SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Lady Morley"/1) | (@(roleclean,performerclean) "Lady Morley")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4893 matches on Performance Comments, 2476 matches on Event Comments, 498 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: The Turnpike Gate

Cast
Role: Landlady Actor: Mrs Whitmore

Dance: End: New Hornpipe-a Young Lady (1st appearance in public [Miss Rogers]); End I afterpiece: A Scotch Pas Deux-Jackson, Miss Bologna

Song: After 1st dance: The Little Farthing Rushlight-Master Standen

Performances

Mainpiece Title: Variety

Performance Comment: Principal Characters by King, Palmer, Parsons, Brereton, Baddcley, Bannister Jun., R. Palmer, Burton, Smith; Miss Farren, Miss Pope, Mrs Brereton, Mrs Hopkins, Mrs Abington. [Cast from text (T. Becket, 1782), and European Magazine, Feb. 1782, p. 143: Commodore Broadside-King; Captain Seafort-Palmer; Sir Timothy Valerian-Parsons; Lord Frankly-Brereton; Major Seafort-Baddeley; Mr Steady-Bannister Jun.; Sir Frederick Fallal-R. Palmer; Davy-Burton; Mr Morley-Smith; Miss Harriet Temple-Miss Farren; Lady Fallal-Miss Pope; Lady Frankly-Mrs Brereton; Mrs Bustle-Mrs Hopkins; Lady Courtney-Mrs Abington.] Prologue spoken by King. Epilogue spoken by Mrs Abington. [These were spoken, as here assigned, at all subsequent performances.] hathi. Prologue spoken by King. Epilogue spoken by Mrs Abington. [These were spoken, as here assigned, at all subsequent performances.] hathi.
Cast
Role: Mr Morley Actor: Smith
Role: Lady Fallal Actor: Miss Pope
Role: Lady Frankly Actor: Mrs Brereton
Role: Lady Courtney Actor: Mrs Abington.

Afterpiece Title: The Quaker

Performances

Mainpiece Title: The Runaway

Performance Comment: Parts by: Smith, Bensley, Palmer, Parsons, Aickin, Brereton, Bannister, Fawcett, Carpenter, Everard, Kear, Cubitt, Garland, Yates, Mrs Hopkins, Mrs Wrighten, Mrs Siddons, Miss P. Hopkins, Miss Younge. Hargrave-Smith; Drummond-Bensley; Jarvis-Palmer; Justice-Parsons; Morley-Aickin; Sir Charles Seymour-Brereton; First Hunter-Bannister; Hargrave-Yates; Gentlemen Hunters, Servants-Fawcett, Everard, Carpenter, Kear, Cubitt, Garland; Lady Dinah-Mrs Hopkins; Susan-Mrs Wrighten; Emily-Mrs Siddons; Harriet-Miss P. Hopkins; Bella-Miss Younge; Prologue-Brereton; Epilogue-Miss Younge (Genest, V, 489).
Cast
Role: Morley Actor: Aickin
Role: Lady Dinah Actor: Mrs Hopkins

Afterpiece Title: May Day

Performances

Mainpiece Title: New Brooms

Afterpiece Title: The Runaway

Performance Comment: George Hargrave-Smith; Mr Drummond-Bensley; Justice-Parsons; Jarvis-Palmer; Mr Morley-Aickin; Sir Charles Seymour-Brereton; Mr Hargrave-Yates; Emily-Mrs Baddeley (1st appearance in that character); Lady Dinah-Mrs Hopkins; Susan-Mrs Wrighten; Harriet-Miss P. Hopkins; Bella-Miss Younge.
Cast
Role: Mr Morley Actor: Aickin
Role: Lady Dinah Actor: Mrs Hopkins

