SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Lady Dalkeith"/1) | (@(roleclean,performerclean) "Lady Dalkeith")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4889 matches on Performance Comments, 2470 matches on Event Comments, 498 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Baddeley. Miss Sherry made her first appearance upon this Stage in Lady Macbeth, a Sensible Speaker pretty good voice Short Clumsy Figure met with Applause--The Farce very well receiv'd (Hopkins Diary). Afterpiece: A Farce by George Downing. Paid 6 day's salary at #82 19s. 9d., #497 18s. 6d.; Mrs Abington on Cloaths acct, #2; Mr S. French 6 days #1 10s. (Treasurer's Book). Receipts: #135 1s. 6d. Charges: #68 12s. Profits to Baddeley: #66 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Reddish, 1st time; Macduff-Aickin, 1st time; Ross-J. Aickin; Duncan-Bransby; Malcolm-Cautherly; Banquo-Packer; Donalbain-Mas. Cape; Seyton-Ackman; Lennox-Fawcet; Captain-Davies; Angus-Keen; Witches-Parsons, Moody, Baddeley; Hecate-Champnes; Lady Macduff-Mrs Reddish; Lady Macbeth-a Young Gentlewoman; 1st appearance. Vocal Parts-Champnes, Kear, Mrs Scott, Mrs Wrighten, Mrs Fitzgerald, Mrs Dorman; With a proper Dance-Daigville.

Afterpiece Title: The Humours of the Turf

Dance: End: The Sailors Revels, as17711008

Performances

Mainpiece Title: The Earl Of Warwick

Performance Comment: Warwick-Reddish; King Edward-Clinch; Pembroke-J. Aickin; Buckingham-Fawcett; Messenger-Griffith; Lady Elizabeth-Mrs Baddeley, first appearance here in 3 years; Lady Clifford-Miss Sherry; Margaret of Anjou-Miss Younge; Suffolk-Packer; Original Epilogue-Miss Younge.

Afterpiece Title: The Pantheonites

Dance: V: The Sailors Revels, as17730928

Performances

Mainpiece Title: Edward And Eleonora

Afterpiece Title: The Padlock

Performance Comment: As17741110, but Leonora-a Young Lady not 14 years of age, first time. Pupil to Mr Savage.

Dance: End Epilogue: The Vintage Festival, as17741007

Event Comment: Benefit for Hopkins, prompter, and Mrs Hopkins. Paid half yrs. Land & Window tax Covt. Garden to Lady Day last #3 3s. 6d. (Treasurer's Book). Receipts: #133 4s. Charges: #67 14s. Profits to Mrs Hopkins: #65 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Earl Of Warwick

Performance Comment: Earl of Warwick-Smith; Suffolk-Packer; Pembroke-J. Aickin; King Edward-Palmer, first time; Lady Elizabeth Gray-Mrs Baddeley; Lady Clifford-Miss Platt; Margaret of Anjou-Mrs Yates; Buckingham-Fawcett; Messenger-Griffiths.

