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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Lord Arundell of Treryce"/1) | (@(roleclean,performerclean) "Lord Arundell of Treryce")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2206 results for: Keyword - Lord Arundell of Treryce
We found 1657 matches on Performance Comments, 568 matches on Event Comments, 108 matches on Performance Title, 43 matches on Author, and 0 matches on Roles/Actors.

2101
01 November 1786 @ no theater listed

Event Comment: The Lord Chamberlain sent an order, between four and five in the evening, to the two theatres to cease representing any plays, till after the funeral of the late Princess Amelia [daughter of George II; she died on 31 Oct.] (Morning Chronicle, 2 Nov.)

Performances

Mainpiece Title: None

2102
08 January 1787 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Harwood, late prompter of the Theatre-Royal, Drury-Lane. Harwood's respectful compliments to his Friends in particular, and the publick in general, and assures them every effort in his power shall be exerted to render the Evening's Entertainment agreeable, and humbly hopes for their well-known candour and protection on the above occasion. Tickets and Places to be had of Harwood, next door to Drury-Lane Theatre, Little Russel-street, Covent Garden. [Harwood was prompter at dl from 1780 to 1786. Hooke was from cg.] Afterpiece: Written by the late Samuel Foote, Esq

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Devil upon Two Sticks

Entertainment: End: a variety of Theatrical and Senatorial Imitations-Kean

2103
12 March 1787 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Griffiths. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 5:15. To begin at 6:30. Tickets to be had of Griffiths, No. 3, Southampton-buildings, Holborn; at the Royalty Coffee-house, Well Close Square; King's Arms, Leadenhall-street; Band Coffee-house; Sun-tavern, Foster-lane; Grotto, Southampton-buildings; Angel, St. Giles's; Cock and Bottle, Upper Brook-street; Nag's Head, Carnaby-market; One Tun, St. James's Market; Fox's Coffee-house, Bow-street; the Go, the Jump, and the Finish; and of Rice, at the Theatre

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Author

Song: End: This is the life of a frolicksome fellow-the Gentleman who performs Young Dudley; Four@and@twenty fidlers-Simpson

Entertainment: After Singing: Theatrical Imitations, vocal and rhetorical,-Weston (1st appearance on any stage)

2104
26 March 1787 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. The Doors to be opened at 5:30. To begin at 6:30

Performances

Mainpiece Title: The Orphan Of China

Afterpiece Title: Barnaby Brittle; or, A Wife at her Wit's End

Entertainment: End: a variety of Imitations-Kelly; Monologue. After which: A Monody on the late Mr Henderson-the Gentleman who performs Zamti

2105
30 April 1787 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. The Doors to be opened at 5:00. To begin at 6:15

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: Taste; or, Lady Pentweazel sitting for her Picture

Afterpiece Title: The Musical Lady

Song: End III: Bow wow wow (from Patrick in Prussia [i.e. Love in a Camp])-the Gentleman who plays Maw-Worm; In 3rd piece: a duet, The Hermit[, taken from part of Goldsmith's Hermit,-the Young Lady, the Gentleman who performs Maw-Worm

2106
08 February 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: Redemption 0 (selected From The Great And Favoprite Works Of handel That Were Performed At His commemoration In Westminster Abbeyv, And At The pantheon [on 26 And 27 May 1784])

Afterpiece Title: Redemption 1

Performance Comment: Public Advertiser, 11 Feb., notes that Pious orgies [Judas Maccabaeus]-Mme Mara; Angels ever bright and fair [Theodora]-Mme Mara; Lord what is man? [Semele]-Mrs Crouch; Verdi prati [Alcina]-Mrs Crouch; Oh had I Jubal's lyre [Joshua]-Miss George; The sword that's drawn [Occasional Oratorio]-Reinhold.

Music: End II: a new concerto on the hautboy-Parke

2107
09 April 1788 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Greville and Mrs Hunter. The Doors to be opened at 5:30. To begin at 6:30. Tickets delivered for the 7th and by L'Estrange will be taken

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Ephesian Matron

Afterpiece Title: The Irish Widow

Dance: End I 3rd piece: Hornpipe-Alison

2108
30 September 1788 @ Haymarket Theatre

Event Comment: By Permission [of the Lord Chamberlain]. 3rd piece: Written by A. Murphy, Esq. The Doors to be opened at 5:30. To begin at 6:30. Tickets to be had at the Shakespeare, Covent-garden; the Chapter Coffee-house, Paternoster-row; the Horn Tavern, Doctors Commons; the Theatre, where Places for the Boxes may be taken; and at Abbott's Academy, Bridges-street, Westminster

