SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "King of the Cherokee Indians"/1) | (@(roleclean,performerclean) "King of the Cherokee Indians")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2967 matches on Performance Title, 2660 matches on Performance Comments, 1677 matches on Event Comments, 23 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The Duke's Company. Nell Gwyn attended this performance; see VanLennep, Nell Gwyn's Playgoing, p. 407

Performances

Mainpiece Title: King Lear

Event Comment: The King's Company. The date of the first performance is not known. Wilson (Six Restoration Play-Dates, pp. 222-23) argues from a number of references (principally in the Epilogue) to events of early 1681 which point to a premiere near May 1681: to the dissolution of Parliament, 28 March 1681; to the comet which appeared in November 1680 and disappeared in January 1680@1; to the Hatfield Maid; to William Lilly, the astrologer, who is referred to as though alive, thus suggesting a premiere before his death, 9 June 1681. It is possible that the premiere may have been earlier than this. In 1681 was published Poeta de Tristibus; or, The Poet's Complaint, whose author had obviously read the Prologue and Epilogue to The Unhappy Favourite. He represents himself as a disappointed dramatist whose tragedy has been rejected by both houses because "their Summer-store@Will all this Winter last." With the work entered in the Term Catalogues in 1682 and a copy purchased by Narcissus Luttrell with his note "4d 1681 12 Nov" (see A Bibliography of John Dryden, ed. Macdonald, pp. 235-36), his quotations from the Epilogue to The Unhappy Favourite and references to the Prologue would offer no difficulties if it were not that the "Author's Epistle" in which the references are made is dated "at Dover the Tenth day of January 1680@1," thus suggesting that he had seen the Prologue and Epilogue before that date. Nevertheless, some of the references in the Epilogue (to Heraclitus Ridens, beginning on 1 Feb. 1680@1, and Democritus Ridens, beginning on 14 March 1680@1) preclude a January premiere for the Prologue and Epilogue. Possibly the dating of the "Author's Epistle" is in error

Performances

Mainpiece Title: The Unhappy Favourite; Or, The Earl Of Essex

Performance Comment: Edition of 1682: The Earl of Essex-Clarke; Earl of Southampton-Gryffin; Burleigh-Major Mohun; Sir Walter Rawleigh-Disney; Queen Elizabeth-Mrs Quyn; Countess of Rutland-Mrs Cook; Countess of Nottingham-Mrs Corbett; Prologue-Major Mohun the first Four Dayes; Prologue to the King and Queen at their coming to the House, and Written on Purpose by Mr Dryden-; Epilogue by Mr Dryden-; Prologue Intended to be spoken, by the Author-.
Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 361. See also Nicoll, Restoration Drama, p. 351

Performances

Mainpiece Title: King Lear

Event Comment: The United Company. This performance is on the L. C. list, 5@148, p. 145. See also Nicoll, Restoration Drama, p. 351

Performances

Mainpiece Title: King Lear

Event Comment: The United Company. This performance is on the L. C. list, 5@149. p. 368. See also Nicoll, Restoration Drama, p. 352. The Prologue, separately printed, bears a licensing date of 16 Nov. 1689, and is reprinted in Wiley, Rare Prologues and Epilogues, pp. 276-77. Huygens, 15 Nov. 1689 OS (translation): The King, who had been at the comedy, at the birthday of the Queen-mother, which had been played at Whitehall, did not come home until twelve o'clock (Journal van Constantijn Huygens, Publications of the Dutch Historical Society, New Series, XXIII [Utrecht, 1876], 205)

Performances

Mainpiece Title: A Jovial Crew

Performance Comment: The Prologue to King William & Queen Mary At a Play Acted before Their Majesties at Whitehall, on Friday the 15th of November 1689. Written by N. Tate-.
Event Comment: The United Company. This performance is on the L. C. list, 5@151, p. 369: ye Q & a Box for ye Maids Honr Edward 3. See also Nicoll, Restoration Drama, p. 352

Performances

Mainpiece Title: King Edward The Third

Event Comment: The United Company. This performance is on the L. C. list, 5@151, p. 369: ye Q a Box & a Box for ye Maids Honr K Arthur. See also Nicoll, Restoration Drama, p. 352. Luttrell, A Brief Relation, II, 331: The queen and queen dowager went this evening to the play of Mr Dryden s opera. [See also the reference to this play under January 1691@2 above.

