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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Lady Bettey Howard"/1) | (@(roleclean,performerclean) "Lady Bettey Howard")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7636 results for: Keyword - Lady Bettey Howard
We found 4942 matches on Performance Comments, 2516 matches on Event Comments, 503 matches on Performance Title, 425 matches on Author, and 0 matches on Roles/Actors.

7251
28 April 1747 @ Haymarket Theatre

Performances

Mainpiece Title: Diversions Of The Morning

7252
30 April 1747 @ Covent Garden

Performances

Mainpiece Title: The Suspicious Husband

7253
02 May 1747 @ Covent Garden

Performances

Mainpiece Title: The Suspicious Husband

7254
08 May 1747 @ Covent Garden

Performances

Mainpiece Title: The Suspicious Husband

7255
27 May 1747 @ Covent Garden

Event Comment: Last time of performing the play this season (General Advertiser). Paid Duke of Bedford half year's Ground Rent in full to Lady? Day? #100. Receipts: #165 14s

Performances

Mainpiece Title: The Fair Penitent

7256
30 October 1747 @ King's Theatre

Performances

7257
21 November 1747 @ Drury Lane Theatre

Event Comment: On Monday next, The Constant Couple. Lady Lurewell by Mrs Pritchard, 1st appearance there in 5 years. Receipts: #160 (Cross); #129 9s. (Powel)

Performances

Mainpiece Title: The Orphan

Song: SSailors Rendezvous, as17471120

7258
27 January 1748 @ Covent Garden

Performances

Mainpiece Title: The Royal Merchant; Or, The Beggar's Bush

Afterpiece Title: The Royal Chace

7259
28 January 1748 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Tea

7260
02 February 1748 @ Covent Garden

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: Tea

7261
01 March 1748 @ Drury Lane Theatre

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Lying Valet

7262
10 March 1748 @ Drury Lane Theatre

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: Miss in Her Teens

Dance: Cooke, Anne Auretti

7263
14 April 1748 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Mock Doctor

7264
29 April 1748 @ Drury Lane Theatre

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The Dragon of Wantly

Dance: II: Pastoral Dance, as17480326 III: Savoyards, as17471215; V: By Desire Les Characters de la Dance-Anne Auretti

7265
04 October 1748 @ The Tiled Booth Blackheath

Performances

Mainpiece Title: The Unhappy Favourite; Or, The Earl Of Essex

Afterpiece Title: The Mock Doctor

Dance: Jockey dancing-Mr Adams

7266
25 October 1748 @ Covent Garden

Event Comment: Play By Command of their Royal Highnesses the Prince and Princess of Wales, Prince George, Prince Edward, and the Lady Augusta

Performances

Mainpiece Title: Cato

7267
21 November 1748 @ New Wells, London Spa, Clerkenwell

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Miss in Her Teens

7268
21 December 1748 @ Covent Garden

Event Comment: Mainpiece: By Command of their Royal Highnesses the Prince and Princess of Wales, Prince George, Prince Edward, Prince William, the Lady Augusta and Princess Elizabeth

Performances

Mainpiece Title: Cato

Afterpiece Title: Flora

7269
26 December 1748 @ New Wells, London Spa, Clerkenwell

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Virgin Unmasked

7270
18 February 1749 @ Drury Lane Theatre

Performances

Mainpiece Title: Mahomet And Irene

Afterpiece Title: The Lying Valet

Dance: SScotch Dance, as17490118

7271
20 February 1749 @ Drury Lane Theatre

Event Comment: Benefit for the Author Tickets to be had as 9 and 14 Feb. [The Gentleman's Magazine this month gave a nine-column article to the Plan and Specimens of Irene a Tragedy by Mr Samuel Johnsin acted at Drury Lane from 6-20 February inclusive." In it plot was first retold, then excerpts from speeches were given which illustrated the beautiful expression of the moral values contained in the play: "To instance every moral which is inculcated in this performance, would be to transcribe the whole; but, however difficult I shall select a few." No comments are made upon the stage presentation, all is presented upon the basis of examination of the text. William Shenstone thought not much of it as a play. See Letter to Lady Luxborough 22 March.] Receipts: #110 (Cross); house charges, #63 (Powel)

Performances

Mainpiece Title: Mahomet And Irene

Afterpiece Title: The Virgin Unmask'd

Dance: SSavoyards, as17480920

7272
01 March 1749 @ The Black Bull Tavern, Pudding Lane

Performances

Mainpiece Title: Dramatic Lecture

7273
03 April 1749 @ Haymarket Theatre

Performances

Mainpiece Title: The Knights

7274
26 April 1749 @ Drury Lane Theatre

Performances

Mainpiece Title: The Suspicious Husband

Cast
Role: Landlady Actor: Mrs Yates

Afterpiece Title: Tit for Tat; The Anatomist

7275
30 October 1749 @ Drury Lane Theatre

Performances

Mainpiece Title: The London Cuckolds

Performance Comment: Ramble-Woodward; Townly-Palmer; Loveday-Blakes; Wiseacre-Yates; Doodle-Taswell; Dashwell-Neale; Roger-James; Peggy-Mrs Green; Eugenia-Mrs Mills; Engine-Mrs Cross; Jane-Mrs Havard; Aunt-Mrs James; Arbella (alias Lady No)-Mrs Pritchard.

Afterpiece Title: The Anatomist

Dance: I: Comic Dance-Mathews, Mrs Addison; III: The Black Joke-Mathews, Mrs Addison; with a Hornpipe-the Little Swiss

Song: II, IV: Master Mattocks