Afterpiece Title: The Elopement

Performances

Mainpiece Title: The Runaway

Performance Comment: George Hargrave-Smith; Drummond-Bensley; Justice-Parsons; Jarvis-Palmer; Mr Morley-Aickin; Sir Charles Seymour-Brereton; Mr Hargrave-Moody (1st appearance in that character); Lady Dinah-Mrs Hopkins; Emily-Mrs Robinson (1st appearance in that character); Susan-Mrs Davies; Harriet-Miss P. Hopkins; Bella-Miss Younge.
Cast
Role: Mr Morley Actor: Aickin
Role: Lady Dinah Actor: Mrs Hopkins

Afterpiece Title: Queen Mab

Performances

Mainpiece Title: The Runaway

Performance Comment: George Hargrave-Smith; Drummond-Bensley; Justice-Parsons; Sir Charles Seymour-Brereton; Jarvis-Lamash; Mr Morley-Aickin; Mr Hargrave-Moody; Lady Dinah-Mrs Hopkins; Emily-Mrs Robinson; Susan-Mrs Wrighten; Harriet-Mrs Brereton; Bella-Miss Younge.
Cast
Role: Mr Morley Actor: Aickin
Role: Lady Dinah Actor: Mrs Hopkins

Afterpiece Title: The Camp

Cast
Role: Lady Sash Actor: Mrs Baddeley.
Role: Lady Plume Actor: Mrs Robinson
Role: Lady Gorget Actor: Mrs Cuyler

Performances

Mainpiece Title: The Runaway

Performance Comment: George Hargrave-Smith; Drummond-Bensley; Justice-Parsons; Sir Charles Seymour-Brereton; Jarvis-Lamash; Mr Morley-Aickin; Mr Hargrave-Moody; Lady Dinah-Mrs Hopkins; Emily-Mrs Robinson; Susan-Mrs Wrighten; Harriet-Mrs Brereton; Bella-Miss Farren (1st appearance in that character).
Cast
Role: Mr Morley Actor: Aickin
Role: Lady Dinah Actor: Mrs Hopkins

Afterpiece Title: Selima And Azor

Performances

Mainpiece Title: The Runaway

Performance Comment: George Hargrave-Smith; Drummond-Bensley; Justice-Parsons; Sir Charles Seymour-Brereton; Jarvis-Lamash; Mr Morley-Aickin; Mr Hargrave-Moody; Lady Dinah-Mrs Hopkins; Emily-Miss Phillips (1st appearance in that character); Susan-Mrs Wrighten; Harriet-Mrs Brereton; Bella-Miss Farren.
Cast
Role: Mr Morley Actor: Aickin
Role: Lady Dinah Actor: Mrs Hopkins

Afterpiece Title: The Apprentice

Dance: End III: The Minuet de la Cour-Duprez, Miss Armstrong

Performances

Mainpiece Title: The Runaway

Performance Comment: George Hargrave-Smith; Drummond-Bensley; Justice-Parsons; Sir Charles Seymour-Brereton; Jarvis-Lamash; Mr Morley-Aickin; Mr Hargrave-Moody; Lady Dinah-Mrs Hopkins; Emily-Miss Phillips; Susan-Mrs Wrighten; Harriet-Mrs Brereton; Bella-Miss Farren .
Cast
Role: Mr Morley Actor: Aickin
Role: Lady Dinah Actor: Mrs Hopkins

Afterpiece Title: Robinson Crusoe

Performances

Mainpiece Title: The Runaway

Performance Comment: George Hargrave-Smith; Drummond-Bensley; Justice-Waldron; Sir Charles Seymour-Brereton; Jarvis-R. Palmer; Mr Morley-Aickin; Mr Hargrave-Moody; Lady Dinah-Mrs Hopkins; Emily-Miss Phillips; Susan-Mrs Wrighten; Harriet-Mrs Brereton; Bella-Miss Farren .
Cast
Role: Mr Morley Actor: Aickin
Role: Lady Dinah Actor: Mrs Hopkins

