Event Comment: By His Majesty's Command. Mainpiece: Written by the late Mrs Centlivre. 'Tis humbly hop'd no Person will take it ill their being refused Admittance to the Music Room; the Dances depending greatly on the same being kept entirely clear. Receipts: #173 (Account Book); #200 (Rylands MS.). [King, Duke, and Princesses Amelia, Caroline, and Louisa present.

Event Comment: Benefit for Waldron and Dimond. Rec'd stopages #15 16s. Paid salary list #525 12s.; Mr King's extra salary #3; Mrs Canning in full of salary not on list (10 Guineas paid 20 Nov. last deducted)-#32 10s.; Mr G. Garrick on Acct in full for this season #50; Mr J. French ditto #5 5s. (Treasurer's Book). Receipts: #188 11s. 6d. Charges: #64 11s. Profits to Waldron & Dimond: #124 6d. (Treasurer's Book)

Event Comment: Mainpiece [1st time; CO 3, by John O'Keeffe, altered from his The Banditti (see 28 Nov. 1781). Text in his Dramatic Works, Vol. 1 (T. Woodfall, 1798)]: With new Scenes [by Carver (O'Keeffe, u, 38)], Dresses, and a new Overture. The Selected Airs by Handel, Vento, Giordani, Giardini, Bertoni, Dr Arne, and Carolan, the Irish Bard. The Overture and New Airs composed by Dr Arnold. Books of the Songs to be had at the Theatre. [This was Sga Sestini's 1st appearance on the English-speaking stage. For several preceding seasons she had been a member of the Italian opera company performing at the King's.] "Sestini . . . was handsome, sprightly, and a good actress, if great exuberance of gesticulation, activity of motion, and affected Italian smorfie could make her one; but her voice was gritty and sharp (something like singing through a comb), and she was nothing of a singer, except for lively comic airs. Yet she was . . . long a favourite with the mass of the public, though not with the connoisseurs" (Mount-Edgcumbe, p. 33). Account-Book, 30 June 1783: Paid O'Keeffe in full for The Castle of Andalusia #368 18s. 6d. Receipts: #166 2s. 6d. (165/9/0; 0/13/6)

Event Comment: Afterpiece [1st time; ENT 2]: Consisting of Dialogue, Music [chiefly by Henry Purcell and Thomas Linley Sen. (Boaden, Kemble, I, 225)], and Machinery. Altered from [David Garrick's alteration of] King Arthur, by Dryden. With great Variety of very capital Scenery, new Dresses, and Decorations. [The alteration was probably made by John Philip Kemble.] Receipts: #148 11s. (107/13/0; 39/17/6; 1/0/6)

Event Comment: [Mainpiece in place of King Lear, advertised on playbill of 12 Dec.] Afterpiece: In three Acts, taken from Addison. Powell: Drummer rehearsed at 10; Cherokee (business) at 11; Cherokee (dialogue & music) at 12. Receipts: #247 0s. 6d. (165.4.6; 76.13.6; 5.2.6)

Event Comment: Benefit for Knight. Mainpiece: Not acted these 6 years [acted 3 Nov. 1795]. Afterpiece: To conclude with a Grand Sea Fightv. Morning Chronicle, 15 Apr.: Tickets to be had of Knight, No. 38, King-street, Covent Garden. Receipts: #433 2s. (185.11.0; 6.14.6; tickets: 240.16.6)

Event Comment: At Penkethman's Great Booth, above Bird-Cage Alley, over against St. George's Church. Mainpiece: a celebrated Droll

Event Comment: At Mr Penkethman's Great Booth, above Bird-Cage Alley, over against St. George's Church

Event Comment: Benefit for Master Mattocks and Mlle L'Contri. Paid Salary List #296 10s. 6d.; Mrs Hobson a bill 3s. (Treasurer's Book). [The George Garrick Treasurer's Book breaks off at this point. It records for 165 nights, a total income of #17,296 9s. as against a total outlay of #12,055 14s. 5d. Cross, who jots down receipts in round figures, and is almost always high, indicates the income from the 164th to the 174th and last night to be #1,446, but since all except one night (11 May) were benefits, the theatre probably received only about #800 (At #63 per benefit). Total income for this season is estimated to be, therefore, #18,096 9s. It is difficult to estimate end of season expenditures. At least #789 10s. 6d. went out in the three final pay days of the season and probably another #500 went out in bills before the books were closed at Midsummer. From this it appears that the profits to the managers that year came to about #4,600.] This day is Publish'd The Actor at 3s. In One Volume (dedicated to the Managers of the British Theatre. A treatise on the art of playing, interspersed with theatrical anecdotes, critical remarks on plays and occasional observations on audiences Printed for R. Griffiths (General Advertiser). Receipts: #120 (Cross). [Income missing from Treasurer's Book.