Afterpiece Title: A Peep behind the Curtain

Cast
Role: Lady Fuz Actor: Mrs Hopkins

Dance: End Act I: Grand Provencalle Dance, as17750202

Entertainment: End Act V: By Desire, Hippisley's Drunken Man-Weston

Event Comment: This Musical Farce of one Act was wrote by Mr G on purpose to introduce Miss Abrams (a Jew) about 17 Years old. She is very small, a Swarthy Complexion, has a very sweet Voice and a fine Shake, but not quite power enough yet-both the Piece and Young Lady were receiv'd with Great Applause (Hopkins Diary). Books of the Songs, Choruses etc. of Afterpiece to be had at the Theatre. The Conscious Lovers oblig'd to be deferred till Monday, with which will be performed the last new Grand Ballet, The Savage Hunters. [Advertisement to the published edition: "The author of this musical Farce, begs leave to inform the readers, if there should be any, that it was merely intended to introduce The Little Gipsy to the public, whose youth and total inexperience of the stage made it necessary to give as little dialogue to her character as possible, her success depending wholly upon her singing-This reason added to another, which is that the piece was produced at an early part of the season, when better writters are not willing to come forth, is the best apology the Author can make for its defects."] Paid 6 days salary list at #104 7s.-per diem, #626 2s.; Mr Lamash on note #5 5s. (Treasurer's Book). [The note on sale of books of the songs and choruses for the afterpiece occurs on all subsequent bills this season in which May Day is mentioned. The songs and chorusses and overture by Dr Arne. The afterpiece reviewed in Westminster Magazine for Nov.: The preparation is palatable, and the hand of the preparer is discoverable from the affinity between the scene of Roger and the Old Man, and that of whittle and Thomas in the Irish Widow....The Music of the overture and Finale were remarkably light and pretty: some of the airs also did Dr Arne credit. As to Miss Abrams, she has a sweet pipe, and a natural shake that charmed us;-If maturity does but strengthen her voice, at the same time that it gives her ease in deportment, she will prove an ornament to the stage."] Receipts: #205 3s. (Treasurer's Book)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: May Day; or, The Little Gipsy

Performance Comment: Parts by Vernon, Wrighten, Parsons, Bannister, Kear, Legg, Fawcett, Cubitt, etc., Mrs Wrighten, Mrs Scott, Mrs Davies, Miss Platt, Miss Robbins, Miss Hopkins, Miss Jarratt, etc., and a Young Lady. Farmer Furrow-Parsons; William-Vernon; Clod-Bannister; Dozey-Weston; Cryer-Wrighten; Dolly-Mrs Wrighten; Little Gipsy-Young Lady, first appearance on any stage (Miss Abrams); Country lads-Kear, Fawcett, Legg, Cubitt; Country lasses-Mrs Scott, Mrs Davies, Miss Platt, Miss Robins, Miss Jarratt (Genest, V, 480).
Event Comment: Mainpiece: A Comedy [in 5 Acts by Sir William Davenant, slightly altered for the stage by Henry Woodward] never acted there. [The lady identified by Hopkins MS Notes and named in the Edition of 1775. The Westminster Magazine for Nov. suggests Shuter instead of Quick for Sancho. The review thought it an indifferent Comedy which "yet could be made a most excellent farce....The dialogue has all the rust of antiquity about it, and the modernizing scenes are left to the discretion of the performers. However, in representation, this piece cannot fail of entertaining....Miss Leeson, who appeared in the character of Isabella, has an agreeable plaasing figure, a good face and a marking eye; her voice is weak, but after she got rid of her fright was sufficiently articulate; there was an ease and nature in her deportment and dialogue that entitles her to encouragement."

Performances

Mainpiece Title: The Man's The Master

Performance Comment: Parts by Woodward, Lewis, Dunstall, Wroughton, Quick, Lee Lewes, Mrs Mattocks, Mrs Bulkley, Mrs Booth, and a Young Lady, first appearance. Jodelett-Woodward; Don John-Lewis; Don Fernando-Dunstall; Don Lewis-Wroughton; Sancho-Quick; Stephano-Lee Lewes; Bettris-Mrs Mattocks; Lucilla-Mrs Bulkley; Laura-Mrs Booth; Isabella-a Young Lady, first appearance this stage (Miss Leeson) (Edition of 1775).

Afterpiece Title: The Two Misers

Dance: End: The Pilgrim, as17750927

Event Comment: Portia by Mrs Siddons being her first appearance upon this Stage a good figure rather handsome--wants Spirit and ease her Voice a little course very well receiv'd (Hopkins, Diary). Paid Mr Wrighten on note #100; Mr Garrick 2 nights for Bon Ton and Little Gipsey, #238. Receipts: #197 (Treasurer's Book). Books of the Songs and Chorusses of the Afterpiece to be had at the Theatre. [This note appeared on all subsequent bills advertising the Jubilee this season.] The most accomplished actress can display little other abilities in this part [Portia] than a correct elocution, and a knowledge of the author. The lady of last night being thus circumstanced [her first appearance] it is impossible to pronounce what the nature or extent of her powers may enable her to execute when placed in a situation that calls them forth. But from the speciman she gave there is not room to expect anything beyond mediocrity. Her figure and face, although agreeable, have nothing striking, her voice (that requisite of all public speakers) is far from being favourable to her progress as an actress. It is feared she possess a monotone not to be got rid of; there is also vulgarity in her tones, ill calculated to sustain that line in a theatre she has at first been held forth in; but as these observations are formed when the lady laboured under the disadvantages of a first attempt in the metropolis, her future efforts may perhaps entirely remove them (Middlesex Journal, 30 Dec. Quoted in Hampden, Journal)