Afterpiece Title: The Alchymist

Performances

Mainpiece Title: The Runaway

Performance Comment: Mr Hargrave-Moody; George Hargrave-Barrymore; Mr Drummond-Benson; Sir Charles Seymour-Whitfield; Mr Morley-Aickin; Justice-Waldron; Jarvis-R. Palmer; Lady Dinah-Mrs Hokpins; Bella-Mrs Goodall; Emily-Miss Collins; Harriet-Mrs Kemble; Susan-Mrs Wilson.
Cast
Role: Mr Morley Actor: Aickin
Role: Lady Dinah Actor: Mrs Hokpins

Afterpiece Title: The Gentle Shepherd

Dance: End: L'Amour au Rende'vous; or, The Conflict of Love, in which will be displayed the Customs of the American Indians, to conclude with the War Dance,-the young D'Egvilles, Miss Blanchet, Miss D'Egville, Miss DeCamp; End I afterpiece: A Highland Reel-the young D'Egvilles, Miss Blanchet, Miss DeCamp

Performances

Mainpiece Title: The Runaway

Performance Comment: Hargrave-Moody; George Hargrave-Barrymore; Drummond-Packer; Sir Charles Seymour-Whitfield; Morley-Aickin; Justice-Waldron; Jarvis-R. Palmer; Lady Dinah-Mrs Hopkins; Bella-Mrs Goodall; Emily-Miss Collins; Harriet-Mrs Kemble; Susan-Mrs Williames.
Cast
Role: Morley Actor: Aickin
Role: Lady Dinah Actor: Mrs Hopkins

Afterpiece Title: The Liar

Performances

Mainpiece Title: Julius Caesar

Afterpiece Title: The Blind Beggar of Bethnal Green

Performance Comment: Parts-Lowe, Berry, Taswell, Cashell, Ridout, Mrs Clive; but edition of 1741 lists: Blind Beggar-Berry; Bessy-Mrs Clive; Sir William Morley-Cashell; Welford-Lowe; Lord Ranby-Ridout; John Sly-Taswel.
Cast
Role: Sir William Morley Actor: Cashell

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Afterpiece Title: Second Thought is Best

Performance Comment: Principal Characters by Vernon, Dodd, Moody, Aickin, Baddeley, Bannister, Mrs Wrighten, Mrs Baddeley. Cast from text (Murray and Greenlaw, 1778): Morley-Vernon; Jingle-Dodd; O'Donavan-Moody; Frankly-Aickin; Conrad-Baddeley; Woudbe-Bannister; Agnes-Mrs Wrighten; Matilda-Mrs Baddeley.
Cast
Role: Morley Actor: Vernon

Performances

Mainpiece Title: 'tis Well It's No Worse

Performance Comment: Don Carlos-Wyatt; Lazarillo-Cross; Don Guzman-Darling; Don Ferdinand-Thome; Octavio-George; Messenger-Green; Alguzill-Purkiss; Drunken Coachman-Ryder; James-Morley; Lawyer-Hall; Don Pedro-Stephens; Muskato-Swords; Aurora-Miss Bird; Marcella-Miss Noel; Leonardo-Mrs Knox; Old Nun-Mrs Barnes; Beatrice-Miss Clarke .
Cast
Role: James Actor: Morley

Afterpiece Title: The Diversions of the Morning

Performance Comment: Carmine-Cross; Caleb-Brown; Alderman Pentweazel-Ryder; Lady Pentweazel-Mr Swords .
Cast
Role: Lady Pentweazel Actor: Mr Swords

Afterpiece Title: Lethe, -AEsop, Old Man, Mercury, Drunken Man, Charon, Bowman, Snip, Fine Gentleman, Frenchman, Lord Chalkstone to be performed, for that night only, by a Society of Gentleman; Mrs Riot-Mrs Dore

Monologue: 1785 04 25 Preceding the 1st piece an Address spoken by Brown

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: The Court of Apollo [i

Performance Comment: e. The Sons of Anacreon]. President-R. Palmer; In which (for that night only) The Anacreontic Song-Sedgwick; [following glees: Now is the Month of Maying (Morley), Could a Man be Secure (Goodwin)-Dignum, Sedgwick; Sigh no more Ladies (Stevens), Poor Jack (Dibdin)-Dignum; Welcome the Covert (Mellish), Here's a Health to all good Lasses, Wake Sons of Odin (Stevens)-Sedgwick; Sing Old Rose and Burn the Bellows-.

