SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "King Charles"/1) | (@(roleclean,performerclean) "King Charles")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 3675 matches on Performance Comments, 2694 matches on Performance Title, 2436 matches on Author, 1832 matches on Event Comments, and 10 matches on Roles/Actors.

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: Hymen's Triumph

Performances

Mainpiece Title: King Charles The First

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: Hymen's Triumph

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: Hymen's Triumph

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: Hymen's Triumph

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: Hymen's Triumph

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: Hymen's Triumph

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: The Honest Yorkshireman

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: The Honest Yorkshireman

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: The Honest Yorkshireman

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: Hymen's Triumph

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: The Mad House

Dance: IV: Clown-Vallois; V: Two Pierrots-Vallois, Delagarde

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: The Honest Yorkshireman

Song: I: Dialogue (composed by Purcell)-the Masters Hamilton; III: A Song of Lord Flame's out of the Opera of All Alive and Merry-Master W. Hamilton

Dance: II: Tambourine-Mlle Roland; V: A new Serious Dance-Mlle Roland

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: The Honest Yorkshireman

Dance: III: Clown-Vallois; V: Two Pierrots-Vallois, Delagarde

Song: IV: Miss Jones

Event Comment: Mainpiece [1st time; C 5, by Edward Morris, with incidental music by Richard Suett. Prologue by Charles Morris; Epilogue by George Colman, ynger (see text)]: With new Dresses, Decorations, &c. Morning Herald, 23 Apr. 1793: To-morrow will be published False Colours (1s. 6d.). Receipts: #231 9s. (188.2; 38.18; 4.9)

Performances

Mainpiece Title: At King's False Colours

Performance Comment: [Characters by Suett, King, Wroughton, Barrymore, Bannister Jun., R. Palmer, Wewitzer, Maddocks, Alfred, Banks, Webb, Miss Pope, Miss Farren, Mrs Goodall, Miss Heard. Cast from text (T. Cadell, 1793): Lord Visage-Suett; Sir Paul Panick-King; Sir Harry Cecil-Wroughton; Captain Montague-Barrymore; Grotesque-Bannister Jun.; Subtle-R. Palmer; Tony-Wewitzer; Robert-Maddocks; Cook-Alfred; Servants [so listed in text, but actors' names omitted]-Banks, Webb; Lady Panick-Miss Pope; Constance Evelyn-Miss Farren; Harriet-Mrs Goodall; Lucy-Miss Heard; Prologue-Wroughton; Epilogue-Miss Farren. [These were spoken, as here assigned, at all subsequent performances, except on 1 and 2 May.]These were spoken, as here assigned, at all subsequent performances, except on 1 and 2 May.]
Cast
Role: Sir Paul Panick Actor: King

Afterpiece Title: The Prisoner

Performances

Mainpiece Title: Amasis, King Of Egypt

Related Works
Related Work: Amasis, King of Egypt Author(s): Charles Marsh

Afterpiece Title: The Honest Yorkshireman

Event Comment: The King's Company. The exact date of this performance is not known, but the Prologue refers to "After a four Months Fast," suggesting that the theatre did not reopen until the end of the Long Vacation (24 Oct. 1681 is the beginning of Michaelmas Term). The Epilogue also seems to refer to events at Bartholomew Fair, and the Prologue to the King's visit to Newmarket, from which the King did not return until 12 Oct. 1681. Furthermore, The Impartial Protestant Mercury, No. 54, 28 Oct. 1681, reports: A Revised Play was some days since Acted on an Eminent Publick Theatre, and the Prologue is extreamly talked of. [The periodical reprints some of the lines (which are essentially those in the printed version).] The Loyal Protestant, No. 70, 29 Oct. 1681, refers to the same performance and reprints part of the Epilogue (which also is essentially that of the separately printed Epilogue). All of these elements point to a performance in mid-October. Both the Prologue and the Epilogue were printed separately, and have been reprinted by Wiley, Rare Prologues and Epilogues, pp. 43-45. Broadside copies of the Prologue and Epilogue in the Huntington Library bear Luttrell's manuscript notations that both were written by Dryden. Luttrell's date of acquisition is 13 Feb. 1681@2, an instance in which Luttrell's date of purchase does not apparently correspond closely to a date of performance

Performances

Mainpiece Title: Mithridates, King Of Pontus

Performance Comment: For a previous cast, see February 1677@8. A Prologue spoken at Mithridates King of Pontus, the First Play Acted at the Theatre Royal this Year, 1681. Written by John Dryden. Epilogue written by Dryden and spoken by Goodman and Mrs Cox.
Event Comment: [By Theophilus Cibber.] Alter'd from Shakespear. Containing the Marriages of King Edward the Fourth , and young Prince Edward , with Lady Gray , and Lady Anne . The Distresses of Queen Margaret . The Deposing King Henry the Sixth . The Battles Fought at St. Albans, Wakefield, Mortimer's-Cross, and Tewkesbury. The Deaths of Lord Clifford of Cumberland , and his Son, the Duke of York , his Steward. And many other True Historical Passages

Performances

Mainpiece Title: An Historical Tragedy Of The Civil Wars Between The Houses Of York And Lancaster In The Reign Of King Henry The Vith

Performance Comment: Cast not listed in edition of 1723, but edition of 1724 lists: King Henry-Roberts; Prince Edward-Cibber Jr; Old Clifford-Boman; Young Clifford-Wilks Jr; York-Savage; Edward-Oates; George-Parlour; Richard-Wilson; Warwick-Bridgwater; Queen Margaret-Mrs Campbell; Lady Grey-Mrs Seal; Lady Elizabeth-Mrs Davison; Lady Anne-Mrs Brett; Prologue-Th. Cibber.
Cast
Role: King Henry Actor: Roberts
Event Comment: Benefit for Cautherly. [Farce never before acted, written by King.

