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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "King "/1) | (@(roleclean,performerclean) "King ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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9969 results for: Keyword - King
We found 10005 matches on Roles/Actors, 2634 matches on Performance Title, 2610 matches on Performance Comments, 1593 matches on Event Comments, and 23 matches on Author.

9351
08 June 1705 @ Queen's Theatre

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: The Principal Parts to be perform'd by those who play'd them when 'twas reviv'd in King Charles the Second's time.

9352
16 April 1707 @ Drury Lane Theatre

Event Comment: Benefit Lovelace and King. Written by the famous Mr Shakespear. With the Original Scenes, Machines, and other Decorations, and the Witches' Musick, both Vocal and Instrumental

Performances

Mainpiece Title: Macbeth

9353
04 June 1708 @ Drury Lane Theatre

Event Comment: Benefit Lovelace and King (boxkeepers)

Performances

Mainpiece Title: Venice Preserv'd

9354
10 July 1708 @ Drury Lane Theatre

Event Comment: Which was Acted several Times At Court in the Reign of King Charles the 2d by People of Quality

Performances

Mainpiece Title: The Empress Of Morocco

9355
24 April 1710 @ Queen's Theatre

Event Comment: For the Entertainment of the Four Indian Kings lately arriv'd in this Kingdom. Benefit Bowen. [For the Prologue see Bond, pp. 4, 99. See also Genest, II, 451.

Performances

Mainpiece Title: Mackbeth

9356
25 April 1710 @ Queen's Theatre

Event Comment: With an entire new Scene, consisting of Four Songs Compos'd by Signior Scarlatti, and Sung by Signior Cavaliero Nicolini Grimaldi. For the Entertainment of the Four Indian Kings [but see dl]

Performances

Mainpiece Title: Almahide

9357
25 April 1710 @ Drury Lane Theatre

Event Comment: For the Entertainment of the Four Indian Kings [but see queen's]

Performances

Mainpiece Title: Aurengzebe

Dance: Italian Night Scene, Miller's Dance, Bairam Feast Dance-

9358
27 April 1710 @ Queen's Theatre

Event Comment: Benefit Mrs Powell and Hall. For the Entertainment of the Four Kings lately arriv'd from America

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Song:

Dance:

9359
28 April 1710 @ Drury Lane Theatre

Event Comment: For the Entertainment of the Four Indian Kings lately arriv'd from Northern America, being the last Time of their appearing at a Play

Performances

Mainpiece Title: Squire Brainless

9360
01 May 1710 @ York Buildings

Event Comment: Benefit Mrs Elizabeth Hemmings. At the Desire of several Ladies of Quality and for the Entertainment of the Mohocks and the 3 Indian Kings (Being the last Time of their Appearance in Publick). At 8 p.m. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-the best Masters; Wherein in English and Italian several new Cantatas, other Pieces of Musick-Mrs Hemmings, others; She also accompanies to her own Voice in the Harpsicord, being the first Time of her Appearance in Publick-Mrs Hemmings

9361
08 May 1710 @ Queen's Theatre

Event Comment: Benefit King, Dykes, Willmore, boxkeepers. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: The Constant Couple

Song:

Dance:

9362
13 January 1711 @ Drury Lane Theatre

Performances

Mainpiece Title: Mackbeth

Performance Comment: As queen's 18 Nov. 1710, but King-_; Seyton-_.

9363
09 May 1711 @ Stationer's Hall

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Performers; particularly, several select Entertainments of the following (English Operas) Operas viz. The Indian Queen, King Arthur, The Fairy Queen, and Dioclesian, the Masque in Timon of Athens, the Pastoral in The Libertin-; with several Songs out of the St. Cecilia's Musick: All by that great Master the late Mr Henry Purcell-

Performance Comment: The Indian Queen, King Arthur, The Fairy Queen, and Dioclesian, the Masque in Timon of Athens, the Pastoral in The Libertin-; with several Songs out of the St. Cecilia's Musick: All by that great Master the late Mr Henry Purcell-.