Afterpiece Title: Comus

Cast
Role: The Lady Actor: Mrs Ward
Event Comment: At Mr Croome's, at the Sign of the Shoe and Slap, near the Hospital Gate in West Smithfield, is to be seen, The Wonder of Nature, A Girl, above Sixteen Years of Age, born in Chesire, and not above Eighteen Inches long, having shed the Teeth seven several Times, and not a perfect Bone is any part of her, only the Head; yet she hath all senses to Admiration, and Discourses, Reads very well, Sings, Whistles, and all very pleasant to hear. Sept. 4, 1667. God Save the King. (Henry Morley, Memoirs of Bartholomew Fair, p. 189)

Performances

Mainpiece Title: Entertainments

Event Comment: William Blaythwaite to Sir Robert Southwell, 4 Sept. 1679 [describing a visit made on 3 Sept. 1679 by Sir Edward Dering, Mrs Helena Percival, Miss Helena, Miss Betty, and himself]: What we saw was the dancing on the ropes performed first by Jacob Hall and his company, then by a Dutch dancer, who did wonderful feats. From thence we went to the Elephant, who I think was more terrible than pleasant to the young spectators (Morley, Memoirs of Bartholomew Fair, p. 192)

Performances

Mainpiece Title: Entertainments

Event Comment: This day is one of several on which, according to William Morley, treasurer of the King's Company, the receipts fell below #10, to #3 14s. 6d. See Hotson, Commonwealth and Restoration Stage, p. 267

Performances

Event Comment: This work is advertised in The Loyal Protestant 22, 27, and 29 Aug. 1682: at Mrs Saffry's, a Dutch Woman's booth, over against the Greyhound Inne in West Smithfield. [Her first announcement calls the company "By an Approved Company"; the other two notices refer to it as "the first New-market Company." See Rosenfeld, The Theatre of the London Fairs, p. 6.] John Coysh paid #6 for a booth at the Fair (Rosenfeld, The Theatre of the London Fairs, p. 6). See also Morley, Memoirs of Bartholomew Fair, p. 222, for notice of the Indian Water Worksv. In Wit and Drollery (1682), p. 304, are verses on the Fair: @Here's the Whore of Babylon the Devil and the Pope,@The Girl is just agoing on the Rope@Here's Dives and Lazarus and the World's Creation,@Here's the Tall Dutch Woman the like's not in the Nation,@Here is the Booth where the High-Dutch Made is@Hear are the Bears that dance like any Ladies,@Tat, tat, tat, tat, tat says the little penny Trumpet@Here's Jacob Hall, that does so jump it, jump it.@Sound Trumpet Sound, for Silver Spoon and Fork,@Come here's your dainty Pit and Pork.@ [See also August 1680.

Performances

Mainpiece Title: The Irish Evidence, The Humours Of Tiege; Or, The Mercenary Whore

Event Comment: Sir Robert Southwell to Edward Southwell, 26 Aug. 1685 (in Morley, Bartholomew Fair, pp. 224-26): I think it not now so proper to quote you verses out of Persius, or to talk of Caesar and Euclide, as to consider the great theatre of Bartholomew Fair....You wou'd certainly see the garboil there to more advantage if Mr Webster and you wou'd read, or cou'd see acted, the play of Ben Jonson, call'd Bartholomew Fair:...The main importance of this fair is not so much for merchandize, and the supplying what people really want; but as a sort of Bacchanalia, to gratify the multitude in their wandring and irregular thoughts. Here you see the rope-dancers gett their living meerly by hazarding of their lives, and why men will pay money and take pleasure to see such dangers, is of separate and philosophical consideration. You have others who are acting fools, drunkards, and madmen, but for the same wages which they might get by honest labour, and live with credit besides. Others, if born in any monstrous shape, or have children that are such, here they celebrate their misery, and by getting of money forget how odious they are made

