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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "King of the Cherokee Indians"/1) | (@(roleclean,performerclean) "King of the Cherokee Indians")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6227 results for: Keyword - King of the Cherokee Indians
We found 2967 matches on Performance Title, 2660 matches on Performance Comments, 1677 matches on Event Comments, 23 matches on Author, and 0 matches on Roles/Actors.

5801
27 April 1736 @ Covent Garden

Event Comment: Benefit Laguerre. Mainpiece: Written by the late Sir John Vanbrugh. [Tickets at Laguerre's, over against the King's Arms in George Street, York Buildings.] Receipts: money #13 9s. 6d.; tickets #95 12s

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: Flora

Dance: Clown by Nivelon. Peasants by Lalauze, Mlle D'Hervigni, &c. Sailors (from Orestes) by Glover, &c

Song: Chancon a Boire by Leveridge and Laguerre

5802
15 June 1736 @ King's Theatre

Event Comment: By Command of their Royal Highnesses the Prince and Princess King's of Wales [who were present]

Performances

Mainpiece Title: Orpheus

5803
22 June 1736 @ King's Theatre

Event Comment: The King again granted #1,000 to the Opera in the Haymarket. See Calendar of Treasury Papers, 1735-1738, p. 257

Performances

Mainpiece Title: Orpheus

5804
27 November 1736 @ Covent Garden

Event Comment: MMrs Pendarves, 27 Nov.: They [The king's] have Farinelli, Merighi, with no sound in her voice, but thundering action-a beauty with no other merit; and one Chimenti, a tolerable good woman with a pretty voice, and Montagnana, who roars as usual! With this band of singers, and dull Italian operas, such as you almost fall asleep at, they presume to rival Handel-who has Strada, that sings better than ever she did; Gizziello, who is much improved since last year; and Annabali, who has the best part of Senesino's voice and Caristini's, with a prodigious fine taste and good action! We have had Alcina, and Atalanta, which is acted tonight for the last night with the fireworks....Mrs Porter acts three times a week; I have made a party to go next week; she is the only support of the stage, the house is crammed whenever she acts.-Delany, Autobiography, I, 5578-79

Performances

Mainpiece Title: Atalanta

5805
17 December 1736 @ Drury Lane Theatre

Event Comment: Mainpiece: Written by Colley Cibber, Esq; Poet-Laureat. Daily Advertiser, 18 Dec.: Yesterday at about Six in the Morning died Mr John Mills, a celebrated Comedian, after an Illness of ten or twelve Days: The last Time of his appearing upon the Stage was on Saturday se'nnight last, in the Character of the sick King in the second Part of Henry IV

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Intriguing Chambermaid

Dance: I: Black Joak-Philips, Miss Mann; II: English Maggot-Villeneuve, Mrs Walter

5806
08 February 1737 @ Lincoln's Inn Fields

Event Comment: For a puff of The Death of King Charles the First, see Daily Advertiser, 8 Feb

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: Hymen's Triumph

Cast
Role: Father to Colombine Actor: Norris
Role: Dr Fleet Actor: Wetherilt

5807
19 February 1737 @ Haymarket Theatre

Event Comment: DDaily Advertiser, 19 Feb.: To the Author, &c. Sir, In a late Paragraph in one of your Papers [4 Feb.] it was insinuated, that there was a Design on foot for erecting a New Theatre, which by some Wise Heads was suppos'd to come from a certain Manager, in order to revive the Playhouse Bill this Session of Parliament; I think it proper therefore, in Justice to the Gentleman levell'd at, to inform the Publick, that it is actually intended for a Company of Comedians every Day expected here, late Servants to their Majesties Kouli Kan and Theodore, who in the mean time will entertain the Town in the true Eastern manner, at the New Theatre in the Hay-Market, with a celebrated Piece call'd A Rehearsal of Kings. I am, Sir, Yours, &c. Agent for the Company

Performances

5808
03 March 1737 @ Drury Lane Theatre

Event Comment: Benefit the Author. At the particular Desire of several Ladies of Quality. Founded on Shakespear's Much Ado About Nothing. By the Author of the Man of Taste. [For an Epilogue designed to be spoken to King John, as amended by Colley Cibber, see Grub St. Journal, 3 March.

