SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "King of Persia"/1) | (@(roleclean,performerclean) "King of Persia")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2656 matches on Performance Title, 2611 matches on Performance Comments, 1593 matches on Event Comments, 23 matches on Author, and 2 matches on Roles/Actors.

Performances

Mainpiece Title: Arius, King Of Persia; Or, The Noble Englishman; With The Comical Humours Of Sir Andrew Ague-cheek, At The siege Of Babylon

Afterpiece Title: The Wrangling Deities; or, Venus Upon Earth

Song: Miss Polly Casey, her first on any stage

Dance: LLes Jardiniers Suedois-Vaughan, Mrs Wright

Event Comment: With the Ceremonial of her Coronation in the same Manner as it was Perform'd in the Play of King Henry the Eighth

Performances

Mainpiece Title: Virtue Betray'd; Or, Anna Bullen

Performance Comment: King Henry-Booth; Anna Bullen-Mrs Oldfield; Wolsey-Cibber; Northumberland-Bridgwater; Piercy-Wilks; Rochford-Wm. Mills; Lady Elizabeth-Mrs Horton; Lady Diana-Mrs Cibber; Young Princess Elizabeth-Miss Robinson.
Cast
Role: King Henry Actor: Booth
Event Comment: Mr Lacy a Proprietor of this Theatre made his first appearance upon the Stage in the part of Alexander. He is very Tall, & Thin, a good Voice but His Fright took away from it's power--he was rec'ed with Applause. Mr Garrick wrote a New Occasional Prologue to introduce him, which was Spoken by Mr King & rec'ed with great Applause (Hopkins Diary). Paid 4 days list at #91 8s. 10d. per diem #365 15s. 4d.; Mr J. French on Acct #10 10s. (Treasurer's Book). [The Westminster Magazine commented on Willoughby Lacy's performance (Oct. 1774): "His performance was far from answering the expectations we had been taught to form from a friend and pupil of our English Roscius. Indeed Mr Lacy is a very young man: therefore we ought not to draw the line of our expectation. His figure is at present lank, awkward, and unengaging; his voice distinctly powerful, but inharmonious; his action outre, vulgar and forced: his attitudes unnatural, affected and disgustful; and his delivery a continued rant, without proper change, a pleasing variety, or a just discrimination of the necessary difference of tone demanded by the different passions. These...capital defects...are not unsurmountable...The play was prefaced by a new Prologue, evidently the production of Mr Garrick. It had some humor and was well received. The purport of it was to beg favor for the hero of the evening, whom it compared to a young swimmer, who had tried to float in two shallow streams, and was now about to venture himself in the great deep. This image is certainly an apt one, though, it is no great compliment to the audiences of Norwich and Birmingham."] Receipts: #248 19s. (Treasurer's Book)

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Performance Comment: Alexander-a Young Gentleman, first appearance on this stage; Clytus-Jefferson; Lysimachus-Brereton; Cassander-Palmer; Hephestion-Davies; Thessalus-Wright; Perdiccas-Wheeler; Parisatis-Miss Hopkins; Polyperchon-Bransby; Eumenes-Keen; Sysigambis-Mrs Johnston; Statira-Mrs Baddeley, first time; Roxana-Miss Young; With the Triumphal Entry-; and an Occasional Prologue-King.

Afterpiece Title: The Miller of Mansfield

Performance Comment: King-J. Aickin; Miller-Moody; Richard-Palmer; Joe (with Song)-Kear; Kate-Mrs Millidge; Margery-Mrs Bradshaw; Peggy-Miss Platt; Lord Lurewell-Lamash.
Cast
Role: King Actor: J. Aickin
Event Comment: The King's Opera House in the Haymarket. A new Opera...Dances and other Decorations entirely New. Pit and Boxes to be put together, and no Persons to be admitted without Tickets, which will be deliver'd this Day, at the Office in the Haymarket, at Half a Guinea each. Gallery 5s. By His Majesty's Command, no Persons Whatever to be admitted behind the Scenes. The Gallery will be open'd at Four o'Clock. Pit and Boxes at Five. To begin at Six o'clock. This Day Attendance will be given at the Opera-Office from Nine to One in order to deliver the Silver Tickets to the Subscribers. Each Subscriber is desir'd to send his printed Receipt, it being necessary for the Delivery of the Tickets [customary notice on the bills throughout the season]. BBurney, History of Music, IV, 445: A pasticcio, music mainly composed by Galuppi, now the resident composer for the Opera House. Edition lists libretto by Francesco Vanneschi

Performances

Mainpiece Title: Alexander In Persia

Performances

Mainpiece Title: A Rehearsal Of Kings; Or, The Projecting Gingerbread Baker; With The Unheard Of Catastrophe Of Macplunderkan, King Of Roguomania And The Ignoble Fall Of Baron Tromperland, King Of Clouts

Performance Comment: First Queen Incog-Mrs Eliza Haywood; Don Resinano-Mrs Charke; King of Clouts-Roberts; Mynheer Maggot-Jones; Mynheer Wiserman-Lacy; Crimcrowky-Davies; other characters are King Roguomania-; King Bombardino-; King Pamper Gusto-; King Taxyburndus-; King Lexoneris-; Sardonides-; Bandiquamonti-; Campanardicoff-; Ghost of a Dutch Statesman-.
Cast
Role: King of Clouts Actor: Roberts
Role: other characters are King Roguomania Actor:
Role: King Bombardino Actor:
Role: King Pamper Gusto Actor:
Role: King Taxyburndus Actor:
Role: King Lexoneris Actor:
Event Comment: SSquire Richard-Mr Obrien ($Hopkins). Benefit for King. Receipts: #250 (MacMillan); charges: #64 4s. [Profit to King: #185 16s.

Performances

Mainpiece Title: The Provok'd Husband

Cast
Role: Count Basset Actor: King.

Afterpiece Title: The Musical Lady

Cast
Role: Mask Actor: King