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-King; Antonio-Reddish; Bassanio-Bensley; Gratiano-Dodd; Salanio-Fawcett; Launcelot-Parsons, first time; Duke-Bransby; Gobbo-Waldron; Salarino-Farren; Jessica (With a Song)-Miss Jarratt; Tubal-Messink; Nerissa-Mrs Davies; Portia-A Young Lady; first appearance; Lorenzo (With Songs)-Vernon.
Cast
Role: Portia Actor: A Young Lady

Afterpiece Title: The Jubilee

Dance: III: The Merry Peasants, as17751018

Performances

Mainpiece Title: The Discovery

Performance Comment: Sir Anthony Branville-Garrick; Lord Medway-Bensley; Sir Harry Flutter-Dodd; Col. Medway-Brereton; Lady Flutter-Mrs Abington; Mrs Knightly-Mrs King; Lady Medway-Mrs Hopkins; Miss Richly-Miss Hopkins; Lousia Medway-Miss P. Hopkins.
Cast
Role: Lady Flutter Actor: Mrs Abington
Role: Lady Medway Actor: Mrs Hopkins

Afterpiece Title: The Lottery

Dance: II: The Gardeners, as17760116

Event Comment: Benefit Mrs Newton and a lady who has not appeared upon the stage these seven years. By Permission

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Oakly-Hague; Lord Trinket-Cresswick; Sir Hearty-West; Charles-Trotter; Russet-Reynolds; O'Cutter-Painter; Tom-Morgan; Paris-Front; Major Oakly-Lewis; Mrs Oakly-A Lady; Harriet-Miss Reynolds; Toilet-Mrs Barrett; Lady Freelove-A Gentlewoman from Dublin.

Afterpiece Title: The Citizen

Song: Between the Acts: Miss Barrett

Event Comment: The Characters will be dressed in the Habits of the Times. The Musick of Macbeth had a proper Attention paid to it in the getting up by Mr Linley (who composed the Additional Accompaniments) and went off with great Applause. Mrs Melmoth, who came out at Covent Garden [on 26 Feb. 1774], made her first Appearance upon this Stage in Lady Macbeth, was very wild in the Part, met with some Applause. The Play was dressed in the Habits of the Times. [Note added by J. P. Kemble: I have seen some of these Habits, and very paltry and very improper they were] (Hopkins Diary). [Mrs Melmoth was from the Edinburgh theatre.] Receipts: #191 1s. 6d

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Smith; Macduff-Reddish; Duncan-Bransby [Public Advertiser: Hurst]; Ross-Aickin; Malcolm-Davies; Banquo-Packer; Lenox-Grist; Donalbain-R. Palmer; Angus-Chaplin; Seward-Hurst [Public Advertiser: Wrighten]; Doctor-Wright; Captain-Farren; Fleance-Master Pulley; Seyton-Griffiths; Hecate (1st time)-Bannister; Witches-Parsons, Moody, Baddeley; Lady Macduff-Miss Sherry; Lady Macbeth-Mrs Melmoth (1st appearance on this stage).
Cast
Role: Lady Macduff Actor: Miss Sherry
Role: Lady Macbeth Actor: Mrs Melmoth

Afterpiece Title: The Hotel

Dance: IV: a Dance of Furies-. [This was included in all subsequent performances.

