SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "King "/1) | (@(roleclean,performerclean) "King ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 10005 matches on Roles/Actors, 2634 matches on Performance Title, 2610 matches on Performance Comments, 1593 matches on Event Comments, and 23 matches on Author.
Event Comment: Benefit Mrs Fletcher. By His Majesty's Command. [The King present.

Performances

Mainpiece Title: Julius Caesar

Song: A new Cantata by Dr Pepusch-Mrs Fletcher; Signora Margarita, Mrs Pulmon

Event Comment: Benefit King (boxkeeper)

Performances

Mainpiece Title: The Country Wife

Afterpiece Title: The What D'ye Call It

Dance: Dancing-Shaw, Topham, Mrs Santlow, Miss Tenoe, Miss Lindar

Event Comment: By His Royal Highness's Command. An ancient Story, written by Mr Phillip Massinger, and Acted but twice since the Reign of King Charles the First; now revis'd with Alterations. [The Prince present.

Performances

Mainpiece Title: The Bondman; Or, Love And Liberty

Dance: Weaver, Shaw, Mrs Booth, Mrs Bicknell

Event Comment: For the Entertainment of Oakecharinga Tiggwamtubby Tocholoohy Ynca, Son to the Emperor of the Nawcheys; and Tuskeestannagee Whosly Powov Micco, Son to the King of the Istowlawleys, two American Princes, Lately arriv'd from the Continent lying on the Coast of the Mississippi River. Weekly Journal or Saturday's Post, 26 Dec.: The House was very full; there were present two American Princes...[who] seemed wonderfully delighted with the Performance and the fine Company

Performances

Mainpiece Title: The Taming Of The Shrew; Or, Sawney The Scot

Dance:

Event Comment: John Vanbrugh to Jacob Tonson (Vanbrugh, Works, IV, 125): The Opera will begin about the 10th of March under the Academy of Musick. It will be a very good one this year, and a better the next. They having engag'd the best Singers in Italy, at a great Price. Such as I believe will bring the Expences to about twice as much as the Receipts. But the fund Subscribed being about #20000, may probably Support it, till Musick takes such root, as to Subsist with less aid. The King gives a #1000 a year to it

Performances

Event Comment: Benefit Mrs Oldfield. Post Boy, 5 March: On Thursday Morning the King's Company of Comedians, belonging to the Play-House in Drury-Lane, were sworn at the Lord Chamberlain's Office in Whitehall, pursuant to an Order occasion'd by their Acting in Obedience to his Majesty's Licence, lately granted Exclusive of a Patent formerly obtained by Sir Richard Steele Kt. The Tenor of the Oath was, That as his Majesty's Servants, they should act Subservient to the Lord Chamberlain, Vice-Chamberlain, and Gentleman Usher in Waiting

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Event Comment: Admission as 5 March. The King present

Performances

Mainpiece Title: Harlequin And Scaramouch Deserters

Entertainment: The Day After The Wedding-

Event Comment: Afterpiece: an Act of Extraordinary Entertainment. For the last Time of Acting at the King's Theatre in the Hay-Market

Performances

Mainpiece Title: Harlequin A Merry Spirit

Afterpiece Title: Pantomime

Event Comment: [Text by N. F. Haym. Music by G. F. Handel.] By Command Pit and Boxes at half a guinea. Gallery 5s. At 6:30 p.m. When the Tickets are dispos'd of, No Persons will be admitted for Money. The Diary of Mary Countess Cowper, p. 154: At Night, Radamistus, a fine Opera of Handel's Making. The King there with his Ladies. The Prince in the Stage-box. Great Crowd. Mainwaring, Handel, pp. 98-99: If the persons who are now living, and who were present at that performance may be credited, the applause it received was almost as extravagant as his Agrippina had excited; the crowds and tumults of the house at Venice were hardly equal to those at London. In so splendid and fashionable an assembly of Ladies (to the excellence of their taste we must impute it) there was no shadow of form, or ceremony, scarce inoeed any appearance of order or regularity, politeness, or decency. Many, who had forc'd their way into the house with an impetuosity but ill-suited to their rank and sex, actually Fainted through the heat and closeness of it. Several Gentlemen were turned back, who had offered forty shillings for a seat in the gallery, after having despaired of getting any in the pit or boxes

Performances

Mainpiece Title: Radamistus

Performances

Mainpiece Title: Le Joueur

Performance Comment: Wherein an Actress belonging to the King of Shweden's French Company of Comedians will act a Part, the First in England.

Afterpiece Title: Attendez Moy Sous L'Orme

Entertainment: Tumbling-; Dancing-Danjeville

Event Comment: Benefit King, Boxkeeper

Performances

Mainpiece Title: The Unhappy Favourite

Dance: Shaw, Boval, Mrs Bicknell, Miss Tenoe

Event Comment: Translated from the Latin, as it was acted before King James the First by the Students at Cambridge

Performances

Mainpiece Title: Ignoramus; Or, The English Lawyer

Song: As17200611

Dance: As17200714

Event Comment: Admission as 19 Nov. 1720. The King and Prince present

Performances

Mainpiece Title: Astartus

Event Comment: [Music by Ariosti, Bononcini, Handel. Text by P. A. Rolli.] Admission as 19 Nov. 1720. De Fabrice to Flemming, 21 April (in Deutsch, Handel, p. 126): The Princess of Wales was safely delivered of a son last Saturday. The news was taken to the King by Lord Herbert during...Mutius Scevola, where there was a particularly large audience on account of its being the first performance. The audience celebrated the event with loud applause and huzzas. Each act of this opera is by a different composer, -the first by a certain Pipo, the second by Bononcini, and the third by Hendell, who easily triumphed over the others

Performances

Mainpiece Title: Mutius Scaevola

Event Comment: Benefit Weaver. At the Desire of the Two Princes, Brothers to the King of Delago

Performances

Mainpiece Title: Love For Love

Dance:

Event Comment: Benefit Thurmond, the Dancing-Master. At the Desire of the Two Princes, Brothers to the King of Delago in Africa

Performances

Mainpiece Title: The Spanish Fryar

Dance:

Event Comment: Benefit Mottley. For the Entertainment of the Two Princes, Brothers to the King of Delago in Africa. Receipts: money #41 14s. 6s.; tickets #25 15s

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Magician

Event Comment: Admission as 19 Nov. 1720. The King present

Performances

Mainpiece Title: Mutius Scaevola

Event Comment: Benefit Denoye. By His Majesty's Command. Written by the late Mr Dryden.[The King present.

Performances

Mainpiece Title: Amphitryon

Dance:

Event Comment: Benefit Mrs Heron and Mrs Seale. At the Desire of the Two Princes, Brothers to the King of Delago in Africa

Performances

Mainpiece Title: The Funeral

Dance:

Event Comment: Benefit King, the Boxkeeper. At the particular Desire of several Ladies of Quality

Performances

Mainpiece Title: The Relapse

Dance:

Event Comment: Benefit Mr Hodgson, formerly a Comedian in the King's Company. At the particular Desire of several Ladies of Quality. Written by Row, late Poet Laureat

Performances

Mainpiece Title: The Fair Penitent

Dance:

Event Comment: By His Majesty's Command. [The King present.

Performances

Mainpiece Title: The Country Wife

Dance:

Performances

Mainpiece Title: Eunuchus

Performance Comment: The King's Scholars.
Event Comment: Admission as 9 Dec. 1721, King and Prince present

Performances

Mainpiece Title: Floridante