Performances

Mainpiece Title: The Universal Passion

Dance: Muilment

5809
08 March 1737 @ Haymarket Theatre

Event Comment: DDaily Advertiser, 8 March: We hear that the Great Mogul has acceeded to the Treaty of the Hay-Market, which causes various Speculations. Our best Advices assure us, that the Town will be entertain'd there Tomorrow, by a Gentleman who never wrote for the Stage, with a new Performance call'd a Rehearsal of Kings: which will be immediately succeeded by a Dramatick Piece call'd The Historical Register, for the Year 1736, written by the Author of Pasquin. We hear this has given great Alarm to all the Pantomimical Houses in London, Southwark, Rag Fair, &c

Performances

5810
09 March 1737 @ Haymarket Theatre

Event Comment: DDaily Advertiser, 10 March: Last Night the Representation of the Rehearsal of Kings was disappointed by some Persons taking clandestinely Possession of the Hay-Market Playhouse, who were about Eight o'Clock committed to Bridewell for the same. On this Account several hundred Persons were turn'd away. We are assur'd that the Publick may depend on the aforesaid Play's being acted, as writ, Tomorrow

Performances

5811
10 March 1737 @ Drury Lane Theatre

Event Comment: Benefit Quin. By Command of their Royal Highnesses the Prince and Princess of Wales. Written by Shakespear. [Tickets at Quin's Lodgings, King's Street, cg. For a long account of the disturbance at dl, 5 Aarch, see Daily Advertiser, 10 March, and for a letter on theatrical affairs, see Grub St. Journal, 10 March.] Daily Gazetteer, 12 March: On Thursday Night last a Footman, who was keeping Places at [dl] upon the Stage behind the Curtain, hearing some Gentlemen who were in the Pit, call to some Footmen who were in the Boxes to take off their Hats, leapt from his Seat, and opening the Curtain, cry'd out with a loud Voice, bidding the said Footmen keep on their Hats

Performances

Mainpiece Title: Measure For Measure

Dance: II: Turkish Dance-Muilment, Villeneuve, Livier; IV: Russian Sailor-Denoyer

5812
11 March 1737 @ Haymarket Theatre

Event Comment: DDaily Advertiser, 11 March: We hear the Rehearsal of Kings, intended to have been acted as this Day...is put off, by an unforeseen Accident, 'till Monday next

Performances

5813
25 May 1737 @ Haymarket Theatre

Event Comment: The hay advertised for 30 May and later two plays which never got staged: Macheath turn'd Pyrate; or, Polly in India. An Opera. Very much taken, if not improv'd from the famous Sequel of the late celebrated Mr Gay. With a New Prologue, proper to the Occasion. And after the Run of that, the Town will be entertain'd with a new Farce of two Acts, call'd The King and Titi; or, The Medlars. Taken from the History of Prince Titi, Originally written in French, and lately translated into English

Performances

5814
16 March 1738 @ Covent Garden

Event Comment: Benefit Mrs Horton. [Tickets at Mrs Horton's, in King-street, cg.

Performances

Mainpiece Title: Theodosius

Cast
Role: Theodosius Actor: Ryan
Role: Athenais Actor: Mrs Horton
Related Works
Related Work: The Weathercock Author(s): Theodosius Forrest

Afterpiece Title: The Honest Yorkshireman

Dance: A new Comic Dance-Nivelon, Mrs LeBrun; Je ne scai quoi-Tench, Villeneuve, Miss Oates; French Peasant-Lalauze, Mlle Roland, Tench, Desse, Villeneuve, Dupre, Mrs Moreau, Miss Oates, Miss Cantrel, Miss Norman

5815
01 May 1738 @ Covent Garden

Event Comment: Benefit Oates. For the Entertainment of the Grand Master and the rest of the Brethren belonging to the...Masons. [Tickets at Oates', King's Arms Tavern, Great Wild Street.

Performances

Mainpiece Title: The Way Of The World

Performance Comment: As17380124, but With a Prologue-; Epilogue addressed to the Free Masons-.
Cast
Role: Epilogue addressed to the Free Masons Actor: .

Song: nd the added Songs in Masonry as usual,% I: Come let us prepare-Mr Oates; III: On on my dear Brethren-Mr Oates; IV: Let Masonry be now my Theme-Mr Oates; V: Ye Brethren of the Ancient Craft-Mr Oates

Dance: I: Serious Dance-Villeneuve, Miss Oates; III: Peasant Dance-Master and Miss Oates; IV: Je ne scai quoi-Tench, Villeneuve, Miss Oates; V: Grecian Sailors-Glover

Music: II: Solo on the Violin-Master Oates

5816
23 May 1738 @ King's Theatre

Event Comment: LLondon Daily Post and General Advertiser, 24 May: May 23, 1738. All Persons that have subscrib'd or are willing to subscribe twenty Guineas for Italian Opera to be perform'd next Season at the King's Theatre...under my Direction, are desired to send ten Guineas to Mr Drummond the Banker....and Whereas I declared I would undertake the Operas provided I can agree with the Performers, and that 200 Subscriptions are procured, and as the greatest Part ob the Subscribers have already paid the 10 Guineas; it is desired that the remaining Subscribers will be pleased to send the Money to Mr Drummond, on or before the 5th of June next....J. J. Heidegger

Performances

Mainpiece Title: La Conquista Del Vello D'oro

5817
26 July 1738 @ King's Theatre

Event Comment: LLondon Daily Post and General Advertiser, 26 July: Hay-Market, July 25, 1738. Wheras the Operas for the ensuing Season at the King's-Theatre...cannot be carried on as was intended, by Reason of the Subscription not being full, and that I could not agree with the Singers, tho' I offer'd One Thousand Guineas to One of them, I therefore think myself oblig'd to declard, that I give up this Undertaking for next Year....J. J. Heidegger

Performances

5818
16 January 1739 @ King's Theatre

Event Comment: A New Oratorio. [By Handel.] Pit and Boxes put together at half a guinea each. Gallery 5s. 6 p.m. [The King, Duke, and the princesses present.