Song: original Music by Mattew Locke , with full Chorusses and Additional Accompaniments by ThomasLinley Sen.-Bannister, Legg, Kear, Fawcett, Brown, Follett, Chaplin, Carpenter, Mrs Scott, Miss Abrams, Mrs Greville, Mrs Davies, Miss Jarratt, Miss Collett, Mrs Love, Mrs Booth, Mrs Pitt, Mrs J. Smith, Mrs Wrighten; Account-Book adds: Reynoldson, Webbe, Michan, Gaudry, Danby, J. Danby, Short, Miss Boyd

Event Comment: [In mainpiece the playbill assigns Lady Sneerwell to Miss Sherry, but on the Kemble playbill a MS annotation substitutes Mrs Whitfield. Miss Sherry was ill; she died early in October.] "Sheridan has also despised the faults of another school, trap claps. Not a word in The School for Scandal is to be found in praise of Laws, Jack Tars, Innocence, an Englishman's castellum, or Liberty" (Reynolds, II, 227). Receipts: #193 13s. 6d. (155/11/0; 37/12/6; 0/10/0)

Performances

Mainpiece Title: The School For Scandal

Performance Comment: Sir Peter Teazle-King; Sir Oliver Surface-Aickin; Joseph Surface-Palmer; Sir Benjamin Backbite-Dodd; Crabtree-Parsons; Rowley-Packer; Moses-Baddeley; Snake-Wrighten; Careless-Farren; Trip-Lamash; Charles-Smith; Mrs Candour-Miss Pope; Maria-Mrs Brereton; Lady Sneerwell-Mrs Whitfield [of CG]; Lady Teazle-Miss Farren (1st appearance in that character) .

Afterpiece Title: Robinson Crusoe

Dance: As17820921

Song: In Act III of mainpiece song by Williames. [This was sung, as here assigned, at all subsequent performances, except on 10 Dec]

Event Comment: Benefit for Mrs Siddons. Mainpiece: Not acted these 3 years. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. [Mrs Siddons's 1st appearance as Lady Randolph was at Manchester, 5 Feb. 1777.] "The Siddons, younger and more rich in natural Gifts, certainly offers much to the Mind, and yet much more to the Eye. The Crawford, by some means or other, offers more to the Heart" (Public Advertiser, 24 Dec). Receipts: #303 8s. 6d. (156/2/0; 10/13/0; 0/13/6; tickets: 136/0/0) (charge: free)

Performances

Mainpiece Title: Douglas

Performance Comment: Douglas-Brereton; Glenalvon-Palmer; Lord Randolph-Farren; Officer-Wilson; Servant-Phillimore; Norval-Bensley; Anna-Miss Wheeler; Lady Randolph-Mrs Siddons (1st appearance in that character [in London]) .in London]) .
Cast
Role: Lady Randolph Actor: Mrs Siddons

Afterpiece Title: The Lyar

Dance: As17831020

Event Comment: Benefit for Mrs Siddons. Part of the Pit will be laid into the Boxes. To prevent confusion Ladies are desired to send their Servants by half past Four o'clock. Mainpiece: Not acted these 4 years [acted 15 May 1782]. Afterpiece: Not acted these 5 years [not acted since 25 Mar. 1775]. [In mainpiece the playbill assigns Banquo to Bensley, but "Poor Bensley's illness last night took him off; but on another night he will give and take in the triumph" {Public Advertiser, 4 Feb.). In afterpiece he is assigned to The Guardian. On the Kemble playbill in both cases his name is deleted and MS annotations substitute Hull's.] "Macbeth at Drury-lane will. . . gag the drivellers who, on the failure of Constance [in King John], ventured a sweeping prophecy of condemnation that 'the Siddons never could play Shakespeare.' Would it not have been better to have borrowed Farren, rather than Hull, for Banquo?" (Public Advertiser, 4 Feb.). "'Why,'say some of the critics, 'should Mrs Siddons wear a white dress in her last scene of Lady Macbeth? She is supposed to be asleep, not mad.' What reason except custom can be given for a mad heroine appearing in white we know not [and see DL, 20 Dec. 1782]. Yet there is an obvious reason why a person walking in their sleep should wear a white dress of the loose kind worn by Mrs Siddons ... It [is] the nearest resemblance which theatrical effect will admit, to the common sort of night-dresses" (Public Advertiser, 7 Feb.). Receipts: #346 16s. (198/10/0; 7/2/6; 0/8/6; tickets: 140/15/0) (charge: free)

