Event Comment: Tragedy, never before acted, by Dr T. Franklin. Published at 1s. 6d. [See A Letter from the Rope Dancing Monkey in the Hay-Market to the acting Monkey of Drury Lane on the Earl of Warwick (London, 1767) which damns the play as a flat and insipid plagiarism from de la Harpe's tragedy Le Conte de Warwick, Paris, 1764. Especially severe on Colman's Prologue and Garrick's Epilogue.] Rec'd stopages #4 11s. 6d.; Paid salary list #440 4s. (Treasurer's Book). Receipts: #165 9s. 6d. (Treasurer's Book)

Event Comment: For the author. No Prologue or Epilogue. Paid Reynolds (oyl) bill #48 11s.; Powney (stationers) #8 17s. 5d.; Inns of Court their Christmas box #3 1s. 6d.; Mr Bibb (sword cutler) 3 bills #13 1s.; Vaughan (Haberdasher) #21 7s.; Mrs Amy Vaughan #1 11s. 6d. (Treasurer's Book). [This day at Noon will be publish'd. Price 2s. The Kellyad, or a critical examen into the merits of Thespis. By Louis Stamma. Who steals my purse..." Also publish'd this day The Anti-Thespis; or, a vindication of the principal performers belonging to Drury Lane Theater, from the false criticisms, illiberal abuse, and gross misrepresentations of the Author of Thespis. Players are the abstracts and brief chronicles of the times..."] Receipts: #73 10s. (Treasurer's Book)

Event Comment: [R+Rich's Register lists The English Merchant.] Paid Blandford (tallow chandler) #49 8s. 10d. Paid George Garrick for use of the managers #15 15s.; Paid French on account #20; Advanced to Granier on note #4 2s. 10d.; to Keen on note #4 4s. Rec'd stopages 16s. 6d. (Treasurer's Book). Sylas Neville (Neville MS Diary): With difficulty got into the Pit at Drury Lane, where I stood at the side so jambed up that I could not read the newspaper I carried: But I saw the play very well. It was Rule a Wife and Have a Wife, with the Farce of the Devil to Pay. Duke by Havard, Cacafago by Love, very well. Copper Capt. by Palmer, pretty well. Old woman pretty well by Mrs Baddeley, Astifania by Mrs Pritchard excellently, tho she is too old for the first part of this character. Leon inimitably by Garrick. I think he shows a good deal of Abel drugger, [both published and unpublished portions of the Neville Diary.] Receipts: #261 15s. 6d. (Treasurer's Book)

Event Comment: Mainpiece: By Particular Desire. Afterpiece: By Desire. Benefit for Powell. Part of Pit laid into boxes. Send servants by 3 o'clock. House charges #74 10s. [Profit to Powell #207 5s.] Paid Johnston, under prompter #7; Five extra trumpets #1 5s.; 2 Flutes 10s.; Chorus singers #2 5s. 6d. (Treasurer's Book). Receipts: #281 15s. (Treasurer's Book). Half past 4 walked to Drury Lane House. With every great difficulty got into the 2s. Gallery before; saw the Death of Alexander with his Triumphal Entrance into Babylonv and the Dance of the Vintage, for the benefit of Powell who played Alexander. Some reported that Garrick says he makes mistakes in the character exceedingly in the banquet scene, in which no one ever surpassed him. I cannot judge of the truth of this observation (Neville MS Diary)

