love's the Physician

Performance Comment: Sir Patient Careful-Yates; Dr Medley-Macklin; Clitander-Mozeen; Dr Ticklepulse-Turbutt; Dr Refugee-Blakes; Harry-Usher; Caudle-Winstone; Novice-Marr; Lysette-Mrs Bennet; Lucinda-Mrs Ridout; Doris-Miss Bradshaw; Nurse-Miss Pitt; Prologue-Mrs Woffington [1745 edition; General Advertiser lists only principal actors].1745 edition; General Advertiser lists only principal actors].

Dance: IV: Dance-Muilment

Event Comment: Whereas it was first intended to lay the pit and boxes together, for the better accommodation of the ladies, who are desirous of having their places kept, the boxes will be enclosed as usual. -General Advertiser. The songs added to the farcical opera call'd the What D'Ye Call It to be performed tomorrow night at cg, were wrote some years ago by a Gentleman since deceased, whose pieces of the Lyric kind have been often admir'd by people of Taste; there is a pleasing variety in them, and they are thought to be well adapted to the several characters in which they are introduced. The Music, which is entirely new, and compos'd by Mr Lampe, is allow'd by all who have heard it, to be an agreeable mixture of humour, spirit, and harmony. -Daily Advertiser. General Advertiser, 4 April: Yesterday was a rehearsal of The What D'Ye Call It

Performances

Mainpiece Title: Joseph

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Debauchees; or, The Jesuit Caught

Performance Comment: Old Laroon-Yates; Father Martin-Taswell; Old Jordain-Neale; Young Laroon-Mozeen; Isabel-Mrs Ridout; Beatrice-Miss Royer. [From printed edition, but listed in the order of the actors' names in General Advertiser.]From printed edition, but listed in the order of the actors' names in General Advertiser.]

Dance: III: Grand Dance, as17451008

Song: IV: Lowe

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Cibber; Johnson-Ryan; Smith-Johnson; Kings of Brentford-Arthur, Dunstall; Prince Prettyman-Hale; Gentleman Usher-Hippisley; Prince Volscius-Gibson; Physician-Rosco; Drawcansir-Marten; Lt General-Ridout; Tom Thimble-James; Thunder-Bridgwater; Lightning-Mrs Vaughan; Sun-Bencraft; Moon-Leveridge; Earth-Roberts; Amarillis-Miss Hippisley; Chloris-Mrs Bland; Pallas-Woodward; Two Sing/song Dancing Spirits-Mrs Lampe, Mrs Dunstall; Players, Soldiers (Horse and Foot), Heralds, Cardinals, Judges, Serjeants at Arms-the rest of the Comedians; Vocal Parts-Leveridge, Roberts, Bencraft, Mrs Lampe, Mrs Dunstall.
Cast
Role: Lt General Actor: Ridout

Afterpiece Title: Orpheus and Eurydice

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Performance Comment: Chamont-Barlow; Acasto-Paget; Castalio-Cushing; Polidore-Kennedy; Monimia-Mrs Hallam; Chaplain-Furnival; Ernesto-Julian; Serina-Mrs Phillips; Florella-Mrs Cushing. [Some of the cast given in Daily Advertiser and the rest in General Advertiser.]Some of the cast given in Daily Advertiser and the rest in General Advertiser.]

Afterpiece Title: The Devil to Pay

Event Comment: The General Sessions of the Peace for Middlesex again handed down complaint against the Fairs as greatly and directly tending to the encouragement of Vice, Immorality and Profaneness, and to the debauching and ruining of Apprentices, servants, laborers, &c as well as disturbing the public peace.--General Advertiser

Performances

Event Comment: The Subscribers to the Opera are desired to take notice, that upon Saturday Morning Next, there will be a general Rehearsal of the New Opera call'd Anibale in Capua, upon the stage of the king's Theatre in the Hay Market, agreeable to the printed proposals. The Doors will be open'd at Ten, and the Rehearsal will begin at eleven precisely. No person whatever to be admitted without a subscriber's ticket. Attendance will be given this and every Day 'till the Operas begin, at the Office in the Haymarket, from ten in the Morning, till three in the Afternoon, in order to take in Subscriptions, and deliver out tickets.--General Advertiser

Performances

Event Comment: Mainpiece not acted these 25 Years [see Feb. 1721]. The Refusal, or the Lady's Philosophy, wrote by C. Cibber, Esq. was reviv'd at dl. There was a numerous and polite audience. The Play was greatly approv'd of, and the whole performance met with a general applause.--General Advertiser, 29 Nov

Performances

Mainpiece Title: The Refusal; Or, The Ladies Philosophy

Afterpiece Title: The Anatomist

Dance: As17461121