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Smith; Banquo-Hull [of CG]; Duncan-Packer; Ross-Aickin; Malcolm-R. Palmer; Macduff-Brereton; Hecate-Bannister; Witches-Parsons, Moody, Baddeley; Lady Macbeth-Mrs Siddons .
Cast
Role: Lady Macbeth Actor: Mrs Siddons

Afterpiece Title: The Guardian

Song: In mainpiece: The Original Music by Matthew Locke, with additional Accompaniments, by Bannister, Dignum, Suett, Chapman, Barrymore, Williames, Wilson, Fawcett; Miss Phillips, Miss Field, Mrs Love, Mrs Booth, Miss Barnes, Mrs Burnett, Miss Simson, Miss Cranford, Miss Burnett, Mrs Smith, the Miss Stageldoirs, Miss George, Mrs Wrighten. [This was sung, as here assigned, in all subsequent performances, except on 4 Feb.]

Event Comment: Mainpiece: Not acted these 3 years [acted 8 May 1784. Mrs Abington's 1st appearance as Lady Sadlife was at DL, 16 Jan. 1770]. Receipts: #193 9s. (189/15; 3/14)

Performances

Mainpiece Title: The Double Gallant

Performance Comment: Atall-Lewis; Careless-Wroughton; Clerimont-Farren; Finder-Wewitzer; Sir Harry Atall-Thompson; Mr Wilful-Fearon; Bolus-Booth; Rheubarb-Jones; Supple-Stevens; Sir Solomon Sadlife-Quick; Lady Dainty-Mrs Bates; Clarinda-Mrs Inchbald; Wishwell-Mrs Wilson; Sylvia-Mrs Lewis; Sittup-Miss Stuart; Lady Sadlife-Mrs Abington (1st appearance in that character [at this theatre]) .at this theatre]) .
Cast
Role: Lady Dainty Actor: Mrs Bates
Role: Lady Sadlife Actor: Mrs Abington

Afterpiece Title: The Sultan

Dance: End of Act IV of mainpiece The Merry Sailors, as17850919; End of mainpiece The Piping Pedlar, as17851112; In afterpiece, as17851123

Event Comment: Benefit for Kemble. Tickets delivered for The Careless Husband will be taken. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants at half past Four o'Clock. [Mrs Siddons's 1st appearance as Lady Restless was at Manchester, 17 Feb. 1777.] Public Advertiser, 12 Mar.: Tickets to be had of Kemble, No. 16, Charles-street, Covent Garden. Receipts: #293 12s. 6d. (148.16.0; 15.3.0; 0.7.6; tickets: 129.10.0) (charge: #105 11s. 6d.)

Performances

Mainpiece Title: All In The Wrong

Performance Comment: Sir John Restless-King; Belmont-Barrymore; Blandford-Packer; Sir William Belmont-Staunton; Robert-Waldron; Brush-Burton; Footman-Spencer; Servant-Alfred; Beverley (for this night)-Kemble; Lady Restless-Mrs Siddons (1st appearance in that character [in London]); Clarissa-Miss Collins; Tattle-Mrs Wilson; Tippet-Miss Barnes; Marmalet-Miss Tidswell; Belinda-Miss Farren.
Cast
Role: Lady Restless Actor: Mrs Siddons

Afterpiece Title: The Romp

Event Comment: [In mainpiece the playbill retains Mrs Pope as Lady Easy, but she "was taken suddenly and dangerously ill. Mrs Wells supplied her place by reading the part" (Public Advertiser, 19 Apr.).] Receipts: #156 3s. (151.4.6; 4.18.6)

Performances

Mainpiece Title: The Careless Husband

Performance Comment: As17870331but Lady Easy-Mrs Wells; Lady Graveairs-Mrs Morton.

