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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "King\'s Theatre in Paris"/1) | (@(roleclean,performerclean) "King\'s Theatre in Paris")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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8645 results for: Keyword - King's Theatre in Paris
We found 3836 matches on Event Comments, 3153 matches on Performance Title, 3135 matches on Performance Comments, 25 matches on Author, and 0 matches on Roles/Actors.

2276
23 May 1774 @ Covent Garden

Performances

Mainpiece Title: King Henry Ii

Afterpiece Title: Mother Shipton

2277
30 September 1774 @ Haymarket Theatre

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Thomasand Sally

Entertainment: End: Imitations vocal and rhetorical-Bannister

2278
24 November 1774 @ Covent Garden

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Golden Pippin

Cast
Role: Paris Actor: Mattocks

2279
26 November 1774 @ Covent Garden

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Padlock

Dance: End: The Vintage Festival, as17741007

2280
07 November 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: May Day

2281
09 November 1775 @ Covent Garden

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: The Englishman in Paris

2282
12 December 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Sultan or A Peep into the Seraglio

2283
22 February 1776 @ Covent Garden

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Deuce Is in Him

Dance: End: The Frolick, as17760217

2284
23 March 1776 @ Covent Garden

Performances

Mainpiece Title: King Lear

Afterpiece Title: Catherine and Petruchio

Dance: End: The Italian Gamesters, as17760305

2285
13 May 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Spleen

2286
21 May 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Deuce Is in Him

2287
08 June 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Devil to Pay

2288
17 September 1776 @ Haymarket Theatre

Performances

Mainpiece Title: King Henry Iv Part I With The Humours Of Sir John Falstaff

Afterpiece Title: The Irish Widow

Entertainment: End: Bucks Have at Ye All-Palmer

2289
06 October 1777 @ Covent Garden

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Royal Chace

Dance: As17771001

2290
13 October 1777 @ Covent Garden

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Apprentice

Dance: As17771001

2291
10 November 1777 @ Covent Garden

Performances

Mainpiece Title: King Lear

Afterpiece Title: Comus

2292
29 December 1777 @ Covent Garden

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Norwood Gypsies

Dance: Afterpiece: Dancing, as17771125, but _Aldridge, Langrish

2293
05 February 1778 @ Covent Garden

Performances

Mainpiece Title: King Lear

Afterpiece Title: Poor Vulcan

2294
07 December 1778 @ Covent Garden

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Medley

2295
01 January 1779 @ Covent Garden

Performances

Mainpiece Title: King Henry The Fifth

Afterpiece Title: Poor Vulcan

2296
06 March 1786 @ Covent Garden

Performances

Mainpiece Title: King Lear

Afterpiece Title: Love in a Camp

2297
28 July 1786 @ Windsor Castle Inn, King Street, Hammersmith

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Romp

2298
11 May 1789 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Siddons (the last Night of her Engagement). [She had 1st acted Juliet at Birmingham, 6 Sept. 1776, and 1st recited the Ode, written by Robert Merry (European Magazine, Apr. 1789, pp. 335-38), at the King's on 21 Apr.] Part of the Pit will be laid into the Boxes, To prevent Confusion, Ladies are desired to send their Servants by Half past Four o'Clock. Public Advertiser, 29 Apr.: Tickets to be had of Mrs Siddons, Gower-street, Bedford Square. "The pouting Scene with the old Nurse was the cleverest thing I ever saw--so pretty, so Babyish, so charming" (Thraliana, II, 748). On this and every Evening for the Remainder of the Season the Doors will not be opened till 5:30, and the Performance will commence exactly at 6:30. Receipts: #320 6s. 6d. (112.12.0; 11.12.0; 1.7.6; tickets: 194.15.0) (charge: #112 13s. 7d.)

Performances

Mainpiece Title: Romeo And Juliet

Cast
Role: Paris Actor: Barrymore

Afterpiece Title: The Toy Shop

Song: As17881117, but Vocal Parts-Miss Hagley, Miss _Collett

Entertainment: Monologue. End afterpiece: An Ode on the Recovery of His Majesty-Mrs Siddons; in the Character of Britannia. Conclude with: God save the King!-

2299
16 September 1789 @ King's Head Inn, Borough High Street, Southwark

Event Comment: Pit 1s. 6d. Gallery 1s. Upper Gallery 6d. The Doors to be opened at 6:00. To begin precisely at 7:00. Tickets to be had at the Eagle, Ram, White Horse, Antelope and King's Head. Geoghegan, printer, No. 3, Kent-Street, Borough, Southwark

Performances

Mainpiece Title: Inkle And Yarico

Entertainment: Vaudeville End Opera: [The Last new Squeeze for St. Paul's [i.e. British Loyalty]-Tunstall; [to conclude with a grand Chorus of God save the King-; [that sublime Soliloquy of Cato on Life Death and Immortality-Pope; [As a Gentleman lately asserted no Person in England could restore a Fowl to Life after its head should be cut off, it will be attempted by Pope. With several other of his tricks, particularly the Writing and Copying-Pope; [which for the Satisfaction of the Audience shall be explained how they are performed, and make every Person capable of doing the same. The whole to conclude with Divertisement Spanish and Venetian Speculums [consisting of Spanish Bull-baiting, and several other Diversions-Pope[, Venetian Processions and several curious Diversions, in beautiful Transparencies, interspersed with a Variety of Strictures, Satiric, Illustrive and Humourous

2300
11 May 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: True Blue Or A Bang At The Dons

Afterpiece Title: King Henry the Fifth

Afterpiece Title: The Follies of a Day

Entertainment: Monologue. End 2nd piece: (for this night only) The Monster Discovered-

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