Performances

Mainpiece Title: King Arthur

Performances

Mainpiece Title: King Arthur

Performances

Mainpiece Title: King Arthur

Performances

Mainpiece Title: King Arthur

Event Comment: Not Acted [there] these five Years. At the Desire of several Persons of Quality

Performances

Mainpiece Title: King Henry The Fourth; Part I With The Humours Of sir John Falstaffe

Related Works
Related Work: The Tragedy of King Henry IV of France Author(s): Charles Beckingham

Dance: Cherrier

Event Comment: At the Desire of several Persons of Quality

Performances

Mainpiece Title: King Henry The Fourth, Part I

Related Works
Related Work: The Tragedy of King Henry IV of France Author(s): Charles Beckingham

Song: As17041123

Dance: As17041023

Performances

Mainpiece Title: King Henry The Fourth, Part I

Related Works
Related Work: The Tragedy of King Henry IV of France Author(s): Charles Beckingham

Song:

Dance:

Event Comment: [This play was advertised on 1 May, not later, as "Not Acted these Four Years," but the performance may have been deferred by the apparent closing of the theatres until after May Fair.

Performances

Mainpiece Title: King Henry The Eighth; With The Fall Of Cardinal Wolsey

Event Comment: At the Desire of several Persons of Quality

Performances

Mainpiece Title: King Henry The Ivth, Part I; With The Humours Of sir John Falstaff

Dance: As17051201

Song: Italian songs by Bononcini and best Masters, an English song by Purcell-Mrs del'Epine

Performances

Mainpiece Title: King Henry The Ivth, Part I

Song: As17051016

Music: Flute Music,with The Echo-Gasperini, duRuel

Dance: duRuel, Cherrier, Mrs Moss, others

Event Comment: Not perform'd these Five Years

Performances

Mainpiece Title: King Arthur; Or, The British Worthy

Music: With all the Original Musick by the late Mr Henry Purcel-Leveridge, Hughs, Ramondon, Mrs Lindsey, the Boy

Dance: As17060110

Performances

Mainpiece Title: King Arthur

Music: Composed by Henry Purcell

Dance: Proper dances-duRuel, Mrs duRuel, Cherrier

Event Comment: At the Desire of several Ladies of Quality

Performances

Mainpiece Title: King Henry The Eighth; With The Fall Of Cardinal Wolsey

Performance Comment: Henry VIII-Betterton; Norfolk-Mills; Buckingham-Booth; Wolsey-Verbruggen; Suffolk-Boman; Surveyor-Keen; Surrey-Cibber; Guildford-Pack; Cromwell-Husbands; Katherine-Mrs Barry; Anna Bullen-Mrs Bradshaw; Sands-Bullock.
Cast
Role: Buckingham Actor: Booth
Role: Katherine Actor: Mrs Barry

Performances

Mainpiece Title: King Henry The Eighth

Cast
Role: Buckingham Actor: Booth
Role: Katherine Actor: Mrs Barry
Event Comment: Not Acted these Five Years

Performances

Mainpiece Title: King Lear

Dance:

Performances

Mainpiece Title: King Henry The Fourth, Part I

Related Works
Related Work: The Tragedy of King Henry IV of France Author(s): Charles Beckingham

Performances

Mainpiece Title: King Henry The Eighth; With The Divorce Of Queen Katherine, The Fall Of Cardinal Wolsey, And The Birth Of Queen Elizabeth

Performances

Mainpiece Title: King Henry The 8th; With The Fall Of Cardinal Wolsey

Performance Comment: Henry VIII-Betterton; Norfolk-Mills; Buckingham-Booth; Wolsey-Keene; Surrey-Powell; Sands-Bullock; Cranmer-Cibber; Gardiner-Johnson; Katherine-Mrs Knight; Anna Bullen-Mrs Bradshaw.
Cast
Role: Buckingham Actor: Booth
Role: Katherine Actor: Mrs Knight
Event Comment: Benefit Evans. For the Entertainment of Don Venturo Zary, the Emperour of Morocco's/Minister; and Elhadge Guzman, the Royal Messenger, (from the said Emperour Muley Ismael, to her Majesty) with their Attendants in their several Habits

Performances

Mainpiece Title: King Henry The Fourth: With The Humours Of Sir John Falstaff