Afterpiece Title: Love and War

Performances

Mainpiece Title: Know Your Own Mind

Performance Comment: Millamour-Wroughton; Bygrove-Aickin; Capt Bygrove-Barrymore; Sir John Millamour-Packer; Charles-R. Palmer; Malvil-Whitfield; Sir Harry Lovewit-Lamash; Dashwould-Bannister Jun.; Mrs Bromley-Mrs Hopkins; Miss Neville-Mrs Kemble; Lady Jane-Mrs Farmer; Madame La Rouge-Mrs Heard; Lady Bell-Mrs Jordan.
Cast
Role: Lady Jane Actor: Mrs Farmer
Role: Lady Bell Actor: Mrs Jordan.

Afterpiece Title: Rosina

Event Comment: Benefit for Miss Wallis [whose 1st appearance as Lady Eleanor Irwin was at Bath, 2 May 1793, and as Lady Bab Lardoon also at Bath, 15 Mar. 1791]. 2nd piece: With a view of High-street, Portsmouth, at the time of an Illumination. Morning Herald, 18 Apr.: Tickets to be had of Miss Wallis, No. 76, Gower-street, Bedford-square. Receipts: #377 15s. 6d. (182.16.6; 10.3.0; tickets: 184.16.0)

Performances

Mainpiece Title: Every One Has His Fault

Performance Comment: Sir Robert Ramble-Lewis; Irwin-Pope; Lord Norland-Richardson; Harmony-Munden; Placid-Macready; Hammond-Powel; Edward-Miss Standen; Solus-Quick; Mrs Placid-Mrs Mattocks; Miss Woburn-Miss Chapman; Miss Spinster-Mrs Davenport; Lady Eleanor Irwin-Miss Wallis (1st appearance in that character in London).

Afterpiece Title: Arrived at Portsmouth

Afterpiece Title: The Maid of the Oaks

Performance Comment: Hurry-Munden; Dupely-Macready; Oldworth-Thompson; Sir Harry Groveby-Middleton; Old Groveby-Powel; Musical Characters-Williamson, Mrs Castelle, Mrs Follett; Maria (with the original song)-Mrs Mountain; Lady Bab Lardoon-Miss Wallis (1st appearance in that character [in London]).in London]).
Cast
Role: Lady Bab Lardoon Actor: Miss Wallis

Dance: In 2nd piece: a New Dance-Holland, Platt, Mrs Watts

Song: In 2nd piece: As in 3rd piece, 12 Apr., but The Sea Storm-_; Old Towler-_; New Song-_

Event Comment: Benefit for Miss Pope. [Mrs Jordan's 1st appearance as Lady Bell was at this theatre, 21 Apr. 1789.] 3rd piece: To conclude with a Prospect of the Infernal Regions, and a Rain of Fire. Times, 4 May: Tickets to be had of Miss Pope, No. 63, Great Queen-street, Lincoln's-Inn-Fields. Receipts: #318 11s. 6d. (78.0.6; 84.18.0; 4.12.6; tickets: 151.0.6) (charge: #216 8s. 1d.)

Performances

Mainpiece Title: Know Your Own Mind

Performance Comment: Millamour-Wroughton; Dashwould-Bannister Jun.; Malvil-R. Palmer; Bygrove-Aickin; Captain Bygrove-C. Kemble; Sir John Millamour-Packer; Sir Harry Lovewit-Holland; Charles-Wewitzer; Lady Bell (with a song)-Mrs Jordan (2nd appearance in that character); Lady Jane-Mrs Powell; Mrs Bromley-Miss Pope; Miss Neville-Miss Miller; Madame La Rouge-Miss Tidswell.
Cast
Role: Lady Bell Actor: Mrs Jordan
Role: Lady Jane Actor: Mrs Powell

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: Don Juan; or, The Libertine Destroyed