Event Comment: Benefit for Yates. House Charges #65 5s. [Profit to Yates #118 16s. 6d.] Not performed for 20 years. Revived with alterations. Paid B. Johnson's Head Bill #2 5s. 6d. Paid #2 2s. for licensing Dido (Treasurer's Book). Receipts: #184 6d. (Treasurer's Book). About 5 went into the Pit at Drury Lane to see the False Friend reviv'd with alterations, for the benefit of Yates. It engages the attention, but was very well performed. Don John by Holland; Don Pedro by Powell; Lopez by Mr Yates, the drinking Servant by Baddeley; Leonora by Mrs Barry (whom I never saw before); Isabella by Miss Plym and Jacintha by Mrs Yates. I think an Abigail an odd character for her, but no doubt she was willing to play anything for her husband's benefit. After the dance of the Vintage, Mr Yates spoke by way of Interlude a new piece on his being in France called the "Modern Traveller," containing some strokes on the affectation of French Fashions, &c. We had the Farce of High Life Below Stairs with minuet by Mrs Yates and a French Valet, which I do not remenber to have seen when I saw this Farce (before) (Neville MS Diary)

Event Comment: Benefit for Mrs Arne. Afterpiece: By Desire. House Charges #68 16s. 6d. [Profits to Mrs Arne #150 18s. 6d.] Tickets deliver'd for The Beggar's Opera will be admitted. Dido oblig'd to be defer'd a few days. Paid 1 year's Watch for St Martin's #10 2s.; Reynolds Oil bill #46 4s.; Carpue (silk dyer) #7 9s. 6d.; Jennings (glover) #13 12s.; Vernon on note #21; Chorus 1 night #2 5s. 6d.; Hautboy 5s.; Salary list #294 2s. 8d. [Treasurer's Book). Receipts: #219 14s. (Treasurer's Book). At 4 dined at the Chop House in St Clements. At 5 went to Drury Lane to see the Tempest for the benefit of Mrs Arne the prettiest performer at the house...She has a sweet little voice...A grand Dance of Fantastic Spirits in different shapes. At the end of the play a Double Hornpipe by Mr Walker and Miss Tatley. We had the entertainment of Daphne and Amintor with dancing by Sg and Sga George, Sg Tessoni, Miss King, &c. Having a seat in the third row of the Pit, was much pleased as all the principal characters were well played and the scenery is very fine. Had I been later in going, I should not have got in (Neville MS Diary)

Event Comment: Benefit for Miss Poitier. Afterpiece: Alter'd from Addison. The Music entirely new set by Mr Arnold. [Original three acts reduced to two.] To be performed for this night only. Charges #75 14s. [Profit to Mrs Thompson #59 7s. 6d. plus #48 9s. from tickets (Box 135; Pit 98) (Account Book). As indicated by the name Mrs Thompson in the Account Book, Miss Poitier was already married by this time, although she does not appear in the Bills under the name Mrs Thompson until 16 Sept. 1767. She was first married to Vernon, the singer at Drury Lane.] Receipts: #135 1s. 6d. (Account Book)

Event Comment: Benefit for King. House charges #76 10s. [Profit to King #55 14s.] Paid Master Burney 15 nights #3 2s. 6d. Printer's bill #9 6s. (Treasurer's Book). Receipts: #132 4s. (Treasurer's Book). At 5 went to the Pit at Drury Lane to see the Clandestine Marriage...I could see this play, as it is now performed, every night, but J. Palmer was not so good in Brush as the other Mr Palmer whose character it is. Plym did not please tonight. The scene between the lawyers was omitted. We had the Irish Lilt by Mrs King, Giorgi, &c., and a comic scene by her and M Dugermay, with Linco's Travels...Mrs King is certainly a very fine dancer and has the best legs I ever saw. Past eleven ere we got out. A little girl of 7 or 8 years old danced very prettily (Neville MS Diary)

Event Comment: Benefit for Grimaldi (ballet master) and Moody. House charges #64 17s. [Profits to Moody and Grimaldi #5 9s. plus tickets.] Farce not acted in 3 years. [See 12 April 1764.] At 9 got to Drury Lane, could not get in at ye left side of ye Pit or first Gallery. After waiting till the play was over at the other door of ye Pit, got in and saw the Vintage, by Mrs King and Sg Grimaldi (whose benefit and Mr Moody's it was). He dances much better than the fellow who usually dances that dance. My intention in going was to see the F, of the Register Office, not acted these 3 years. [All characters done well] such characters are ye effects of our ill-cemented union (Neville MS Diary). Receipts: #70 6s. (Treasurer's Book)