Event Comment: TThe Jovial Crew, as advertised for this Day cannot be perform'd on account of the indisposition of Miss Brent. Positively the last time of the company's performing this season. Boxes #5 17s. 6d. Paid Younger a bill for writing parts #2 12s. Paid Ross in full to make his sallery #300 for the season: #60. The Account Book indicates a deficit this night of #1240 12s. 4d. after all salaries are paid. This deficit was reduced by #301 18s. 8d. on May 27 by deductions from the annual salaries of 23 actors and dancers for 19 nights on account of "the death of His Late Majesty King George the Second." A little more than 10 per cent was taken from the salary of each: From Miss Macklin's salary of #300, was deducted #31 16s. 10d., &c. The others who were similary taxed were: @Name Salary Deduction@Ross #300 #31 16s. 10d.@Maranesi & Mrs Maranesi[Wife #270 #28 13s. 2d.@Sparks #250 #26 10s. 8d.@Dyer & Mrs Dyer[Wife #250 #26 10s. 8d.@Beard #210 #22 5s. 9d.@Ridout #180 #19 2s. 1d.@Poitier Jr #150 #15 18s. 6d.@Miss Capdeville #150 #15 15s. 5d.@Barrington #100 #10 12s. 3d.@Bencraft #100 #10 12s. 3d.@LaLauze #100 #10 12s. 3d.@Poitier Sr #80 #8 9s. 9d.@Leppie #80 #8 9s. 9d.@Mrs Jansolien #60 #6 7s. 4d.@Mrs Viviez #60 #6 7s. 4d.@Rotchford #50 #5 6s. 1d.@Mrs Marianne #50 #5 6s. 1d.@Hussey #35 #3 14s. 3d.@Mrs Welsch #35 #3 14s. 3d.@Mrs Crawford #35 #3 14s. 3d.@ On 30 May the deficit was further reduced by receipts from 26 actors for advances, one-half value of tickets for their benefit performances, &c., plus #200 from John Rich, in the amount of #506 6s. 5d. (Account Book).] Receipts: #43 7s. 6d. (Account Book)

Event Comment: With New Habits, Scenes, Decorations and Music. Full Prices. Songs in the Entertainment will be given out at the Theatre. Afterpiece compos'd by Love, perform'd with success (Victor, I, 40). [N.B. In June 1762 the King of the Cherokee Indians arrived with two of his chiefs to pay respects to King George III. On 28 August they appeared at Marylebone Gardens. A dmission Price to see them 6d. (London Chronicle, No 857 & 860).

Event Comment: [Afterpiece: Prologue by George Colman elder.] The Doors to be opened at 5:15. To begin at 6:15 [see 30 Apr. 1777]. Receipts: #194 18s

Event Comment: By Permission [of the Lord Chamberlain]. Mainpiece [1st time in London; C 5, by Robert Hitchcock, 1st acted at Hull, 14 Nov. 1775]. Afterpiece: Written by George Alexander Stevens. [This was not Charles Macklin's play, The True-Born Irishman, 1st published in Jones' British Theatre, 1795, but Stevens's The French Flogged; or, The British Sailors in America.] Tickets delivered for the 23rd of September and for the Evening will be admitted

Event Comment: [Afterpiece: Prologue by George Colman elder.] Paid DeLoutherbourg #41 13s. 4d. [this paid monthly throughout season]. Receipts: #104 3s. 6d. (75.9.0; 27.16.0; 0.18.6)

Event Comment: [Afterpiece: Prologue by George Colman elder.] Receipts: #139 15s. 6d. (108.13.0; 30.15.6; 0.7.0)

Event Comment: Benefit for Mrs Sharp and Mrs Brereton. [Afterpiece: Prologue by George Colman elder.] Receipts: #175 18s. (64.12; 34.2; 0.17; tickets:76.7) (charge: #65 0s. 6d.)

Event Comment: [Afterpiece: Prologue by George Colman elder.] Receipts: #90 12s. (64.16; 25.16; 0.0)

Event Comment: [Afterpiece: Prologue by George Colman, the elder.] Receipts: #197 9s. 6d. (141/14/0; 55/1/0; 0/14/6)

Event Comment: "When Brabantio speaks to Iago and Roderigo from the Window, Aickin should not show to the audience that he stands upon a Ladder, which he manifestly does, by getting down first, and pulling the Window down after him ... Mrs Ward and Mrs Hopkins seemed to have forgot their Engagement on the Stage, and dressed themselves for a Card Party ... frizzed, hooped and fly-capp'd" (Public Advertiser, 4 Oct.). [Afterpiece: Prologue by George Colman, the elder.] Receipts: #152 0s. 6d. (107/7/0; 44/11/0; 0/2/6)

Event Comment: Afterpiece: Not acted these 2 years. [Prologue by George Colman, the elder.] Receipts: #129 10s. (99/2; 30/4; 0/4)

Event Comment: Mainpiece [1st time; c 5, by James Johnstone, based on Minna von Barnhelm, by Gotthold Ephraim Lessing. Prologue by George Colman, the elder (see text). Epilogue by the author (Morning Chronicle, 25 July).] Morning Herald, 10 Aug. 1786: This Day is published The Disbanded Officer 1s. 6d.)

Event Comment: Benefit for Miss Brunton. Afterpiece: Written by Garrick; Not acted these 12 years [acted 2 Mar. 1776]. Public Advertiser, 26 Mar.: Tickets to be had of Miss Brunton, No. 5, George-street, York-buildings. Receipts: #197 17s. 6d. (123.18.6; 5.16.0; tickets: 68.3.0)

Event Comment: Afterpiece: 1st Time at this Theatre. [Prologue by George Colman, elder.] Receipts: #241 19s. 6d. (237.5.0; 4.14.6)

Event Comment: The Doors to be opened at 5:15. To begin at 6:15 [see 25 Apr. 1791]. Afterpiece: Not acted these 3 years. [Prologue by George Colman, elder.] Receipts: #195 8s. (156.4.0; 32.17.6; 6.6.6.)

Event Comment: [3rd piece: Prologue by George Colman, elder.] Paid Printer's bill [for playbills] to 1st Inclusive #21 10s. 6d. Receipts: #242 7s(209.5; 31.8; 1.14)