Performances

Event Comment: Benefit for Miss Elliott. Tickets to be had of Miss Elliott, at Mr Davis [first]; Mr Neale's [later bills], a Grocer, in Panton St., near Leicester Fields. Yesterday the Lord Mayor sent an order that Bartholemew Fair should be continued no longer on account of mischief and riots done on Monday night (Morley Memoirs of Bartholemew Fair)

Performances

Mainpiece Title: The Citizen

Afterpiece Title: The Old Maid

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Court of Apollo [i

Performance Comment: e.. The Sons of Anacreon]. In which The Anacreontic Song-Sedgwick; Glorious Apollo-(Webbe); Now is the Month of Maying-(Morley); Fill the bowl with rosy wine-(Dyne); Here's a health to all good Lasses-; My Poll and my Partner Joe-Dignum; [a favourite Duett-Dignum, Sedgwick.

Afterpiece Title: The Pannel

Event Comment: Benefit for Bannister. This Benefit was given to Mr B. after the Season Clos'd on Account of Some trouble he was in (Hopkins Diary). Mainpiece: By Particular Desire. [June 2 by Treasurer's Book.] Profits to Bannister after all charges #106 6s. 5d. This month was publish'd Theatrical Portraits, epigrammatically delineated, &c. 4to. Price 1s. 6d. (Gentleman's Magazine Catalogue). Receipts: #210 6d. (Treasurer's Book). AFTER SEASON RECEIPTS AND EXPENDITURES (Treasurer's Book). Rec'd: 15 June: Mr Parsonage's (late Williams) Rent 1 yr to Lady day last with 4s. 10d. deducted, #43 10s.; Mr Harrison's Rent 1 yr to ditto with #7 17s. 6d. Land Tax deducted, #38 2s. 6d.; for candles, oil & lampmen on Theatrical Fund Night #3 18s. 6d. 18 June: From Public Advertiser this season #50; from Daily Gazetteer #50; from Mr Pope 1 yrs. rent to Lady Day last with #1 13s. land tax deducted, #28 7s. 23 June: From New Additional Sinking Fund #241 13s.; Patentees' Draft on Mr Clutterbuck #50; Music forfeits this season, Mr D. Richards included, #25 14s. 7d. 25 June: Their Majesties Account 8 nights #80, the Queen's Ladies 2 nights #6. 29 June: Mr Rowland's Rent 1 year to Lady Day last with #2 2s. land tax deducted #40 18s. 30 June: Mr Evans (wardrobe?) sundry forfeips this season #47 8s. Paid: 4 June: Tallow chandler's 9th & last Bill (#37 12s. 9d., but with a discount at 8 on #350 16s. amount of this season's Bills) #9 11s. 6d. Mr Page in full of #25 this season, #1 10s.; Rector & Watch Covent Garden parish 1 year to Lady Day last #1 8s. 4d. 10 June: Two Housekeeper's Bills #11 3s.; half yrs, paving &c. St Martin to Lady Day last #17 13s. 15 June: Messrs Barrow & Co., Oil, #191 14s. 6d.; Messrs Marshall & Co. (plumbers) #55 3s.; Mr Cropley (linen draper) #15 13s. 6d.; Mr Cole (turner) #12 15s.; Mr Dalmaine (embroiderer) #3 13s. 6d.; Mr Landall (Undertaker) #3 4s. Mr Hatsell (mercer) #37 7s.; Mr Carpue (silk dyer)#7 7s. 6d.; Mr Barrett (wax chandler) #27 1s. 6d.; Mrs Vaughan (haberdasher) #7 16s. 6d.; Messrs Sandys & Co. (colourmen) #72 6d.; Mr Carter (scowrer) #20 6s.; Messrs Hewetson & Co. (lacemen) #27 3s.; Mr Stephens (mason) #4 6s.; Mr Cubit (tinman) #12 4s. 6d.; Mr Hopkins & Co. (ironmongers) #10 18s.; Mr Powney (stationer) #4 7s. 16 June: Miss Berkley on note #5 5s.; half yrs rent to Duke of Bedford to Lady Day last #165 2d.; Loss on sale of 330 and 1!2 light Guineas, #17; Mr Pope's Bill for Wigs, &c. #14 2s.; Mr Pope for 69 nights extra dressing this season #6 18s.; Mr J. Johnston's Music Bill, #16 12s. 6d. 23 June: Lowe & Co. (glaziers) #4 7s. 6d.; Scott & Co. (lacemen) #17 11s.; Waller & Co. (hosiers) #7 10s.; Mrs Chitty (coals) #28 10s.; Bibb (sword cutler) #1 5s.; Gardner (shoemaker) #6; Thomson (smith) #23 7s.; Chettell (timber) #40 17s.; Ireland (upholsterer) #35 1s.; Blakes (hatter) #3 1s.; Palmer (spermacetti candles) #124; Dorman (coals) #27 15s.; Dorman for attending practices of dances this season, #10 10s.; A. Johnston's Bill for sundrys #47 11s.; Mrs Garwood (laundress) #12 15s. 29 June: Black Lyon Bills for Wardrobe, Carpenters & Surveyors Dinners #25 14s.; Mr J. French on Acct #9 10s. 30 June: One yrs paving &c. to Covent Garden Parish to Lady Day last #3; Hopkins' Prompter's Bills #30 17s.; Victor's gratuity #30., and extra salary 2 weeks #5; Evans in lieu of Benefit #42, and extra salary 2 weeks #3. Books closed 30 June 1774: @Total Receipts #33,075 1s. 11d.