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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "King\'s Theatre in Paris"/1) | (@(roleclean,performerclean) "King\'s Theatre in Paris")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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8645 results for: Keyword - King's Theatre in Paris
We found 3836 matches on Event Comments, 3153 matches on Performance Title, 3135 matches on Performance Comments, 25 matches on Author, and 0 matches on Roles/Actors.

1101
07 December 1666 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, where two acts were almost done when I come in; and there I sat with my cloak about my face, and saw the remainder of The Mayd's Tragedy; a good play, and well acted, especially by the younger Marshall, who is become a pretty good actor, and is the first play I have seen in either of the houses since before the great plague, they having acted now about fourteen days publickly. But I was in Mighty pain lest I should be seen by any body to be at a play. Elegy on that Worthy and Famous Actor, Mr Charles Hart, who departed this Life Thursday August the 18th., 1683: @Such Pow'r He had o'r the Spectators gain'd,@As forc'd a Real passion from a Feign'd.@For when they saw Amintor bleed, straight all@The House, for every Drop, a Tear let fall;@And when Arbaces wept by sympathy,@A glowing Tide of Wo gush'd from each Eye.@ [Reprinted in Thorn-Drury, A Little Ark, pp. 47ff; Sprague, Beaumont and Fletcher, p.38.

Performances

Mainpiece Title: The Maids Tragedy

1102
02 November 1667 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. Pepys, Diary: My wife and Willett and I to the King's playhouse, and there saw Henry the Fourth; and contrary to expectation, was pleased in nothing more than in Cartwright's speaking of Falstaffe's speech about "What is Honour?" The house full of Parliamentmen, it being holyday with them: and it was observable how a gentleman of good habit, sitting just before us, eating of some fruit in the midst of the play, did drop down as dead, being choked; but with much ado Orange Moll did thrust her finger down his throat, and brought him to life again

Performances

Mainpiece Title: Henry The Fourth

1103
06 November 1668 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. This performance is on the L. C. list, 5@12, p. 17: King & Queene. See also Nicoll, Restoration Drama, p. 344

Performances

Mainpiece Title: The Island Princess Or The Generous Portuguese

1104
20 October 1685 @ Drury Lane Theatre or Dorset Garden Theatre

Performances

Mainpiece Title: King And No King

1105
15 June 1704 @ Drury Lane Theatre

Performances

Mainpiece Title: King And No King

Dance: As17040613 particularly a French Peasant and his Wife-

1106
24 August 1719 @ Bartholomew Fair

Performances

Mainpiece Title: King Egbert King Of Kent And Monarch Of England Or The Union Of The Seven Kingdoms

1107
31 October 1733 @ Goodman's Fields

Performances

Mainpiece Title: The Funeral

Afterpiece Title: King and no King or The Polish Squabble

Dance: IV: A new Scots Dance by Miss Wherrit. V: Two Pierrots by D'Vallois and J. Delagarde

1108
01 November 1733 @ Goodman's Fields

Performances

Mainpiece Title: The Funeral

Afterpiece Title: King and no King

Dance: IV: Scot's Dance by Miss Wherrit. V: Amorous Couple by D'Vallois and Mlle D'Vallois

1109
22 October 1744 @ Drury Lane Theatre

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Afterpiece Title: The Amorous Goddess

1110
17 April 1750 @ Drury Lane Theatre

Event Comment: Benefit for Winstone and King. Tickets at Stage Door. Rec'd Cash #62 18s. 6d., plus #71 17s. from tickets. Total #134 15s. 6d. Paid King's Tax (Land) Windsor's House #10; Paid Mrs Swift for a suit of women's cloaths #12 14s. 6d.; Paid Knight (Lampman) month bill #7 8s. 6d.; Mrs Hobson a bill 16s. 6d. (Treasurer's Book). Receipts: #150 (Cross); charges, #63 (Treasurer's Book)

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: Miss in Her Teens

Dance: Grandchamps, Mlle Auretti

1111
17 October 1763 @ Drury Lane Theatre

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: Love at First Sight

Dance: IV: The Provancalle, as17631014

1112
12 April 1764 @ Drury Lane Theatre

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Register Office

Dance: End: The Irish Lilt, as17630922; End I Farce: Hornpipe-Miss Baker

1113
20 February 1766 @ Drury Lane Theatre

Performances

Mainpiece Title: The Clandestine Marriage

1114
14 March 1771 @ Drury Lane Theatre

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Author

1115
09 March 1773 @ Drury Lane Theatre

Performances

Mainpiece Title: Alonzo

Afterpiece Title: A Peep behind the Curtain

1116
14 March 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Register Office

Dance: The Sailors Revels, as17730928

Monologue: End: Linco's Travels. Linco-King; Old Woman-Mrs Bradshaw

1117
24 September 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Meeting of the Company

Afterpiece Title: The Padlock

1118
23 November 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: She Would And She Would Not Or The Kind Imposter

Afterpiece Title: Queen Mab

Dance: End: The Merry Peasants, as17751018

1119
12 March 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: A Woman Is A Riddle

Afterpiece Title: Bon Ton

Dance: End: The Grand Garland Dance, as17760311

1120
22 April 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: The Fair Quaker

Afterpiece Title: Bon Ton

1121
09 November 1789 @ White Horse Inn, Parsons Green, Fulham

Event Comment: Benefit for Jones. Tickets to be had of Jones at the White Horse, Parson's Green; at the King's Arms, Fulham; Ship, Fulham; and the George, Walham Green. Afterpiece: It is hoped that the greatest Attention will be paid, as it is impossible for the Company to cogitate throughtout the Cogibundity of Cogitations, unless the most profound Profundity of Thought is observed. Pit 2s. Gallery 1s. Good Fires in the Pit

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Chrononhotonthologos

Entertainment: Monologue. End: the tale of Edwin and Emma-Jones

1122
17 October 1791 @ Covent Garden

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Crusade

1123
27 April 1792 @ Drury Lane at King's Theatre

Performances

Mainpiece Title: The Fugitive

Afterpiece Title: High Life below Stairs

1124
17 May 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: The ew

Afterpiece Title: BON TON

1125
29 April 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Wedding Day

Entertainment: Monologue.End: a Serio-Comic, Poetic, Prosaic Paraphrase on Shakespeare's Seven Ages-King