Event Comment: Mainpiece: By Particular Desire. Paid Mr Vincent for 3 sets of Abels Symphonies #2 5s. (Account Book). Receipts: #116 11s. (Account Book). This was the last time Mr Beard appeared on the stage. John Beard Esq Buried in the vault (at Hampton) 12 Feb. 1791. This celebrated actor was bred up at the King's Chapel, and was afterwards one of the singers at the Duke of Chandos's Chapel at Canons, where he took a part in Handel's Oratorio of Hester. His first appearance on the stage was 30 August 1737, in the character of Sir John Loverule [Devil to Pay], at Drury Lane. In 1739 he married Lady Henrietta Herbert, daughter of James, Earl of Waldegrave, and Widow of Lord Edward Herbert. Upon this event he quitted the Stage. After a few years he returned to it again, and continued to be a great favourite with the public both as an actor and a vocal performer till 1767, when he finally retired from the theatre. Lady Henrietta Beard died in 1753; and in 1759 Mr Beard married a Daughter of John Rich Esq Patentee of Covent Garden Theatre. On this occasion he removed a second time to that theatre, where he had acted from 1744 to 1748; and on the death of his father-in-law in 1761, was appointed Manager. Mr Beard, who was as much esteem'd in private life as he was admired on the stage, was for many years an Inhabitant of Hampton. See Lysons's Middlesex Parishes, p. 89 and 80. Mr Beard died 4 Feb. 1791, aged 74 years. See his Epitaph, ibidem. See Lady Beard's Epitaph in St Pancreas Churchyard (Hopkins MS Notes)

Event Comment: Doors to open at half past Four. Play to begin at half past Six. Send servants to hold places by Four o'clock. [Mrs Vincent's deficit of 1st instant received #20 3s. 6d.] Paid scavenger's rate for St Martin's due Lady Day #5 1s. Paid printer's bill #9 6s. (Treasurer's Book). Receipts: #262 7s. 6d. (Treasurer's Book). Went to Drury Lane, but could not get in. Stayed from half past 4, sometime at one Pit door, sometime at the other, till past 6, and got in at the right hand side just as the play began, and was dreadfully squeezed, but rewarded by seeing Garrick play Hamlet. The expression in his features, his eyes particularly, surpasses anything I ever saw. He is a little man, but handsome and full of that fire which marks the stronger, and of the softness natural to the tender passions. It is impossible to see his greatest excellencies from ye Gallery. Baddeley and Dodd are pretty well in Polonius and Ostrick. Mrs Baddeley and Yates do Ophelia and ye Grave Digger very well. Mrs Pritchard is great, as usual in ye Queen. Gravedigger's man-Castle. Horatio-$Mr Packer. Several parts of ye play, as it is in $Shakespeare, are omitted rather improperly...The Prince Brunswick, his wife and Louisa were present (Neville MS Diary)

Event Comment: Mainpiece: By Particular Desire. Benefit for Bowers (box-keeper) and Veal (1st gallery door-keeper). Play begins exactly at six o'clock. House charges #84. [Deficit to beneficiaries #61 5s. 6d.] Tickets deliver'd for The Busy Body will be taken. Paid Rector's rate and Watch 4 quarters #1 13s. Rec'd from Messrs Powell & Co for cloaths #11 11s.; Eight days from the Certainties #82 13s. 4d.; Stopages #1 18s. (Treasurer's Book). Receipts: #22 14s. 6d. (Treasurer's Book). Took a place in ye front Boxes at Drury Lane for Wednesday next, when ye Suspicious Husband is to be performed for ye Decayed Actors' Fund, scarcely a place remaining untaken. I wanted one in ye Pit (Neville MS Diary)