Dance: In 3rd piece: Pas Seul, incidental to the piece-Sga Bossi DelCaro

Event Comment: The King's Company. Pepys, Diary: Being full of my desire of seeing my Lord Orrery's new play this afternoon at the King's house, The Black Prince, the first time it is acted; where though we come by two o'clock, yet there was no room in the pit, but we were forced to go into one of the upper boxes, at 4s. a piece, which is the first time I ever sat in a box in my life. And in the same box come, by and by, behind me, my Lord Barkeley and his lady; but I did not turn my face to them to be known, so that I was excused from giving them my seat; and this pleasure I had, that from this place the scenes do appear very fine indeed, and much better than in the pit. The house infinite full, and the King and Duke of York was there. By and by the play begun, and in it nothing Particular but a very fine dance for variety of figures, but a little too long. But, as to the contrivance, and all that was witty (which, indeed, was much, and very witty), was almost the same that had been in his two former plays of Henry the 5th and Mustapha, and the same points and turns of wit in both, and in this very same play often repeated, but in excellent language, and were so excellent that the whole house was mightily pleased with it all along till towards the end he comes to discover the chief of the plot of the play by the reading of a long letter, which was so long and some things (the people being set already to think too long) so unnecessary that they frequently begun to laugh, and to hiss twenty times, that, had it not been for the King's being there, they had certainly hissed it off the stage. But I must confess that, as my Lord Barkeley says behind me, the having of that long letter was a thing so absurd, that he could not imagine how a man of his parts could possibly fall into it; or, if he did, if he had but let any friend read it, the friend would have told him of it; and, I must confess, it is one of the most remarkable instances that ever I did or expect to meet with in my life of a wise man's not being wise at all times, and in all things, for nothing could be more ridiculous than this, though the letter of itself at another time would be thought an excellent letter, and indeed an excellent Romance, but at the end of the play, when every body was weary of sitting, and were already possessed with the effect of the whole letter, to trouble them with a letter a quarter of an hour long was a most absurd thing. After the play done, and nothing pleasing them from the time of the letter to the end of the play, people being put into a bad humour of disliking (which is another thing worth the noting), I home by coach, and could not forbear laughing almost all the way home, and all the evening to my going to bed, at the ridiculousness of the letter, and the more because my wife was angry with me, and the world, for laughing, because the King was there, though she cannot defend the length of the letter

Performances

Mainpiece Title: The Black Prince

Performance Comment: Edition of 1672: Prologue-the Genius of England [holding Trident in one hand and a Sword in the other; King Edward-Moon [Mohun]; King John-Wintersell; Prince-Kenniston [Kynaston]; Lord Delaware-Hart; Count Guesclin-Burt; Lord Latimer-Cartwright; Page-Beeston; Alizia-Mrs Guinn; Plantaginet-Mrs Marshall; Cleorin-Mrs Corey; Sevina-Mrs Nepp; Valeria disguised-F. Damport [Davenport]; A Lady-Betty Damport [Davenport]; Epilogue to the King-.
Cast
Role: A Lady Actor: Betty Damport

Performances

Mainpiece Title: Horace

Performance Comment: MS cast in the Harvard Library copy of Horace (1667): Tullus-H. Savill; Old Horace-Tho. Howard; Horace-James Hamilton; Curtius-Ed. Griffin; Valerius-Obryan; Sabina-Dutches [of] Monmouth; Camilla-Lady Castlemaine; Julia-Mrs Cornewallis; Flavia-Sir Grenvill Verney; Proclus-Mr Fenton; The Prologue to Horace-Dutches of Monmouth [at court, is in Covent Garden Drollery, 1672, ed. Summers, pp. 62-63.at court, is in Covent Garden Drollery, 1672, ed. Summers, pp. 62-63.
Cast
Role: Camilla Actor: Lady Castlemaine
Event Comment: The Duke's Company. Newdigate newsletters, 15 Aug. 1682: Thursday last being acted a play called the Tragedy of Romulus att the Dukes Theatre & the Epilogue spoken by the Lady Slingsby & written by Mrs Behn having reflected on ye Duke of Monmouth, ye Lord Chamberlaine thereupon has order[ed] them both in Custody to answer th[at] affront for ye same (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). See also True Protestant Mercury, 12-16 Aug. 1682, for essentially the same statement. The Prologue and Epilogue were printed separately, and Luttrell' copy (Huntington Library) bears his acquisition date of 8 Aug. 1682. They are reprinted in Wiley, Rare Prologues and Epilogues, pp. 132-34. The separately printed Prologue states that Mrs Behn also wrote it. A song, Where art thou god of love, the music by Giovanni Draghi, is in Theater of Music, The Third Book, 1686