Performances

Mainpiece Title: Miss In Her Teens

Afterpiece Title: Barnaby Brittle; or, A Wife at her Wit's End

Afterpiece Title: The Citizen

Entertainment: Monologue. End 1st piece: Scrubb's Trip to the Jubilee (as altered by the late David Garrick, Esq., in character,)-Death; Vaudeville. End 2nd piece: a new favourite song-Birkett; Dance-the Miss Simonets; A Pantomimical Interlude: Harlequin (with the celebrated Dying Scene)-Follett Jun., Clown- Follett Sen.; +A martial song-Birkett

2109
22 December 1788 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Farrer. Mainpiece: Not acted these 3 years. Afterpiece: Never acted here. The Doors to be opened at 5:15. To begin at 6:15. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. Tickets delivered for Wednesday, Dec. 18, will be admitted

Performances

Mainpiece Title: Tamerlane The Great; Or, The Fall Of Bajazet, Emperor Of The Turks

Afterpiece Title: Who's the Dupe

Song: IV: To Thee O Gentle Sleep-a Young Lady (1st appearance in public [unidentified])

Entertainment: Monologue End: Hippisley's Drunken Man-Jackson

2110
23 February 1789 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. [Afterpiece: Prologue by George Colman elder.

Performances

Mainpiece Title: Theodosius; Or, The Force Of Love

Afterpiece Title: Bon Ton; or, High Life above Stairs

Song: End: The Noon Tide Airfrom Comus-Mrs Farrer; The Soldier tired of War's Alarms-Mrs Nathan

Entertainment: Monologue. After Singing: A Monody on the Death of the late Mr Henderson (2nd time)-Baker

2111
20 March 1789 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Fifth Grand Concerto-; Let me wander not unseen-Miss Mahon; And young and old-Chorus (L'Allegro); Music spread thy voice around-Harrison, Chorus (Solomon); O magnify the Lord-Miss Cantelo (Chandos? Athems); May no rash intruder, [the] Nightingale Chorus-(Solomon); Gentle Airs-Harrison (Athalia); O God who in thy heavenly band-Chorus (Joseph); The Prince unable to conceal his Pain-Sga Storace (Alexander's Feast); The King shall rejoice-.
Cast
Role: O magnify the Lord Actor: Miss Cantelo

Afterpiece Title: Grand Selection 3

Performance Comment: Overture-(Ariadne); From wave to wave-Sale; Thy right hand O Lord-Chorus (Israel in Egypt); Pleasure my former ways resigning-Harrison; Happy if still we reign-Chorus (Time and Truth); Pious Orgies-Miss Cantelo [Judas Maccabaeus]; But bright Cecilia-Sga Storace; As from the power of sacre lays-Chorus (Dryden's Ode); God save Great George our King-Greatorex.
Cast
Role: Thy right hand O Lord Actor: Chorus

Music: End II: As17890227; End Part I: Concerto by Handel on organ-Greatorex

2112
21 December 1789 @ Covent Garden

Event Comment: Afterpiece [1st time; P 2 (?), by James Wild. Text (no publisher, 1790)]: Being a Collection of favorite Scenes from the Following celebrated Pantomimes: Harlequin Sorcerer, Mother Shipton, Choice of Harlequin, Lord Mayor's Day, Druids, Fryar Bacon, Harlequin Freemason, Norwood Gipsies, Omai, Magic Cavern, and Harlequin Rambler. With new Dresses and Decorations. The Original Scenery, Machinery, &c. painted by Lambert, Dall [both deceased], Carver, Hodgins and Richards-and now all repaired and repainted. The Music selected by Shaw from Pepuch [sic], Dr Arne, Dr Arnold, Dr Fisher, ?M.? Arne, Vincent, Dibdin and Shield. Books of the Songs to be had at the Theatre. Account-Book, 31 Dec.: Paid Wild for his Attention to the Pantomime #30; Boyce for Ditto #15; Shaw for Ditto #10. Receipts: #233 5s. 6d. (204.8.6; 28.17.0)

Performances

Mainpiece Title: Werter

Afterpiece Title: Harlequin's Chaplet

Dance: In afterpiece: Byrne, the two Miss Simonets

Song: In III: Epithalamium. Vocal Parts-Darley, Cubitt, Mrs Mountain, Mrs Martyr

2113
24 February 1790 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection [of Sacred Music 0; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Fifth Grand Concerto-; Praise the Lord-Miss Dall (Esther); In sweetest Harmony-Miss Cantelo; O fatal Day-Chorus; O filial Piety, No cruel Father-Saville (Saul); Tyrants would-Miss Mahon, Chorus (Athalia); Every Day will I give thanks-Harrison (Chandos Anthems); The mighty Power-Chorus (Athalia); O worse than Death, Angels ever bright and fair-Miss Cantelo (Theodora); Gird on thy Sword-Chorus (Saul).
Cast
Role: Praise the Lord Actor: Miss Dall