Event Comment: Benefit for Theatrical Fund. Doors open at 5 o'clock. Play to begin at half past 6. Last night of season. Cash in the Galleries #88, from Mr Johnston #211 18s. Total #299 19s. Paid in sundries (Rent #8; Soldiers 14s.; Properties 2s.; Bill Stickers 18s.; Candles, Oyl, Lampmen #3 18s. 6d.; Printer #2 13s. 6d.; Total #16 5s. 6d.; Box tickets 680 #170). Ladies and Gentlemen who have taken tickets for the Pit and Boxes are requested to be early at the Theatre, to prevent their being incommoded in getting to their Place. [N.B. 27 June 1767 the Gentleman's Magazine reports that Sg Tenducci "renounced the errors of popery, and embraced the protestant religion in Dublin."] Receipts: #299 19s. (Treasurer's Book). Instead of going to dinner put The Suspicious Husband in my pocket and read Ranger's part at the Somerset Coffee House. Dressed and at half past 5 went into the Front Boxes at Drury Lane to see The Suspicious Husband for the Fund for the Relief of Decayed Actors, being the last time of performing this season. The Pit and Boxes were laid together. Mr Garrick spoke an occasional Prologue and played Ranger. Though in the back row I saw him very well by the help of my glass...Before the Dance Mr Garrick saying that he would not have been able to do it after, in the name of the company and managers thanked the public for the favors received this season. Mr @@ asked me to go to Vauxhall after ye Play, but I chose rather to see Daphne and Amintor ye characters as usual (Neville MS Diary)

Event Comment: With several curious and uncommon performances by the Venetian and his children. Neville MS Diary: At 6 got into the Pit at Sadler's Wells just as the entertainment began with concerts. The singing by Mrs Lampe, Master Herryman, &c. Dancing by Sg Grimaldi, Tassoni, Miss Reynolds from Drury Lane. Tumbling, but not equal to that by Plaida's company. Postures in which the Venetian and his children (a boy and a girl particularly) excel greatly. One stands on his hands, turns his feet backwards to his haunches, and walks in this position or forms an arch with his breast, while the other stands on his head upon it, the father carries one on his hand around his body, one stands on his head on his father's hand. These I mention as a specimen of many more, equally curious, tho' seeing these postures is disagreeable to a humane mind. The Father balances too the slack rope. The whole concluded with the pantomimic entertainment called Merlin

