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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Lady Mary Stuart"/1) | (@(roleclean,performerclean) "Lady Mary Stuart")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7676 results for: Keyword - Lady Mary Stuart
We found 5289 matches on Performance Comments, 2577 matches on Event Comments, 601 matches on Performance Title, 110 matches on Author, and 0 matches on Roles/Actors.

7001
19 February 1732 @ Goodman's Fields

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Flora

7002
25 February 1732 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Concert

Music: The Performers are to be in the following Characters. The Harpsichord-Colombine; Violoncello-Harlequin; Bassoon-Scaramouch; Double Bass-Pierot; Singing-Diana, an Indian King; Violins-a Spaniard, a Roman, an Hungarian, a Persian, a Turk, a Polander, an Arabian, a Muscovite; the Tenor-a Highlander; the German Flute-a Satyr; French Horns-Foresters; Hautboys-two Shepherds; others. The Concert of Performers will consist of between 40 and 50 of the best Hands

7003
28 February 1732 @ Goodman's Fields

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Lovers Opera

Dance: TTambourine-Miss Wherrit

7004
29 February 1732 @ Goodman's Fields

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: Flora

Dance: TTwo Pierrots-Burney, Mrs Tollett

7005
15 March 1732 @ Chancery Lane

Performances

Mainpiece Title: Concert

7006
21 March 1732 @ Drury Lane Theatre

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Perseus and Andromeda

7007
01 April 1732 @ Drury Lane Theatre

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Devil to Pay

Dance: LLe Chasseur Royal, as17320222

7008
01 April 1732 @ Goodman's Fields

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Devil to Pay

Dance: SScotch Dance-Burney, Miss Wherrit

7009
04 April 1732 @ Haymarket Theatre

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Damon and Phillida

7010
06 April 1732 @ Haymarket Theatre

Performances

Mainpiece Title: The Recruiting Officer

7011
11 April 1732 @ Goodman's Fields

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Lovers Opera

Dance:

7012
13 April 1732 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Othello, Moor Of Venice

Dance: I: Pastoral-Vallois, lately arrived from the Opera at Paris, the first Time of his dancing in England; a Scholar to M Marcelle; II: Wooden Shoe Dance-Poitier; Serious Dance-Poitier, Mrs Laguerre; III: Sicilian Dance-Glover, Mrs Pelling; (at Desire) Two Pierrots-Poitier, Pelling; IV: Highlander and his Mistress-Salle, Mrs Laguerre; V: A new Peasant Dance-Poitier, Mrs Laguerre

Music: Grand Concert of Water Musick by Mr Randal [Handel?]-; [in which Poitier will beat the Kettle@Drums-Poitier

7013
17 April 1732 @ Goodman's Fields

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: The What D'ye Call It

Dance: II: A new Scotch Dance-Burney, Miss Wherrit; IV: Entry-Burney, Miss Wherrit

Song: III: Bacchanalian Song-Excell

7014
18 April 1732 @ Goodman's Fields

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Flora

Dance: TThe Merry Lass-Miss Wherrit

7015
20 April 1732 @ Goodman's Fields

Performances

Mainpiece Title: The Unhappy Favourite

Afterpiece Title: The Lovers Opera

Dance: III: Sailor's Dance-Burney; IV: Tambourine-Miss Wherrit; V: French Peasant-Burney, Miss Wherrit

7016
21 April 1732 @ Goodman's Fields

Performances

Mainpiece Title: The Committee

Afterpiece Title: Harlequin's Contrivance; or, The Jealous Yeoman Defeated

Dance: II: Two Pierrots-John Wade, the only Time of his appearing on this Stage, Burney; III: Sailor's Dance-a Gentleman belonging to the Sea; IV: A new Pastoral Dance-Burney, Miss Wherrit

Song: I: Bacchanalian Song-Excell

7017
05 May 1732 @ Goodman's Fields

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Stage Coach

7018
24 June 1732 @ Blackheath

Event Comment: EEgmont, Diary, I, 282: Went with my family, at Lady Dartmouth's desire, to see a play acted by strollers at Blackheath

Performances

7019
15 November 1732 @ Goodman's Fields

Performances

Mainpiece Title: The Recruiting Officer

Dance: SSailor's Dance-Jones; Merry Lass-Miss Wherrit; Scot's Dance-Mrs Bullock

7020
18 November 1732 @ Goodman's Fields

Performances

Mainpiece Title: The Orphan

Dance: SSaraband-Sandham, Miss Wherrit; Chacone-Mrs Bullock

7021
24 November 1732 @ Goodman's Fields

Performances

Mainpiece Title: The Spanish Fryar

Song: MMimick Song in the Character of a +Ballad-Singer-Stoppelaer

Dance: SSailor's Dance-Jones; Chacone-Mrs Bullock; The Friendly Lasses (new)-Miss Wherrit, Miss Sandham

7022
05 February 1733 @ Drury Lane Theatre

Performances

Mainpiece Title: Henry Viii

7023
10 March 1733 @ Drury Lane Theatre

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Mock Doctor

Dance: Denoyer, Mrs Booth; Drunken Peasant-LeBrun

7024
12 March 1733 @ Covent Garden

Performances

Mainpiece Title: The Constant Couple

Dance: TTambourine-Miss Rogers; new Comic Dance-Nivelon, Mrs Laguerre, Pelling, Mrs Pelling, Newhouse, Miss LaTour, Delagarde, Mrs Ogden, LeSac, Miss Baston; French Peasant-Poitier, Miss LaTour; Scottish Dance-Glover, Mrs Laguerre, DuPre, Pelling, Delagarde, Mrs Ogden

7025
17 March 1733 @ King's Theatre

Event Comment: By His Majesty's Command. A New Oratorio in English. Composed by Mr Handel. And to be perform'd by a great Number of the best Voices and Instruments. The House to be fitted up and illuminated in a new and particular manner. Tickets One Guinea. Gallery Half a Guinea. [Text by Samuel Humphreys. Their Majesties, Prince, and three eldest Princesses present.] Daily Advertiser, 20 March: An Entertainment, perhaps, the most magnificent that has ever been exhibited on an English Theatre....The Composition of the Musick is by no means inferior to the most finish'd of that Gentleman's Works; but the Disposition of the Performers was in a Taste beyond what has been attempted. There was a very great Number of Instruments by the best Hands, and such as would properly accompany three Organs. The Pit and Orchestre were cover'd as at an Assembly, and the whole House Illuminated in a new and most beautiful manner. [See also Lady A. Irwin to Lord Carlisle, in Deutsch, Handel, pp. 309-10.

Performances

Mainpiece Title: Deborah