Performances

Mainpiece Title: Saul

5819
26 March 1739 @ Drury Lane Theatre

Event Comment: Benefit Cibber. At the particular Desire of several Ladies of Quality. Mainpiece: Written by Ben. Johnson. [Tickets at Cibber's House, at Mrs Holt's in Bow Street, cg. The play changed, by request, from The Relapse.] London Daily Post and General Advertiser, 26 March: Last Week died, in the 88th Year of his Age, Mr Boman, belonging to Drury-Lane Theatre, who had the Honour to perform several times before King Charles II. It is remarkable of him, that he was the oldest Player, the oldest Singer, and the oldest Ringer in England

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The Mock Doctor

Dance: II: Punch Dance-Master Ferg, Miss Wright; IV: Pierots-Master Ferg, Miss Wright; V: Turkish Dance-Muilment

Song: I: Advice to the Tatlers (by Desire)-Mrs Clive; III: Mary Scot-Mrs Clive

Music: Select Pieces-

5820
20 October 1739 @ Covent Garden

Event Comment: As 10 Oct. To act Monday through Saturday: King John, Richard II, Henry IV, Parts I and II, Henry V, and Richard III

Performances

Mainpiece Title: The Rehearsal

Cast
Role: other parts Actor: Hippisley, Bridgwater, Rosco, Hale, Hallam, Stephens, Roberts, Arthur, James, Neale, Mullart, Bencraft, Mrs Cross, Miss Burgess, Miss Norman
Role: The Vocal Parts Actor: Leveridge, Legar, Salway, Bencraft, Mrs Lampe, Miss Young.d1739 10 10 cg Poitier, Mlle Roland.c1739 10 10 cg Written by George, Duke of Buckingham. With all the Music, Songs, Dances, Scenes, Machines, Habits, and other Decorations proper to the Play.
Related Works
Related Work: The Rehearsal Author(s): George Villiers, Duke of Buckingham
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive

Afterpiece Title: The Necromancer; or, Harlequin Doctor Faustus

5821
25 October 1740 @ Covent Garden

Event Comment: By His Majesty's Command. Mainpiece: Written by the late Mrs Centlivre. 'Tis humbly hop'd no Person will take it ill their being refused Admittance to the Music Room; the Dances depending greatly on the same being kept entirely clear. Receipts: #173 (Account Book); #200 (Rylands MS.). [King, Duke, and Princesses Amelia, Caroline, and Louisa present.

Performances

Mainpiece Title: The Busy Body

Dance: Desnoyer, Signora Barberini the first time of her appearing on the English stage, Glover, Mlle Roland

5822
27 November 1740 @ Covent Garden

Event Comment: By His Majesty's Command. Receipts: #150 16s. (Account Book); #200 (Rylands MS.). [The King, Duke, and Princesses Amelia, Carolina, and Louisa present.

Performances

Mainpiece Title: The Constant Couple

Dance: Glover, Mlle Roland, Mechel, Mlle Mechel, Desnoyer, Signora Barberini

5823
12 January 1741 @ Covent Garden

Event Comment: For the Relief of Mr Chetwood, late Prompter at the Theatre-Royal in Drury-Lane, and now a Prisoner in the King's Bench. Receipts: money #219; seals #15 (Account Book); #250 Rylands MS.). [William Shenstone saw Cibber act on 12, 13, or 14 Jan. See Letters of William Shenstone, pp. 14-15.

Performances

Mainpiece Title: The Old Batchelor

Dance: Mechel, Mlle Mechel

5824
17 February 1741 @ Goodman's Fields

Event Comment: Mainpiece: This Tragedy is founded on Fact, which happened in the Year 1618, and is recorded in the Annals of King James I

Performances

Mainpiece Title: The Fatal Curiosity

Related Works
Related Work: Fatal Curiosity Author(s): George Colman, the elder

Afterpiece Title: The Anatomist

Dance: As17410214

5825
31 March 1741 @ Drury Lane Theatre

Event Comment: By Command of his Royal Highness the Duke. Benefit Mrs Butler. [Tickets at Mrs Butler's House in King Street.

Performances

Mainpiece Title: Amphitryon; Or, The Two Sosias

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Dance: I: Miss Scott; II: Les Tambourine Matelotes-Maltere, Mlle Maltere; III: Muilment, Mlle Chateauneuf; IV: Muilment; V: La Tambourine-Mlle Chateauneuf