Performances

Mainpiece Title: The Funeral

Performance Comment: Lord Hardy-Cautherly; Trim-King; Campley-Gentleman, 1st appearance on the stage; Sable-Moody; Puzzle-Baddeley; Lady Harriet-Mrs Abington; Lady Charlotte-Mrs Palmer; Lord Brumpton-Bransby; Trusty-Burton; Kate Matchlock-Ackman; Lady Charlot-Mrs Palmer; Mademoiselle-Mrs Cross; Mrs Fardingale-Mrs Bradshaw; Tattleaid-Mrs Love; Lady Brumpton (the last time)-Mrs Pritchard.
Cast
Role: Trim Actor: King

Afterpiece Title: Wit's Last Stake

Performance Comment: Parts-King, Parsons, J. Aickin, Hartry, Strange, Mrs Jeffries, Mrs Johnston, Miss Pope. Martin-King; Linger-Parsons; Saville-J. Aickin; Lucetta-Miss Pope; Myra-Mrs Jeffries; Mrs Watchly-Mrs Johnston; Caveat-Hartry; Item-Strange; Boy-Mas. Cape (Genest, V, p. 170).
Related Works
Related Work: Wit's Last Stake Author(s): Thomas King

Dance: III: The Wake, as17680220

Event Comment: The United Company. As 9 Nov. 1692 is known to be the second day, it is assumed that 8 Nov. 1692 represents the first performance. (See entry for 9 Nov. 1692.) The authorship is uncertain; William Mountfort signed tne Dedication, but its authorship is linked with that of Edward III (November 1690), which may have been by Bancroft. Gentleman's Journal, October 1692 (not issued until November): Henry the Second, King of England, A new Play, by the Author of that call'd Edward the Third, which gave such universal satisfaction, hath been acted several times with applause. It is a Tragedy with a mixture of Comedy....Had you seen it acted, you would own that an Evening is pass'd very agreeably, when at a Representation of that pleasing Piece. [Alfred Harbage, Elizabethan-Restoration Palimpsest, Modern Language Review, XXXV (1940), 312-18, argues that this play is the Elizabethan Henry II once in the possession of Moseley. A song, In vain 'gainst Love I strove, composed by Henry Purcell and sung by Mrs Dyer, not in the printed play, is in Comes Amoris, 1693, and Joyful Cuckoldom 1695. See Purcell's Works, Purcell Society, XX (1916), vii

Performances

Mainpiece Title: Henry The Second, King Of England; With The Death Of Rosamond

Performance Comment: Edition of 1693: Prologue-; Epilogue by Mr Dryden-Mrs Bracegirdle; King Henry the Second-Betterton; Prince Henry-Mich. Lee; Sir Tho. Vaughan-Ant. Leigh; Abbot-Sandford; Verulam-Kynaston; Sussex-Hodgson; Aumerle-Bridges; Bertrard-Dogget; Queen Eleanor-Mrs Barry; Rosamond-Mrs Bracegirdle; Rosamond's Woman-Mrs Kent.
Event Comment: Mainpiece: At the Particular Desire of Several Persons of Quality. N.B.: [This bill] was put up, but Mr Garrick was seiz'd with an ague, & there was no play, nor the Doors open'd (Cross). The Managers of Drury Lane Playhouse paid the sum of #208 1s. [Being the whole money taken at the play of King Lear, for the benefit of the Sufferers by the late Fire] into the hands of Mt Knight and Mt Jackson; and not as mentioned by Mistake in yesterday's paper; and the whole company gave their night's pay for the said benefit. The last new Reviv'd Play, call'd The Lover's Melancholy, will be acted by particular desire next Thursday, at Drury Lane, to which will be added, Miss in her Teens, being the last time of performing it this season (General Advertiser)

Performances

Mainpiece Title: The Suspicious Husband

Related Works
Related Work: The Suspicious Husband Criticized; or, The Plague of Envy Author(s): Charles Macklin

Afterpiece Title: The King and Miller

Performance Comment: . As17480502, but King-Winstone.
Cast
Role: King Actor: Winstone.

Dance: II: Pastoral Dance, as17480326 III: Les Characteres de La Dance-Ann Auretti; V: Dutch Dance, as17471128

Event Comment: [Henderson's 1st recorded appearance as Falstaff was at Bath, 6 Mar. 1777. "In the frolicksome, gay, and humourous situations of Falstaff Henderson is superior to every man...His soliloquy in describing his ragamuffin regiment, and his enjoying the misuse of the king's press-money are so truly excellent that they are not inferior to any comic representation of the stage" (Davies, I, 252-53).] Afterpiece: Never performed here. The Musick composed by Dr Arnold

Performances

Mainpiece Title: The First Part Of King Henry Iv; With The Humours Of Sir John Falstaff

Performance Comment: Falstaff-Henderson (1st appearance in that character [in London]); Hotspur-Aickin; King-Younger; Westmorland-Egan; Sir W. Blunt-T. Davis; Sir Richard Vernon-Davies; Worcester-Fearon; Poins-R. Palmer; Bardolph-Massey; Peto-Kenny; Gadshill-Besford; Francis-Edwin; Carriers-Jackson, Blissett; Prince of Wales-Palmer; Hostess-Mrs Love; Lady Percy-Mrs Colles.
Cast
Role: King Actor: Younger

Afterpiece Title: The Portrait

Performances

Mainpiece Title: Lord Russel

Performances

Mainpiece Title: Lord Russel

Performances

Mainpiece Title: Lord Russel