@Total Expense #30,153 15s. 10d.@Profits #2,921 6s. 1d. divided as follows:@To Patentees #1840@To Mr Clutterbuck #1,081 6s. 1d.@*c1774 06 02 dl Benefit for Bannister. This Benefit was given to Mr B. after the Season Clos'd on Account of Some trouble he was in (Hopkins Diary). Mainpiece: By Particular Desire. [June 2 by Treasurer's Book.] Profits to Bannister after all charges #106 6s. 5d. This month was publish'd Theatrical Portraits, epigrammatically delineated, &c. 4to. Price 1s. 6d. (Gentleman's Magazine Catalogue). Receipts: #210 6d. (Treasurer's Book). AFTER SEASON RECEIPTS AND EXPENDITURES (Treasurer's Book). Rec'd: 15 June: Mr Parsonage's (late Williams) Rent 1 yr to Lady day last with 4s. 10d. deducted, #43 10s.; Mr Harrison's Rent 1 yr to ditto with #7 17s. 6d. Land Tax deducted, #38 2s. 6d.; for candles, oil & lampmen on Theatrical Fund Night #3 18s. 6d. 18 June: From Public Advertiser this season #50; from Daily Gazetteer #50; from Mr Pope 1 yrs. rent to Lady Day last with #1 13s. land tax deducted, #28 7s. 23 June: From New Additional Sinking Fund #241 13s.; Patentees' Draft on Mr Clutterbuck #50; Music forfeits this season, Mr D. Richards included, #25 14s. 7d. 25 June: Their Majesties Account 8 nights #80, the Queen's Ladies 2 nights #6. 29 June: Mr Rowland's Rent 1 year to Lady Day last with #2 2s. land tax deducted #40 18s. 30 June: Mr Evans (wardrobe?) sundry forfeips this season #47 8s. Paid: 4 June: Tallow chandler's 9th & last Bill (#37 12s. 9d., but with a discount at 8 on #350 16s. amount of this season's Bills) #9 11s. 6d. Mr Page in full of #25 this season, #1 10s.; Rector & Watch Covent Garden parish 1 year to Lady Day last #1 8s. 4d. 10 June: Two Housekeeper's Bills #11 3s.; half yrs, paving &c. St Martin to Lady Day last #17 13s. 15 June: Messrs Barrow & Co., Oil, #191 14s. 6d.; Messrs Marshall & Co. (plumbers) #55 3s.; Mr Cropley (linen draper) #15 13s. 6d.; Mr Cole (turner) #12 15s.; Mr Dalmaine (embroiderer) #3 13s. 6d.; Mr Landall (Undertaker) #3 4s. Mr Hatsell (mercer) #37 7s.; Mr Carpue (silk dyer)#7 7s. 6d.; Mr Barrett (wax chandler) #27 1s. 6d.; Mrs Vaughan (haberdasher) #7 16s. 6d.; Messrs Sandys & Co. (colourmen) #72 6d.; Mr Carter (scowrer) #20 6s.; Messrs Hewetson & Co. (lacemen) #27 3s.; Mr Stephens (mason) #4 6s.; Mr Cubit (tinman) #12 4s. 6d.; Mr Hopkins & Co. (ironmongers) #10 18s.; Mr Powney (stationer) #4 7s. 16 June: Miss Berkley on note #5 5s.; half yrs rent to Duke of Bedford to Lady Day last #165 2d.; Loss on sale of 330 and 1!2 light Guineas, #17; Mr Pope's Bill for Wigs, &c. #14 2s.; Mr Pope for 69 nights extra dressing this season #6 18s.; Mr J. Johnston's Music Bill, #16 12s. 6d. 23 June: Lowe & Co. (glaziers) #4 7s. 6d.; Scott & Co. (lacemen) #17 11s.; Waller & Co. (hosiers) #7 10s.; Mrs Chitty (coals) #28 10s.; Bibb (sword cutler) #1 5s.; Gardner (shoemaker) #6; Thomson (smith) #23 7s.; Chettell (timber) #40 17s.; Ireland (upholsterer) #35 1s.; Blakes (hatter) #3 1s.; Palmer (spermacetti candles) #124; Dorman (coals) #27 15s.; Dorman for attending practices of dances this season, #10 10s.; A. Johnston's Bill for sundrys #47 11s.; Mrs Garwood (laundress) #12 15s. 29 June: Black Lyon Bills for Wardrobe, Carpenters & Surveyors Dinners #25 14s.; Mr J. French on Acct #9 10s. 30 June: One yrs paving &c. to Covent Garden Parish to Lady Day last #3; Hopkins' Prompter's Bills #30 17s.; Victor's gratuity #30., and extra salary 2 weeks #5; Evans in lieu of Benefit #42, and extra salary 2 weeks #3. Books closed 30 June 1774: @Total Receipts #33,075 1s. 11d.@Total Expense #30,153 15s. 10d.@Profits #2,921 6s. 1d. divided as follows:@To Patentees #1840@To Mr Clutterbuck #1,081 6s. 1d.