Event Comment: Mainpiece: Not acted these 12 years. [See 24 Jan. 1758.] Prologue written by Paul Whitehead. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant (only) at the Stage-Door. No persons can be admitted behind scenes, nor any Money returned after curtain is drawn up. To begin exactly at 6 o'clock. [Customary note in succeeding bills.] Receipps: #190 14s. (Account Book). @The New Occasional Prologue@As when the merchant to increase his store@For Dubious seas, advent'rous quits the shore;@Still anxious for his freight, he trembling sees@Rocks in each buoy, and tempest in each breeze@The curling wave to mountain billow swells,@And every cloud a fancied storm fortells:@Thus rashly launch'd on this Theatric main,@Our All on board, each phantom gives Us pain;@The Aatcall's note seems thunder in our ears,@And every Hiss a hurricane appears;@In Journal Squibs we lightning's blast espy,@And meteors blaze in every Critic's eye.@Spite of these terrors, still come hopes we view,@Hopes, ne'er can fail us--since they're plac'd--in you.@Your breath the gale, our voyage is secure,@And safe the venture which your smiles insure;@Though weak his skill, th' adventurer must succeed,@Where Candour takes th' endeavor for the deed.@For Brentford's state, two kings could once suffice;@In ours, behold! four kings of Brentford rise;@All smelling to one nosegay's od'rous savor@The balmy nosegay of--the Public favor.@From hence alone, our royal funds we draw,@Your pleasure our support, your will our law.@While such our government, we hope you'll own us;@But should we ever Tyrant prove--dethrone us.@Like Brother Monarchs, who, to coax the nation@Began their reign, with some fair proclamation,@We too should talk at least--of reformation;@Declare that during our imperial sway,@No bard shall mourn his long-neglected Play;@But then the play must have some wit, some spirit,@And We allow'd sole umpires of its merit.@For those deep sages of the judging Pit,@Whose taste is too refin'd for modern wit,@From Rome's great Theatre we'll cull the piece,@And plant on Britain's stage the flow'rs of Greece.@If some there are, our British Bards can please,@Who taste the ancient wit of ancient days,@Be our's to save, from Time's devouring womb,@Their works, and snatch their laurels from the tomb.@For you, ye Fair, who sprightlier scenes may chuse,@Where Music decks in all her airs the Muse,@Gay Opera shall all its charms dispense,@Yet boast no tuneful triumph over sense;@The nobler Bard shall still assert his right,@Nor Handel rob a Shakespear of his night,@To greet the mortal brethren of our skies [upper galleries]@Here all the Gods of Pantomime shall rise:@Yet midst the pomp and magic of machines,@Some plot may mark the meaning of our scenes;@Scenes which were held, in good King Rich's days,@By sages, no bad epilogues to plays.@If terms like these your suffrage can engage,@To fix our mimic empire of the stage;@Confirm our title in your fair opinions,@And crowd each night to people our dominions.@--(Poems and Miscelaneous Compositions, Ed. Capt. Edward Thompson, 1777) Covent Garden opened with the Rehearsal with alterations. I was in the Pit. Powell, from Drury Lane, one of the new managers who have bought the patent from Rich's heirs, spoke an occasional Prologue. Shuter did Bayes pretty much to my liking, adding many crochets of his own.... Entertainment The Mock Doctor,...Young Jasper pretty well by one Massey, being his first appearance on that stage (Neville MS Diary)

Event Comment: MMrs Jeffries made her first appearance on this stage in Belinda.--not perfect.--was pretty well received.--is a little smart figure (Hopkins MS Notes). At 15 minutes past 4, took my place in the Pit at Drury Lane to see the Provok'd Wife. Mr Garrick is inimitable as Sir John Brute, Palmer does Heartfree, and Mrs Abington Lady Fanciful (with a song not printed in the play) very well. Constant by Cautherly, whose figure and manner I do not like, Vernon in Col. Bully sings a song (Neville MS Diary)

Event Comment: Mainpiece: By Desire. Music [to afterpiece] by Barthelemon. I often go to both theatres, have seen Garrick and Mrs Yates, who are the first in this theatrical sphere. The former has hitherto [i.e., this season] appeared only in comedy, --his manner, his humour, and his judgment are not to be equall'd. The adoration he meets with from the English is equal to his merit. His every motion they attend to, and every turn of his eye seems to transport them. Mrs Yates [at Covent Garden] has much tragic merit. Her low voice is very tuneful, her feeling great, her action peculiarly graceful and her figure uncommonly fine. She has more power than Mrs Dancer (at Drury Lane] and more variety than Mrs Fitz-Henry, tho' less strength and compass. On the whole she is superior to the former and inferior to the latter. Barry and Mrs Dancer are engag'd here (MS Letter from Henry Grattan to Cornet Broome giving his first impressions of living in London, 27 Oct. 1767, in Folger Library). Neville MS Diary: Went into the Pit to see As You Like It a second time. Reddish did Orlando for the 1st time. He is a pretty good player. End Act I, Hearts of Oak. The Entertainment was the new Farce called a Peep Behind the Curtain. Glib by King who is the author. The piece is not unentertaining, whatever other merit it may have. The Prologue and an Address to the Town by way of Epilogue, are spoken by Mr King, the music by Barthelemon

Event Comment: Benefit for the City of London Lying@In Hospital. Tickets at half a guinea. At Haberdashers Hall, Maiden Lane in Wood Street

