Event Comment: Benefit for Browne. [Miss Eccles, who was from the York theatre, is identified in European Magazine, July 1787, p. 64.] Public Advertiser, 16 July: Tickets to be had of Browne, No. 13, King-street, Covent Garden

Event Comment: "When Priuli was relating to the Senators the impending and immediate destruction of their wives and families, the Senators, without discovering any emotion, were very pleasantly surveying the house, and laughing with their friends in the Upper Gallery. These gross enormities, that yet hang about our stage and are its disgrace, call aloud for the correcting hand of an intelligent Manager, to weed them out. Thanks to their own genius the Principals take care of themselves-the Subalterns are a disgrace. Is not King responsible for this part at one house, and Lewis at the other?" (World, 8 Oct.). Receipts: #302 2s. 6d. (274.4.0; 27.3.0; 0.15.6)

Event Comment: By Command of Their Majesties. Account-Book: Paid Yeomen of the Guard #2 2s., King & Queen's Servants #3 9s. Receipts: #290 6s. (280.3.6; 10.2.6)

Event Comment: [Mainpiece in place of King Richard III, advertised on playbill of 12 Jan.] Receipts: #144 5s. 6d. (109.16.0; 33.5.6; 1.4.0)

Event Comment: [As mainpiece the playbill announces The Heiress, but "on the sudden indisposition of Kemble, the play was changed to The Wonder, where Miss Farren, King and Miss Pope had much applause" (World, 26 Jan.).] Receipts: #130 17s. (109.6; 20.17; 0.14)

Event Comment: Benefit for Kelly. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their servants by Half past Four o'Clock. [Mme Mara had sung in concert at the Pantheon in 1784; in opera at the king's in 1786; and in the dl oratorios in 1787 and 1788.] Public Advertiser, 27 Mar.: Tickets to be had of Kelly, No. 48, Rathbone Place. Receipts: #351 5s. 6d. (177.12.0; 9.13.6; 0.5.0; tickets: 163.15.0) (charge: #111 3s.)

Event Comment: Places for the Boxes to be taken of Fosbrook, at the Theatre. The Doors to be opened at 5.30. To begin at 6:30 [see 3 Nov.]. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.] Afterpiece: To conclude with a Grand Representation of Regattav. Kemble Mem.: No Manager [i.e. King had resigned as acting manager; but see 23 Sept.]. Ivory Tickets introduced. [These tickets, also called "bones," were for the use of actors and other members of the company in gaining admission for themselves or their friends to the front of the house. They replaced paper orders (World, 18 Oct. 1788).] Receipts: #112 3s. 6d. (75.6.0; 35.10.0; 1.7.6)

Event Comment: "At the conclusion of the Opera on Saturday, a scene of riot and tumult took place which the King's Theatre has not witnessed since the celebrated discords between 'Tweedle-dum and Tweedle-dee' in the days of Handel and Bononcini. At the commencement of the last dance hostilities commenced by hissing and hooting from the pit and boxes...The dancers, however, were not dismayed, but continued their evolutions, though the noise was so great that they derived but little aid from the music. At last a body of malcontents, among whom were several stars and ribbons, sallied from the pit and took possession of the stage, from which they drove the light-heeled troops, and immediately began to perform a ballet tragique. The chamber of Ifigenia was despoiled of all its ornaments, and side scenes, and patent lamps; Roman tents and triumphal cars danced on the stage in all the mazes of confusion, nor did they cease, till they had demolished everything they found that was moveable. Mr Carnevale came forward to inform the audience that Mr Gallini could not be found...The ostensible reason given for this riot, which in our opinion is not to be justified on any pretense, is that Mr Gallini has not engaged dancers of sufficient eminence" (Public Advertiser, 10 Feb.)

Event Comment: Benefit for Kelly. Public Advertiser, 28 Mar.: Tickets to be had of Kelly, No. 7, King-street, Covent Garden. Receipts: #216 15s. 6d. (76.9.0; 21.7.6; 2.18.0; tickets: 116.1.0) (charge: #120 17s. 5d.)

Event Comment: Benefit for Suett. On this and every Evening for the Remainder of the Season the Doors will not be opened till 5:30, and the Performance will commence exactly at 6:30. 1st piece: From [The Devil upon Two Sticks, by] Foote. Gazetteer, 28 Apr.: Tickets to be had of Suett, No. 21, King-street, Bloomsbury-square. Receipts: #232 19s. 6d. (62.12.0; 19.18.6; 1.14.0; tickets: 148.15.0) (charge: #107 6s. 4d.)

Event Comment: Tickets delivered for King Lear will be admitted. Account-Book: Tickets delivered by Mrs Lampe, Clarke, Plank, Linton, Mrs Booth, Brandon, Longley, Dalby, Furkins, Pilbrow, Anselmo, Byrne, Copland, Rye, Jealous, Pugh, Berecloth, the Band will be admitted. Receipts: #405 5s. (69.12; 6.7; tickets: 329.6)

Event Comment: Paid 1@2 yrs Kings Taxes for Theatre #84 2s. 6d. Receipts: #146 3s. 6d. (140.3.6; 6.0.0)

Event Comment: By Command of Their Majesties. "There were not an hundred persons in the Pit when their Majesties entered, and there were not double the number at any part of the evening. The Royal box being in the centre, fronting the stage, their Majesties were invisible to the Gallery; and on their entrance solemn stillness prevailed, until the Orchestra, for the first time in an Opera-house, for the first time by the Professional Band, Struck up God save the King. Never, we will venture to say, in any Theatre during the present reign, was there so thin an audience when their Majesties were present; and we pretend not to divine the cause. Whether it is the failure of the Theatre as a musical room--the general poverty of the performance--the little notice that was given of their Majesties' intention to be present we know not" (Morning Chronicle, 23 Feb.)

Event Comment: Mainpiece [1st time; CO 3, by Henry Bate]: With new Music, Scenes, Dresses, and Decorations. The Music (with a few exceptions) composed entirely new by Shield. And new Scenery designed and chiefly executed by Richards. Books of the Songs to be had at the Theatre. [Williamson was formely a chorus singer at this theatre; Mme Pieltain had sung at the king's in the season of 1788-89. Afterpiece in place of The Deaf Lover, advertised on playbill of 25 Feb.] "The author is very little responsible for his part of the entertainment, which he acknowledges was composed chiefly for the purpose of [the music, which] in the taste of the present day is almost the only essential part of such an entertainment" (Gazetteer, 28 Feb.). Oracle, 7 May 1791: Thas Day is published The Woodman (1s. 6d.). Receipts: #243 2s. (239.17.6; 3.4.6)