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Register Office

Dance: II: The Haymakers-Giorgi's Scholars; End Opera: Hornpipe-Master Burn

Entertainment: End Opera: Bannister's Imitations-Bannister

Event Comment: Alice Hatton, writing on (possibly) 20 Jan. 1699@1700: I was last night (with Lady Longuevil and Lady Arundel) at ye Princess's, and Lady Long: was so kind to offer to carry me to ye Oppera to day with her and Lady Portland; but I was so unfortunate as to be engaged to go to Lady Denbighs to see ye famous Mrs Binges dance, or else I should have bin glad to have waited on Lady Long: tho I had seen it before and think it very silly. Mr Abel is to have a fine musicke meeting to morrow, and ye tickets are guineas a piece, wch is a little to much for me to throw away; so I shall not be there, and I find so many yt can afford it better of my mind, yt I fancy, if he had lower rates, he would have got more (Hatton Correspondence, Camden Society, XXIII [1878], 245). It is difficult to assign a proper date to this letter. It is unlikely that it was written on Saturday 20 Jan., as Abell was not likely to offer a concert on Sunday at which admission would be charged. It is possible that the opera referred to is The Grove, which is known to have been performed on 19 Feb. 1700, but the fact that this opera was unsuccessful makes it unlikely that it had its premiere in mid-January and was played again in mid-February. Perhaps the letter should be dated mid-February

Performances