Event Comment: [The Young Gentleman who played Zaphna was Wroughton. "His real name was Rottan, but altered euphonia gratia. He was designed for a surgeon and served his apprenticeship at Bath. The following playbills show that he met with approbation on the stage. He remained with Covent Garden from this time till the end of the season 1785-86. He then played in Ireland one Winter, and was engag'd at Drury Lane Theatre in the beginning of the season 1787-88. This was the occasion of Mr Wroughton's leaving Covent Garden, I mean it was thus conjectured. Mr Lewis had been appointed manager of that theatre for Mr Harris. Mr Lewis and Mr Wroughton lived next door neighbors in Broad Court at the top of Bow Street, and were sworn friends:--they laughed together, lived together--In the season 1784-85 two new performers Mr Holman and Mr Pope, appeared on the Covent Garden Stage--these young men were great favorites with Mr Harris; Mr Holman, attracting at this time very crowded audiences, stood so particularly high in his regard, that his partiality made him guilty of some injustice to older and abler actors in the theatre. Mr Henderson had really cause to complain of neglect; and Mr Wroughton thought himself equally oppressed. At this time we had a Club and met every Wednesday fortnight during Lent at the Long Room in Hamstead at dinner. Our Club consisted of a certain number of us belonging indifferently to either theatre, and two or three other gentlemen who were not actors. Mr King, Mr Quick, Mr Farren, Mr Mattocks, myself, etc., etc. When the bottle had a little warmed Mr Wroughton he threw out some sarcasms on his Friend Mr Lewis's management; Mr Lewis retorted; Their tempers grew hot, their words grew aggravating; Mr Wroughton struck Mr Lewis; Mr Lewis returned the blow. They were parted; all the pleasures of the day were over, and the Club broke up in confusion. I was not present this day, but have related what Mr Siddons told me of this Quarrel, and I imagine that Mr Wroughton's attack on Mr Lewis sprang from a suspicion that he was too willing to execute Mr Harris's designs in favour of Mr Holman. Be this as it may, Mr Wroughton was discharged from cg at the expiration of his Articles with Mr Harris."--Hopkins MS Notes.] Receipts: #186 3s. (Account Book)

Event Comment: HHamlet, Mr Garrick (Cross Diary). Wit's Last Stake by Thomas King, as it is performed at Drury Lane, published at 1s

Event Comment: Mainpiece: A Comedy by Mrs E. Griffith, acted for first time. New Scenes, Dresses, Decorations, etc. Neville MS Diary: While I stood at the Pit door of Drury Lane Playhouse, took occasion to say that now they (meaning the present venal House of Commons) had expelled Mr Wilkes they would proceed to do everything that is bad. For which one present (I suppose a friend of the Court) said they would proceed to send me to Newgate if it should come to their ears

Event Comment: Benefit for the Author. Neville MS Diary: went with Mr and Mrs Willoughby to the 2 shilling gallery at Drury Lane to see the new comedy. The School for Rakes, which I do not like. Many of our new pieces are full of absurd compliments to--

Event Comment: long letter published in the Public Advertiser by Delectante specifying a six point program for eliminating the confusion and the "riots that regularly follow the breaking up of a full house at the Opera": I) exclude servants from the lobby; 2) all chairs to come down Market Lane from Charles Street to take up and go off by Pall Mall; 3) no chairs to be allowed at other doors and passages; 4) a pent house to be built to protect those waiting from the rain; 5) all carriages to come to the door in the Haymarket, with horses heads towards Cockspur street; 6) constables to attend and assert themselves in regulating the traffic.

Event Comment: Benefit for Reddish. Neville MS Diary: Went to see the Maid of the Mill played for the first time at Drury Lane. Bannister is the best Giles I have seen since Beard left the stage. The farce was No Wit like a Woman's, played but once before. Assisted in hissing it as both foolish and immoral