Afterpiece Title: Grand Selection 3

Music: End II: concerto on the Piano Forte-Clementi

2114
26 February 1790 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Overture and Dead March (Saul)-; Funeral Anthem-Miss Cantelo, Saville, Harrison, Sale; Come ever smiling Liberty-Miss Dall (Judas Maccabaeus); Gentle Airs-Harrison (Athalia); Then round about-Chorus (Samson); Sweet Bird-Miss Mahon (L'Allegro); Search round the World-Harrison; May no rash Intruder-Chorus (Solomon); How blest the Maid-Miss Poole (Hercules); He was Eyes unto the Blind-Miss Cantelo (Siroe); Immortal Lord!-Double Chorus (Deborah).

Afterpiece Title: Grand Selection 3

2115
17 March 1790 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Second Oboe Concerto-; Hark! 'tis the Linnet-Miss Dall (Joshua); Hence loath'd melancholy!, Come come thou Goddess-Saville (L'Allegro); What Passion cannot Music raise?-Miss Mahon (Dryden's Ode); No more to Ammon's God and King-Chorus; Virtue my soul shall still embrace-Harrison (Jephtha); Hear Jacob's God-Chorus (Samson); O magnify the Lord-Miss Cantelo (Chandos? Anthems); Kings shall be thy nursing fathers-Grand Chorus (Coronation? Anthems).
Cast
Role: O magnify the Lord Actor: Miss Cantelo

Afterpiece Title: Grand Selection 3

Performance Comment: From harmony-Harrison, Chorus (Dryden's Ode); Hush ye pretty warbling choir-Miss Mahon (Acis and Galatea); Like a bright Cherub-Miss Cantelo, Saville, Harrison (Gideon); With thee the unsheltered moor-Miss Cantelo (Solomon); No more ye infidels, Behold ye nations-Saville; Lord of Eternity, O Baal-Chorus (Deborah); Chastity thou cherub bright-Harrison (Susanna); Haste thee Nymph-Saville, Chorus (L'Allegro); God save the King (Coronation Anthems)-.

Music: End II: As17900219; End I: Miserere Mei Deus-, composed by Sg Gregorio Allegri, in the Year 1650, from an authentic Copy brought from Italy by Greatorex. A Translation of this Work (the 51st Psalm in English) will be printed in the Books of the Night

2116
18 September 1790 @ no theater listed

Event Comment: Gazetteer, 20 Sept.: [On Saturday morning] official notice was given from the Lord Chamberlain's Office to shut the Theatres [because of the death of the Duke of Cumberland, brother of George III]

Performances

Mainpiece Title: None

2117
29 September 1790 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. The Orchestra under the Direction of Hindmarsh. The Doors to be opened at 5:30. To begin at 6:30. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s

Performances

Mainpiece Title: She Stoops To Conquer; Or, The Mistakes Of A Night

Performance Comment: Hardcastle-Clarke; Young Marlow-Diamond; Hastings-Irwin; Sir Charles Marlow-Silvester; Diggory-Harper; Landlord-Smith; Tony Lumpkin (with songs)-Raymond; Mrs Hardcastle-Mrs Russell; Miss Neville-Miss Pennington; Sally-Miss Simmonds; Miss Hardcastle-A Lady (1st appearance [unidentified]).unidentified]).
Cast
Role: Landlord Actor: Smith

Afterpiece Title: The Romp

Entertainment: Monologues. Preceding: [Collins's Ode on the Passions-a Young Lady [unidentified]; End: [Hippisley's Drunken Man=-Harper

Music: End III: concerto on the violin-Hindmarsh

2118
13 October 1790 @ Haymarket Theatre

Event Comment: Benefit for Palmer. Mr Palmer most respectfully informs the Publick, the Lord Chamberlain having given Permission, Mr Colman having liberally granted the use of the Theatre, and his Brethren kindly consented to perform, that [there] will be presented...[as above. This benefit had originally been arranged for 20 Sept., but because of the death of the Duke of Cumberland, the theatre on that night was dark.] Tickets to be had of Palmer, No. 3, London Road, St. George's Fields; and of Rice, at the Theatre, where Places for the Boxes may be taken

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Son-in-Law

Entertainment: Monologues. End: The Lecture upon Heads-Palmer; After which: Liberty; or, Two Sides of the Water-Bannister Jun

