SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "King Charles"/1) | (@(roleclean,performerclean) "King Charles")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3675 matches on Performance Comments, 2694 matches on Performance Title, 2436 matches on Author, 1832 matches on Event Comments, and 10 matches on Roles/Actors.
Event Comment: The Bulstrode Papers (I, 302): There is arrived Scaramouchy, ye famous Italien comedian with his crew, to act againe, & are to have ye King's Theatre in Whitehall for their use during their stay, and all people are allowed to come there & see them, playing as they doe at other houses, so yt now a Papist may come to Court for halfe a crowne. This is not much lik'd by our other players, for it will half break both our houses. [See also a Treasury warrant for the importing of their belongings, Calendar of Treasury Books, 1672-1675, p. 757, in Boswell, Restoration Court Stage, p. 121.

Performances

Event Comment: The King's Company. The Prologue and Epilogue are in New Poems, Songs, Prologues and Epilogues. Written by Thomas Duffett, 1676. See also Langbaine, English Dramatick Poets, p. 291

Performances

Mainpiece Title: Every Man Out His Humour

Performances

Mainpiece Title: Psyche Debauched

Performance Comment: [Edition of 1678: King Andrew-Mrs Corbett; Nicholas-$Mrs Knep; Phillip-$Charleton; Bruine-$Harris; Apollo-$Lyddall; Jeffrey-$Coysh; Costard-$Poell $Powell?]; Justice Crabb-$Wiltshire; Wou'dhamore-$Mrs Rutter; None-so-fair-$Haynes; Redstreak-$Cory; Woossat-$Clarke; Prologue-; Epilogue-.
Cast
Role: King Andrew Actor: Mrs Corbett
Event Comment: The King's Company. The date of the first production is not known. Although the play was not entered in the Term Catalogues until February 1675@6, the references to "Miss-Non-so-Fair," prince Nick, and t'other House Gallants" suggest that it capitalized upon the appearance of Psyche Debauched at dg

Performances

Mainpiece Title: Piso's Conspiracy

Event Comment: The King's Company. The Diary of Robert Hooke, 27 Aug. 1675: Saw Psyche Grand foppery

Performances

Mainpiece Title: Psyche Debauched

Event Comment: The Duke's Company. The date of the premiere is uncertain. This play is on the L. C. list, 5@142, p. 81: King and Queene at Alcibiades and a box for the Mayds of Honor. See also Nicoll, Restoration Drama, p. 348. The item on the L. C. list is ambiguously dated; it follows an entry for 28 Sept. 1675 and bears only the figure "22." It is possible that the play was given on 22 Sept. 1675, but the order of the L. C. listing, the sequence of known performance on 24, 25, and 28 Sept., and the fact that most of the cast are principals in the company suggest a late September or early October production rather than an early September one

Performances

Mainpiece Title: Alcibiades

Event Comment: Evelyn, Diary: [I] saw the Italian Scaramucchio act before the King at White-hall; People giving monye to come in, which was very Scandalous, & never so before at Court Diversions: having seene him act before in Italy many years past, I was not averse from seeing the most excellent of that kind of folly

Performances

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 345

Performances

Mainpiece Title: The Alchymist

Event Comment: The King's Company. See A Calendar of the Inner Temple Records, ed. Inderwick, III, 108

Performances

Mainpiece Title: The Scornful Lady

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 345

Performances

Mainpiece Title: Sophonisba

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 345

Performances

Mainpiece Title: The Committee

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 345. There is no certainty that this performance is the premiere, but an additional performance on 20 Nov. 1675 and the entry of the play into the Stationers' Register, 29 Nov. 1675, suggest that the first production probably occurred in early or mid-November 1675. Downes (Roscius Anglicanus, pp. 10-11), gives a cast which is identical except for omissions. For Kynaston's acting of Morat (especially in the later years of the century), see Cibber, Apology, ed. Lowe, I, 124-26

Performances

Mainpiece Title: Aureng-zebe

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 345

Performances

Mainpiece Title: Aureng-zebe

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 345

Performances

Mainpiece Title: The Merry Wives Of Windsor

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 346

Performances

Mainpiece Title: The Conquest Of Granada, Part I

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 346

Performances

Mainpiece Title: Sophonisba

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359: Moor of Venice. See also Nicoll, Restoration Drama, p. 346

Performances

Mainpiece Title: Othello, Moor Of Venice

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359: The ffox. See also Nicoll, Restoration Drama, p. 346. The Prologue, which may have been performed on this day, is in R. G. Noyes, A Manuscript Restoration Prologue for Volpone, Modern Language Notes, March 1937, pp. 198-200

Performances

Mainpiece Title: Volpone; Or, The Fox

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359: Augustus Caesar. See also Nicoll, Restoration Drama, p. 346. The music for a song in act I, scene I, was composed by Nicholas Staggins, and printed in Choice Ayres and Songs, The Second Book, 1679. There is no certainty that this was the premiere, but it may well have been. The play was entered in the Term Catalogues, May 1676

Performances

Mainpiece Title: Gloriana; Or, The Court Of Augustus Caesar

Event Comment: The King's Company. See A Calendar of the Inner Temple Records, ed. Inderwick, III, 108

Performances

Mainpiece Title: The Spanish Curate

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 346

Performances

Mainpiece Title: The Country Wife

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359: Tyranick Loue or ye R Martir. See also Nicoll, Restoration Drama, p. 346. Boswell (Restoration Court Stage, p. 286) believes that this performance may have been given at court. This play was reprinted in 1677

Performances

Mainpiece Title: Tyrannic Love; Or, The Royal Martyr

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359: Phylaster. See also Nicoll, Restoration Drama, p. 346

Performances

Mainpiece Title: Philaster; Or, Love Lies A Bleeding

Related Works
Related Work: The Restoration; or, Right Will Take Place Author(s): George Villiers, Duke of Buckingham
Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 346

Performances

Mainpiece Title: Aureng-zebe

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359: Noe foole like ye old foole. See also Nicoll, Restoration Drama, p. 346. This play apparently was never published

Performances

Mainpiece Title: No Fool Like Ye Old Fool