9364
11 May 1713 @ Drury Lane Theatre

Event Comment: Benefit Mrs Rogers. Written by Mr Steele. N.B. The Tickets deliver'd out for King Lear will be taken at this Play

Performances

Mainpiece Title: The Funeral

9365
16 June 1714 @ Drury Lane Theatre

Event Comment: Benefit Mrs Powell and King, the boxkeeper

Performances

Mainpiece Title: Timon Of Athens

Dance: A Gentleman for his Diversion, lately arriv'd from Scotland; Mrs Santlow, others

9366
25 June 1714 @ Drury Lane Theatre

Event Comment: Not Acted these 50 Years. Written by Shakespear in the Reign of King James the First. N.B. There will be a Play acted upon every Tuesday and Friday during the Summer-Season

Performances

Mainpiece Title: The Puritan; Or, Widow Of Walting Street

9367
26 October 1714 @ King's Theatre

Event Comment: Boxes 8s. Pit 5s. Gallery 2s. 6d. Stage Boxes half a Guinea. At 5:30 p.m. Notices as 23 Oct. It having been the Common Practice of several Persons to come into the Opera and stay a whole Act, and sometimes longer, without paying, to the great Prejudice of the Opera, therefore it is humbly desired for the future, that no Person will take it ill that tney are not admitted without Tickets. [The King present.

Performances

Mainpiece Title: Arminius

9368
01 November 1714 @ Southwark

Event Comment: At the King's-Arms Tavern in Southwark

Performances

Mainpiece Title: Injur'd Virtue; Or, The Virgin Martyr

9369
18 December 1714 @ Lincoln's Inn Fields

Event Comment: [Opening night, under the management of John Rich.] By the Company of Comedians under Letters Patents granted by King Charles the Second. Beginning exactly at Six. No Persons are to be admitted behind the Scenes, nor any Money to be return'd after the Curtain is drawn up. Receipts: #143. Weekly Packet, 18 Dec.: This Day the New Play-House...is to be open'd...by the Company that act under the Patent; tho' it is said, that some of the Gentlemen who have left the Theatre in Drury-Lane for that Service, are order'd to return to their Colours, upon Pain of not exercising their Lungs anywhere; which may in Time prove of ill Service to the Patentee; that has been at vast Expence to make his Theatre as convenient for the Reception of an Audience as any one can possibly be

Performances

Mainpiece Title: The Recruiting Officer

9370
08 January 1715 @ Drury Lane Theatre

Event Comment: By His Royal Highness's Command [but see king's]

Performances

Mainpiece Title: The Old Batchelor

Dance:

9371
15 January 1715 @ King's Theatre

Event Comment: By His Royal Highness's Command. Colman's Opera Register: Ye King, Prince & Princess present, & a full House

Performances

Mainpiece Title: Rinaldo

9372
09 April 1715 @ King's Theatre

Event Comment: Benefit Mrs Robinson. By Command. With the Original Mad-Scenev. Admission as 2 April. Colman's Opera Register: Ye House & ye stage full ye King, Prince, &c. present

Performances

Mainpiece Title: Ernelinda

9373
10 June 1715 @ Drury Lane Theatre

Event Comment: Benefit Chetwood, Prompter, and King, Boxkeeper. Being the last time of the Company's Acting this Season

Performances

Mainpiece Title: The Tempest

9374
23 July 1715 @ King's Theatre

Event Comment: Listed only in Colman's Opera Register: No Opera performed since ye 23 July, ye Rebellion of ye Tories and Papists being ye cause--ye King and Court not liking to go into such Crowds these troublesome times

Performances

Mainpiece Title: Hydaspes

9375
27 August 1715 @ King's Theatre

Event Comment: By Command. With the Cloaths and several Scenes belonging to Amadis; with The Fountain Scene. Admission as 25 June. The King present

Performances

Mainpiece Title: Hydaspes

Dance: Dutch Skipper-delaGarde, Mrs Bullock