Performances

Mainpiece Title: Romulus And Hersillia; Or, The Sabine War

Performance Comment: Edition of 1683: Prologue-Mrs Butler [who probably acted Feliciana]; Epilogue [by Mrs A. Behn-Lady Slingsby [who acted Tarpeia.who acted Tarpeia.
Cast
Role: Behn Actor: Lady Slingsby

Performances

Mainpiece Title: The She-gallants

Performance Comment: Edition of 1696: Prologue to the She@Gallant-Mr Betterton; Epilogue-Mrs Bracegirdle; Bellamour-Betterton; Philabel-Hodgson; Frederick-Thurman; Sir Toby Cusifle-Underhill; Sir John Aery-Bowen; Vaunter-Dogget; Courtall-Bailie; Lady Dorimen-Mrs Barry; Angelica-Mrs Bracegirdle; Constantia-Mrs Bootell; Lucinda-Mrs Bowman; Plackett-Mrs Lee.
Cast
Role: Lady Dorimen Actor: Mrs Barry
Event Comment: Rich's Company. The date of the first performance is not known, for the play was apparently not printed until 1704. Nevertheless, some details indicate a performance early in the early in the season of 1696-97. In the first place, the presence of Verbruggen in the cast indicates that it must have been acted before 1 Jan. 1696@7, when Verbruggen was permitted to act at Lincoln's Inn Fields. The play also parodies the works of Mrs Manley, whose The Royal Mischief had been staged (probably) in April 1696, and it is likely that the company would emphasize the pertinence of the parody by presenting it soon after the appearance of the original. Although The Female Wits may not have been acted until later in the autumn, it seems likely that it was acted first in the late summer or early autumn. Preface, Edition of 1704: [The] Success of this Play has been such...having been Acted six Days running without intermission....Among the rest, Mr Powel and his Wife excell'd in the Characters they represented, as did Mrs Verbruggen, who play'd the Chief Character....The Lady whose Play is rehears'd, personated one Mrs M-ly [Manley]

Performances

Mainpiece Title: The Female Wits; Or, The Triumvirate Of Poets At Rehearsal

Performance Comment: [The author is not known, but the title page states that it was written by W. M.] Edition of 1704: Prologue-; Epilogue-; Mr Aw'dwell-Mills; Praiseall-Cibber; Fastin-Powell; Amorous-Pinkethman; Lord Whiffle-Thomas; Lord Whimsical-Verbruggen; Marsillia-Mrs Verbruggen; Patience-Mrs Essex; Mrs Wellfed-Mrs Powell; Calista-Mrs Temple; Isabella-Mrs Cross; Lady Loveall-Mrs Knight; Betty Useful-Mrs Kent; Players-Johnson, Pinkethman, Mrs Lucas, Miss Cross; Singers-Mrs Cross, Pate; Dancers-Mrs Cross, Mrs Lucas.
Cast
Role: Lady Loveall Actor: Mrs Knight

Performances

Mainpiece Title: Wit Without Money

Performance Comment: An undated edition (ca. 1707) lists a possible cast: Valentine-Wilks; Francisco-Mills; Lovegood-Keen; Lance-Bullock; Shorthose-Norris; Lady Hartwell-Mrs Oldfield; Isabella-Mrs Porter; Merchant-Minns; Fountain-Knap; Bellamore-Fairbank; Hairbrain-Bowman; Roger-Cross; Ralph-Kent; Humphrey-Trout; Lucy-Mrs Mills; Prologue-; Epilogue-.
Cast
Role: Lady Hartwell Actor: Mrs Oldfield