2119
15 November 1790 @ Covent Garden

Event Comment: Afterpiece: Being a Collection of favorite Scenes from the following celebrated Pantomimes: Harlequin Sorcerer, Mother Shipton, Choice of Harlequin, Lord Mayor's Day, Druids, Fryar Bacon, Harlequin Freemason, Norwood Gipsies, Omai, Magic Cavern, Harlequin Rambler. The Dances [composed] by Byrne. The Original Scenery, Machinery &c. painted by Lambert, Dall, Carver, Hodgins and Richards. The Music selected by Shaw from Pepuch [sic], Dr Arne, Arnold, Fisher, M.? Arne, Vincent, Didbin, Reeve, Shield. Receipts: #193 7s. (187.15; 15.12)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Harlequin's Chaplet

Dance: As17901020

2120
12 February 1791 @ Covent Garden

Event Comment: [As mainpiece the playbill announces the 5th night of The School for Arrogance (see 14 Feb.), but it was "set aside, on account of the indisposition of Johnstone, and The Provok'd Husband was the substitute, in which Holman and Mrs Esten represented the characters of Lord and Lady Townly." In afterpiece the playbill retains Johnstone as Edwin, but "Incledon warbled the airs allotted to the part of Edwin" (Diary, 14 Feb.).] Receipts: #205 1s. 6d. (195.16.6; 9.5.0)

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Robin Hood

2121
23 February 1791 @ King's Theatre

Event Comment: This was a semi-private rehearsal, with Davide as Pirro. "Yesterday evening an act of Pyrrhus was rehearsed on the stage of this theatre' (London Chronicle, 24 Feb.). "The Theatre is not yet ready entirely for the Public" (Oracle, 24 Feb.) [see 26 Mar.]. On 22 Feb. the newspapers carried a statement from the theatre that "the rehearsal announced for Wednesday Evening is...deferred for a few days." But this deferment was set aside. The Lord Chamberlain having refused a license for the performance of opera at this theatre, Pirro was not publicly performed

Performances

Mainpiece Title: Pirro

2122
07 March 1791 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain, and also under the Patronage of their Royal Highnesses the Prince of Wales, the Duke of York, and the Duke of Clarence. Benefit for Lee Lewes. The Doors to be opened at 5:15. To begin at 6:15. Tickets and Places for the Boxes to be had of Lee Lewes, at Mr Brough's, No. 18, Portland-street, Soho. Afterpiece [1st time; F 2, by James Fennell. Larpent MS 924; not published. Synopsis of plot in Morning Post, 8 Mar.]

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Advertisement; or, A New Way to Get a Husband

Entertainment: MonologuesEnd IV: The late King of Prussia and General Ziethen-Lee Lewes; End: A Whimsical Dissertation upon Law-Lee Lewes

2123
18 March 1791 @ Covent Garden

Performances

Mainpiece Title: L'allegro Ed Il Penseroso; Grand Selection 0

Afterpiece Title: L'Allegro ed il Penseroso 1

Afterpiece Title: L'Allegro ed il Penseroso 2

Afterpiece Title: PART III

Performance Comment: A Grand Miscellaneous Act. Overture (Ariadne, Handel)-; The Mansion of Peace-Harrison (Webbe); Nightingale Chorus (Solomon, Handel)-; Praise the Lord-Miss Poole; accompanied on the harp-Meyer Jun. (Esther, Handel); Pour forth no more-Sale; No more to Ammon's God-Chorus (Jephtha, Handel); Concerto Violin-G. Ashley (Giornovichi); The Soldier tir'd-Mrs Billington (Dr Arne); Glory be to the Father-Chorus (Jubilate, Handel).
Cast
Role: Praise the Lord Actor: Miss Poole

2124
23 March 1791 @ Covent Garden

Performances

Mainpiece Title: A Second Grand Selection 0 Of Sacred Music, From The Works Of Handel

Afterpiece Title: Grand Selection 2

Performance Comment: PART II. Overture and Dead March-(Saul); In sweetest harmony-Mrs Billington, Chorus (Saul); Gentle Airs-Harrison; [accompanied on the violoncello-C. Ashley (Athalia); The smiling dawn-Miss Poole (Jephtha); Fallen is the foe-Chorus (Judas Maccabaeus); Blooming virgins-Incledon (Athalia); He smote all the First@born-Chorus (Israel in Egypt); O magnify the Lord-Mrs Billington ([Chandos] Anthems); Kings shall be thy nursing fathers-Chorus (Coronation Anthems).
Cast
Role: O magnify the Lord Actor: Mrs Billington

Afterpiece Title: Grand Selection 3

2125
16 September 1791 @ Haymarket Theatre

Event Comment: [Extra night] By Permission of the Lord Chamberlain. Benefit for R. Palmer. Oracle, 16 Sept.: Tickets to be had of R. Palmer, No. 14, East Place, Lambeth

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Spanish Barber

Afterpiece Title: Katherine and Petruchio